Rick Rossovich Movies

In this Hitchcockian thriller, a wealthy and naive young sculptor learns that people are not always nice and helpful. His first mistake is to fall for the seductress who runs the gallery that has an exclusive on his work. He then hooks up with an insane art collector who gets jealous of the gallery owner's hold on the artist and commits murder, leaving the sculptor to take the blame. ~ Sandra Brennan, All Movie Guide

14 Going on 30 starts out like Candida and ends up like Back to the Future. 14-year-old Danny O'Neill (Gabey Olds), carrying a torch for his teacher, Peggy Noble (Daphne Ashbrook), can only suffer in silence as Peggy plans to marry brutish gym instructor "Jackjaw" Kelton (Rick Rossovich). With the help of his nerdy pal Lloyd's (Adam Carl) experimental growth accelerator, Danny becomes an overnight adult (now played by Steve Eckholdt). While in his 30-year-old state, Danny intends to expose Jackjaw as the jerk he is-only to end up in hot water himself. Loretta Swit, Patrick Duffy, Alan Thicke and Dick Van Patten guest-star in this made-for-TV movie, originally presented in two parts (March 6 and 13, 1988) on the Disney Sunday Movie anthology. ~ Hal Erickson, All Movie Guide

The daughter of a wealthy American entrepreneur is sent to a monastery on a remote Yugoslavian mountainside, where it is rumored the monks have developed an exquisite cognac recipe. The money-making American wants his daughter to get the recipe so they can market the spirits. Things complicate when she falls for a very good-looking monk. ~ All Movie Guide

This modernization of Edmond Rostand's Cyrano de Bergerac casts Steve Martin as C. D. Bates, the fearless, quick-witted fire chief of a Washington State resort town. Bates' most trusted fireman is the handsome but tongue-tied Chris McDonell (Rick Rossovich). Both men are in love with the beautiful Roxanne Kowalski (Darryl Hannah), but Bates, adorned with a huge nose that makes Bob Hope look like Nanette Fabray, is convinced that he's too homely to win Roxanne's heart. Thus, in the self-sacrificing tradition of Cyrano de Bergerac, Bates courts Roxanne vicariously by feeding his rival Chris the proper romantic words and phrases. The inherent pathos in Roxanne is offset by moments of slapstick, notably the scene wherein C. D. Bates vanquishes a pair of hooligans with a tennis racket. Steve Martin himself is credited with the screenplay for Roxanne, though he generously cites Edmond Rostand as his inspiration. ~ Hal Erickson, All Movie Guide

In this excellent thriller, crisply directed by Sidney Lumet, Alex Sternbergen (Jane Fonda), a washed-up, alcoholic actress who never quite made it, wakes up one morning in an unfamiliar, luxurious loft apartment, only to find the corpse of a stranger next to her in bed. Alex can remember nothing of the night before. In a panic, she tries to flee but is unable to get a flight out of Los Angeles, and short of cash, she hitches a ride with Turner Kendall (Jeff Bridges), a disabled former policeman who happens to be fixing his car in the airport parking lot. Alex tries to get rid of Turner and returns to the loft which she cleans in a futile attempt to get rid of her finger prints. Turner continues to take an unappreciated interest in Alex and keeps turning up unexpectedly, much to her annoyance. Finally, desperate and on the run, and never sure that she didn't commit the murder, Alex allows Turner to help her. Alex also confides in and is helped by her ex-husband and friend Joaquin Manero (Raul Julia), the only man she completely trusts. Despite Alex's suspicion of Turner, she slowly falls in love with him. The movie quickly moves to a surprising conclusion, and creates a good deal of suspense, particularly when Alex is confronted with a corpse that just won't stay put. The highlight of the film is the performance by Jane Fonda reminiscent of her magnificent performance as Bree Daniels in Klute. The Morning After never rises to the quality of Klute, but Fonda's performance was strong enough to earn her an Oscar nomination. ~ Linda Rasmussen, All Movie Guide

In yet another rubber-stamped, mid-'80s teen dancing film, hot on the success of Flashdance, a group of high schoolers called the "Adventurers Eight" from Sandusky, Ohio (known by Midwest teens for its large amusement park), decide to undertake a journey to New York City to enter the Big Showdown, a dance competition with corporate sponsors. As though Sandusky were somehow insulated from the teen culture that otherwise spreads new trends like wildfire, these teens are not aware of the latest dance crazes on the streets of New York, something they pick up while in the city. But misfortune strikes, and they lose their one connection to entering the big contest. They then have to survive the usual con artists or worse -- look for another way to get into the competition. If this script had been rehauled by teens familiar with their real language and attitudes, then the title Fast Forward would apply more to the action in the movie than the remote control. ~ Eleanor Mannikka, All Movie Guide

More like a series of MTV sequences than a long-term narration, this super-thin story line focuses on a kidnapped singer (Diane Lane) and her ex-boyfriend (Michael Pare) who goes forth to save her through rainy streets, the roar of elevated subways, several alleys, and the usual warehouses. Each thrust of the story has rock music that follows along with the narration. ~ Eleanor Mannikka, All Movie Guide

Adapted from a long novel by Pat Conroy, the story is shortened to focus on a harrowing account of institutional racism in the 1960s American South. David Keith stars as Will McLean, a senior student at the fictional Carolina Military Institute. When the school admits its first black student, McLean is confidentially charged with making sure that the newcomer's initiation does not get too violent. Yet that is exactly what happens, and McLean becomes alarmed when it seems like someone is out to kill his new charge. McLean's own investigation of the matter uncovers an elusive group of sadistic students who will go to any length to control their school. ~ Bernadette McCallion, All Movie Guide

There is hardly any variation on the stereotyped teens-and-sex movie in this story about four high school seniors who travel to Mexico to find a brothel and have something to brag about when they get back home. Among the four is the sensitive Woody (Tom Cruise) who is not sure he wants this trip, the nerd Wendell (John P. Navin, Jr.), the jock Spider (John Stockwell), and the big-talker Dave (Jackie Earle Haley). As the four set off on their adventure, they give a ride to Kathy (Shelley Long), a woman who is a bit ditsy, but decent, going to Mexico to get a divorce from her husband. Once south of the border the quintet meet up with a wide range of clichéd Mexican types and work out their individual experiences in the manner to which teen movies are accustomed. ~ Eleanor Mannikka, All Movie Guide