Sandi Ross Movies

A guy attempting to win the heart of his pretty coworker finds himself competing for her affections with a smooth talking robot in this quirky, sci-fi romantic comedy. Kent is a nice guy with a boring job. Lately, he's developed a crush on one of his colleagues - an attractive office worker named Allison. Trouble soon arises, however, in the firm of a handsome new robot employee. Before long, even Allison is getting flirtatious with the sociable cyborg. Enlisting the aid of his techno buddy Garth, Kent schemes to show up his robotic nemesis by proving that machine is no competition for man - a stance easier stated than proven. ~ Jason Buchanan, All Movie Guide

Four people of faith must take it upon themselves to save the soul of humanity in this sequel to Left Behind. When millions of people around the world suddenly disappear into thin air, the entire globe is thrown into chaos, and in the midst of this confusion and uncertainty, Nicolae Carpathia (Gordon Currie), international media magnate and president of the United Nations, steps forward as the leader who will guide all the world's nations in this difficult time. However, television journalist Buck Williams (Kirk Cameron) knows the truth behind what has happened -- the mass disappearances were the result of the Rapture, predicted in the Holy Bible as the beginning of the End Times, and Carpathia is, in fact, the Antichrist. Williams falls in with three remaining believers -- pastor and biblical scholar Bruce Barnes (Clarence Gilyard Jr.), airline pilot-turned-believer Rayford Steele (Brad Johnson), and Steele's headstrong 20-year-old daughter, Chloe (Janaya Stephens). Calling themselves the Tribulation Force, the foursome travel the world, attempting to spread the word about Carpathia and tending to the needs of the wounded; in the course of their work, Buck and Chloe fall in love, while Barnes comes to terms with the loss of his wife and child. But when sinister events occur in Israel at the site of the Wailing Wall, the Tribulation Force suspects Carpathia may have some more unpleasant surprises up his sleeve. Adapted from the popular series of Christian thrillers by Rev. Tim LaHaye and Jerry B. Jenkins, Left Behind II: Tribulation Force, like the first Left Behind picture, was produced by Christian production company Cloud Ten Productions; both films were first marketed on home video, and later released to theaters to widen their public profile. ~ Mark Deming, All Movie Guide

This made-for-cable docudrama stars Penelope Ann Miller as the infamous Mary Kay Letourneau, the married-with-children Seattle schoolteacher who made national headlines when she had an affair with one of her sixth-grade students, 13-year-old Vili Fualaau (Omar Anguiano). Landing in jail on a statutory rape charge, and ultimately bearing Fualaau's baby, Letourneau is released with a warning to stay away from her youthful inamorta. But she is unable to do so, and the result is another out-of-wedlock baby by the same young man. The teleplay, by Julie Herbert, suggests that Letourneau's inability to control her emotions and impules stemeed from her relationship with her mother, a woman who regarded any sign of affection as a form of weakness. Ultimately, however, Mary Kay Letourneau remains an enigma, and it is up to the viewer to determine whether her behavior was motivated by true love or by a psychotic need for "approval". The Mary Kay Letourneau Story: All American Girl debuted over the USA network on January 18, 2000. ~ Hal Erickson, All Movie Guide

Made for television, The Taking of Pelham One Two Three is adapted from the suspense novel by John Godey, previously filmed as a theatrical feature in 1974. The earlier version was highlighted by the verbal cat-and-mouse game between a cynical veteran NYPD detective, played by Walter Matthau, and a world-weary master criminal, played by Robert Shaw. The remake offers two detectives, Piscotti (Edward James Olmos and Ray (Lorraine Bracco), who match wits with a man calling himself Mr. Blue (Vincent D'Onofrio), who has masterminded the hijacking of a New York subway car. As his cohorts hold the 14 passengers hostage, Mr. Blue demands a $5 million ransom, to be delivered in one hour, or else the captives will be killed one by one. Though the dark humor which pervaded the 1974 version is largely absent here, the remake pulls off the neat trick of being highly suspenseful and subtle and low-key at the same time. The Taking of Pelham One Two Three debuted February 1, 1998, on CBS. ~ Hal Erickson, All Movie Guide

Co-star Denis Leary co-wrote the script for this romantic comedy-drama. Leary plays Frank O'Brien, a no-class, small-time hood who is the boyfriend of Roz (Sandra Bullock), a cashier with a New York Jewish background who dreams of settling down and having kids. Roz wants out of the relationship but is fearful to break up. On a Friday, she accompanies Frank as he steals a painting. He tells her that it's his last job as a thief. Frank plans the delivery for Sunday evening so that they can turn the job into a getaway weekend. They go to a New England town and break into a huge home; the owners are on vacation. A sophisticated neighbor, Evan Marsh (Stephen Dillane), believes that they are friends of the owners' children and invites them to a party. Evan is an upper-class bachelor and is attracted to Roz. Roz goes horseback riding and boating with him, pretending a sophistication she doesn't possess, while Frank fumes at the rich rival. Meanwhile, Frank's crime boss Beano (Wayne Robson) learns that the painting Frank has stolen is a four-million-dollar Matisse and comes to the town with three henchmen. They are pursued by Detective O'Malley (Yaphet Kotto), who is trying to find a mysterious master art thief. ~ Michael Betzold, All Movie Guide

Jessica Tandy made one of her final screen appearances in this comic road movie. Freda (Bridget Fonda) is a would-be singer and songwriter who would like a career as a performer but lacks the courage; it doesn't help that her husband Vincent (Elias Koteas), a graphic artist, keeps insisting that her interest in music is merely a hobby. Hoping to put some spark back into their marriage, Freda and Vincent take a vacation to Georgia, where they meet Camilla (Jessica Tandy), who lives in the main house near their cottage. Freda discovers that Camilla was once a musician; she claims to have enjoyed a stellar career as a concert violinist in her native Canada, and she knew only the best people (although Freda isn't sure that she believes all Camilla's stories, especially Ghandi's fondness for enemas). While Vincent gets involved in a business deal with Camilla's son Harold (Maury Chaykin), who produces sleazy exploitation films, Camilla regales Freda with stories about her greatest triumph, performing the Brahms Violin Concerto at Toronto's Winter Garden Theater. When Camilla discovers that the Brahms concerto is to be performed soon at the Winter Garden, Camilla and Freda decide that this is something they should see, and the pair hits the road to the Great White North, meeting a remarkable variety of people along the way. Tandy's husband and frequent co-star Hume Cronyn has a supporting role as one of Camilla's former beaus; it was their last picture together. ~ Mark Deming, All Movie Guide

In this comedy from writer-director John Boorman, wealthy real estate mogul Stewart McBain (Dabney Coleman) owns a demolition firm which specializes in blowing up old buildings to make way for upscale new ones. When neighbors protest his plans to raze a dilapidated old building to make way for a new Brooklyn subdivision, television crews film the confrontation, and McBain comes off like a fool. His three spoiled children ridicule him. Tired of their carping, McBain gives them each $750 and drops them off at the old building, known as the Dutch House. Daphne (Uma Thurman), Chloe (Suzy Amis) and Jimmy (David Hewlett) are at first completely lost, because they have no idea how to live in the real world. As McBain and his wife Jean (Joanna Cassidy) monitor their children's progress, the three youngsters learn to get along with the neighborhood people and eventually set up a commune of sorts, into which they invite their friends and various homeless people. ~ Michael Betzold, All Movie Guide

Teenager Chris Parker (Elisabeth Shue) would rather party with her boyfriend, but when her beau breaks their date she reluctantly accepts a babysitting job. It isn't all TV and icebox-raiding when Chris' best friend Brenda (Penelope Ann Miller) calls her to announce that she's stranded at the bus station. With her youthful charges in tow (one of whom, 15-year-old Brad (Keith Coogan), has a hopeless crush on the babysitter), Chris heads into downtown Chicago to go to Brenda's rescue. Thus begins a roller coaster ride of comic mishaps, unexpected perils and hairbreadth escapes. IN one bit, blues singer Albert Collins refuses to allow Chris and company to leave the nightclub they've wandered into until they agree to sing along with a song borrowed from, of all things the 1939 B-picture Nancy Drew, Reporter! . Screenwriter and Steven Spielberg protégé Chris Columbus made his directorial debut with Adventures in Babysitting. ~ Hal Erickson, All Movie Guide

An electronics tycoon takes a shine to a beautiful aspiring model and decides to turn her into a superstar in this melodrama that was funded by the Canadian Film Development Corporation. First he buys the modeling agency where she works and then sets about towards turning her into the "The Dreamworld Girl." Along the way the young girl becomes disillusioned by the lurid assortment of sleazy characters she encounters. The tycoon too, must deal with a ruthless partner who wants to dethrone him. ~ Sandra Brennan, All Movie Guide