Norman Rossington Movies

In this comedy, an ad man attempts to promote his brother-in-law's new cleaning machine. He is backed by a member of the Purity League. It isn't easy, but he eventually helps the product go public. ~ Sandra Brennan, All Movie Guide

One of several British melodramas picked up for American distribution by Columbia in the late 1950s, The Long Haul stars Victor Mature and Diana Dors, two of the prettiest and most amply endowned screen personalities of the era. Mature is cast as American ex-GI Harry Miller, who takes a job as a truck driver to support his British war bride Connie (Gene Anderson). It isn't long, however, before Harry is blackmailed into joining a smuggling operation run by the conniving Casey (Liam Redmond). His resolved momentarily weakened by his obsession with gang moll Lynn (Diana Dors), Harry finally decides to turn honest again--if the other crooks will let him live that long. Director Ken Hughes adapted the screenplay from a novel by Mervyn Mills. ~ Hal Erickson, All Movie Guide

This first entry in the long-running (some would say interminable) British "Carry On" series is at base a collection of motheaten army jokes, albeit served up with freshness and energy. Future Doctor Who star William Hartnell plays Sergeant Major Grimshaw, whose fondest wish is to win the coveted Best Troop Award before his retirement. Alas, this may never come to pass: his newest batch of conscripts include some of the biggest and stupidest foul-ups in military history. Popular comedian-cartoonist Bob Monkhouse and cockney bombshell Shirley Eaton head up the supporting cast, which includes such "Carry On" stalwarts-to-be as Kenneth Connor, Charles Hawtrey and Kenneth Williams. Carry On Sergeant was very loosely based on The Bull Boys, a novel by R. F. Delderfield. ~ Hal Erickson, All Movie Guide

The "Carry On" gang take up residence in the men's ward of a British hospital in this wildly funny and wildly crude farce. There's not much of a plot, but plenty of nudging and winking, as the male patients line up by their bedpans as a mixed assortment of female nurses tend to their every whim. Included in the menagerie is Bert Albie (Wilfrid Hyde White), who enjoys killing time by taunting an overweight student nurse; Bernie Bishop (Kenneth Connor), a sharp-tongued boxer; and Hinton (Charles Hawtrey), who likes to amuse himself at the radio. There's also a slight romantic storyline, hinging around Ted York (Terence Longdon) and his amorous advances upon the attractive Nurse Denton (Shirley Eaton). But the gag's the thing in this rambunctious entry. ~ Paul Brenner, All Movie Guide

"All I want is a good time. The rest is propaganda." That's the philosophy of archetypal British "angry young man" Arthur Seaton (Albert Finney). A middle-class working stiff in a dead-end job, Arthur's principal goal in life is to survive the work week, then spend the weekend raising as much hell and drinking as much beer and other liquor as possible. Since pleasure is all that Arthur lives for, he thinks nothing of starting up an affair with the wife (Rachel Roberts) of one of his co-workers (Bryan Pringle). His efforts to secure her an abortion when he gets her pregnant stem not out of concern for her but out of his own selfishness: why should he be tied down with a squalling brat? Despite his carousing and his ongoing desire to escape the dull routine of his weekday existence, Arthur is doomed to perpetuate that routine via his marriage to a complacent "nice" girl (Shirley Ann Field) from his own neighborhood. ~ Hal Erickson, All Movie Guide

This sweeping, highly literate historical epic covers the Allies' mideastern campaign during World War I as seen through the eyes of the enigmatic T. E. Lawrence (Peter O'Toole, in the role that made him a star). After a prologue showing us Lawrence's ultimate fate, we flash back to Cairo in 1917. A bored general staffer, Lawrence talks his way into a transfer to Arabia. Once in the desert, he befriends Sherif Ali Ben El Kharish (Omar Sharif, making one of the most spectacular entrances in movie history) and draws up plans to aid the Arabs in their rebellion against the Turks. No one is ever able to discern Lawrence's motives in this matter: Prince Feisal (Alec Guinness) dismisses him as yet another "desert-loving Englishman," and his British superiors assume that he's either arrogant or mad. Using a combination of diplomacy and bribery, Lawrence unites the rival Arab factions of Feisal and Auda Abu Tayi (Anthony Quinn). After successfully completing his mission, Lawrence becomes an unwitting pawn of the Allies, as represented by Gen. Allenby (Jack Hawkins) and Dryden (Claude Rains), who decide to keep using Lawrence to secure Arab cooperation against the Imperial Powers. While on a spying mission to Deraa, Lawrence is captured and tortured by a sadistic Turkish Bey (Jose Ferrer). In the heat of the next battle, a wild-eyed Lawrence screams "No prisoners!" and fights more ruthlessly than ever. Screenwriters Robert Bolt and Michael Wilson used T. E. Lawrence's own self-published memoir The Seven Pillars of Wisdom as their principal source, although some of the characters are composites, and many of the "historical" incidents are of unconfirmed origin. Two years in the making (you can see O'Toole's weight fluctuate from scene to scene), the movie, lensed in Spain and Jordan, ended up costing a then-staggering $13 million and won seven Academy Awards, including Best Picture and Best Director. The 1962 Royal Premiere in London was virtually the last time that David Lean's director's cut was seen: 20 minutes were edited from the film's general release, and 15 more from the 1971 reissue. This abbreviated version was all that was available for public exhibition until a massive 1989 restoration, at 216 minutes that returned several of Lean's favorite scenes while removing others with which he had never been satisfied. ~ Hal Erickson, All Movie Guide

The Longest Day is a mammoth, all-star re-creation of the D-Day invasion, personally orchestrated by Darryl F. Zanuck. Whenever possible, the original locations were utilized, and an all-star international cast impersonates the people involved, from high-ranking officials to ordinary GIs. Each actor speaks in his or her native language with subtitles translating for the benefit of the audience (alternate "takes" were made of each scene with the foreign actors speaking English, but these were seen only during the first network telecast of the film in 1972). The stars are listed alphabetically, with the exception of John Wayne, who as Lt. Colonel Vandervoort gets separate billing. Others in the huge cast include Eddie Albert, Jean-Louis Barrault, Richard Burton, Red Buttons, Sean Connery, Henry Fonda, Gert Frobe, Curt Jurgens, Peter Lawford, Robert Mitchum, Kenneth More, Edmond O'Brien, Robert Ryan, Jean Servais, Rod Steiger and Robert Wagner. Paul Anka, who wrote the film's title song, shows up as an Army private. Scenes include the Allies parachuting into Ste. Mere Englise, where the paratroopers were mowed down by German bullets; a real-life sequence wherein the German and Allied troops unwittingly march side by side in the dark of night; and a spectacular three-minute overhead shot of the troops fighting and dying in the streets of Quistreham. The last major black-and-white road-show attraction, The Longest Day made millions, enough to recoup some of the cost of 20th Century Fox's concurrently produced Cleopatra. ~ Hal Erickson, All Movie Guide

In this British comedy, a new nurse comes to replace her predecessor, the town pump, in an English country town. Soon, she herself becomes grist for the nasty town rumor mill. Fortunately, she becomes friends with the town doctor, his son, and shop owner. As the nurse is a dreadful driver, she gets into an accident with a wealthy farmer who falls in love with her. Later he attempts to evict a young couple staying on his property, but the nurse argues for the woman who is almost ready to have a baby. It is she that delivers the babe in a field thereby winning her the affection and respect of the villagers and the wealthy farmer. ~ Sandra Brennan, All Movie Guide

During the first worldwide flush of Beatlemania in 1964, United Artists wanted to ship out a movie with The Beatles before their vogue was over. Working within a tight $500,000 budget, director Richard Lester turned out A Hard Day's Night in a fast 6 1/2 weeks; the picture was in the theatres three months after shooting commenced. Using a variety of techniques cribbed from Hollywood slapstick comedies, the French "new wave" movement, and his own experiences as a TV-commercial director, Lester, with screenwriter Alun Owen, fashioned an exhilarating study of a "typical" 36 hours in the lives of the Fab Four. Onto a plot about getting to the Big Show on time are hung a series of instant-reaction gags, character vignettes, and musical setpieces. Much of the humor arises from Paul McCartney's efforts to keep his grandfather (Wilfred Brambell), a "clean old man," from getting into mischief. Also good for several laughs is the hookey-playing Ringo Starr, whose mistimed declaration of independence lands him in jail. We are also treated to a war of nerves between the unflappable John Lennon and an uptight TV director (Victor Spinelli), who worries that, should the Beatles not show up at broadcast time, he'll be demoted to "News In Welsh." George Harrison stars in a sequence in which he is mistaken for an auditionee by the producer (Kenneth Haigh) of a superficially trendy, teen-oriented TV weekly. Then there's Norman Rossington and John Junkin as The Beatles' managers, who carry on a battle royale simply because one man is taller than the other. The supporting cast includes comedienne Anna Quayle, cartoonist Bob Godfrey, TV host Robin Ray, dancer Lionel Blair, Harrison's future wife Patti Boyd, and director Lester himself. The songs include "I Should Have Known Better," "And I Love Her," "Tell Me Why," "If I Fell," "Can't Buy Me Love," and the title song. ~ Hal Erickson, All Movie Guide

In this children's sports drama the police team up with a local soccer league help a children's team thwart the evil plans of a local leader. ~ Sandra Brennan, All Movie Guide

Years before the story proper in The Wrong Box gets under way, a "tontine" is drawn up on behalf several young British boys. Each of the boys' parents had placed 1000 pounds in a pool, to be invested and expanded upon. The resultant fortune will go to the last surving member of the tontine. A series of montages depicts the various demises of the heirs (our favorite occurs when one of them is inadvertently beheaded while being knighted by Queen Victoria). Finally, only two of the tontine participants are left: aged brothers Ralph Richardson and John Mills. On his last legs, Mills is determined that Richardson will not outlive him, and to that end attempts to kill his brother; each attempt fails spectacularly, with the doddering Richardson none the wiser. Standing to benefit from the tontine are Mills' dimwitted med-student son Michael Caine and Richardson's greedy nephews Peter Cook and Dudley Moore. When Richardson is supposedly killed in a train wreck, Cook and Moore don't want the authorities to find out, so they appropriate what they think is their uncle's corpse and ship it home in a box. Thus it is that Caine finds the body of a perfect stranger on his doorstep. The farcical complications begin flying about thick and fast from this point onward. Among the participants in this wacky gigglefest are such formidable talents as Peter Sellers, Tony Hancock, Wilfred Lawson, Thorley Walters, Norman Rossington, Irene Handl and Cicely Courtenedge. Based on a novel by Robert Louis Stevenson, The Wrong Box is a delightful harkback to the glory days of Britain's Ealing comedies. We were so wrapped up in the story that we didn't even notice all those TV antennae sprouting up on the rooftops of Victorian London. ~ Hal Erickson, All Movie Guide

Elvis Presley plays Guy Lambert, a musician (so far, so good) who is touring Great Britain (something Elvis never managed in real life). Jill Conway (Annette Day), a wealthy heiress, is a big fan of Guy's who has developed a very serious crush on him; her family wants to keep her away from the romantically-inclined singer, so they send her to Belgium, not realizing that Guy has a string of gigs set up there. En route to Brussels, a pair of hapless jewel thieves (Norman Rossington and Chips Rafferty) hide their loot in Guy's luggage, which makes the singer the unwitting target of three equally inept detectives (Harry, Herbert, and Sylvester Wiere). While wooing Jill and avoiding her treacherous uncle Gerald (John Williams), Guy also finds himself pursued by the worldly Claire Dunham (Yvonne Romain). Elvis sings nine songs along the way, including "Long Legged Girls with Short Dresses On" and "Baby, if You Give Me All Your Love." 18 months after Double Trouble was released, Presley's career was revitalized by his 1968 comeback special, though he would also release four more films before it aired. ~ Mark Deming, All Movie Guide

During the ill-fated charge of British troops at Balaclava in the Crimean War, loyal soldiers who blindly followed orders were led to certain death. This is the fifth time the story has been told on film, but the actual event is an afterthought to the main plot. Snobbish aristocrats and ineffectual politicos combine with pompous blue-bloods to make decisions affecting 600 men thousands of miles away. A decidedly anti-war and satirical slant is presented, as inept generals stand knee-deep in bodies, each blaming the other for the fiasco. Vividly underscored here is the fanaticism, dedication, and blind loyalty which caused the total annihilation of hundreds of soldiers. This 5-million-dollar epic film recouped only 1 million after the initial release, leaving critics to compare the real-life disaster with the financial one suffered by the producers. Trevor Howard, John Gielgud and Vanessa Redgrave head the excellent cast. ~ Dan Pavlides, All Movie Guide