Norman Rossington Movies

During the first worldwide flush of Beatlemania in 1964, United Artists wanted to ship out a movie with The Beatles before their vogue was over. Working within a tight $500,000 budget, director Richard Lester turned out A Hard Day's Night in a fast 6 1/2 weeks; the picture was in the theatres three months after shooting commenced. Using a variety of techniques cribbed from Hollywood slapstick comedies, the French "new wave" movement, and his own experiences as a TV-commercial director, Lester, with screenwriter Alun Owen, fashioned an exhilarating study of a "typical" 36 hours in the lives of the Fab Four. Onto a plot about getting to the Big Show on time are hung a series of instant-reaction gags, character vignettes, and musical setpieces. Much of the humor arises from Paul McCartney's efforts to keep his grandfather (Wilfred Brambell), a "clean old man," from getting into mischief. Also good for several laughs is the hookey-playing Ringo Starr, whose mistimed declaration of independence lands him in jail. We are also treated to a war of nerves between the unflappable John Lennon and an uptight TV director (Victor Spinelli), who worries that, should the Beatles not show up at broadcast time, he'll be demoted to "News In Welsh." George Harrison stars in a sequence in which he is mistaken for an auditionee by the producer (Kenneth Haigh) of a superficially trendy, teen-oriented TV weekly. Then there's Norman Rossington and John Junkin as The Beatles' managers, who carry on a battle royale simply because one man is taller than the other. The supporting cast includes comedienne Anna Quayle, cartoonist Bob Godfrey, TV host Robin Ray, dancer Lionel Blair, Harrison's future wife Patti Boyd, and director Lester himself. The songs include "I Should Have Known Better," "And I Love Her," "Tell Me Why," "If I Fell," "Can't Buy Me Love," and the title song. ~ Hal Erickson, All Movie Guide

The "Carry On" gang take on employment agencies in this labored edition to the long-running comedy series. Sidney James is Bert Handy, who starts an employment agency by the name of "Helping Hands, Ltd." Bert proceeds to hire a bunch of loonies to do a collection of screwball jobs employers want done. As is usually the case, the employees make hash out of every assignment given to them. In fact, the agency is so unsuccessful that their landlord (Stanley Unwin) tries to have the business removed from his premises by raising their rent. But the landlord makes a deal with Bert that if his company can fix up an old house, they can have a 99-year lease on the property. Chaos ensues. ~ Paul Brenner, All Movie Guide

In this children's sports drama the police team up with a local soccer league help a children's team thwart the evil plans of a local leader. ~ Sandra Brennan, All Movie Guide

The exploits of the title sheepdog provide the basis of this family-oriented comedy fantasy. Digby started out as an ordinary puppy but then one day got in to a bowl full of Project X, a special formula meant to grow larger vegetables. As he galumphs along in the countryside causing all kinds of trouble, the Army decides to blow the big woofer to kingdom come. Fortunately for Digby, his devoted owner is frantically searching for the serum that will save him. ~ Sandra Brennan, All Movie Guide

Expert Brtish farceurs Reg Varney and Norman Rossington carry the weight of Double Take on their bony shoulders. Our heroes are a pair of waiters, who enter into a financial agreement with a gang of crooks. When the boys can't pay off, they're dead men walking. So they stop walking and start running-directly to a movie studio, where sexy film star Sue Lloyd helps them hide out. Needless to say, Varney and Rossington upset the studio's decorum in record time. ~ Hal Erickson, All Movie Guide

For reasons unknown, British character comedian Norman Rossington never listed the obscure children's series Follow That Dog on his official resumé. For the record, the weekly, 25-minute series top-billed Rossington as Police Constable Fogg, a particularly thick-witted officer who invariably solved difficult cases with the assistance of a telepathic dog. Featured in the cast was the toothsome Patsy Rowlands as Sgt. Bryant. The six episodes of Follow That Dog were beamed out by Britain's Southern Television from November 13 to December 18, 1974. ~ Hal Erickson, All Movie Guide

Three losing crooks are featured as Stooge-like misfits (sans slapstick) in this conventional comedy by director Michael Truman. Bernard (Dave King) is the ringleader, while Harry and Alfie (Daniel Massey and Norman Rossington) do their best to contribute to the trio's success -- and fail each time. First the group screw up their escape after a robbery because they are stuck in traffic by a fire engine. That gives them the idea of getting a fire engine to pull off a heist, and that goes wrong because they are detoured to a real fire. Next, they recruit an ex-fireman with a record for setting blazes himself (Robert Morley) in the hopes that a decoy fire can take attention away from the bank they want to rob. With their batting average, the bank seems fairly safe. ~ Eleanor Mannikka, All Movie Guide

I Only Arsked! was adapted by Jack Davies from his popular, long-running BBC TV series The Army Game. Cpl. Springer (Michael Medwin), Popeye Poppiewell (Bernard Bresslaw) and Excused Boots Bisley (Alfie Bass) are but three of the habitual foul-ups assigned to the command of Major Upshot Bagley (Geoffrey Sumner). On duty in the Middle East, this awkward squad is assigned to quell a revolution. Despite several monumental blunders, the squad manages to complete their task successfully, and even find time to dally with a few nubile harem girls. The level of humor in I Only Arsked! will perhaps best be appreciated by fans of the original series. ~ Hal Erickson, All Movie Guide

Tony Richardson attempts to re-create the glory days of Tom Jones in this adaptation of the 1742 Henry Fielding novel. Peter Firth stars in this picaresque tale as Joseph Andrews, a young servant switched at birth who undergoes a series of romantic escapades. Joseph even has the fortune of becoming the personal footman to Lady Booby (Ann-Margaret). Joseph's romantic peccadilloes cause consternation among a collection of stuffy noblemen and women in 18th-century England. ~ Paul Brenner, All Movie Guide

This sweeping, highly literate historical epic covers the Allies' mideastern campaign during World War I as seen through the eyes of the enigmatic T. E. Lawrence (Peter O'Toole, in the role that made him a star). After a prologue showing us Lawrence's ultimate fate, we flash back to Cairo in 1917. A bored general staffer, Lawrence talks his way into a transfer to Arabia. Once in the desert, he befriends Sherif Ali Ben El Kharish (Omar Sharif, making one of the most spectacular entrances in movie history) and draws up plans to aid the Arabs in their rebellion against the Turks. No one is ever able to discern Lawrence's motives in this matter: Prince Feisal (Alec Guinness) dismisses him as yet another "desert-loving Englishman," and his British superiors assume that he's either arrogant or mad. Using a combination of diplomacy and bribery, Lawrence unites the rival Arab factions of Feisal and Auda Abu Tayi (Anthony Quinn). After successfully completing his mission, Lawrence becomes an unwitting pawn of the Allies, as represented by Gen. Allenby (Jack Hawkins) and Dryden (Claude Rains), who decide to keep using Lawrence to secure Arab cooperation against the Imperial Powers. While on a spying mission to Deraa, Lawrence is captured and tortured by a sadistic Turkish Bey (Jose Ferrer). In the heat of the next battle, a wild-eyed Lawrence screams "No prisoners!" and fights more ruthlessly than ever. Screenwriters Robert Bolt and Michael Wilson used T. E. Lawrence's own self-published memoir The Seven Pillars of Wisdom as their principal source, although some of the characters are composites, and many of the "historical" incidents are of unconfirmed origin. Two years in the making (you can see O'Toole's weight fluctuate from scene to scene), the movie, lensed in Spain and Jordan, ended up costing a then-staggering $13 million and won seven Academy Awards, including Best Picture and Best Director. The 1962 Royal Premiere in London was virtually the last time that David Lean's director's cut was seen: 20 minutes were edited from the film's general release, and 15 more from the 1971 reissue. This abbreviated version was all that was available for public exhibition until a massive 1989 restoration, at 216 minutes that returned several of Lean's favorite scenes while removing others with which he had never been satisfied. ~ Hal Erickson, All Movie Guide

Not a sequel to Richard Harris' A Man Called Horse as is sometime alleged, 1971's Man in the Wilderness nonetheless bears a marked resemblance to that earlier film. Star Harris plays a trapper who joins a Northwest Territory expeditionary group. Left for dead after running afoul of a grizzly bear, Harris struggles to regain his strength and exact vengeance against John Huston, the man who deserted him. Flashbacks reveal who Harris is and how he's come to this. Man in the Wilderness alternates between a blood-spattered retribution tale and a gutsy one-man show for frostbitten Richard Harris. ~ Hal Erickson, All Movie Guide

In this British comedy, a new nurse comes to replace her predecessor, the town pump, in an English country town. Soon, she herself becomes grist for the nasty town rumor mill. Fortunately, she becomes friends with the town doctor, his son, and shop owner. As the nurse is a dreadful driver, she gets into an accident with a wealthy farmer who falls in love with her. Later he attempts to evict a young couple staying on his property, but the nurse argues for the woman who is almost ready to have a baby. It is she that delivers the babe in a field thereby winning her the affection and respect of the villagers and the wealthy farmer. ~ Sandra Brennan, All Movie Guide

An Anglo-American co-production, S.O.S. Titanic is a costly, 150-minute reenactment of the infamous sea disaster of 1912. Heading the cast is David Janssen as millionaire John Jacob Astor, who went down with the Titanic, and Cloris Leachman as raucous Denver dowager Molly Brown, who didn't (for the record, Leachman had previously played Brown on a 1957 episode of the TV anthology Telephone Time). Third-billed is Susan Saint James as fictional passenger Leigh Goodwin, who carries most of the dramatic load. Written by Hallmark Hall of Fame veteran James Costigan, the made-for-television S.O.S. Titanic premiered September 23, 1979. In subsequent network and syndicated showings, the film was pared down to 102 minutes. ~ Hal Erickson, All Movie Guide