Henry Roquemore Movies

James Stewart once classified Pot O' Gold as his worst film, though this may have stemmed from his reported inability to get along with his costar Paulette Goddard (who is supposed to have dismissed Stewart's acting technique with a flippant "Anyone can swallow.") Inspired by the popular radio giveaway series of the same name, the film represented an ill-fated production venture for James Roosevelt, son of President Franklin D. Roosevelt. Stewart plays Jimmy Haskell, nephew of breakfast-food mogul C. J. Haskell (Charles Winninger). Befriending bandleader Horace Heidt (playing himself) and his orchestra members, Jimmy and his sweetheart Molly McCorkle (Paulette Goddard) tries to persuade C. J. to sponsor Heidt's radio program. The elder Haskell refuses until Jimmy and Molly's landlady mother (Mary Gordon) come up with a sure-fire "gimmick" for the program: they'll pick names from the phone book at random, call up those numbers, and give away huge prizes to whomever answers-provided that the call-ees are tuned into Heidt's show. This format worked beautifully for the real Pot O' Gold radio program, but tends to fall flat on screen, despite the energetic musical contributions of Horace Heidt and his entourage (including a very young and astonishingly articulate Art Carney, in his film debut). In England, Pot O' Gold was retitled The Golden Hour. ~ Hal Erickson, All Movie Guide

The real-life marriage between Dick Powell and Joan Blondell was already on the rocks when they costarred in Model Wife. The story is "Working Girl Plot No. 6": Blondell's employer frowns upon married women working. She's married to Powell. The marriage must remain secret. The boss has a "thing" for Blondell. So does every other man. Powell fumes. Complications. Movie ends happily. And that's Model Wife, the second and last of the Powell/Blondell vehicles of the 1940s (the other film was titled, significantly, I Want a Divorce). ~ Hal Erickson, All Movie Guide

Though he doesn't speak his first line of dialogue until the film's final ten minutes, Peter Lorre spiritually dominates the fascinating RKO melodrama Stranger on the Third Floor. The plotline is carried by John McGuire, playing Ward, a newspaper reporter whose courtroom testimony sends the hapless Briggs (Elisha Cook Jr). to the death house. Ward is certain that he saw Briggs leaving the scene of a murder, but as the days pass, he is tortured by guilt and doubt -- especially during the film's surrealistic knockout of a nightmare sequence. When another murder is committed, Ward finds himself as much a victim of circumstantial evidence as the unfortunate Briggs. The reporter's girlfriend (Margaret Tallichet) tries to clear Ward....and that's when she first makes the acquaintance of Lorre, who is heard ordering a pound of raw meat! Stranger on the Third Floor was a "film noir" long prior to the genesis of that cinematic movement. Long ignored or trivialized by film historians, this 7-reel quickie has in recent years graduated to classic status. ~ Hal Erickson, All Movie Guide

A wedding ceremony is rudely interrupted by a bank robbery next door, the bridegroom is shot and the best man is accused of being the culprit. All this takes place during the first five minutes of Triple Justice, George O'Brien's final western for RKO. Brad Henderson (O'Brien) is innocent, of course, but is forced to clear his good name and reputation by tracking down not only the three real bank robbers but also their secret boss, Deputy Sheriff Harry Woods). Along the way, Brad falls in love with lovely (Virginia Vale), the sister of neophyte outlaw Bud McTaggart), and finds himself the center of attention of three equally charming senoritas, (The Lindemann Sisters, who perform a couple of standard Mexican ballads. Miss Vale) also takes time out for a song, Fred Ross and Ray Whitley's "Lonely Rio. ~ Hans J. Wollstein, All Movie Guide

Filmed on location at Mesa, AZ, this minor Paramount western featured newcomer Ellen Drew as "Slats" Dangerfield, a young girl returning to her grandmother's ranch in Texas. Old Mrs. Dangerfield (May Robson) is experiencing a rash of cattle rustlings and, fed up with her no-good grandson Carter's (John Miljan) handling of the emergency, she contacts an old beau, Ranger Captain Ben Cadwallader (Charley Grapewin) of the Texas Rangers. Cadwallader assigns young Ranger Jim Kingston (John Howard) to infiltrate the gang, which the stalwart young man does with the expected results. Do "Slats" and Jim fall in love despite her initial dislike of the ranger? And does Mrs. Dangerfield's unsympathetic grandson Carter turn out to be in cahoots with the rustlers? Although not a direct sequel, this well-apportioned B-Western was obviously produced to capitalize on the popularity of the studio's 1936 The Texas Rangers. Robert Ryan, in his fourth film, appears in an unbilled bit part. ~ Hans J. Wollstein, All Movie Guide

Hey, gang! Let's put on a swell show and call it Strike Up the Band! Yes, it's the irrepressible Mickey Rooney, teamed up again with Judy Garland to show the grownups how to do things right. This time, Rooney wants to organize a high-school band. He hopes to enter a competition being held in Chicago by the great orchestra leader Paul Whiteman; all he needs is two hundred dollars for train fare. To raise the money, Rooney, Garland and company stage a student "mellerdrammer" that in real life would have cost the equivalent of a third-world-nation annual budget. They get the dough, but soft-hearted Rooney turns over the money to the mother of student musician Larry Nunn, who is in desperate need of emergency surgery. It looks hopeless until, luck of luck, Paul Whiteman arrives in Rooney's town. The original George and Ira Gershwin Broadway musical Strike Up the Band was a satire of warfare, with America declaring war on Switzerland in order to corner the chocolate industry. You'll see none of that subversive stuff in this MGM musical; instead, we are treated to such highlights as a George Pal animated sequence involving dancing fruit. It ain't profound, but Strike Up the Band is sure entertaining. ~ Hal Erickson, All Movie Guide

The town of Vinegaroon, TX, is the home to Judge Roy Bean (Walter Brennan), who calls himself "The Only Law West of the Pecos." Bean keeps a saloon, where he also conducts trials, using his office to get fat on fines and the seizure of property, and hanging most of those who get in his way, sometimes more than one a day. Cole Hardin (Gary Cooper) is a saddle-tramp brought in on a charge of stealing a horse belonging to Bean's chief stooge, Chickenfoot (Paul Hurst). Hardin's conviction by a jury made up of Bean's hangers-on (with the undertaker, played with low-key comic zeal by Charles Halton, waiting eagerly for the verdict and the hanging) seems certain, despite his contention that he bought the horse from another man, until Hardin recognizes the judge's obsession with the English actress Lily Langtry. Hardin feigns having seen, met, and known Miss Langtry intimately, and he cons the judge into delaying the death sentence until Hardin can send for a lock of the actress' hair that he supposedly has in El Paso -- that's long enough for the real horse thief (Tom Tyler) to show up and get killed.

By the time the dust settles, the judge, for all of his warped sense of justice and corrupt nature, finds himself genuinely liking Hardin as something of a kindred spirit, as bold and daring as he was in his youth, and feeling something like friendship for him. But Bean also tries to shoot Hardin when he decides to cast his lot with the homesteaders, led by Jane-Ellen Mathews (Doris Davenport) and her father, Caliphet (Fred Stone), who have been fighting for survival against Bean and his cattle-rancher allies every step of the way. Hardin tries to appeal to the better nature within the judge, and also saves him from an attempted lynching, but when that fails, and a corn crop is burned and Mr. Mathews killed, he sees no choice but to take action. He gets an arrest warrant sworn out and is deputized by the county sheriff. Taking Bean in his saloon or anywhere in his town (renamed Langtry by the judge, in honor of the actress) is impossible, but then it's announced that Lily Langtry will be appearing in Texas, a long day's ride away from Bean's stronghold. The judge, dressed in his full Civil War regalia and with his men in tow, rides to see the performance while Hardin gets ready to try and arrest him. The kind of climactic shoot-out that follows has been done to death in the decades since, but it was something new and revelatory in a Western in 1940, and still plays beautifully on a dramatic level, capturing in full the complexity of the relationship between these two antagonists. ~ Bruce Eder, All Movie Guide

In this crime drama, a grizzled cabbie is scammed out of his life savings by a fake finance company. He tries to no avail to get police assistance. Finally he becomes a wanted criminal and escapes to California where he meets the girl who will become his wife. She helps him go straight by helping him set up a garage. When she gets pregnant, she talks him into to confessing his crimes to the police. He agrees, but before he goes, he decides to commit one last crime to ensure that his wife and child will not starve while he serves his prison sentence. He then steals a million dollars only to learn that the money is worthless. He is subsequently killed in a police shoot-out. ~ Sandra Brennan, All Movie Guide

In this western, a dashing caballero makes a wager with his gang that he can court a beautiful dancer and lure her back to their lair. Unfortunately the woman loves another so the outlaw kidnaps them both. At the Mexican border, he has a change of heart and sets the lovers free. ~ Sandra Brennan, All Movie Guide

A "special" by Monogram standards, Lure of the Wasteland was lensed in a not inexpensive process called Telco-color. Grant Withers takes a break from his duties in the "Mister Wong" series to play Smitty, a US marshal assigned to track down $250,000 in stolen bonds. To gain the confidence of the outlaws, Smitty pulls the old ploy of posing as a crook and joining the gang. Despite his mental agility in plotting and planning large-scale robberies, outlaw leader Butch (LeRoy Mason) is unable to see through Smitty's guise until it's too late for him. Former silent comedy star Snub Pollard, fresh from a comic-sidekick stint in Grand National's Tex Ritter series, plays a relatively straight role as a reformed crook who acts as Smitty's go-between. ~ Hal Erickson, All Movie Guide

Featuring the husband-and-wife team of Jack Randall and Louise Stanley, this lukewarm Monogram Western eschewed the musical interludes that had been a Randall trademark thus far. Randall (the lesser known brother of B-Western star Robert Livingston) plays Jack Lane, a drifter who comes to the aid of an Eastern girl, Nola Day (Stanley). The girl travels West to meet her new guardian, Uncle Moose Walters (Henry Rocquemore), but Uncle Moose has been murdered by saloon owner Bill Larsen (John Merton) and it is Larsen posing as Moose who greets the young lady upon arrival. Jack senses that "Uncle Moose" may not be all he claims but Nola is blissfully unaware of Larsen's deception and becomes furious over the newcomer's interference. The evil Larsen is caught red-handed, of course, and Lola discovers that she has fallen in love with Jack. Al St. John, in between his Westerns with Fred Scott and Bob Steele, did his usual shtick as Randall's sidekick. Gunsmoke Trail was directed by Sam Newfield, one of the busiest -- and most careless -- B-Western directors of all time. ~ Hans J. Wollstein, All Movie Guide

Test Pilot is one of those irresistible MGM potboilers of the 1930s that coast along on sheer star power. Clark Gable plays a courageous test pilot, who compromises his achievements with his frequent bouts of drinking. Gable's mechanic, Spencer Tracy, does what he can to keep his boss out of trouble. While testing a new aircraft, Gable is forced to land on a Midwestern farm, where he meets and falls in love with Myrna Loy. Gable and Loy marry, whereupon he is fired by his boss Lionel Barrymore, who is of the opinion that flying and dames don't mix. Gable goes off on another bender, compelling Loy to leave him. Once more, Tracy comes to Gable's rescue by reuniting the couple and arranging for Barrymore to give Gable his job back. Later, Gable and Tracy are assigned to test a huge army bomber. Something goes wrong, and the plane goes into a dive. The self-sacrificing Tracy sees to it that Gable is saved from a flaming death--at the cost of his own life. Gable is so devastated by Tracy's death that it looks as though he'll never fly again. But with Loy's help, Gable regains his self-confidence. As one can see, there's little in Test Pilot that hasn't been done before. But with Clark Gable, Spencer Tracy and Myrna Loy at the controls, the film proved a real audience-pleaser in 1938. In fact, it's still pretty good today. ~ Hal Erickson, All Movie Guide

Goddbye Broadway is wrapped up by two stage & screen veterans, Alice Brady and Charles Winninger. The stars play vaudevillians Molly and Pat Malloy, who are suckered into investing $4000 in a ramschackle New England hotel. After a variety of predictable but amusing complications, the Malloys turn the tables on the sharpsters (Jed Prouty and Frank Jenks) who unloaded the property on them. Radio fans will enjoy seeing comedian Tommy Riggs, whose squeaky-voiced "Betty Lou" alter ego was a major airwaves attraction throughout the 1930s and 1940s. Directed by Leo McCarey's brother Raymond, Goodbye Broadway is based on James Gleason's 1927 stage comedy The Shannons of Broadway, previously filmed in 1929. ~ Hal Erickson, All Movie Guide