George Rosener Movies

A girl reporter discovers that her own father runs a shady "school of fine arts" (read brothel) in this independently made potboiler directed by former silent screen actor Elmer Clifton. When several naive young girls turned "nightclub entertainers" end up dead, snoop sister Nora Page (Astrid Allwyn) enrolls herself in the Crescent School of Fine Arts, a recruiting center for King Peterson's (Philip Van Zandt) notorious nitery. Things get a bit dicey when Nora's ally, a young district attorney (John Archer), is found in a compromising situation with one of the girls (Patricia Knox) but Nora, with the assistance of Police Captain McVeigh (H. B. Warner), follows a different trail, a trail that leads directly to her own father, a supposedly upstanding theatrical agent (Boyd Irwin). ~ Hans J. Wollstein, All Movie Guide

Filmed independently in 1939, The Great Commandment finally attained released in 1942 via 20th Century-Fox. Set in 30 AD, the story concerns the burgeoning Christian movement, and its effects on young Judean scholar named Joel (John Beal). A hotheaded reactionary, Joel spearheads an uprising against the Romans, but his warlike impulses melt away under the influence of Jesus of Nazareth. Joel even "turns the other cheek" when dealing with the warrior who murdered his brother. Director Irving Pichel later helmed such inspirational church-basement fare as 1952's Martin Luther and 1954's Day of Triumph. ~ Hal Erickson, All Movie Guide

Winfield Sheehan, former head of Fox studios, owned the only Austrian Lippizan horses in the U.S. In 1940, MGM bought the rights to the Felix Salten novel Florian, all about the Lippanzers. When the film was made, the producer was Winfield Sheehan. Coincidence? We don't think so. At any rate, the story, set in the 1880s, tells of how hero (Robert Young) and heroine (Helen Gilbert) are brought together through their love of horses. Just so we don't forget that Florian is set in Austria, Reginald Owen shows up as emperor Franz Josef. For another filmic treatment of the fabulous Lippanzer show horses, we refer you to Disney's The Miracle of the White Stallions (63). ~ Hal Erickson, All Movie Guide

Roy Rogers plays an outlaw out to avenge the murder of his brother in this fine Republic Western directed by one of the masters of the genre, Joseph Kane. Learning that the man he believes to be the killer, Lee Jessup (Bob Steele), is running a gambling establishment in Sonora, the Kid manages to obtain a job body guarding Jessup's saloon and its star attraction, Joby (Pauline Moore). But although intent on biding his time, the hero cannot stand idly by while Jessup is taking advantage of a naïve prospector (Noah Beery Jr.) and is forced to show his hand. One of Rogers' better early vehicles, The Carson City Kid is enlivened by a couple of good songs, including "Are You the One?" and "Sonora Moon," both by Peter Tinturia and performed by Rogers and Moore (who later admitted to having been dubbed). ~ Hans J. Wollstein, All Movie Guide

Based on Memory of Love, a novel by Bessie Breuer, In Name Only is soap opera par excellence, blessed with a peerless cast. Carole Lombard plays widow Julie Eden, who meets and falls in love with unhappily married Alec Walker (Cary Grant). Having married Alec solely for his wealth and family prestige, his manipulative wife, Maida (Kay Francis), has managed to convince everyone -- even Alec's parents -- that she is the victimized one and that Alec is an irresponsible philanderer. Making matters worse, Maida refuses to give Alec a divorce so that he can find happiness in the arms of the sweet, unassuming Julie. Almost miraculously, Maida agrees to let Alec go, only to capriciously renege at the last minute and sue Julie for alienation of affections. Disconsolately, Alec goes on a bender, falling asleep in front of an open window and contracting pneumonia. As Alec lays seriously ill in a hospital bed, Julie tearfully agrees to give him up if only Maida will try to make him happy. But Maida isn't about to give up this moment of triumph, cheerfully bragging about her underhanded methods and her intention to take Alec for every penny that he has. Without giving away the outcome, it can be noted that, figuratively speaking, loose lips sink ships. Though In Name Only could have been a wallow in bathos, the performances by the stars -- and the knowing direction of John Cromwell -- elevate the production to the level of "romance classic." ~ Hal Erickson, All Movie Guide

A wealthy older man and a poor young woman each get a chance to see how the other half lives in this comedy. Alfred Borden (Walter Connolly) is a millionaire who feels neglected by his family. His wife Martha (Verree Teasdale), daughter Katherine (Kathryn Adams), and son Tim (Tim Holt) usually ignore him, and all three manage to forget his birthday completely. Depressed and alone, Alfred bumps into Mary Grey (Ginger Rogers), a young woman who is out of work but is still happy with her lot in life. Alfred invites her to go to a night spot with him, and he soon hatches a scheme by which Mary will move into the guest room of the Borden Mansion and pose as a gold digger who is toying with Alfred's affections to get at his money. Mary's presence has a sudden impact on the family; Martha realizes that she needs to pay more attention to her husband, Katherine falls in love with the family's leftist chauffeur (James Ellison), and Tim starts taking an interest in the family business, and in Mary. ~ Mark Deming, All Movie Guide

This 15-chapter Columbia serial is largely set on a remote Carribean island (which looks suspiciously like Catalina). Reporter Larry Kent (Don Terry) arrives on the island to investigate the disappearance of another newshound. It turns out that somewhere in the area is buried a valuable treasure, for which there exists half of a map. Toni Morrell (Gwen Gaze), the daughter of an old salt whose murdered partner knew the location of the treasure, joins forces with Larry to solve his friend's disappearance-and, hopefully, dig up the buried loot. They are opposed at every turn by the evil Collins (Walter Miller), who has a seemingly endless supply of weapons, land mines and henchmen at his disposal. Adding to Larry and Toni's burden is the presence of the mysterious Dr. X (Hobart Bosworth), who is hard at work developing a new and powerful explosive. And as if that weren't enough, Larry is obliged at several junctures to battle an unknown assailant disguised as a 17th century pirate. ~ Hal Erickson, All Movie Guide

Sh! The Octopus is a low-budget remake of Ralph Spence's oft-filmed stage melodrama The Gorilla. The old-dark-house setting of the original has been changed to a lonely lighthouse, while Spence's marauding gorilla has metamorphosed into a giant special-effects octopus. Detectives Kelly (Hugh Herbert) and Dempsey (Allen Jenkins) are summoned to the lighthouse to prevent harm from befalling heiress Verta Vernoff (Marcia Ralston). The two gumshoes seem far too preoccupied to perform their duties (Kelly is awaiting the birth of his first son), and indeed they prove so inept that at one point the heroine screams "What's the matter with you?" A series of murders occur, all attributed to the king-sized octopus, but it turns out that one of Verta's oldest and most trusted friends is responsible. Without giving anything away, it must be said that the "surprise" ending of Sh! The Octopus is one of the stupidest ever captured on film, though at least it affords Hugh Herbert and Allen Jenkins the opportunity to dress up in baby clothes! ~ Hal Erickson, All Movie Guide

In this drama, a wealthy, aristocratic New Yorker, thinking his son is a bit of a panty-waist, decides to make a real man of him and sends him to work in a lumber camp to prove himself. Unbeknownst to the father, the boy is already a famous wrestler known as the mysterious Masked Marvel. Meanwhile, at camp, the young man manages to expose two shady foreman, beat up the loggers, and save the logging operation of a pretty young girl who falls madly in love with him. ~ Sandra Brennan, All Movie Guide

New Faces of 1937 was supposed to be the vanguard of a series of annual musical comedies -- RKO Radio's latest attempt to revive its long-dormant "Radio City Revels" concept. The plot is based on an old show-business legend, later immortalized in Mel Brooks' The Producers: Crooked Broadway producer Robert Hunt (Jerome Cowan) deliberately produces flops so that he can pocket the backers' money himself. His next sure-fire disaster is a show built around talented unknowns (there actually was such a "New Faces" series on Broadway, yielding such stars-to-be as Imogene Coca and Henry Fonda, but it was produced on the up-and-up). When the show threatens to become a hit, the producer desperately seeks a method to sabotage the production. The various subplots involve such vaudeville and radio comedians as Milton Berle (who performs a side-splitting "stockbroker" sketch with Richard Lane), Joe Penner, Bert "Mad Russian" Gordon and Parkyakarkus (aka Harry Einstein, the father of present-day comedians Bob Einstein and Albert Brooks). Among the New Faces displayed herein are 14-year-old dancer Ann Miller, The Brian Sisters, The Three Choclateers and the Four Playboys. Perhaps the fictional Robert Hunt would have been pleased to find out that New Faces of 1937 was a box-office bomb, precluding any follow-ups. ~ Hal Erickson, All Movie Guide

Warner Bros.' "Perry Mason" series quietly slipped from the "A" to the "B" category with this adaptation of Erle Stanley Gardner's The Case of the Caretaker's Cat. Ricardo Cortez and June Travis take over from Warren William and Claire Dodd as criminal attorney Perry Mason and his faithful secretary Della Street. Though the characters had been married in Case of the Velvet Claws, they're unattached again here, though Della is still hoping. This time there are three murders, all connected with a hectic treasure hunt and a screeching feline (grey, not black!) Throwing an added spanner into the works is the fact that one of the murders is a phony, designed to permit a millionaire from escaping his responsibilities. Case of the Black Cat was later redone as an hour-long episode of the Perry Mason TV series. ~ Hal Erickson, All Movie Guide

A vicious spiral of revenge in a traveling circus is the basis for this fast-paced thriller. The circus has stopped to perform in a small town when the trouble begins. During the course of the film, much of the cast is killed, planning to kill, or killing each other. ~ Sandra Brennan, All Movie Guide