Tony Lo Bianco Movies

The boiling point is mighty low in this tepid action programmer. Wesley Snipes plays Jimmy Mercer, a Treasury agent whose sting operation goes bad. Engineered by Ronnie (Viggo Mortensen), a dull-witted but sadistic ex-con, the operation not only fails, but one of Jimmy's colleagues is killed by Ronnie in the process. As punishment, Jimmy is exiled to Newark, where he is given seven days to find the man responsible for the death of the officer. Meanwhile, slimy con-man Red (Dennis Hopper) has Ronnie deceived into thinking that Mercer is a big-time crook with influential connections. Red does this to enlist Ronnie's aid to participate in a third-rate crime spree. When Ronnie and Red begin their two-man crime wave, Jimmy is in relentless pursuit behind them. ~ Paul Brenner, Rovi

In this erotic thriller (which at the same time parodies many stereotypical elements of the genre), Monica Martel (Sally Kirkland) is a one-time sex symbol whose career has seen better days. Hoping for a comeback, Monica agrees to appear in a steamy murder mystery, but there's a catch: while the script has a number of nude scenes for her character, Monica refuses to appear nude herself. An attractive younger woman named Lisa Shane (Sherrie Rose) is hired to serve as Monica's body double; Monica is less than enthusiastic about this development, especially when her husband and co-star Eric Cline (ndrew Stevens) begins showing a more-than-professional interest in Lisa. Lisa is nearly killed when a bomb causes her car to explode, and many on the film begin to wonder if Monica's jealousy has begun to spin into homicidal madness. Double Threat is available on home video in both R-rated and unrated versions. ~ Mark Deming, Rovi

In this two-part adventure drama based on a thriller by author Sidney Sheldon, three nuns must run for their lives from a cruel colonel. Their flight leads them straight to a renowned Spanish rebel. ~ Sandra Brennan, Rovi

Teamster Boss: The Jackie Presser Story is a made-for-cable adaptation of James Neff's Mobbed Up, a real-life account about Teamster president Jackie Presser. Brian Dennehy plays Presser, who was Jimmy Hoffa's successor as president of the Teamsters. Like Hoffa, Presser was caught between the Mafia, the FBI, and his own ambitions, and the film follows his rise to power, as well as all the trials and tribulations that arose while he was president of the Teamsters. ~ Stephen Thomas Erlewine, Rovi

In the seventh-season finale of Murder She Wrote, Jessica Fletcher (Angela Lansbury) joins forces with her old friend, Boston PI Harry McGraw (Jerry Orbach), to solve a murder. The victim was Nick Culhane (Pat Harrington Jr.) a former writer turned spokesman for a major beer manufacturing firm. It turns out that at the time of his death, Nick had been working on an expose of dirty doings within the powerful brewing family who had hired him! Featured in the cast is former US Postmaster General Anthony Frank...as a mailman. ~ Hal Erickson, Rovi

A city pulses with racial problems, political corruption, and small-time crime in this ambitious microcosm of urban life, written and directed by John Sayles. Nick Rinaldi (Vincent Spano), a lost soul usually high on drink and drugs, has spent his life in one New Jersey city, getting free rides from his connected father (Tony LoBianco) and hearing the locals talk of his brother's death in Vietnam. Searching for more control, Nick quits the cushy contractor's job provided by his Dad, feeling that major events are about to happen to him. That feeling proves accurate -- by film's end his life will change, as will the lives of many others. Nick is only the center of the movie's sprawling collection of people and plotlines; Sayles takes full advantage of this expansive landscape, as he often begins shooting one conversation, only to pull back and eavesdrop on another, in one smooth, intriguing shot. By listening in, we slowly learn about the citizens and their dilemmas, as the city's woes bubble to a narrative climax. Many of Sayles' regular players are on-screen (the movie features 52 roles), including Joe Morton as a frustrated councilman and David Strathairn as a disturbed street person. ~ Norm Schrager, Rovi

In this entry in the long-running mystery series, Perry Mason begins representing an author who is accused of killing her conniving ex-husband at a mystery writers convention. ~ Sandra Brennan, Rovi

Body of Evidence was first telecast the same evening as A Father's Revenge and The Murder of Mary Phagan: January 24, 1988, which may well stand as one of the bloodiest evenings in TV history. The setting for Body of Evidence is a small cloistered Massachusetts town. When a serial killer begins decimating the female population, police inspector Tony Lo Bianco and forensic pathologist Barry Bostwick conduct an investigation. Only Bostwick's new wife Margot Kidder suspects that it is her seemingly benign husband who may be the murderer--and she's slower on the uptake than the viewers. Though set in New England, Body of Evidence was filmed in Calgary. ~ Hal Erickson, Rovi

A blushing bride (Melissa Gilbert) doesn't catch on that something's fishy when her new husband (Joe Penny), last name "Moran", introduces her to his distinctly Italian family, who kiss each other's hands a lot. In fact, she doesn't tumble to the fact that her "perfect" spouse is a Mafiosa until it's Too Late. Before she knows what's happening, the wide-eyed (and soft-headed) girl is swept up in drug trafficking. To keep the Italian anti-defamation league at arm's length, the producers of this film contrive to have Tony Franciosa portray an Italian-American FBI agent who comes to the heroine's rescue. Blood Vows: The Story of a Mafia Wife was originally telecast January 18, 1987. ~ Hal Erickson, Rovi

Blood Ties began life as a 4-hour Italian TV movie. The American version, which premiered December 14, 1986 on the Showtime Cable network, runs 125 minutes, and "runs" is the right word. Brad Davis plays an American naval engineer with familial ties to Sicily. Before he can offer a protest, Davis is sucked into the murderous machinations of the mafia. He is expected to win the confidence of his crimefighting Sicilian cousin Tony Lo Bianco-and then murder him. If Davis fails, his own father's life is forfeit. Don't expect any last-minute rescues or easy outs in this one. Featured in the cast are Maria Conchita Alonso and Ricky Tognazzi, son of Ugo. Blood Ties was honored with the "best television production" Grand Prize at the Venice Film Festival. ~ Hal Erickson, Rovi

This uneasy mix between a slasher film and a police story focuses on a series of murders in a luxury Manhattan apartment building and the main suspect in the case, an eccentric doorman (Ian McShane). The chief detective sent to unravel the crimes, Lt. Dinardo (Mike Connors) is involved with Kate (Anne Archer), an undercover cop who installs herself in the apartment building to lure the killer into action. This makes the lieutenant particularly interested in the outcome of Kate's ploy. Although potentially prone to high suspense and dramatic turns, the story is not quite as tension-filled (or gory) as its outlines suggest. ~ Eleanor Mannikka, Rovi

This standard, tongue-in-cheek, gangsters and good guys saga is carried on the star power and screen presence of Clint Eastwood as Lt. Speer, a taciturn, tough, play-it-by-the-book cop, and on Burt Reynolds as Mike Murphy, Speer's old friend in the force, now turned private eye but still a captivating rogue at heart. With a sub-text of playing their well-known screen personas off each other, Eastwood and Reynolds provide more than a surface interpretation of the characters that made them famous. After Murphy's partner is murdered, he focuses on pitting one mob boss against another in an attempt to have both mobsters kill each other. In the meantime, Lt. Speer -- who has never approved of Murphy's private detective business -- does not really know if Murphy is for or against the two top gangsters. Set in the era of speakeasies and Prohibition, an added layer of "film noir" can be discerned under the complex plot, verbal repartée, and episodes of toned-down violence (a kind of parody in themselves). Although this may not be the best film either star has made, it is still interesting to see them together on screen. ~ Eleanor Mannikka, Rovi