Charlotte Ross Movies

When a recently deceased rancher leaves his multimillion-dollar estate to his three daughters, the girls discover that they will only be able to receive their inheritance by living together on the ranch for one year in this rural family drama starring John Corbett, Ashley Williams, and Charlotte Ross. Having never even previously met, the three half sisters agree to the curious stipulation despite reservations that their forced family reunion might be a complete disaster. The biggest problem that the girls face, however, is the discovery of a saboteur in their midst. It seems that when dear old dad died, he left some pretty bitter enemies behind -- enemies who would love to see his daughters fail. Now, in order to get what is rightfully theirs, the three siblings will have to work harder than ever before to clean up the mess their father left behind. ~ Jason Buchanan, All Movie Guide

Directed by former Happy Days cast member Don Most, the comedy Moola stars William Mapother and Daniel Baldwin as best friends who are working together at a business that is failing. When a new venture offers them the promise of success, the duo face a series of challenges that tests their loyalty and friendship. Moola screened at the 2007 Newport Beach Film Festival. ~ Perry Seibert, All Movie Guide

In the tradition of the theatrical film Sliding Doors, this episode of Frasier offers two alternatives to a single twist of fate for both Frasier (Kelsey Grammer) and Niles (David Hyde Pierce). In Frasier's case, we are given the opportunity to see what will happen to him if he decides to go out on Valentine's Day -- and what will happen if he stays at home (and taking things a step farther, we see two different methods of courtship involving Frasier and a cute but klutzy artist [Charlotte Ross]). Meanwhile, a similar "either-or" situation is played out for Niles and Daphne (Jane Leeves), who may or may not go on a Hawaiian vacation. ~ Hal Erickson, All Movie Guide

Season eight of NYPD Blue began minus the services of longtime executive producer David Milch, who left to develop a project of his own. Steven Bochco, who'd co-created the series with Milch, took full charge of the series. This was far from the only eighth-season personnel change. Andrea Thompson (Det. Jill Kirkendall) had already quit the series in order to launch a new career as a TV news anchor. Kim Delaney, who played Kirkendall's partner, Det. Diane Russell, remained on the scene, the better to develop a new plot strand involving a steamy romance between Russell and her troubled colleague Det. Danny Sorenson (Rick Schroder). But by the end of the season, Delaney was gone -- as was Schroder. One of the series' mainstays since its 1993 debut, James McDaniel, announced his intention of leaving his role as 15th precinct skipper Lt. Fancy after the first 13 episodes of the season. Fancy's initial replacement, hypersensitive feminist Lt. Susan Falto (Denise Crosby), had such a negative effect on the 15th that she herself was quickly supplanted by Lt. Tony Rodriguez (Esai Morales), a by-the-book type who (surprise, surprise) almost immediately clashed with gonzo "I make my own rules" detective Andy Sipowicz (Dennis Franz). Andy's private life was no less turbulent than his professional one; the moment the bone-marrow tests of his son Theo (Austin Majors) came back positive -- thereby resolving one of the unresolved subplots set up by the previous season's cliffhanger finale -- Andy began considering a reconciliation with ex-wife Kate (Debra Monk), but instead became sidetracked with a blossomed May-December relationship with Cynthia Bunin (Juliana Donald), the niece of Andy's old cop pal Gibson (John F. O'Donohue).

Along with Esai Morales and Juliana Donald, Charlotte Ross, and Garcelle Beauvais-Nilon joined the series, respectively cast as Det. Connie McDowell and new Assistant DA Valerie Haywood. Initially shunned as a possible "spy" from Internal Affairs, McDowell quickly proved her mettle and earned the right to remain at the 15th -- and in the process set the foundation for future plot complications by revealing that, 15 years earlier, she had had a daughter out of wedlock whom she had given up for adoption. As for Haywood, she almost immediately got off on the wrong foot with the extremely touchy Det. Baldwin Jones (Henry Simmons), in the tradition of the first-season flareups between Andy Sipowicz and the late ADA Sylvia Costas. But also like Andy and Sylvia, Baldwin Jones and Valerie Haywood quickly found themselves extremely attracted to one another.

The opening episodes of season eight resolved a dilemma left hanging during season seven, that of the 15th precinct's possible complicity in the drug-smuggling operations of Don Kirkendall, ex-husband of the beleagured Jill Kirkendall. The closing episodes established a brand-new crisis, concerning a botched undercover operation which may or may not have cost the life of the missing-in-action Danny Sorenson (Rick Schroder). Viewers would have to sweat it out until the beginning of season nine before Danny's ultimate fate would be revealed. For the second year in a row, NYPD Blue's season opener was not seen until January, due to backstage hagglings between the ABC network and the producer. Also, only 20 new episodes were produced, rather than the standard 22, reportedly an economical rather than artistic decision. The late start and diminished output did not affect the series' popularity, nor prevent it from garnering another Emmy Award nomination for series star Dennis Franz. ~ Hal Erickson, All Movie Guide

To paraphrase the late, great NBC programming executive Brandon Tartikoff, the television industry is comprised of two different groups of people: The "beggars," those actors, writers, directors, and producers who tirelessly and relentlessly package and pitch ideas, concepts, and premises for new TV series; and the "choosers," those elite network chieftans who make the final decisions as to what will or will not be seen on the air. With this in mind, Beggars and Choosers was the perfect title for a raunchy, ribald cable-TV satirical sitcom, set behind the walls of a major (but not too major) television network. The setting for this weekly, 60-minute series was the headquarters of the LGT network, which, though it ran a distant last to such prestigious webs as ABC, CBS, and NBC, still managed to score a few ratings successes, notably the Seinfeld clone "Peter's Pals" and the ethnic soaper "Puerto Vallarta." Like most contemporary entertainment-manufacturing concerns, LGT was a hotbed of betrayals, double-crosses, backstabbings, dark intrigues, covert conspiracies, and sexual shenanigans. Heading the huge cast of regulars and recurring characters was Brian Kerwin as youthful LGT president Brian Kerwin, who manfully kept his wits about him while swimming with sharks at the workplace and dealing with domestic problems engendered by his demanding wife Cecile (Isabella Hoffman) and his troublesome teenaged children Audrey (Keegan Connor Tracy) and Cary (Kaj-Erik Eriksen). Co-starring with Kerwin was Charlotte Ross as Lori Vopone, LGT's barracuda-like vice president of development, who would stop at literally nothing to get bigger ratings and advance her own career. Others in the cast included Tuc Watkins as the network's closeted homosexual casting executive Malcolm Laffley, who spent most of the first season trying to work up the courage to "out" himself; William McNamara as supercilious talent agent Brad Advail, who was convinced that his success hinged upon which pair of socks he wore on any given day; Christopher Kennedy as Marty Hertz, LGT's bean-counting head of business affairs; and Sheila Moore as the network's hypersensitive vice president of standards and practices. Initially, LGT was owned by the senile, semi-comatose E. L. Ludden (Bill Morey) and his scheming trophy wife Lydia (Carol Kane). During a bitter power struggle between Mr. and Mrs. Ludden, control of the network was seized by flaky dot.com billionaire Dan Falco (Beau Bridges), who shortly thereafter turned the business over to his nitwit brother Freddie (James Belushi). The gloriously uninhibited and diabolically clever Beggars and Choosers debuted over cable's Showtime network on June 19, 1999, remaining in first-run for the next two seasons. ~ Hal Erickson, All Movie Guide

In this TV family drama series set in NYC's Hell's Kitchen neighborhood, Eileen McCallister (Jill Clayburgh) is the matriarch who oversees the working-class Irish-Catholic McCallister clan, along with her husband Simon McCallister (John Spencer). The focus is on their five grown children -- priest Kevin (Tate Donovan), union organizer Liam (Sam Trammell), police detective Bobby (Justin Louis), addicted Amanda (Bonnie Root), and bond trader Fiona (Charlotte Ross). A sixth sibling died at some point in the past. Combining marriage melodramas, pregnancies, politics, police procedures, and spiritual struggles, this family soap opera is a slightly overcooked Irish stew. Filmed in New York, the series premiered October 16, 1998 on NBC. ~ Bhob Stewart, All Movie Guide

Originally a two-part, five-hour NBC miniseries, this turn-of-the-20th-century tale follows the adventures of a headstrong American woman who sets forth to fulfill her dreams of becoming a professional photographer. Along the way, she makes many sacrifices. The story also chronicles the lives of this woman's daughter and grandaughter, both of whom come to draw strength and inspiration from the extraordinary life of their matriarch. ~ Sandra Brennan, All Movie Guide

Benton (Eriq La Salle) strongly suspects that Vucelich (Ron Rifkin) is manipulating the results of his study on the "clamp-and-run" procedure. Elsewhere, rumors buzz throughout the ER that Greene (Anthony Edwards) and Lewis (Sherry Stringfield) are lovers. And Carter (Noah Wyle) risks his career when he goes ballistic while dealing with an alcoholic patient named Nathan (Mark Pellegrino) and Nathan's "enabler" girlfriend, Angel (Charlotte Ross). ~ Hal Erickson, All Movie Guide

Two young lovers go on the run from the law after a convenience store robbery goes bad in this road movie. Love and a .45 centers on philosophically inclined thief Watty Watts (Gil Bellows), who believes in a little robbery but not real violence. An ill-advised collaboration with a crazed, drugged-out biker (Rory Cochrane) ends badly, however, forcing Watty to go on the run. His girlfriend Starlene (Renee Zellweger) joins him, and the two become media darlings thanks to television coverage of their flight from the law. First-time director C.M. Talkington's combination of violence and ironic attitude recalls both 1970s crime dramas and Quentin Tarantino's violent, quirky takes on the genre. However, the film's warmed-over feel may be redeemed by its irreverent tone and appealing performances, including a self-parodying appearance by Peter Fonda. ~ Judd Blaise, All Movie Guide

She Says She's Innocent stars off as a standard "legal issue of the week" TV movie. Katey Sagal refuses to believe that her daughter Charlotte Ross is guilty as charged of murder. Usually this is a cue for a feature-length fight against the legal system: Not so here. Instead, Sagal spends the last 20 minutes of the film playing amateur sleuth to track down the real killer--and in so doing leaves herself open to a near-fatal confrontation. If the name of the director She Says She's Innocent seems familiar, it should; Charles Correll was the grandson of the radio actor of the same name--the man who, with Freeman Gosden, created Amos N Andy. ~ Hal Erickson, All Movie Guide