Clive Rosengren Movies

Hollywood visionary Tim Burton pays homage to another Hollywood visionary, albeit a less successful one, in this unusual fictionalized biography. The film follows Wood (Johnny Depp) in his quest for film greatness as he writes and directs turkey after turkey, cross-dresses, and surrounds himself with a motley crew of Hollywood misfits, outcasts, has-beens, and never-weres. The real story, however, is his friendship with aging, morphine-addicted Bela Lugosi (Martin Landau), whom he tries to help stage a comeback. Landau's unforgettable Oscar-winning performance must be seen to be believed, as must Rick Baker's Oscar-winning makeup. While it would have been easy to make a film simply ridiculing the bumbling director, Burton instead focuses on his driving passion for filmmaking and his unwavering persistence in the face of ridicule and failure. Possibly the most surprising aspect of the film is the genuine sentiment with which Burton treats the relationship between Wood and Lugosi; his devotion to Lugosi is touching, as is Lugosi's final soliloquy -- an inane bit of dialogue from the hilariously bad Bride of the Monster that grows into a poignant metaphor for the actor's life and ultimate triumph of his spirit. Even the look of the film is right; it manages to preserve the air of one of Wood's own films while retaining a sense of artistry in much of the composition on screen (note the scene at the drug rehab where Lugosi endures a horrifying night of detox). In all, Ed Wood is a unique film -- at times side-splittingly funny; at others, tragic or even frightening -- and a heartfelt tribute to the love of movies, good and bad alike. ~ Jeremy Beday, All Movie Guide

What does a biographer do when the truth about his subject is far less pleasant than the legend? That is the moral dilemma at the heart of Cobb, which explores the lives of both baseball's premier hitter, Ty Cobb (Tommy Lee Jones), and the sportswriter assigned to set his story down, Al Stump (Robert Wuhl). Stump arrives at the Tahoe home of the dying Cobb to write the official life story of the first man inducted into the Baseball Hall Of Fame. He finds a drunken, misanthropic, bitter racist who abuses his biographer as well as everyone else. Stump must either candycoat his subject's life or present an accurate picture of a disgusting man who happened to become an American sports hero. The movie's biting focus on Cobb, ferociously performed by Jones, is not matched by its weaker representation of Stump, an imbalance which ultimately weakens the film's overall effect. ~ Don Kaye, All Movie Guide

Based on a novel by Thomas McGuane, this made-for-TV feature stars William Petersen as Joe Starling, a painter suffering from creative block. For inspiration, he returns to his family's Montana home, only to find the land coveted by a malevolent developer (Jack Palance). ~ Jason Ankeny, All Movie Guide

Bugsy is a character study of mobster Benjamin "Bugsy" Siegel wrapped up in a gangster movie. Siegel (Warren Beatty in a flashy performance) arrives in California in the Forties, assigned to oversee the L.A. rackets. He is quickly seduced by both the glamour of Hollywood and actress Virginia Hill (Annette Bening), whom he romances despite being unable to leave his wife and children. Siegel soon has a vision to transform a barren stretch of Nevada desert into an oasis of gambling and entertainment -- the seeds from which Las Vegas was sown. Funded by his gangster bosses, including Meyer Lansky (Ben Kingsley), the flamboyant Siegel sees his budget soar past its original $6 million, a problem compounded by the fact that Virginia has embezzled $2 million of it. In trouble with his superiors, Siegel flies back to L.A. to face the music, telling Virginia to keep the money. He would not live to see his dream of Las Vegas come true. The film is fast-paced and well-directed by Barry Levinson, with an intelligent script by James Toback and excellent support from Kingsley and Harvey Keitel as gangster Mickey Cohen. ~ Don Kaye, All Movie Guide

Frasier (Kelsey Grammer) and Lilith (Bebe Neuwirth) are convinced that they aren't providing their infant son Frederick with proper care. After all, how could it be otherwise, since the boy has been diagnosed with only average intelligence? Meanwhile, Carla (Rhea Perlman) tries to arrange a clandestine conjugal visit between Rebecca (Kirstie Alley) and her imprisoned boyfriend Robin Colcord (Roger Rees). ~ Hal Erickson, All Movie Guide

Another of Disney's Touchstone Pictures rehashes of a lightweight French farce, Three Fugitives goes the trend one better by importing French director Frances Veber to supervise a shot-for-shot remake of his French original Les Fugitifs. Nick Nolte stars as a bank robber named Lucas, recently released from prison, who ambles into a bank to open up a checking account. Into the bank enters the inept Ned (Martin Short), who tries to rob the place and takes Lucas hostage. The police, knowing Lucas's criminal history, assume Lucas and Ned are pulling the heist together. With no choice in the matter, Lucas is compelled to engineer their getaway. Complicating the situation further is Ned's six-year-old daughter Meg (Sarah Rowland Doroff), who has been mute since the death of her mother. With his bank account depleted, Ned has robbed the bank to get money to send Meg to a special school. Meg loves her father, but finds herself drawn to the gruff Lucas. As the three go on the lam from the cops, the trio of misfits bond as a makeshift family. ~ Paul Brenner, All Movie Guide

Defying the orders of General Stockwell (Robert Vaughn), the A-Team heads to Hong Kong when Hannibal vanishes during a secret mission involving stolen plutonium. The plot thickens when Stockwell is captured, requiring the Team members to stage two different rescues--and to come full circle by robbing another bank! This episode prominently features two future TV-series stars: 21 Jump Street's Dustin Nguyen, and Star Trek: The Next Generation's Rosalind Chao. ~ Hal Erickson, All Movie Guide