"Slapsie Maxie" Rosenbloom Movies
A fifth-grade dropout and reform school "graduate," Harlem-born Maxie Rosenbloom began his boxing career at age 19. He went on to win 210 of his 289 professional bouts, and reigned as world champion from 1932 through 1934. It was Damon Runyon who, taking account of Rosenbloom's unusual ring technique, tagged him with the nickname "Slapsy Maxie." After his retirement from boxing, Rosenbloom entered films, where he developed into an appealing if limited comic actor, playing punch-drunk pluguglies in such films as Nothing Sacred (1937), The Amazing Dr. Clitterhouse (1939), and Ringside Maisie (1941). He was given leading roles in B-pictures at Columbia and Monogram, and was briefly a member of a stoogelike screen team with Shemp Howard and Billy Gilbert. He also co-starred with fellow ex-pugilist Max Baer in a quartet of Columbia two-reelers, and as Clyde the Trainer on the 1954 TV series Joe Palooka. For several years, Rosenbloom ran successful nightclubs in San Francisco and Los Angeles. He spent his last years suffering from the cumulative effects of his many bouts, often behaving as pathetically "punchy" as the characters he'd played during his Hollywood years. In 1972, four years before his death, Maxie Rosenbloom was elected to the Boxing Hall of Fame. ~ Hal Erickson, All Movie Guide
Thirteen-year old Teddy Eccles is a devotee of Thoreau, as most everybody else was in 1969. Eccles decides to spend a one-year sabbatical in the Canadian woods. His immediate companion is his pet raccoon; his spiritual companion is idealistic librarian Chris Wiggins, who supplies Eccles with books on survival. Reality intrudes when another of Eccles' kindred spirits, a falcon, is killed by insensitive hunters. But the boy survives this disillusionment with the help of Wiggins and wandering-troubadour Theodore Bikel. My Side of the Mountain is a refreshingly non-condescending adaptation of the novel by Jean Craighead George. ~ Hal Erickson, All Movie Guide
- Starring:
- Ted Eccles, Theodore Bikel, (more)
- 1968
Attacked by a gang of hoodlums, Tony (Larry Hagman) manages to rout them with a lucky punch. What Tony doesn't know is that his show of strength was the result of magic performed by Jeannie (Barbara Eden). Unfortunately, the folks in charge of the Armed Forces Boxing Tournament don't know this either--and before long, Tony (aka "One-Punch Nelson") has been scheduled for a championship bout with a muscular Marine named Killer Culligan (Pepper Martin). Real-life heavyweight contender Jerry Quarry appears as himself. ~ Hal Erickson, All Movie Guide
- 1967
Hayseeds abound in this musical comedy, two star-struck hoboes hop what they think is a west-bound train that will land them in Hollywood. Well, it's going to Hollywood all right, but unfortunately its destination is Hollywood, Florida. The two become so hungry along the way that they are forced to ditch the train. They end up somewhere in the deep South and eventually try to swipe a hen. Unfortunately, they get caught by the Zickafoose family who chase them all about. Soon white lightning runners are also after them and all sorts of chaos ensues. Songs: "Cottonpickin' Chickenpickers," "This Must Be the Bottom," "Comin' On Strong," "Dirty Ole Egg Suckin' Dog," "Not Me," and ""Messed Up."" ~ Sandra Brennan, All Movie Guide
- 1966
In this episode from The Man from U.N.C.L.E. series, the two good guy spies must stop a criminal mastermind from altering the course of the Gulf Stream. ~ Sandra Brennan, All Movie Guide
- 1964
Herman (Fred Gwynne) falls asleep in the Munster Koach, inadvertently leaving the keys in the ignition. Shortly thereafter, the vehicle is stolen by two crooks, to be used as the getaway car in a bank robbery. Accidentally taken along for the ride, Herman gets mixed up in the bank heist when the bad guys mistake him for another gang member, a punchdrunk lug named Big Louie (played by boxer-turned-comedian "Slapsy" Maxie Rosenbloom, in one of his last TV appearances). ~ Hal Erickson, All Movie Guide
Jerry Lewis now claims that his film directorial debut came about when his home studio, Paramount, needed a summer-release Lewis vehicle in a hurry. Jerry and his entourage headed to the Fountainbleu hotel in Miami Beach, and 29 days later returned with The Bellboy. As narrator Walter Winchell (and an actor pretending to be a Paramount executive in a pre-credits bit) explain, the film has no plot and no point; it merely exists for the audience's enjoyment. Lewis plays nebbishy bellhop Stanley, a nonspeaking bumbler who alternates between screwing up and taking his job too seriously. The film's Tati-like gags involve a Volkswagen engine, an overweight guest, a woman with a come-hither voice, a very effective flash bulb, an episode at the Greyhound track, a golf tournament, and a passenger jet. Weaving in and out of the proceedings is Lewis' cowriter (and former drummer) Bill Richmond, made up as the spitting image of Stan Laurel (the real Laurel was approached to play himself, but he gently turned Jerry down, insisting that his aged appearance would disappoint his fans). Miami habitues B.S. Pully, Joe E. Ross, Cary Middlecoff, The Novelites make cameo appearances, as does Milton Berle. Made for peanuts, The Bellboy amassed a fortune, assuring that Jerry Lewis would be permitted to direct many of his own films in the future. ~ Hal Erickson, All Movie Guide
- Starring:
- Jerry Lewis, Alex Gerry, (more)
- 1959
Set within the popular bohemian coffee houses of the late '50s where beatniks gathered to recite poetry and perform, this sensationalistic detective drama centers upon the attempts of an insensitive police detective to catch an arrogant serial rapist, a rich young man who believes himself mentally superior and therefore beyond the law. His favorite victims are married women. When he learns that the detective is after him, the rapist targets the cop's wife. Later the poor wife discovers she's pregnant and cannot be sure who fathered her child. The film is alternatively titled This Rebel Age. ~ Sandra Brennan, All Movie Guide
- Starring:
- Steve Cochran, Mamie van Doren, (more)
- 1958
- Add I Married a Monster from Outer Space to QueueAdd I Married a Monster from Outer Space to top of Queue
It has now become a film-review clich to preface a write-up for I Married a Monster From Outer Space with the cautionary "Don't be misled by the title." The fact remains, however, that this one of the better and more intelligent horror outings of the late 1950s. The "I" of the title is Marge Farrell (Gloria Talbott), who can't help noticing that her husband Bill (Tom Tryon) has been acting very strangely since their dark-and-stormy wedding night. For one thing, the formerly demonstrative Bill behaves listlessly, as though possessing no emotions whatsoever; for another, though he spends much of his free time at Grady's Bar, Bill never takes a drink (now that is weird!) It isn't long before Marge discovers that Bill, along with several of his male friends, have been taken over by aliens from the Andromeda Nebula, who have arrived on earth to replenish their species. There's only one flaw to this plan: the aliens are unable to procreate! Once the authorities are alerted, a posse of non-possessed men attack the alien spaceship, paving the way for the not-altogether-predictable finale. ~ Hal Erickson, All Movie Guide
- Starring:
- Tom Tryon, Gloria Talbott, (more)
- 1956
This highly anticipated and lavishly publicized semi-musical TV adaptation of Kay Thompson's "Eloise" stories stars 7-year-old Evelyn Rudie as the titular 6-year-old heroine. As devotees of the books written by Thompson and illustrated by Hilary Knight already know, Eloise is a precocious little girl who lives with her Nanny, her dog Weenie (actually a cat) and her turtle Skipperdee at New York's posh Plaza Hotel. Forever sticking her nose into other people's business, Eloise tries to promote a "storybook" romance between a visiting Prince (Louis Jourdan) and a hotel chambermaid (Inger Stevens). Despite the presence of several venerable guest stars playing themselves--including Ethel Barrymore, Monty Woolley, hotelier Conrad Hilton and Kay Thompson herself--"Eloise" was one of the biggest flops in the history of the CBS anthology Playhouse 90. What seemed cute and whimsical in print came off as loud and obnoxious, largely due to the overbearing personality of child actress Evelyn Rudie. Incredibly, several subsequent attempts were made to foist Rudie on the public, including a not-bad episode of Alfred Hitchcock Presents, but the kid never quite became another Shirley Temple, and faded from view after a few years. ~ Hal Erickson, All Movie Guide
- 1956
Dean Martin and Jerry Lewis made their last joint film appearance in the girl-filled musical Hollywood or Bust. The thinnish plot finds inveterate film fan Jerry making a cross-country journey to Tinseltown for the purpose of meeting his favorite screen star, the buxom Anita Ekberg (the film's title, need it be added, has a double meaning). Dean goes along for the ride, hoping to expand his bankroll during a Las Vegas stopover. The boys are joined by a third traveller, an enormous Great Dane named Mr. Bascomb; along the way, the trio becomes a quartet when pretty Pat Crowley hitches a ride. The finale takes place in Hollywood, naturally, as Jerry wreaks havoc at a film studio which looks suspiciously like Paramount. All reports indicate that Hollywood and Bust was an unhappy shoot, with Jerry Lewis behaving so obstreperously that director Frank Tashlin ordered him off the set and told him to go home until he learned to behave himself; to this day, Lewis cannot bring himself to watch the film. Happily, the animosity between the two stars never comes across on screen, and as a result Hollywood or Bust is a most enjoyable diversion. ~ Hal Erickson, All Movie Guide
- Starring:
- Dean Martin, Jerry Lewis, (more)
- 1955
The best thing that can be said about Abbott and Costello Meet the Keystone Kops is that it's better than the team's previous outing Abbott and Costello Meet Dr. Jekyll and Mr. Hyde. Set in 1912, the film casts Bud Abbott and Lou Costello as a couple of New Yorkers who are swindled out of their life savings by a crooked lout (Fred Clark). Pursuing the villain to Hollywood, the boys discover that the double-dealer is now posing as an autocratic Russian film director. To put A&C out of the way, the crook and his partner in crime (Lynn Bari) hire the boys as stunt men, intending to kill them off at the first opportunity. But the comic duo save the day when they enlist the aid of the Keystone Kops in capturing the fleeing villain, who has absconded with the studio payroll. Pretty dull stuff for most of its 78 minutes, Abbott and Costello Meet the Keystone Kops finally comes to life during the climactic chase, which is every bit as funny and thrilling as anything put together in the silent era. Though the film is rife with anachronisms, a measure of authenticity is achieved by such silent-era guest stars as Mack Sennett (who gets to throw a pie at Costello), Heinie Conklin, Herold Goodwyn and Hank Mann. ~ Hal Erickson, All Movie Guide
- Starring:
- Bud Abbott, Lou Costello, (more)
- 1951
Yes, that's Vincent Edwards under that lavish blonde hairpiece in Eagle-Lion's Mr. Universe. An unsubtle lampoon of professional wrestling, the film top-bills Jack Carson as manager Jeff Clayton, who convinces bodybuilding contest winner Tommy Tomkins (Edwards) that "you gotta have a gimmick." Tommy rises to fame in the wrestling ring as a Gorgeous George clone, while Clayton tries to pay equal attention to his faithful girlfriend Lorraine (Janis Paige) and to extortion-prone gangster Fingers Maroni (Robert Alda). After several fixed bouts, Tommy shows he's really got what it takes in an honest grappling match. Just in case anyone might take this thing seriously, Bert Lahr shows up as wrestling promoter Joe Pulaski. Also on hand are famed ringside announcer Dennis James ("Okay, mother!"), former boxing champ Maxie Rosenbloom, and radio tenor Donald Novis. Something for everybody! ~ Hal Erickson, All Movie Guide
- Starring:
- Jack Carson, Janis Paige, (more)
- 1951
Originally slated for release by Eagle Lion, Skipalong Rosenbloom purchased by United Artists -- who gave it a cursory theatrical release before selling the film to television. As it turned out, TV was the appropriate medium for this heavy-handed satire of video westerns. Former boxing champ Maxie Rosenbloom plays a lampooned variation of Hopalong Cassidy, with all the standard western cliches in evidence. "Skipalong" Rosenbloom is depicted as the star of a heavily commercialized TV kiddie show, presided over by a smarmy announcer. The plot proper finds "Skipalong" at odds with western bad guy Butcher Baer, played by Rosenbloom's onetime ring opponent Max Baer. Others in the cast are Jackie Coogan, Fuzzy Knight and Hillary Brooke, who seem to be having fun with the dreadful material foisted upon them. ~ Hal Erickson, All Movie Guide
- Starring:
- "Slapsie Maxie" Rosenbloom, Max Baer, (more)
- 1948
Chronic gambler Ellen Crane (Paulette Goddard) indulges in games of chance to compensate for the loss of her boyfriend during WW2. Heavily in debt to gambling czar Lonnie Burns (Fred Clark), Ellen promises to marry him to clear her financial slate, but in the cold light of day she rethinks her decision and takes it on the lam. The irascible Burns hires detective J. D. Storm (Macdonald Carey) to track Ellen down and bring her back. After a hectic cross-country pursuit, Ellen and Storm come to realize what the audience has predicted all along: they've fallen in love with each other. This very standard assembly-line comedy is redeemed by its character actors, notably squeaky-voiced Percy Helton as a "three time loser" jailbird. ~ Hal Erickson, All Movie Guide
- Starring:
- Paulette Goddard, MacDonald Carey, (more)
- 1945
If Penthouse Rhythm is paced more like a two-reel comedy than a mini-musical, it may be because the director was Mack Sennett alumnus Eddie Cline. Kirby Grant, Lois Collier, Judy Clark and Edward Norris play Dick, Linda, Patty and Junior, young members of a singing quartet. The kids have trouble getting their career started until given a boost by boxer-nightclub manager Maxie Rosenbloom (playing himself). Their success seems to hinge on a mere handful of songs, a fact that many genuine musicians found laughable. Halfway down the cast list as "Jank" is Jimmy Dodd, ten years away from his Mickey Mouse Club fame. ~ Hal Erickson, All Movie Guide
- Starring:
- Kirby Grant, Lois Collier, (more)
- 1945
In 1912, John Bunny and Flora Finch starred in the one-reel farce The New Secretary, wherein Bunny's wife hires a homely stenographer to keep her hubby from straying. 33 years later, this old chestnut was reheated for The Men in Her Diary. The cute-as-a-button Peggy Ryan "dresses down" to portray the unattractive secretary--who, unfortunately for her boss, keeps a diary of her imagined love affairs. Everything runs according to expectation in this lively Universal second feature. Men in Her Diary was written by the "odd couple" team of playwright F. Hugh Herbert and Three Stooges gagman Ellwood Ullman. ~ Hal Erickson, All Movie Guide
- Starring:
- Peggy Ryan, Louise Allbritton, (more)
- 1944
Shemp Howard and Billy Gilbert are a pair of lovable vaudeville clowns who spend most of their free time looking after the young son (Robert "Buzzy" Henry) of their boss (Paul Phillips), a nice guy who is trying desperately to hold together his second marriage. When his wife (Helen Gilbert) walks out, and he dies in an accident, Billy and Shemp are left to take care of the boy. In the course of looking for work, they meet impoverished restaurateur Slapsie Maxie Rosenbloom and manage to achieve success as entertainers when their antics prove more alluring to patrons than the food they cook up. But then their late boss' widow and the man she's taken up with turn up, trying to claim custody of the boy so that they can steal the insurance payment for his father's death. Suddenly, everything they have worked for is in jeopardy, unless Billy can get married and adopt the boy legally. But marrying off Billy Gilbert is a task easier said than done, and leads to a comical search worthy of a good Three Stooges movie (only slightly more sophisticated). The two grifters manage to fool Billy into thinking the boy would be better off with the former stepmother -- he lets the boy go, which breaks up his partnership with Shemp. Can Maxie Rosenbloom's fists and the legal system put these three back together where they belong? ~ Bruce Eder, All Movie Guide
- 1944
Paramount Pictures did their patriotic duty with this World War II era musical, with a number of the studio's biggest stars making cameo appearances. Tony West (George Raft), his sister Kitty (Grace McDonald), and their father Nick (Charles Grapewin) tour together as The Three Wests, a failing act just scraping by in the latter days of vaudeville. With job opportunities drying up on the East Coast, Tony persuades the family to take their chances in California, and for once luck is with him. Not long after arriving in Hollywood, Tony is hired as a chorus boy on a musical starring Latin bombshell Vera Zorina (Gloria Vance). Cocky Tony offers Vera some much-needed advice on her dancing. She's intrigued by his confidence, and a romance blooms; soon, the two marry. Tony becomes a major star as Vera's on and off screen dancing partner, but when World War II breaks out, Tony's conscience gets the better of him. Tony is 4-F because of a bad knee, but he's ashamed to admit this, even to Vera, who thinks he's avoiding the service out of cowardice. Vera eventually gives Tony his walking papers, and desperate to show his support of our troops, Tony organizes an all-star U.S.O. revue bringing much needed entertainment to America's fighting men overseas. Follow the Boys also features guest shots by Marlene Dietrich, W.C. Fields (demonstrating trick billiard shots), Orson Welles (doing his magic act), Dinah Shore, The Andrews Sisters, Jeanette MacDonald, Sophie Tucker, Randolph Scott, Lon Chaney Jr., and Maria Montez, among many others. ~ Mark Deming, All Movie Guide
- Starring:
- George Raft, Vera Zorina, (more)
- 1944
This Technicolor musical biopic stars Argentina-born Dick Haymes as Irish-American composer Ernest R. Ball. Climbing to fame with such sentimental songs as "When Irish Eyes are Smiling" (hence the title), Ball romances a lovely showgirl (June Haver), who in turn catches the eye of a charming underworld character (Anthony Quinn). Monty Woolley does a variation of The Man who Came to Dinner in his role as a roguish Broadway producer. Seldom cluttering up its story with the facts, Irish Eyes are Smiling is chiefly a showcase for the superb singing of Dick Haymes. The film was produced by legendary journalist Damon Runyon, which should surprise several citizens more than somewhat. ~ Hal Erickson, All Movie Guide
- Starring:
- Monty Woolley, June Haver, (more)
- 1944
Three bumbling, stumbling slapstick "spiritualists" end up nearly scared to death when they must spend the night in a seemingly ghost-filled haunted mansion that also houses a gigantic gorilla. The three goofs include Shemp Howard, who later became the third "Stooge" with his more-famous brother Moe Howard. The film is also titled Ghost Crazy. ~ Sandra Brennan, All Movie Guide
- 1944
Night Club Girl was designed as a feature-length "screen test" for new Universal contractee Vivian Austin. The plot is the old one about a couple of young showbiz aspirants who are given their Big Break by a hotshot journalist. In this instance, the aspirants are tapdancer Ellen (Austin) and Betty Huttonish songstress Janie (Judy Clark), while the benevolent journalist is columnist Clark Phillips (Edward Norris). In a cute cliché reversal, Ellen and Janie's debut at Maxie Rosenbloom's nightclub proves to be a disaster. Even so, there's a happy ending, not to mention dozens of music numbers performed by the likes of the Mulcays, The Delta Rhythm Boys and Paula Drake. ~ Hal Erickson, All Movie Guide
- Starring:
- Edward Norris, "Slapsie Maxie" Rosenbloom, (more)
- 1944
In this crazy comedy, the threesome try to become foster fathers. ~ Sandra Brennan, All Movie Guide
My Son, the Hero was a rare comedy from the PRC studio mills-and rarer still, it was directed by melodrama specialist Edgar G. Ulmer. Roscoe Karns plays a third-rate fight manager misleadingly known as Big Time. Justifiably proud of his war-correspondent son Michael (Joseph Allen Jr.), Big Time tries to measure up to his son's accomplishments by writing letters to the boy, claiming to be a wealthy businessman. When Michael comes home on furlough, Big Time panics, worrying that he'll be exposed as a fraud. But he hasn't taken into consideration his golden-hearted ex-wife Gerty (Patsy Kelly) and punchdrunk prizefighter Kid Slug (Maxie Rosenbloom), who help Big Time come off as a hero in the eyes of his son. My Son, the Hero represented Patsy Kelly's last film appearance until her comeback role in Please Don't Eat the Daisies (1960). ~ Hal Erickson, All Movie Guide
- Starring:
- Patsy Kelly, Roscoe Karns, (more)
- 1943
Newlywed bliss surround O'Driscoll and Beery until they get on board the ship for their honeymoon in South America. Then she starts sneezing, and hay fever's uncontrollable grip does not seem to want to let up. They try everything, then finally seek out a doctor on the ship. The trouble is compounded when the physician they find, Bruce, falls for the new bride. His diagnosis: Beery is the cause of the sneezing. She is allergic to him. ~ All Movie Guide
- Starring:
- Martha O'Driscoll, Noah Beery, Jr., (more)
