Jason Ross Movies

Four cops make the painful discovery that not everyone on the force is upholding the law in this crime drama. Frank Daly (Brian Dennehy), Wayne Gross (Joe Pantoliano), Ricky Rodriguez (Jeff Fahey), and Howard Jones (Bill Patxon) are four undercover cops with the Los Angeles Police Department who work as a team to solve the cases that their colleagues consider too tough to handle. Under Daly's supervision, the four are trying to get the goods on a drug dealing operation working out of a meat packing plant. However, a raid on the plant uncovers little practical evidence, and Daly, a moody and hard-drinking loose cannon, is sharply criticized by his superiors for planning the bust without the input from the department heads or the FBI. Convinced that there's more to the case than they've been able to find so far, the four men begin looking into the matter on their own time. The deeper they dig, the more shocking the evidence becomes, as they learn that the police, the FBI, and even the Federal Government are involved in the smuggling operation, and the parties involved are perfectly willing to use violence and murder to keep troublemakers out of their way. After Jones is murdered while collecting evidence on a businessman in on the operation, the other three quit the police force, determined to see justice done even if they have to overstep the boundaries of the law to do it. Last of the Finest was also released under the titles Blue Heat and Street Legal. ~ Mark Deming, Rovi

A passion for blues music is evident in this drama based on a contest-winning script by former blues musician John Fusco -- and featuring one of the decade's best-received motion picture soundtracks, written and performed by Ry Cooder. Eugene Martone Ralph Macchio is a classically trained guitarist who desperately wants to locate a long-lost blues song. At a Harlem nursing home, Eugene finds Willie Brown (Joe Seneca), a legendary blues man who may be able to help him. Eugene becomes part of the master guitarist's scheme to reclaim his soul from the Devil, which he sold in exchange for musical greatness at a rural crossroads many decades before. Making their way across the Mississippi Delta, the duo meets Frances (Jami Gertz), a runaway who becomes a love interest for Eugene. After launching his career with the sale of his script for Crossroads (1986), which is loosely based on the mythical character of Faust and a fable involving real-life blues legend Robert Johnson (played in the film by Tim Russ), Fusco went on to write the highly successful Young Guns (1988). ~ Karl Williams, Rovi

This remake of François Truffaut's 1977 comedy misses out on Truffaut's subtext that delves into the nature of love and instead simply recounts the sexual and romantic exploits of David, a sculptor who is an incurable womanizer (Burt Reynolds). In order to come to grips with his obsession for women, David goes to see a psychiatrist, Marianna (Julie Andrews), and sure enough, she later joins him on the couch. His tale is told by Marianna, as flashbacks reveal their relationship and other loves of David's life, most notably Louise (Kim Basinger), a married woman hooked on intimacy in odd, if not dangerous, places. In all these relationships, David is as much attracted to the women as they are to him. Unfortunately, with flat dialogue and uninspired comedy, David fares better than the film as a whole. ~ Eleanor Mannikka, Rovi