Katharine Ross Movies

The year is 1863. Wealthy Virginia landowner Charlie Anderson (James Stewart), a man of peace despite his autocratic behavior, steadfastly refuses to take sides in the Civil War. Bit by bit, Anderson's isolationism--and his way of living--is torn apart.
Charlie's daughter, Jannie Anderson (Rosemary Forsyth) falls in love with Confederate soldier Sam (Doug McClure). His youngest son, Boy Anderson (Philip Alford) is captured by the Confederate army and taken prisoner. Meanwhile, another son, James (Patrick Wayne) and his wife, Ann (Katherine Ross), are murdered by looters. And his oldest son, Jacob Glenn Corbett, is accidentally killed. How all of these personal tragedies culminate in a successfully sentimental finale is the peculiar charm of Shenandoah, which proved to be a hit with audiences on both sides of the Mason-Dixon line. James Lee Barrett's screenplay was later adapted into a successful Broadway musical, starring Northern Exposure's John Cullum in the Stewart role. ~ Hal Erickson, All Movie Guide

Henry Koster directed this cloying family musical based on the true life story of Soeur Sourire, a Belgian nun whose recordings made her an overnight sensation on The Ed Sullivan Show. Debbie Reynolds stars as Sister Ann, a Belgian nun who likes to compose little tunes on her guitar. She writes the song "Dominique" for a lonely little boy, Dominic Arlien (Ricky Cordell), whose mother has died and whose father is an alcoholic. Father Clementi (Ricardo Montalban) tries to promote the song, getting help from his old friend Robert Gerarde (Chad Everett), a record producer. "Dominique" becomes an international hit, thanks to Robert's efforts, and Ed Sullivan appears on the scene to film Sister Ann for his television program. Unsure of how to handle her amazing success, Sister Ann seeks out Father Clementi for advice, unsure of whether to give up her singing and remain a nun or to continue on with her singing career and renounce her vows. ~ Paul Brenner, All Movie Guide

"Just one word: plastic." "Are you here for an affair?" These lines and others became cultural touchstones, as 1960s youth rebellion seeped into the California upper middle-class in Mike Nichols' landmark hit. Mentally adrift the summer after graduating from college, suburbanite Benjamin Braddock (Dustin Hoffman) would rather float in his parents' pool than follow adult advice about his future. But the exhortation of family friend Mr. Robinson (Murray Hamilton) to seize every possible opportunity inspires Ben to accept an offer of sex from icily feline Mrs. Robinson (Anne Bancroft). The affair and the pool are all well and good until Ben is pushed to go out with the Robinsons' daughter Elaine (Katharine Ross) and he falls in love with her. Mrs. Robinson sabotages the relationship and an understandably disgusted Elaine runs back to college. Determined not to let Elaine get away, Ben follows her to school and then disrupts her family-sanctioned wedding. None too happy about her pre-determined destiny, Elaine flees with Ben -- but to what? Directing his second feature film after Who's Afraid of Virginia Woolf?, Nichols matched the story's satire of suffocating middle-class shallowness with an anti-Hollywood style influenced by the then-voguish French New Wave. Using odd angles, jittery editing, and evocative widescreen photography, Nichols welded a hip New Wave style and a generation-gap theme to a fairly traditional screwball comedy script by Buck Henry and Calder Willingham from Charles Webb's novel. Adding to the European art film sensibility, the movie offers an unsettling and ambiguous ending with no firm closure. And rather than Robert Redford, Nichols opted for a less glamorous unknown for the pivotal role of Ben, turning Hoffman into a star and opening the door for unconventional leading men throughout the 1970s. With a pop-song score written by Paul Simon and performed by Simon & Garfunkel bolstering its contemporary appeal, The Graduate opened to rave reviews in December 1967 and surpassed all commercial expectations. It became the top-grossing film of 1968 and was nominated for seven Oscars, including Best Picture, Actor, and Actress, with Nichols winning Best Director. Together with Bonnie and Clyde, it stands as one of the most influential films of the late '60s, as its mordant dissection of the generation gap helped lead the way to the youth-oriented Hollywood artistic "renaissance" of the early '70s. ~ Lucia Bozzola, All Movie Guide

Chance Buckman (John Wayne) heads a team of international trouble shooters who travel around the world to put out oil fires. The dangerous profession has taken a toll on the marriage between Chance and Madelyn (Vera Miles), who leaves when she can no longer endure the stress of saying goodbye and fearing she will never see him again. With his faithful assistant Greg (Jim Hutton), the team is ready at a moments notice to race anywhere to extinguish the flames of oil fires raging out of control. Greg eventually falls for Chance's daughter, Tish (Katherine Ross), who shares her mother's concern over the dangers the men endure. Hellfighters received technical advising from famed oil-well fighter Red Adair and his assistants who provided excellent and credible information for the film and the pyrotechnic team headed by legendary special-effects expert Fred Knoth. ~ Dan Pavlides, All Movie Guide

Opening with a silent "movie" of Butch Cassidy's Hole in the Wall Gang, George Roy Hill's comically elegiac Western chronicles the mostly true tale of the outlaws' last months. Witty pals Butch (Paul Newman) and Sundance (Robert Redford) join the Gang in successfully robbing yet another train with their trademark non-lethal style. After the pair rests at the home of Sundance's schoolmarm girlfriend, Etta (Katharine Ross), the Gang robs the same train, but this time, the railroad boss has hired the best trackers in the business to foil the crime. After being tailed over rocks and a river gorge by guys that they can barely identify save for a white hat, Butch and Sundance decide that maybe it's time to try their luck in Bolivia. Taking Etta with them, they live high on ill-gotten Bolivian gains, but Etta leaves after their white-hatted nemesis portentously arrives. Their luck running out, Butch and Sundance are soon holed up in a barn surrounded by scores of Bolivian soldiers who are waiting for the pair to make one last run for it. ~ Lucia Bozzola, All Movie Guide

A small-town California sheriff attempts to uncover facts behind the killing of a pregnant woman by her Doberman pinscher. James Garner stars in this mystery with performances by June Allyson and Ann Rutherford among others. ~ Kristie Hassen, All Movie Guide

An escaped mental hospital patient teams up with a swineherd to go on a murderous rampage. The pigs provide a perfect means of disposing with the ensuing bodies. This story is both gory and violent. ~ Sandra Brennan, All Movie Guide

In this ironic French tale of tragedy and love, Laurent (Yves Montand), a world-weary ex-convict and prison-reform writer is coming back to the dreary town his old prison is in. To someone whose life is so imbued with violence, everything he sees seems like a threat. Indeed, the town appears to be populated solely by thugs and elderly people. The banked fires of his passion are awakened when he sees a perfectly normal looking professional woman (Katherine Ross) coming down the street. Soon afterward, his sense of danger fails him, for he is brutally beaten in a men's restroom by a martial-artist nun. When he is taken for medical treatment, he discovers that the lovely woman he saw earlier is to be his doctor. ~ Clarke Fountain, All Movie Guide

This modestly budgeted feminist feature was written by actress Joan Hotchkis, who also stars. She plays a wealthy young wife who is sick to death of her well-ordered existence. She begins experimenting with any number of aberrations, ranging from bizarre mind games to what used to be called "self abuse." Both her husband and her lover are convinced that Hotchkiss is quite mad, and at the end she proves them both right. Adapted from Ms. Hotchkiss's stage play of the same name, Legacy was an early feature-length effort by director Karen Arthur. ~ Hal Erickson, All Movie Guide

Katherine Ross, who played Etta Place in 1969's Butch Cassidy and the Sundance Kid, reprises the role for the made-for-TV Mrs. Sundance Rides Again. History doesn't record what exactly happened to former schoolteacher Etta after Butch and Sundance were shot full of holes in Bolivia, but it isn't likely that she ran guns for Pancho Villa in Mexico. We could be wrong, however, for that is exactly what she does in this grimy little film. Hector Elizondo plays Villa rather nervously, as though he's afraid his agent will find out. Mrs. Sundance Rides Again was originally telecast as Wanted: The Sundance Woman--the same week in 1976 that Butch Cassidy and the Sundance Kid made its network TV debut. ~ Hal Erickson, All Movie Guide

Based on the novel by Harold Robbins, this is the story of Loren Hardeman, Sr., a Midwestern automobile manufacturer (Lord Olivier) who pins his future on The Betsy, a "wonder car" named after his daughter (Kathleen Beller). The Betsy is designed to last practically forever, which doesn't rest well with the "planned obscolence" mindset of the auto industry. Flashbacks cover his career from his 40s to the present, when he is in his 90s. Hardeman, Sr. has a weak-willed son, Hardeman, Jr., (Robert Duvall) who is forced into taking charge of the family business. ~ Hal Erickson, All Movie Guide

TV-mystery mavens Richard Levinson and William Link score another homicidal hit with Murder by Natural Causes. The premise: Hal Holbrook has a weak heart. Holbrook's wife Katharine Ross is carrying on an affair with Barry Bostwick. Ross wants to lose her husband, but she doesn't want to leave herself open for a murder rap. So Ross arranges for her husband to have a fatal heart attack. The complication: Holbrook is a professional mentalist. In layman's terms, he can read minds. Don't turn off Murder by Natural Causes until all three of its possible endings are offered to you. Few people switched the channel when Murder was first telecast February 17, 1979. ~ Hal Erickson, All Movie Guide