Tony Lo Bianco Movies
Supporting and occasional lead actor Tony Lo Bianco is perhaps best known as a television actor, but he has also found success on-stage and in films. The New York native specializes in playing streetwise Italians. He started out in theater and made his feature film debut in The Honeymoon Killers (1969) as a murderous gigolo involved with an overweight nurse. He subsequently went on to appear, primarily as a character actor, in low-budget and major features. On television, he guest starred on numerous series and has appeared in such miniseries as Bella Mafia (1997) and made-for-television outings like Jesus of Nazareth (1977). Lo Bianco has also directed episodes of television series such as Police Story and Cliffhangers. In 1985 he directed Too Scared to Scream. ~ Sandra Brennan, Rovi
Martha Beck (Shirley Stoler) is a lonely nurse who takes care of her invalid mother in Mobile, Alabama. Starved for affection, she places an ad in a lonely hearts column and soon receives a letter from Ray Fernandez (Tony LoBianco). He meets her and runs off with her dowry to New York City. Martha puts her mother in a nursing home and follows the handsome con artist. She agrees to pose as his sister as the two fleece lonely, unsuspecting women out of their money. Martha's jealousies of Ray's victims leads to murder. In Grand Rapids, Michigan, an elderly matron is killed and her child is drowned in a washing machine. Martha considers confessing to the police when she finally realizes Ray will never be true to her or any other woman. The story was taken from actual events, and the real-life couple were eventually executed in Sing Sing prison in 1951. The black-and-white photography adds an aura of authenticity to the documentary-style production. ~ Dan Pavlides, Rovi
- Starring:
- Shirley Stoler, Tony Lo Bianco, (more)
This gritty, fast-paced, and innovative police drama earned five Academy Awards, including Best Picture, Best Adapted Screenplay (written by Ernest Tidyman), and Best Actor (Gene Hackman). Jimmy "Popeye" Doyle (Hackman) and his partner, Buddy Russo (Roy Scheider), are New York City police detectives on narcotics detail, trying to track down the source of heroin from Europe into the United States. Suave Alain Charnier (Fernando Rey) is the French drug kingpin who provides a large percentage of New York City's dope, and Pierre Nicoli (Marcel Bozzuffi) is a hired killer and Charnier's right-hand man. Acting on a hunch, Popeye and Buddy start tailing Sal Boca (Tony Lo Bianco) and his wife, Angie (Arlene Faber), who live pretty high for a couple whose corner store brings in about 7,000 dollars a year. It turns out Popeye's suspicions are right -- Sal and Angie are the New York agents for Charnier, who will be smuggling 32 million dollars' worth of heroin into the city in a car shipped over from France. The French Connection broke plenty of new ground for screen thrillers; Popeye Doyle was a highly unusual "hero," an often violent, racist, and mean-spirited cop whose dedication to his job fell just short of dangerous obsession. The film's high point, a high-speed car chase with Popeye tailing an elevated train, was one of the most viscerally exciting screen moments of its day and set the stage for dozens of action sequences to follow. And the film's grimy realism (and downbeat ending) was a big change from the buff-and-shine gloss and good-guys-always-win heroics of most police dramas that preceded it. The French Connection was inspired by a true story, and Eddie Egan and Sonny Grosso, Popeye and Buddy's real life counterparts, both have small roles in the film. A sequel followed four years later. ~ Mark Deming, Rovi
- Starring:
- Gene Hackman, Fernando Rey, (more)
This was the only directorial effort of Philip D'Antoni, producer of the action classic Bullitt (1968). Roy Scheider stars as Buddy Manucci, a New York City Police Department investigator running a task force charged with taking down criminals guilty of offenses that would get them a minimum sentence of seven years in prison upon conviction. Manucci's best street informant is Vito Lucia (Tony Lo Bianco), who double-crosses Manucci by using the lawman's secret list of Mob loan sharks to kidnap the crooks on the list and hold them for ransom. When the scheme results in the death of Ansel (Ken Kercheval), one of Manucci's men, the tough cop and his team, including Barilli (Victor Arnold) and Mingo (Jerry Leon), wage war on the city's underworld. As they bend the law in whatever violent shape they see fit in order to track Lucia down, grisly deaths and a heart-stopping highway car chase along the Hudson River ensue. ~ Karl Williams, Rovi
- Starring:
- Roy Scheider, Victor Arnold, (more)
- 1973
- R
This 1973 Italian production (remade by Simon Nuchtern for an American release two years later) is a buddy film with a small-time thug (Tony Lo Bianco) meeting a high-profile gangster (Lee Van Cleef) while in prison. The pair team up to attempt a prison breakout. ~ John Bush, Rovi
- Starring:
- Lee Van Cleef, Jean Rochefort, (more)
- 1973
Originally made as a television pilot for a series that never panned out, Mr. Inside, Mr. Outside focuses on two New York cops (Hal Linden, Tony LoBianco). The pair work together to thwart a gang of diamond smugglers, with one going undercover while the other remains on the outside. ~ John Bush, Rovi
- 1974
- PG
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The made-for-television movie The Story of Jacob and Joseph tells the Biblical tale of Jacob (Keith Michell) and Esau (Julian Glover), who spend 20 years fighting over their birthright. They eventually reconcile and sell their younger brother, Joseph (Victor LoBianco) into slavery. Joseph is taken to Egypt, where he becomes the Pharoah's chief advisor, yet he still resents his family for selling him into slavery. Alan Bates narrates the film, which is expertly adapted by screenwriter Ernest Kinoy and director Michael Cacoyannis. ~ Stephen Thomas Erlewine, Rovi
- 1975
Just one year before directing his breakthrough film, 1976's The Omen, filmmaker Richard Donner helmed this made-for-television drama about an ex-con, played by Tony Lo Bianco. After his release from prison, parolee Pete Mackey (Lo Bianco) is faced with a number of obstacles in his attempts to go straight and readjust to the outside world. But when a new reabilitation program lands him in a job as a parole agent himself, things become more complicated than he expected. Also starring Ed Lauter and Tim Thomerson, Shadow in the Streets first aired on NBC on January 28, 1975. ~ Matthew Tobey, Rovi
- Starring:
- Tony Lo Bianco, Sheree North, (more)
- 1975
In an episode clearly inspired by Serpico, Stone (Karl Malden) is temporarily partnered with flamboyant, iconoclastic undercover narcotics cop Al Wozynsky (Tony Lo Bianco) while his usual partner Keller (Michael Douglas) is recovering from gunshot wounds incurred during a skirmish with drug pushers. Though Wozynsky seems to be getting results with his unorthodox "lone wolf" methods, Stone suspects that there's something not quite right about his new partner--in fact, there's every possibilty that Wozynsky is in the pocket of the drug kingpins. Prolific voiceover actor Vic Perrin (the "control voice" on the original Outer Limits) delivers a compelling cameo as Woyznsky's father in this final episode of Streets of San Francisco's third season. ~ Hal Erickson, Rovi
Released theatrically as God Told Me To, this inventive film from "B"-movie auteur Larry Cohen was later re-named Demon after television distributors refused to air it under the original title. The convoluted, tabloid-flavored storyline (predating the kind of stories frequently featured on The X-Files) involves a series of motiveless murders committed by various New York residents: a sniper picks off targets from a water tower; a mild-mannered father murders his entire family; and a cop (Andy Kaufman, of all people) opens fire during a St. Patrick's Day parade. The only consistent pattern to the crimes involves the perpetrators' calm admissions of guilt, explaining, "God told me to." While investigating the murders, devoutly-Catholic police detective Peter Nicholas (Tony Lo Bianco) is increasingly troubled by evidence of a Christ-like figure named Bernard Phillips (Richard Lynch) who appeared to each of the killers and can't seem to shake the feeling that his own fate is inexplicably linked to this mysterious being. As he comes closer to the truth, his worst fears are confirmed -- particularly after a telling conversation with Bernard's tormented mother (Sylvia Sidney), who reveals the horrifying secret of her son's unnatural birth. Cohen has often used the "B"-movie format to address rather lofty concepts, and this is certainly no exception -- tackling no less than the existence of God and the nature of human beliefs -- but clumsy editing and an outrageous FX-heavy finale tend to obscure this film's unique vision. ~ Cavett Binion, Rovi
- 1977
- R
Older brother Chubby (Paul Sorvino) is a combative, booze-swilling, rough-edged construction worker, following in the footsteps of his brother Tommy (Tony Lo Bianco). Macho in the extreme, these fellows have no time for the sensitive moral quandaries which are at the heart of the two younger brothers' lives. Stony (Richard Gere), has worked with his father in the construction business, but longs to work with children. Albert (Michael Hershewe), the youngest, is a sensitive lad, the butt of his father and oldest brother's rough manner, and is constantly being harassed by his stressed-out mother (Lelia Goldoni). After a few attempts to communicate with his insensitive older brother and his parents, Stony must decide for himself if the rejection he will experience from his family on leaving the construction business is worth it; and if it is, what can be done to protect his younger brother from the rest of the family? ~ Clarke Fountain, Rovi
Because director Franco Zeffirelli noted publicly that he intended to depict Jesus Christ as a human being rather than a religious icon, his expensive made-for-TV miniseries Jesus of Nazareth fell victim to protestors long before its April 3, 1977, debut. Despite the pullout of several sponsors, Jesus of Nazareth was aired as scheduled, sweeping the ratings in the process. In avoiding the usual overproduced Hollywood approach to the Gospels, Zeffirelli offers one of the most sensitive and reverent portrayals of Jesus ever seen on film. In the title role, Robert Powell heads a huge international cast, which includes Olivia Hussey as Mary, Peter Ustinov as Herod the Great, Christopher Plummer as Herod Antipas, Michael York as John the Baptist, James Farentino as Simon Peter, Donald Pleasence as Melchior, James Earl Jones as Balthazar, Ian McShane as Judas, Anne Bancroft as Mary Magdalene, Rod Steiger as Pontius Pilate, James Mason as Joseph of Arimathea, Anthony Quinn as Caiaphas, Laurence Olivier as Nicodemus, Ernest Borgnine as the Centurion, and Claudia Cardinale as the Adulteress. Filmed in England, Tunisia, and Morocco, Jesus of Nazareth was scripted by Zeffirelli, Anthony Burgess, and Suso Cecchi D'Amico. It originally aired in two three-hour segments, telecast Palm and Easter Sunday of 1977 as part of NBC's Big Event anthology. ~ Hal Erickson, Rovi
- Starring:
- Robert Powell, Olivia Hussey, (more)
- 1977
The superb made-for-TV drama Goldenrod invokes vivid memories of television's Golden Age of the 1950s. Tony LoBianco heads the cast as Jess Gifford, a former rodeo champion permanently sidelined by a crippling accident. Things get worse when Jess' wife Shirley (Gloria Carlin) walks out on him, leaving him to raise his two sons alone. Jess undergoes a great deal of soul-searching until, with the help of eldest son Ethan (Will MacMillan), he finally discerns a light at the end of the tunnel. Produced by David Susskind and filmed in Canada, Goldenrod debuted June 1, 1977. ~ Hal Erickson, Rovi
- 1978
Lee Strasberg stars in this made-for-TV movie as a widowed senior citizen who suffers a stroke. Recovering in the hospital, Strasberg wants to return to his home, but refuses to have a housekeeper out of fear of being considered helpless. The notion of moving in with his grown children is also vetoed--by the children themselves, who chafed under Strasberg's arrogance and philandering when they were growing up and now prefer that he'd live elsewhere. The only alternative left is a nursing home, and Strasberg would rather die than resort to that. The Last Tenant was written by ABC Theatre Award-winner George Rubino. ~ Hal Erickson, Rovi
- 1978
Magee and the Lady was filmed for Australian TV, where it was shown as She'll Be Sweet. Steamer captain Tony Lo Bianco, with nary a penny to his name, is about to lose his vessel. He tries to stave off foreclosure by kidnapping the daughter (Sally Kellerman) of the man holding the mortgage. From here, the film veers off into a quasi-African Queen direction, with both captain and captive learning to respect, and then love, each other. Acceptable in 1978, The Magee and the Lady might run into trouble from the Political Correctness Brigade these days. ~ Hal Erickson, Rovi
F.I.S.T. is author Norman Jewison's chronicle of an innocent and idealistic young man corrupted by power and success as seen through the rise of the United States labor movement. Sylvester Stallone plays a Jimmy Hoffa-inspired figure who rises through the union ranks during turbulent labor times. The film begins in 1937 during the burgeoning of the labor movement. Johnny Kovak (Sylvester Stallone) works on the dock unloading trucks for Win Talbot's (Henry Wilcoxon) trucking company. He turns to organizing the truckers for union representative Mike Monahan (Richard Herd). When Monahan is killed in a fight by strong-arm men hired by the company, Johnny becomes involved with Vince Doyle (Kevin Conway), the local gangster. After an angry response by the union, culminating in a massive riot, Johnny firmly aligns himself with Doyle, and the mob gets its meathooks further into the union. Thanks to the infusion of mob support, the union grows rich and powerful, along with Johnny. By the end of the 1950s, Johnny has so much power that he even manages to blackmail international union leader Max Graham (Peter Boyle) out of his job. Johnny is sitting on top of the world -- that is, until crusading United States senator Andrew Madison (Rod Steiger) targets Johnny's union for a federal investigation. ~ Paul Brenner, Rovi
- Starring:
- Sylvester Stallone, Rod Steiger, (more)
- 1979
"Sharon cries out for strength...for hope...for love...." So read the ad copy for the made-for-TV A Last Cry For Help Sharon (Linda Purl) is an outwardly happy, normal high schooler: A-student, cheerleader, popular with everyone. So why is she so determined to commit suicide? Director Hal Sitowitz' penetrating script is at its best when dealing with Sharon's inner turmoil; otherwise, Sitowitz' last-act tendency to proselytize weakens the overall impact. First aired January 19, 1979. ~ Hal Erickson, Rovi
- 1979
Though top billing goes to Shirley Knight and Tony lo Bianco, the real stars of Champions: A Love Story are Jimmy McNicol and Joy Leduc. McNicol and Leduc play a pair of skaters who aspire to compete in the National Figure Skating Championships. As the two train together, their friendship blossoms into love. The death of one of the skaters nearly destroys the other's will to persevere, but there's a happy (or at least satisfying) finale. Made for television, Champions: A Love Story initially aired January 13, 1979. ~ Hal Erickson, Rovi
- 1982
Thirteen months and ten million dollars were lavished upon this ten-hour, four-part TV miniseries about legendary globetrotter Marco Polo. Newcomer Ken Marshall played the title character, a 14th century Venetian explorer who, among other accomplishments, firmly established the "silk route" between Europe and the Orient, introducing such precious commodities as spaghetti and fireworks to the Occidental world. In addition to featuring the usual polyglot of major British and American stars in cameo roles (including Denholm Elliott, Anne Bancroft, John Gielgud, Leonard Nimoy, and Burt Lancaster), the production represented the first Western production to be filmed on location in China since WWII -- not to mention the first English-language appearance of celebrated Chinese stage and film actor Ying Ruocheng, superbly cast as the mighty Kublai Khan. An American-Italian-Austrian-French-British co-production, Marco Polo received its first U.S. showing when it was telecast by NBC from May 16 through 19, 1982. A "condensed" version, running approximately 270 minutes, was later made available in Europe and South America. ~ Hal Erickson, Rovi
- Starring:
- Ken Marshall, Denholm Elliott, (more)
- 1982
- R
In this standard romantic drama slated for TV movie channels, Valentine (Karen Black) is dissatisfied in her marriage to a racecar driver (Tony Lo Bianco) and begins a romantic liaison with a student at the community college she attends. Her husband has also been unfaithful, and his indiscretions are what prompt her own behavior. Since her marital woes continue, Valentine leaves home, gets a job as a waitress at a local nightclub, and ponders her future as nothing right now seems certain. ~ Eleanor Mannikka, Rovi
- Starring:
- Karen Black, Tony Lo Bianco, (more)
- 1983
Initially titled The Far Shore, the made-for-TV Another Woman's Child was co-produced by Linda Lavin, who also starred. Lavin and Tony LoBianco play a long-married couple who are confronted with a flash from the past. Young Jenny O'Hara shows up at the couple's doorstep, announcing that she is LoBianco's illegitimate daughter. Once over the initial shock, the couple makes arrangements to adopt O'Hara, but complications ensue when the girl's natural mother takes a hand in things. Another Woman's Child was first telecast January 19, 1983. ~ Hal Erickson, Rovi
This standard, tongue-in-cheek, gangsters and good guys saga is carried on the star power and screen presence of Clint Eastwood as Lt. Speer, a taciturn, tough, play-it-by-the-book cop, and on Burt Reynolds as Mike Murphy, Speer's old friend in the force, now turned private eye but still a captivating rogue at heart. With a sub-text of playing their well-known screen personas off each other, Eastwood and Reynolds provide more than a surface interpretation of the characters that made them famous. After Murphy's partner is murdered, he focuses on pitting one mob boss against another in an attempt to have both mobsters kill each other. In the meantime, Lt. Speer -- who has never approved of Murphy's private detective business -- does not really know if Murphy is for or against the two top gangsters. Set in the era of speakeasies and Prohibition, an added layer of "film noir" can be discerned under the complex plot, verbal repartée, and episodes of toned-down violence (a kind of parody in themselves). Although this may not be the best film either star has made, it is still interesting to see them together on screen. ~ Eleanor Mannikka, Rovi
- Starring:
- Clint Eastwood, Burt Reynolds, (more)
- 1985
- R
This uneasy mix between a slasher film and a police story focuses on a series of murders in a luxury Manhattan apartment building and the main suspect in the case, an eccentric doorman (Ian McShane). The chief detective sent to unravel the crimes, Lt. Dinardo (Mike Connors) is involved with Kate (Anne Archer), an undercover cop who installs herself in the apartment building to lure the killer into action. This makes the lieutenant particularly interested in the outcome of Kate's ploy. Although potentially prone to high suspense and dramatic turns, the story is not quite as tension-filled (or gory) as its outlines suggest. ~ Eleanor Mannikka, Rovi
- Starring:
- Michael Connors, Anne Archer, (more)
- 1985
Known variously as "Skirty Harry" and "Dirty Harriet," beautiful but tough lady police detective Katy Mahoney (Jamie Rose) patrols the mean streets of Chicago. In her dealings with dope pushers, rapists, and loan sharks, Katy would just as soon dispense with Due Process and blast every outlaw away with her trusty .357 magnum. But Internal Affairs frowns on such behavior, so Katy is forced to adopt a more civil attitude in her efforts to bring a particularly nasty cocaine kingpin, Dona Maria Theresa (Katy Jurado), to justice -- at least until there are no other options available, allowing the heroine to fire away at her heart's content. Condemned for its overabundance of violence when it originally aired April 15, 1985, on ABC, the made-for-TV Lady Blue nonetheless yielded a weekly series, which ran from September 15, 1985 to January 25, 1986. ~ Hal Erickson, Rovi
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