Alan Rosenberg

Robert Urich stars as a self-involved computer executive who becomes inadvertently involved in a crime. He witnesses the kidnapping of a 3 year old girl, an event that shakes him out of his aloofness and insensitivity. Feeling partially responsible, Urich determines to aid in the rescue of the child, working together with the victim's mother (Megan Gallagher). Even though we can see the happy ending a mile off, Urich's conscience-stricken performance sustains audience involvement in this superior entry. And Then She Was Gone was first telecast September 29, 1991. ~ Hal Erickson, All Movie Guide

After the Silence concerns a deaf girl who must contend with numerous difficulties in order to make sure her father pays for abusing her. ~ Perry Seibert, All Movie Guide

This made-for-television crime drama centers on the attempts of a determined FBI agent to see that the imprisoned gangster Al Capone is permanently prevented from running his operations from behind bars. ~ Sandra Brennan, All Movie Guide

Inspired by a true story, this made-for-TV drama stars Meredith Baxter as Terry Stone, a woman whose 19-year-old son, Andrew (Eric Lively), is an honor student in college. Late one night, Terry and her husband, Geoff (Alan Rosenberg), receive shocking news -- Andrew is in the hospital following an auto accident. Terry and Geoff learn that a drunk driver ran into their son's car; Andrew has suffered severe head injuries, and it's possible that he may never fully recover. As Andrew goes through the slow and painful process of rehabilitation, Terry does some research on the driver who injured her son, and makes the shocking discovery that this is not the first time he was in an accident while under the influence. As Andrew struggles to put himself and his life back together, Terry struggles with the legal system to see that the drunken driver will never be allowed behind the wheel of a car again. Crash Course originally aired under the title A Mother's Fight for Justice. ~ Mark Deming, All Movie Guide

Successful television director and film producer Michael Pressman sets off with high hopes when he decides to helm a film production of Frankie and Johnny in the Clair de Lune. He believes the experience of directing a film starring his struggling actress of a wife (Lisa Chess) will be a fun and relatively easy way to revitalize their marriage. Unfortunately, the decision to cast Alan Rosenberg to play Johnny proves disastrous -- Rosenberg is incredibly difficult to work with and Pressman's already tense relationship becomes steadily worse as the horrific rehearsal and filming process intensifies. The situation looks bleak when, after a devastating preview, Pressman is forced to shut down the play, relinquish his investment, and possibly lose his wife. Of course, the aggrieved director has one option: to take over the role of Johnny. The stakes have never been higher for the married couple, considering their future together appears to hinge on the final outcome of the film. Frankie and Johnny Are Married was directed in real life by the protagonist, Michael Pressman. ~ Tracie Cooper, All Movie Guide

A widow's grief over the loss of her beloved husband is softened when he shows up one night to haunt her and tempt her into joining him in the afterlife. Made especially for the Lifetime Television Network, this romantic comedy drama stars the real-life husband-and-wife team of Alan Rosenberg and Marg Helgenberger. ~ Sandra Brennan, All Movie Guide

The merciless Tritter (David Morse) turns up the heat on the clinic staff in order to nail House (Hugh Laurie) on drug charges, going so far as to persuade the DNA to revoke Wilson's prescribing privileges. Despite the cut-off of his Vicodin supply, House summons up enough strength to investigate the case of 18-year-old restaurant worker Jack Walters (Patrick Fugit), who has suffered an apparent heart attack while working overtime to support his younger siblings. Though supremely confident that he has correctly diagnosed Jack's condition, House puckishly turns the situation into a game, sealing his findings in an envelope and challenging his coworkers to figure out the case all by themselves (What in the world can the man be up to this time?) ~ Hal Erickson, All Movie Guide

Miracle Mile starts conventionally enough, with bashful musician Anthony Edwards going ga-ga over waitress Mare Winningham. After a pleasant if somewhat quirky day together, Edwards and Winningham plan a tete-a-tete at the all-night restaurant where the girl works. While preparing to call her on a pay phone, Edwards intercepts a frantic call from a soldier stationed at a Midwestern missile silo. The message: nuclear warheads have been launched, and it's only 70 minutes to Armageddon! This unsettling news casts severe doubts over the future of Edwards' and Winningham's relationship. ~ Hal Erickson, All Movie Guide

If the Perils of Pauline were set in a campy New York City with a dash of trash added in, Not for Publication would result, though the awful jokes and kinky characters are not going to be entertaining to everyone. Lois (Nancy Allen) is a reporter at a sleazoid newspaper, a paragon of yellow journalism that she is determined to turn back to its first incarnation as The New York Enforcer, a better paper. The not-so-good Mayor Franklyn (Laurence Luckinbill) adopts Lois as his personal assistant when she bursts into his office one day and strongly advises him to cut the pressure to shut down porn shops or he will lose the vote of New York's youth. She hires a photographer (David Naughton) to work in the mayor's office, planning to use his skills for her tabloid paper -- but then a quirky menage à trois arises between the mayor, the photographer, and Lois. After some undercover sleuthing in Long Island, Lois connects the mayor to various robberies that have occurred in the city and thinks of a way to bring back the New York Enforcer and handle the mayor at the same time. ~ Eleanor Mannikka, All Movie Guide

Created by William Finkelstein of Civil Wars fame, the made-for-TV feature On Seventh Avenue was intended as the pilot for a weekly series. Wendy Makkena stars as Nadine Jacobs, the owner of a high-profile fashion business established by her father (played by actor-director Gene Saks). In order to keep her business afloat in a sea of cutthroat competitors, Nadine recklessly cuts several deals with a major investment firm--and with the Mob. In typical "pilot" fashion, the film ends with several loose plotlines still dangling and unresolved; guess we'll never know what happened now (sigh!) On Seventh Avenue was telecast by NBC on June 10, 1996. ~ Hal Erickson, All Movie Guide

For this follow-up to their mega-hit Ice Age, directors Carlos Saldanha and Chris Wedge team with the screenwriting duo behind Parenthood and City Slickers, Lowell Ganz and Babaloo Mandel. Robots stars Ewan McGregor as the voice of Rodney Copperbottom, an idealistic robot who wants to convince his electronic brethren to come together and work toward making the world a better place. As the story unfolds, Rodney faces opposition from an evil corporation headed by Big Weld (Mel Brooks) and finds some unlikely allies in the form of a ragtag group of misfit robots called the Rusties and voiced by the likes of Drew Carey and Amanda Bynes. Stanley Tucci and Dianne Wiest provide the voices of Rodney's parents, and Halle Berry portrays his love interest, Cappy. ~ Matthew Tobey, All Movie Guide

The Boys is an "a clef" celebration of the famed script writing team of Richard Levinson and William Link, the creators of Columbo, Murder She Wrote and so many other stellar TV projects. William Link himself wrote this story about two lifelong collaborator/friends named Walter (James Woods) and Artie (John Lithgow). Though Artie is a chain-smoker, it is Walter who contacts terminal lung cancer--the actual fate of the late Richard Levinson. Some observers have suggested that Link penned this tale more out of guilt than friendship; whatever the case, he wisely avoids overloading the material with sentiment, allowing the "boys" to kid around and squabble as much as they ever had. As a bonus, there's a Columbo-style mystery angle in the proceedings to keep the hard-core Levinson/Link fans happy. The Boys was produced for television and originally shown in April of 1991. ~ Hal Erickson, All Movie Guide