Victor Romito Movies

Filmed in panoramic Cinerama, this star-studded, epic Western adventure is a true cinematic classic. Three legendary directors (Henry Hathaway, John Ford, and George Marshall) combine their skills to tell the story of three families and their travels from the Erie Canal to California between 1839 and 1889. Spencer Tracy narrates the film, which cost an estimated 15 million dollars to complete. In the first segment, "The Rivers," pioneer Zebulon Prescott (Karl Malden) sets out to settle in the West with his wife (Agnes Moorehead) and their four children. Along with other settlers and river pirates, they run into mountain man Linus Rawlings (James Stewart), who sells animal hides. The Prescotts try to raft down the Ohio River in a raft, but only daughters Lilith (Debbie Reynolds) and Eve (Carroll Baker) survive. Eve and Linus get married, while Lilith continues on. In the second segment, "The Plains," Lilith ends up singing in a saloon in St. Louis, but she really wants to head west in a wagon train led by Roger Morgan (Robert Preston). Along the way, she's accompanied by the roguish gambler Cleve Van Valen (Gregory Peck), who claims he can protect her. After he saves her life during an Indian attack, they get married and move to San Francisco. In the third segment, "The Civil War," Eve and Linus' son, Zeb (George Peppard), fights for the Union. After he's forced to kill his Confederate friend, he returns home and gives the family farm to his brother. In the fourth segment, "The Railroads," Zeb fights with his railroad boss (Richard Widmark), who wants to cut straight through Indian territory. Zeb's co-worker Jethro (Henry Fonda) refuses to cut through the land, so he quits and moves to the mountains. After the railway camp is destroyed, Zeb heads for the mountains to visit him. In the fifth segment, "The Outlaws," Lilith is an old widow traveling from California to Arizona to stay with her nephew Zeb on his ranch. However, he has to fight a gang of desperadoes first. How the West Was Won garnered three Oscars, for screenplay, film editing, and sound production. ~ Andrea LeVasseur, All Movie Guide

Mousy clerk Ronald Grimes (E.G. Marshall) begins receiving written predictions from a mail-order prophet named Christiani. Impulsively acting upon these predictions, Grimes discovers to his amazement that they all become true, and he ends up accumulating a great deal of wealth. Alas, the price that Grimes must pay for this streak of luck proves to be a daunting one indeed. This episode marks a reunion of sorts for E.G. Marshall and Jack Klugman, both of whom had previously co-starred in the 1957 film Twelve Angry Men. ~ Hal Erickson, All Movie Guide

Samuel and Bella Spewack's English adaptation of French playwright Albert Husson's morbidly humorous stage piece My Three Angels was brought to the screen as the heavily laundered but still wickedly funny We're No Angels. The scene is French Guiana, a few days before Christmas. Humphrey Bogart, Peter Ustinov and Aldo Ray play three Devil's Island "lifers" who escape from the infamous prison and hide out amongst the free colonists. In need of clothing and money, the trio makes plans to rob milliner Leo G. Carroll and his family. "We'll cut their throats for a Christmas present", Bogie, a convicted forger, remarks laconically. "That might spoil one's belief in Santa Claus" replies philosophical wife-murderer Ustinov. The three escapees are deflected from their larcenous intent when they grow fond of Carroll, his wife Joan Bennett and their daughter Gloria Talbott. Discovering that Carroll is on the verge of bankruptcy, the convicts offer their services as household help (the sight of Bogie in an apron is worth the admission price in itself). Complications ensue when Carroll's nasty, wealthy cousin Basil Rathbone comes calling to audit the store's books. Not wishing to see the family evicted, the convicts calmly discuss the possibilities of murdering the troublesome Rathbone. They are saved the trouble when Adolphe, the pet poisonous snake owned by Ray, slithers out of its box and accomplishes what the convicts had only contemplated. Adolphe also helps smooth the path of happiness for Carroll's daughter Gloria, who thinks she's in love with Rathbone's duplicitous nephew John Baer. From all reports, the set of We're No Angels was a happy one, a fact reflected in the warm, engaging performances of its stars. The film represented the final screen collaboration between star Humphrey Bogart and director Michael Curtiz. ~ Hal Erickson, All Movie Guide

The first film version of W.R. Burnett's novel Saint Johnson was filmed as Law and Order in 1932. Essentially an all-names-changed retelling of the Wyatt Earp legend, the film scored on its humanity and restraint. The 1953 remake eschewed the shadings and subtleties of the original in favor of a traditional shoot-em-up, replete with gratuitous violence. Ronald Reagan stars as the Earp counterpart this time, who has sworn to bring criminal Preston S. Foster to justice. The original Law and Order had no love interest at all; the Reagan version pairs up the star with beautiful Dorothy Malone, and offers a second leading lady in the form of Ruth Hampton. The original had a hanging sequence which was treated as business as usual; the remake turns this sequence into a brutal lynching. Common to both films was the final showdown between Reagan and Foster, given added melodrama in the later version by the fact that Reagan had previously sworn to give up his guns for the love of his lady. Like most of Ronald Reagan's 1950s vehicles, Law and Order paid its way and was then forgotten. ~ Hal Erickson, All Movie Guide

Mistaken identity and underhanded dealings set the stage for this adventure story based on Anthony Hope's classic novel. Rudolph Rassendyll (Stewart Granger) is a British tourist visiting the nation of Ruritania in the Balkans. A number of people comment upon Rassendyll's remarkable resemblance to Prince Rudolph, who in a matter of days is to be crowned the nation's new king, and the prince's staff even arranges a meeting between the two men. But Rudolph's devious brother believes it is he who should be the king, and he arranges for Prince Rudolph to be poisoned the night before his coronation. Desperate, Rudolph's minders beg Rassendyll to participate in the ceremony in Rudolph's place so that the usurper cannot take the throne. Rassendyll agrees, and the ceremony goes off without a hitch, but when the brother's men discover this subterfuge, they imprison the real Prince as they threaten to reveal the secret of the new "king." Rassendyll's dilemma is compounded when he finds himself falling in love with Princess Flavia (Deborah Kerr), Rudolph's intended. This was the fourth screen adaptation of The Prisoner of Zenda; a fifth, which focused on the tale's comic possibilities, starred Peter Sellers and was released in 1979. ~ Mark Deming, All Movie Guide

Not up to the classic 1935 presentation, this is still an excellent adaptation of Victor Hugo's epic novel. The familiar characters of Valjean and Javert and the agonies of injustice are all portrayed convincingly against a backdrop of 18th century France. ~ Tana Hobart, All Movie Guide

The Desert Hawk deserves to be seen on the basis of its cast alone. No more believable than any of Universal's other sword-and-sand epics, this one stars Yvonne de Carlo as Princess Shaharazade (sic) and Richard Greene as Omar, aka the Desert Hawk. By day a humble blacksmith, the Desert Hawk spends his evenings battling against the oppresive regime of Prince Murad (George Macready). One of the Hawk's tactics is to trick Shaharazade into marriage, so that he can enlist the aid of the army commanded by the Princess' father. Murad retaliates by kidnapping Shararazade, leading to an exciting climactic rescue. Never mind all that: the real fun in Desert Hawk is spotting the celebrities-to-be in the supporting cast. Playing the villainous Captain Ras is none other than Rock Hudson, while the Desert Hawk's loyal companions Aladdin and Sinbad are played, respectively, by Jackie Gleason and Joe Besser--and surprise, Joe is heavier than Jackie! ~ Hal Erickson, All Movie Guide

Out of the Past is so perfect a film noir that it is considered practically a textbook example of the genre. In his first starring role (it had previously been offered to John Garfield and Dick Powell), Robert Mitchum plays Jeff Bailey, the friendly but secretive proprietor of a mountain-village gas station. As Jeff's worshipful deaf-mute attendant (Dick Moore) looks on in curious fascination, an unsavory character named Joe (Paul Valentine) pulls up to the station, obviously looking for the owner. Jeff is all too aware of Joe's identity; he's been dreading this moment for quite some time, knowing full well that it will mean the end of his semi-idyllic existence, not to mention his engagement to local girl Ann (Virginia Huston). In a lengthy flashback, the audience is apprised of the reasons behind Jeff's discomfort. Several years earlier, he'd been a private detective, hired by gangster Whit Sterling (Kirk Douglas) to find his mistress Kathie Moffett (Jane Greer), who shot him and ran off with $40,000. Jeff traces Kathie to Mexico, but when he meets her he falls in love and willingly becomes involved in an increasingly complicated web of double-crosses, blackmail, and murder. The flashback over, Jeff agrees to meet Whit face to face in Lake Tahoe. Surprisingly, Whit apparently bears no malice, and even offers Jeff an opportunity to square himself by retrieving Whit's tax records from mob attorney Eels (Ken Niles). Even more surprisingly, Kathie has returned to Whit on her own volition. When Jeff is taken to Eels' apartment by the beautiful Meta Carson (Rhonda Fleming), he quickly figures out that he has been set up and tries to clue Eels into the plot, but Eels is later found murdered, and Jeff is accused of the crime. Worse yet, Whit has forced Kathie to sign an affadavit that also pins another murder on him. Crosses, double-crosses and triple-crosses abound for the next few reels, culminating in disaster for the oh-so-clever Whit, who has fatally underestimated the deceitful (and icewater-veined) Kathie. And in the end, it is Jeff who must resort to drastic measures to force Kathie to pay the price for her cold-hearted treachery. Out of the Past was remade in 1984 as Against All Odds, with Jane Greer cast as the mother of her original character. ~ Hal Erickson, All Movie Guide

In this melodrama, a brilliant pianist is struck blind in an accident and stops working on his equally brilliant concerto. A wealthy woman pretends to be poor and blind to help him regain his confidence, and holds a contest with a large prize for the best musical composition. She, as the blind girl, encourages him to finish his work and enter it. He wins the prize, uses the money to have his sight restored, falls in love with the wealthy woman, and is thrilled to find that his two loves are one and the same. ~ Steve Huey, All Movie Guide