George Ross Movies

1986  
 
In this comedy, an overweight patient escapes from a mental institution and travels to New York City for some fun and adventure. ~ Iotis Erlewine, All Movie Guide

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Starring:
Tibor FeldmanPeter Linari, (more)
1970  
R  
Jim Brown and Lee Van Cleef team up for this western set on the Mexican border. Brown is Luke, who escapes from a chain gang after learning that a fortune in gold is hidden in the Mexican fortress of El Condor. He joins up with the snake-eyed crook Jaroo (Lee Van Cleef) and together they round up a tribe of Apaches, headed by Santana (Iron Eyes Cody), to attack the fort -- convincing the Indian renegades that the fort houses food and guns greatly needed by the Apaches. During their first crack at taking the fort, Luke and Jaroo are captured by the fort's commandant, Chavez (Patrick O'Neal). Claudine (Marianna Hall), the wife of the commandant, falls in love with Luke and she aids them in their escape from the fort. Later on, she is instrumental in getting Luke and Jaroo's band into the fort -- diverting the gaze of the fort's defenders by disrobing in front of a well-lit bedroom window. Chavez escapes, but Santana is shot by Jaroo after discovering that Jaroo deceived him. With Santana shot, the Apaches leave the fort, carrying the food and ammunition. Now the only ones left to defend the defenseless fort are Luke, Claudine, and Jaroo. ~ Paul Brenner, All Movie Guide

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Starring:
Florencio AmarillaPer Barclay, (more)
1969  
R  
Kent (Kent Lane) is a college-dropout-turned-drifter who travels South from Big Sur down the California coastline. His worried father (Jack Albertson) tries to bridge the ever-widening generation gap with his son, but Kent is born to wander through his life with no apparent sense of direction, searching for something elusive and unknown. One woman commits suicide after Kent declines her invitation to stay. Michele Carey is Julie, the woman working for a carnival who almost gets our anti-hero to settle down. Soundtrack music is provided by Tim Buckley, Kim Weston (who has a bit part in the film), Judy Collins, Mickey Stevenson and Neil Young. ~ Dan Pavlides, All Movie Guide

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Starring:
Kent LaneMichele Carey, (more)
1965  
 
Though written by Sam Peckinpah (he adapted the film from a novel by Hoffman Birney), the direction of The Glory Guys was entrusted to the competent but perfunctory Arnold Laven. Cavalry captain Demas Harrod (Tom Tryon) and his faithful scout Sol Rogers (Harve Presnell) are placed under the command of xenophobic general Frederick McCabe (Andrew Duggan), who hates Indians almost as much as his own men hate him. When not preparing to decimate every Native American in their path, Harrod and Rogers carry on a rivalry over the hand of pretty Lou (Senta Berger; another authentic Wild West type). The novelty of the film is that the Indians, rather than the cavalry, win the final battle. Despite a few bursts of cinematic creativity from Laven in the climactic scenes, it still would have been more interesting to see how Sam Peckinpah would have handled The Glory Guys. ~ Hal Erickson, All Movie Guide

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Starring:
Tom TryonHarve Presnell, (more)
1960  
 
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John Wayne's directorial debut The Alamo is set in 1836: Wayne plays Col. Davy Crockett, who, together with Colonels Jim Bowie (Richard Widmark) and William Travis (Laurence Harvey) and 184 hardy Americans and Texicans, defends the Alamo mission against the troops of Mexican general Santa Ana. There's a lot of macho byplay before the actual attack, including the famous "letter" scene in which Wayne craftily rouses the patriotic ire of his subordinates. Also appearing are Richard Boone as Sam Houston, and Chill Wills (whose somewhat tasteless Oscar campaign has since become legendary in the annals of shameless self-promotion) as Beekeeper. Wayne's production crew was compelled to reconstruct the Alamo in Bracketville, Texas, about a hundred miles from the actual site. Dimitri Tiomkin's score, including The Green Leaves of Summer, received generous airplay on the Top-40 radio outlets of America. Rumors persist that Wayne's old pal John Ford directed most of The Alamo; cut to 161 minutes for its general release, the film was restored to its original, 192-minute length in 1992. ~ Hal Erickson, All Movie Guide

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Starring:
John WayneRichard Widmark, (more)
1959  
 
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Set in an isolated, snow-covered town in the far West, this story has a renegade army officer named Jack Bruhn (Burl Ives) and his henchmen riding into the town threatening their worst to the men and women there. Blaise Starrett (Robert Ryan) decides to agree to Bruhn's demands for someone knowledgeable to lead them away from the law and the town, to safety. Mortally wounded himself, Bruhn opts to take Starrett up on his offer in one last act of generosity toward the townspeople, sparing them the mayhem threatened by his men. ~ Eleanor Mannikka, All Movie Guide

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Starring:
Robert RyanBurl Ives, (more)
1959  
 
A well-dressed older man drives a car along the winding mountain road adjacent to the Grand Canyon. Another man lies in wait for him where the road ends. They fight, and the car and one of the men plunge into the mile-deep gorge. Thus begins a series of four killings that fall into the lap of newly hired Mojave County deputy Les Martin (Cornel Wilde) and his boss, Sheriff Edwards (Edgar Buchanan). Les is an experienced homicide detective trying to redeem himself and his career after a series of personal tragedies and professional disasters, unsteady in his confidence and uncertain of his ability -- the only people he's especially close to are the sheriff who hired him and Scotty (Mickey Shaughnessy), the big-hearted keeper of the local tavern. And complicating his investigation of the murder case at hand is his constant crossing of paths with the beautiful, wealthy Janice Kendon (Victoria Shaw), who seems to have a knack for turning up around every corner of this case. He has to sort out his feelings about her and work out what the murders have to do with the one clue left behind by one of the victims, about the "dancing bucket" that carries men and material more than 7,000 feet across the mile-high chasm. ~ Bruce Eder, All Movie Guide

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Starring:
Cornel WildeVictoria Shaw, (more)
1957  
 
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A cut above the usual cheesy paste-up "tribute", The James Dean Story is imbued with a modicum of style thanks to fledgling film-director Robert Altman. Most of the film consists of clips from Dean's three starring pictures (East of Eden, Rebel Without a Cause and Giant), with tantalizing glimpses of his pre-star career. One such glimpse, a snippet from the 1951 TV religious special Hill Number One, has popped up in virtually every Dean retrospective since. Altman's inherent cinematic gifts are evident in the impressionistic "re-enactment" of Dean's fatal auto crash. Narrated by Martin Gabel, The James Dean Story isn't terribly deep, but it's a good shorthand overview of one of the most powerful screen presences of the 1950s. ~ Hal Erickson, All Movie Guide

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1957  
 
In this western, a sheriff attempts to exact his revenge against the desperadoes who cost him his job. The former lawman successfully gets rid of the bad hombres and clears his name. ~ Sandra Brennan, All Movie Guide

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1956  
 
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Richard Widmark once again essays a character who could be either hero or heel in the rugged western The Last Wagon. After cold-bloodedly shooting down the three men responsible for the death of his wife, Widmark is captured, chained up, and thrown into a wagon heading eastward. Soon afterward, the wagon train is attacked by Indians; the only survivors are Widmark and a group of orphaned children. Freed from his shackles, Widmark proves he's made of the right stuff by shepherding the children to safety. Marred only by a too-pat ending, The Last Wagon is one of the best of the Delmer Daves-directed westerns, as well as an excellent showcase for such "new talent" as Felicia Farr, Susan Kohner, Tommy Rettig, Nick Adams and James Drury. ~ Hal Erickson, All Movie Guide

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Starring:
Richard WidmarkFelicia Farr, (more)
1955  
 
Once again Edward G. Robinson takes a script from the trash bin and makes it into a palatable movie. A remake of The Mouthpiece, this is the story of a district attorney with a conscience. When he discovers that a man he's sent to the electric chair was innocent, he takes to the bottle. His assistants encourage him to get off the booze, stop prosecuting and, instead, become a defense attorney. He agrees but his first client is a notorious gangster who has been in business for so long because of leaks from Robinson's own office when he was the district attorney. Push comes to shove and soon, through multiple machinations and mishaps, Robinson becomes the defender of his former assistant on charges of murder. ~ Tana Hobart, All Movie Guide

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Starring:
Edward G. RobinsonNina Foch, (more)
1954  
 
Though heavily advertised as Delmar Daves' Drum Beat, this film owed its existence to producer-star Alan Ladd. The star is cast as a veteran Indian fighter Johnny MacKay, who because of his close relationship with the Medoc tribe is sent out to negotiate a peace treaty. Once he has arrived in Medoc territory, Johnny (Ladd) must contend with the misspent emotions of his childhood sweetheart Toby (Marisa Pavan), the sister of Indian chief Manok (Anthony Caruso). Jealous over Johnny's relationship with pretty Nancy Meek (Audrey Dalton), Toby has cast her lot with renegade warrior Captain Jack (Charles Bronson), who honors no treaties. Though the film has a Native American villain, Drum Beat is largely sympathetic to the plight of the Indian. Based on a true story, the film is distinguished by J. Peverell Marley's breathtaking exterior photography, and by Victor Young's ballad-like musical score. ~ Hal Erickson, All Movie Guide

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Starring:
Alan LaddAudrey Dalton, (more)
1952  
 
Springfield Rifle was Gary Cooper's third western in a row, released not long after the classic High Noon. Cooper plays Union army officer Lex Kearney, who undertakes a covert investigation to find out why the North's supply of horses has suddenly diminished. Because of the top-secret nature of his mission, Kearney is forced to distance himself from everyone he knows, including his wife Erin (Phyllis Thaxter) and son Jamie (Michael Chapin). Heading to a remote cavalry post, he discovers that renegade soldiers have been stealing horses and selling them to the South. Someone at the post has been operating as the thieves' "inside man," and Lex, posing as a dishonorably discharged soldier, aims to ferret out the traitor. Had it not followed directly on the heels of the critical and financial success of High Noon, Springfield Rifle might have fared better with audiences and reviewers. ~ Hal Erickson, All Movie Guide

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Starring:
Gary CooperPhyllis Thaxter, (more)
1949  
 
Another of RKO's profitable Tim Holt western series, Rustlers costars Holt with his popular sidekick Richard Martin (as Chico Rafferty). Holt and Martin are arrested by sheriff Harry Shannon, who accuses them of being members of a vicious rustling gang. Actually Shannon is the head of the operation; he hopes to throw suspicion off himself by framing Our Heroes for the crime. Holt and Martin bust out of jail, prove their innocence, and fix Shannon's wagon. Rustlers was one of a handful of Holt westerns directed by Lesley Selander, later a minor favorite of auteur critics. ~ Hal Erickson, All Movie Guide

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Starring:
Tim HoltRichard Martin, (more)
1947  
 
A star basketball player is assailed by gangsters who want him to throw the Big Game in this drama. ~ Sandra Brennan, All Movie Guide

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1919  
 
As early as 1919, Russian Communists (then known as Bolsheviks) were convenient movie villains. This heavy-handed comedy uses the Russian revolution as an excuse for a series of slapstick setpieces. The director even finds time to showcast a bevy of bathing beauties (in Siberia?) Essentially, the plot concerns a misguided idealist who sees the error of his ways and helps to thwart the Red Menace-at least temporarily. Billed last, Louise Fazenda provides the only genuinely funny moments. ~ Hal Erickson, All Movie Guide

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