Jerry Ross Movies

Jeff Daniels, Emma Stone, Ryan Reynolds, and Lisa Kudrow headline co-writer/directors Michele and Kieran Mulroney's affectionate comedy drama detailing the unlikely friendship between a failed writer (Daniels) and the Long Island high school girl (Stone) who teaches him what it really means to take responsibility in life. Meanwhile, the author's long-suffering wife casts a disapproving gaze, and an imaginary superhero weighs in with his own take on the unusual bond. ~ Jason Buchanan, Rovi

Diane Keaton stars as a unconditionally loving, but meddling, mother whose vain attempt to prevent her insecure youngest daughter from repeating the same mistakes that she made leads to a series of comic misunderstandings in director Michael Lehmann's affectionate family comedy. When it comes to the topic of motherhood, Daphne Wilder (Keaton) has seen it all. Her eldest daughter, Maggie (Lauren Graham), is a highly respected psychologist and her middle daughter, Mae (Piper Perabo), is both sexy and smart, but youngest Milly (Mandy Moore) just can't seem to get things right no matter how hard she tries. Recognizing that the romantic exploits of her charming-but-struggling youngest always seem to end in tears, concerned mother Daphne vows to find Millie the perfect man. Though she always means well, Daphne's misguided attempt to set her daughter up by placing a carefully worded personal ad proves once and for all that even the most well-intending of mothers can sometimes overstep their boundaries. ~ Jason Buchanan, Rovi

Twelve men who belong to one of the world's most exclusive fraternities -- people who've walked on the surface of the moon -- are paid homage in this documentary. Using newsreel footage, rare NASA photographs, and digitally animated re-creations, Magnificent Desolation: Walking on the Moon examines the Apollo missions between 1969 and 1972 which put astronauts on the moon. In addition to explaining the technological know-how necessary to take our fliers to the moon, the film shares the thoughts of astronauts about what they saw and experienced in space, taken from their speeches and writings and read by a cast of distinguished actors, including Paul Newman, Morgan Freeman, Scott Glenn, Bill Paxton, and many more. Narrated by Tom Hanks (who also co-produced), Magnificent Desolation was shot and originally exhibited using the IMAX high-definition film format. ~ Mark Deming, Rovi

Defense attorney Claire Kubik (Ashley Judd) seems to have the perfect life. She has a high profile job at a big firm, a beautiful home outside San Francisco, and a husband, Tom (James Caviezel of The Thin Red Line), who loves her. Claire's biggest problem appears to be that she wants to have a baby, and she's having trouble getting pregnant. But when the police investigate a routine break-in at her home, they uncover the truth about her husband's identity, and her life is thrown into turmoil. Claire finds out that her husband's name is actually Ron Chapman, and that he's an ex-marine accused of murdering seven innocent civilians in El Salvador during a raid in the late '80s. He admits that he was there, and that he changed his identity to escape prosecution for the crimes, but he insists that he's innocent, and that the massacre was committed by another soldier under the orders of a powerful general (Bruce Davison), who is using Ron as a patsy to cover it up. Claire is eventually convinced that Ron's telling the truth. Faced with defending her husband in an unfamiliar military courtroom, Claire enlists the aid of Charles Grimes (Morgan Freeman), an ex-Army judge advocate with an axe to grind. Stonewalled by the military bureaucracy at every turn, they uncover a web of deception and disappearing witnesses, and they soon find their own lives in danger. High Crimes was adapted from Joseph Finder's novel by the husband and wife screenwriting team of Yuri Zeltser and Cary Bickley. The film was directed by Carl Franklin (One False Move), and co-stars Amanda Peet and Adam Scott. ~ Josh Ralske, Rovi

Martin Scorsese explores the life of organized crime with his gritty, kinetic adaptation of Nicolas Pileggi's best-selling Wiseguy, the true-life account of mobster and FBI informant Henry Hill. Set to a true-to-period rock soundtrack, the story details the rise and fall of Hill, a half-Irish, half-Sicilian New York kid who grows up idolizing the "wise guys" in his impoverished Brooklyn neighborhood. He begins hanging around the mobsters, running errands and doing odd jobs until he gains the notice of local chieftain Paulie Cicero (Paul Sorvino), who takes him in as a surrogate son. As he reaches his teens, Hill (Ray Liotta) is inducted into the world of petty crime, where he distinguishes himself as a "stand-up guy" by choosing jail time over ratting on his accomplices. From that moment on, he is a part of the family. Along with his psychotic partner Tommy (Joe Pesci), he rises through the ranks to become Paulie's lieutenant; however, he quickly learns that, like his mentor Jimmy (Robert DeNiro), his ethnicity prevents him from ever becoming a "made guy," an actual member of the crime family. Soon he finds himself the target of both the feds and the mobsters, who feel that he has become a threat to their security with his reckless dealings. Goodfellas was rewarded with six Academy Award nominations including Best Picture; Pesci would walk away with Best Supporting Actor for his work. ~ Jeremy Beday, Rovi

One of a cluster of late-1970s films about the Vietnam War, Francis Ford Coppola's Apocalypse Now adapts the Joseph Conrad novella Heart of Darkness to depict the war as a descent into primal madness. Capt. Willard (Martin Sheen), already on the edge, is assigned to find and deal with AWOL Col. Kurtz (Marlon Brando), rumored to have set himself up in the Cambodian jungle as a local, lethal godhead. Along the way Willard encounters napalm and Wagner fan Col. Kilgore (Robert Duvall), draftees who prefer to surf and do drugs, a USO Playboy Bunny show turned into a riot by the raucous soldiers, and a jumpy photographer (Dennis Hopper) telling wild, reverent tales about Kurtz. By the time Willard sees the heads mounted on stakes near Kurtz's compound, he knows Kurtz has gone over the deep end, but it is uncertain whether Willard himself now agrees with Kurtz's insane dictum to "Drop the Bomb. Exterminate them all." Coppola himself was not certain either, and he tried several different endings between the film's early rough-cut screenings for the press, the Palme d'Or-winning "work-in-progress" shown at Cannes, and the final 35 mm U.S. release (also the ending on the video cassette). The chaotic production also experienced shut-downs when a typhoon destroyed the set and star Sheen suffered a heart attack; the budget ballooned and Coppola covered the overages himself. These production headaches, which Coppola characterized as being like the Vietnam War itself, have been superbly captured in the documentary, Hearts of Darkness: A Filmmaker's Apocalypse. Despite the studio's fears and mixed reviews of the film's ending, Apocalypse Now became a substantial hit and was nominated for eight Academy Awards, including Best Picture, Best Director, Best Supporting Actor for Duvall's psychotic Kilgore, and Best Screenplay. It won Oscars for sound and for Vittorio Storaro's cinematography. This hallucinatory, Wagnerian project has produced admirers and detractors of equal ardor; it resembles no other film ever made, and its nightmarish aura and polarized reception aptly reflect the tensions and confusions of the Vietnam era. ~ Lucia Bozzola, Rovi