Cesar Romero Movies
Born in New York City to parents of Cuban extraction, American actor Cesar Romero studied for his craft at Collegiate and Riverdale Country schools. After a brief career as a ballroom dancer, the tall, sleekly handsome Romero made his Broadway debut in the 1927 production Lady Do. He received several Hollywood offers after his appearance in the Preston Sturges play Strictly Dishonorable, but didn't step before the cameras until 1933 for his first film The Shadow Laughs (later biographies would claim that Romero's movie bow was in The Thin Man [1934], in which he was typecast as a callow gigolo). Long associated with 20th Century-Fox, Romero occasionally cashed in on his heritage to play Latin Lover types, but was more at home with characters of indeterminate nationalities, usually playing breezily comic second leads (whenever Romero received third billing, chances were he wasn't going to get the girl). Cheerfully plunging into the Hollywood social scene, Romero became one of the community's most eligible bachelors; while linked romantically with many top female stars, he chose never to marry, insisting to his dying day that he had no regrets over his confirmed bachelorhood. While he played a variety of film roles, Romero is best remembered as "The Cisco Kid" in a brief series of Fox programmers filmed between 1939 and 1940, though in truth his was a surprisingly humorless, sullen Cisco, with little of the rogueish charm that Duncan Renaldo brought to the role on television. The actor's favorite movie role, and indeed one of his best performances, was as Cortez in the 1947 20th Century-Fox spectacular The Captain From Castile. When his Fox contract ended in 1950, Romero was wealthy enough to retire, but the acting bug had never left his system; he continued to star throughout the 1950s in cheap B pictures, always giving his best no matter how seedy his surroundings. In 1953 Romero starred in a 39-week TV espionage series "Passport to Danger," which he cheerfully admitted to taking on because of a fat profits-percentage deal. TV fans of the 1960s most closely associate Romero with the role of the white-faced "Joker" on the "Batman" series. While Romero was willing to shed his inhibitions in this villainous characterization, he refused to shave his trademark moustache, compelling the makeup folks to slap the clown white over the 'stache as well (you can still see the outline in the closeups). As elegant and affluent-looking as ever, Romero signed on for the recurring role of Peter Stavros in the late-1980s nighttime soap opera "Falcon Crest." In the early 1990s, he showed up as host of a series of classic 1940s romantic films on cable's American Movie Classics. Romero died of a blood clot on New Year's Day, 1994, at the age of 86. ~ Hal Erickson, All Movie Guide- 1950
Love That Brute is a remake of the 1942 comedy Tall, Dark and Handsome. In the original, Cesar Romero starred as a soft-hearted 1920s gangster who manages to maintain a reputation as a dangerous character, even though he's never killed anyone in his life. In the remake, Romero is cast as Pretty Willie, the principal villain, while the starring role is essayed by Paul Douglas. Falling in love with Ruth Manning (Jean Peters), the pretty recreation director of the city's park system, "Big Ed" Hanley (Douglas) hires Ruth as the governess for his children. Trouble is, he has no children, so he dispatches his faithful henchman Bugs (Keenan Wynn) to find him a kid. Meanwhile, "Big Ed" tilts with arch-enemy Pretty Willie, gaining the upper hand when it appears that "Big Ed" has bumped off several of Willie's lieutenants. Discovering that her boss is a gangster, Ruth is about to walk out on him--and then, the truth behind Ed's phony "killer instinct" is hilariously revealed. ~ Hal Erickson, All Movie Guide
- Starring:
- Paul Douglas, Jean Peters, (more)
- 1949
Preston Sturges' final American film was generally conceded to be a disaster in 1949; even star Betty Grable publicly bad-mouthed the finished product. When seen today, Beautiful Blonde from Bashful Bend, while no classic, seems a lot better than it did five decades ago. Grable plays a western dancehall girl named Freddie, who is forced to take it on the lam after accidentally shooting a judge (she'd been aiming at her faithless boyfriend Blackie Jobero, played by Cesar Romero). Arriving in the tiny burg of Bashful Bend, Freddie is mistaken for the schoolmarm whom the town elders have recently hired. Taking advantage of this mistaken-identity situation, Freddie puts the make on wealthy banker Charles Hingelman (Rudy Vallee, a Sturges "regular"), who owns a valuable gold mine. Before the film's 77 minutes are over, Freddie finds herself smack dab in the middle of a shootout between the Good Guys and a family of dimwitted outlaws. As was always the case in a Preston Sturges production, Beautiful Blonde of Bashful Bend is chock full of colorful supporting players, including Hugh Herbert (hilarious as a myopic dentist), El Brendel, Sterling Holloway, and Margaret Hamilton. Also on hand are stalwart Sturges stock company players Porter Hall, Alan Bridge, J. Farrell McDonald, Georgia Caine, Esther Howard, Torben Meyer, Dewey Robinson, and Harry Hayden--many of whom, in keeping with 20th Century-Fox's curious billing policy, are denied on-screen credit. ~ Hal Erickson, All Movie Guide
- Starring:
- Betty Grable, Cesar Romero, (more)
- 1948
After suffering nobly in several heavyweight MGM dramas, Greer Garson and Walter Pidgeon begged the studio to cast them together in a comedy. Though not an all-out laff riot, Julia Misbehaves strives hard to please. Garson plays an ever-in-debt British music-hall performer who relies on the largess of her friends to keep the wolf from the door. Pidgeon portrays Garson's ex-husband, who for the past 20 years has lived in Paris with their daughter Elizabeth Taylor. When Taylor becomes engaged, she sends Garson a wedding invitation. Broke again, Garson hastily joins an acrobatic act to earn steerage money, and charms British nobleman Nigel Bruce into giving her enough cash for a wedding present. Once she arrives in Paris, Garson sticks her nose into everyone's affairs, much to the dismay of the uptight Pidgeon. Garson even advises daughter Taylor to marry someone other than her betrothed. Despite her screwball behavior, Pidgeon can't help falling in love with Garson all over again--but it takes a zany sequence in and around a mountain chalet to knot together the many loose plotlines. Julia Misbehaves was adapted from The Nutmeg Tree, a novel by Margery Sharp. ~ Hal Erickson, All Movie Guide
- Starring:
- Greer Garson, Walter Pidgeon, (more)
- 1948
In this drama, filmed on location in Maine, the life of a young lobster fisherman is forever changed by an orphan boy. It was the fisherman's girlfriend that got him involved with the troubled lad who had been caught stealing while in a foster home. The fisherman was to provide a good role-model for the young man. With the help of one of his partners the fisherman succeeds. ~ Sandra Brennan, All Movie Guide
- Starring:
- Dana Andrews, Jean Peters, (more)
- 1948
That Lady in Ermine tells two parallel stories, both taking place in the small Mittel-European duchy of Bergamo, but one set in the 19th century and the other in the 16th. In 1861, the Countess Angelina (Betty Grable) and her newlywed husband, Baron Mario, have just entered the bridal chamber when a Hungarian army regiment under the command of Colonel Teglash (Douglas Fairbanks, Jr.) invades. Mario flees the castle, leaving Angelina to face the invaders, just as her 16th --century ancestor Francesca (also Betty Grable) was forced to protect her turf under similar circumstances. Colonel Teglash is struck by a portrait of Francesca (the lady in ermine of the title), and the resemblance between her and Angelina makes it difficult for him to rule with his customary iron fist. Meanwhile, Francesca haunts the dreams of both Angelina and Teglash. She appears to advise Angelina to pretend interest in the colonel and then kill him, much as she herself did so many years ago. At the same time, Teglash dreams that Francesca/Angelina overcomes the desire to kill him and falls in love with him. The 19th-century couple play out their story against the backdrop of Francesca's own tale, but with the twist that Angelina really does find herself caring for Teglash. Although the direction is credited to Ernst Lubitsch, he died after 8 days of filming; the film was completed by Otto Preminger. ~ Craig Butler, All Movie Guide
- Starring:
- Betty Grable, Douglas Fairbanks, Jr., (more)
In this big-budget historical adventure, Tyrone Power stars as Pedro De Vargas, a young and impetuous nobleman in 16th Century Spain. Pedro helps to free a slave who belongs to Diego De Silva (John Sutton), but this proves to be a mistake, as Diego is one of the leaders of the Inquisition. Diego soon brands Pedro a heretic, puts his family behind bars, and subjects his 12-year-old sister to torture so horrible it kills her. An outraged Pedro plots his escape, with the help of his friend Juan Garcia (Lee J. Cobb) and hot-blooded peasant girl, Catana Perez (Jean Peters). Pedro and his friends help his parents make their way out of Spain, and he soon joins forces with Hernando Cortez (Cesar Romero), who has an ambitious plan to sail to the new world in search of gold. However, a vengeful Diego uses his powers to foil Cortez, and when Diego is murdered, Pedro becomes the key suspect in the crime. Captain From Castile was shot on location in Morelos, Mexico, where the active volcano Paricutin slowed production, causing delays that expanded the film's budget to a then-extravagant $4.5 million. ~ Mark Deming, All Movie Guide
- Starring:
- Tyrone Power, Jean Peters, (more)
- 1947
This musical romance is set in the beautiful South American country and chronicles the love affair between a betrothed couple who secretly have fallen in love with other people. The young man loves a nightclub chanteuse, while the woman wants a handsome coffee-buyer. Now they must somehow let their constantly bickering parents know. Songs include: "Qui Pi Pia," "I'll Know It's Love," "Another Night Like This," "Mi Vida, Costa Rica," and "Rhumba Bomba." ~ Sandra Brennan, All Movie Guide
- Starring:
- Dick Haymes, Vera-Ellen, (more)
- 1943
Everything clicks in this tuneful, colorful and profitable Betty Grable musical. The star plays Katie Farley, a gyrating saloon entertainer in turn-of-the-century New York. Convinced that Katie is destined for Bigger Things, Coney Island impresario Eddie Johnson (George Montgomery) tries to turn the raucous song-and-dance girl into a refined entertainer, at one point handcuffing her wrists and ankles so she'll be forced to rely on her voice rather than her undulations. Sure enough, Katie becomes a high-class Broadway star under the aegis of showman Willie Hammerstein (Matt Briggs) -- and equally sure enough, she and Eddie grow apart. After a desultory romance with Eddie's rival, slick saloon owner Joe Rocco (Cesar Romero), Katie eventually returns to the arms of the man she truly loves, as comedy relief Frankie (Phil Silvers) looks on in myopic glee. Among the musical highlights of Coney Island is Betty's delightful rendition of the old chestnut "Cuddle Up a Little Closer". The film was remade, again with Grable, as Wabash Avenue (1950). ~ Hal Erickson, All Movie Guide
- Starring:
- Betty Grable, George Montgomery, (more)
- 1943
In her last 20th Century-Fox vehicle, skating star Sonja Henie plays, Nora, a Norwegian expatriate ice champion. Newly arrived in the U.S., Nora and her millionaire uncle Hjallmar (S. Z. Sakall) are sweet-talked into investing in a failing resort hotel, now a hostelry for showbiz folk. Unemployed musician Brad Barton (Cesar Romero) makes a play for Nora, but she winds up with hotel manager Freddy Austin (Cornel Wilde), leaving Freddy's girlfriend Flossie (Lynn Bari) literally in the cold. The film's finale is the standard fund-raising ice show, with Nora as the center of attention. It is typical of early-1940s musicals that poor Flossie, a likeable character throughout most of the film, turns into a venomous virago in the final reel to "justify" her breakup with Freddy. No matter: the film is redeemed by the sweet sounds of Woody Herman and His Orchestra. ~ Hal Erickson, All Movie Guide
- Starring:
- Sonja Henie, Jack Oakie, (more)
- 1942
Tales of Manhattan is a sumptuous multipart film centered around a formal tailcoat. The coat is specially designed for stage actor Charles Boyer, who wears it during a rendezvous with his lady friend (Rita Hayworth). The lady's husband (Thomas Mitchell) shoots Boyer, thus the tailcoat is damaged merchandise and sold at a discount to a bridegroom (Cesar Romero). When the groom's peccadillos catch up to him, the bride (Ginger Rogers) chooses to marry the best man (Henry Fonda) instead, and the coat is shipped off to a second hand store. It is purchased by a would-be composer (Charles Laughton), who wears it the night that he is to conduct his first symphony; alas, the coat is too tight and tears apart, nearly ruining the conductor's debut. Stitched back together, the coat is donated to a skid row mission, wherein the kindly proprietor gives the coat to a down and out drunkard (Edward G. Robinson) so that the shabby gentleman can attend his 25th college reunion. Later on, the coat is stolen by a crook (J. Carroll Naish) in order to gain entrance to a fancy charity ball. The crook holds up the ball and stuffs the loot in the pockets of the coat, but while escaping in an airplane he loses the outer garment. The coat floats down to an impoverished African American shanty community; a farmer (Paul Robeson) decides to distribute the "money from heaven" amongst his needy neighbors. At the end, the tattered coat adorns the shoulders of a scarecrow. Tales of Manhattan is one of the best "portmanteau" dramas turned out by Hollywood; it was directed by French expatriate Julien Duvivier, a past master of the multi-story technique. ~ Hal Erickson, All Movie Guide
- Starring:
- Charles Boyer, Rita Hayworth, (more)
In his last screen appearance, bandleader Glenn Miller plays--are you sitting down?--a bandleader. The film's main plot involves small-town girl Ann Rutherford, who impulsively marries George Montgomery, a trumpeter in the Miller band. Rutherford soon finds that she isn't particularly suited for life on the road, nor is she prepared for the petty jealousies and backstabbings prevalent among the other orchestra wives (Lynn Bari, Carole Landis et. al.) She eventually leaves Montgomery, an event which coincides with the breakup of the band. But both the band and the marriage are salvaged through the benign conspiratorial schemes of Glenn Miller and a repentant Rutherford. Those who aren't interested in the various plots and subplots in Orchestra Wives will be captivated by the endless supply of blue-ribbon tunes, including I Got a Gal in Kalamazoo, At Last, and Serenade in Blue. Guest stars include Tex Beneke, The Modernaires and the Nicholas Brothers. Watch for an uncredited Jackie Gleason as a bass player and Dale Evans as Ann Rutherford's friend in the soda-fountain scene. ~ Hal Erickson, All Movie Guide
- Starring:
- George Montgomery, Ann Rutherford, (more)
- 1942
Cesar Romero plays an outwardly tough bookie with the proverbial golden heart. Romero falls in love with Carole Landis, an art shop proprietor who introduces her raffish romeo into the world of fine art. Utilizing his gambling skills, he amasses an impressive collection of valuable paintings, only to discover that there are just as many crooks and phonies in the art world as there are at the race track. At first attempting to cash in on the clever forgeries of a duplicitous painter (J. Carroll Naish), Romero is redeemed by the love of Carole Landis and ends up scamming the scammers. Gentleman at Heart includes a brashly amusing performance by Milton Berle as Cesar Romero's chief flunky. ~ Hal Erickson, All Movie Guide
- Starring:
- Cesar Romero, Carole Landis, (more)
- 1942
A musical remake of the 1936 comedy Second Honeymoon and the starring debut of Betty Grable, Springtime in the Rockies tells the not unfamiliar story of Vicky Lane (Grable, a Broadway dancer despairing over the tardiness of her partner Dan Christy (John Payne) who, as it turns out, has instead been busily engaged in a bit of extracurricular activities with socialite Marilyn Crothers (Trudy Marshall). In disgust, Vicky teams up with a former partner, Victor Prince (Cesar Romero), and leaves for the great outdoors while Dan attempts to go on without her. Unfortunately, the Commissioner (Jackie Gleason), Dan's harried agent, can only find backing for a new show if Dan and Vicky reunite and soon everyone, including ditzy secretary Rosita Murphy (Carmen Miranda) and Dan's flibbertigibbet valet McTavish ($Edward Everett Horton), descends on the Canadian resort of Lake Louise where Harry James and His Music Makers make their headquarter. The usual complications arise but McTavish suddenly inherits a handsome sum of money and agrees to back a new show starring Vicky and Dan, Victor and Rosita, and the ubiquitous Harry James.Betty Grable performs "Ciribiribin and other popular selections, Carmen Miranda makes mincemeat of "Chattanooga Choo Choo" (in Portuguese, no less!), while band vocalist Helen Forrest and the Music Makers take care of the film's hit tune, Harry Warren and Mack Gordon's "I Had the Craziest Dream". ~ Hans J. Wollstein, All Movie Guide
- Starring:
- Betty Grable, John Payne, (more)
- 1941
Cesar Romero plays the Cisco Kid, who may be a bandit but is no kidnapper. This being the case, Cisco and his pal Pancho (Chris-Pin Martin) offer to help round up a vicious frontier kidnapping ring. The leaders turn out to be several solid citizens of a western town, but Cisco knows a rat when he smells one. Mary Beth Hughes plays a saloon girl with whom Cisco dallies before deciding upon good-girl Lynne Roberts. Ride on Vaquero was the last of 20th Century-Fox's Cisco Kid B series, and the last to star Cesar Romero. ~ Hal Erickson, All Movie Guide
- Starring:
- Cesar Romero, Mary Beth Hughes, (more)
On the occasion of the twentieth anniversary of commercial radio, 20th Century-Fox cooked up the pageantlike entertainment The Great American Broadcast. Opening with clips of such airwaves favorites as Dick Powell and Fred Allen (courtesy of earlier Fox films like Thanks a Million), the picture gets under way in 1918, as ambitious army buddies Bix Martin (John Payne) and Chuck Hadley (Jack Oakie) try and fail to establish themselves in the business world. At long last, our heroes enter the new field of radio broadcasting, where after several technical and tactical mishaps they achieve success. But Bix and Chuck are strictly small-timers, and soon they're left behind by the big-city stations. The partners break up, while Bix's songstress wife Vicki Adams (Alice Faye) seeks out a loan to get her husband back on his financial feet. When she approaches her wealthy ex-boyfriend Bruce Chadwick (Cesar Romero), Bix burns up and walks out on her. But old pal Chuck comes to the rescue, staging a reunion between Bix and Vicki during the first-ever coast to coast network broadcast. Rather shaky as history, The Great American Broadcast works best on a nostalgia level, offering guest appearances by such specialty performers as The Ink Spots, The Nicholas Brothers, and The Wiere Brothers (of Road to Rio fame). ~ Hal Erickson, All Movie Guide
- Starring:
- Alice Faye, Jack Oakie, (more)
- 1941
The Cisco Kid rides again, this time in the person of Cesar Romero. Cisco and Pancho (Chris-Pin Martin) come to the aid of proud but ageing cattle king Pedro de Cordoba. Posing as deCordoba's nephew, our hero snoops around in search of those who'd do the old man dirt. The villain turns out to be a close relative of hitherto spotless reputation. We won't reveal the ending of Romance of the Rio Grande, though we'll plant a few hints by noting that the cast includes Patricia Morison, Ricardo Cortez, Trevor Bardette and Tom London. ~ Hal Erickson, All Movie Guide
- Starring:
- Cesar Romero, Patricia Morison, (more)
- 1941
Dance Hall was based on a novel by W. R. Burnett, of Little Caesar fame. Carole Landis stars as dance-hall songstress Lily Brown, who is amused and then intrigued by the attentions of her handsome boss Duke McKay (Cesar Romero). Upon realizing that Duke is a two-timer, she gives him the brushoff. By the time he falls in love with her for real, she could care less, having fallen for young composer Joe Brooks (William Henry). Duke eventually does the "right thing" at fadeout time, taking his loss more philosophically than Lily's would-be sugar daddy Max Brandon (J. Edward Bromberg). During the film's brisk 73 minutes, Carole Landis is afforded the opportunity to sing several standards by Mack Gordon, Harry Revel, Jimmy McHugh and Harold Adamson. ~ Hal Erickson, All Movie Guide
- Starring:
- Carole Landis, Cesar Romero, (more)
- 1941
Cesar Romero plays an outwardly tough prohibition-era gangster who in reality wouldn't hurt a fly. He maintains his "killer" reputation by planting evidence of his involvement at the scenes of other crooks' crimes. Romero begins aspiring for respectability when he falls in love with Virginia Gilmore and adopts the orphaned Stanley Clements. Through his own non-homicidal means, Romero redeems himself by wiping out a genuinely nasty gangster boss (Sheldon Leonard). Tall, Dark and Handsome was remade in 1950 as Love That Brute, with Paul Douglas in the Cesar Romero role--and with Romero playing the villain! ~ Hal Erickson, All Movie Guide
- Starring:
- Cesar Romero, Virginia Gilmore, (more)
In this musical, the cruise that salesgirl Nan Spencer (Alice Faye) worked so hard to pay for is cut tragically short when the ship is damaged. In recompense for the failed cruise, Nan is treated to a tour of Havana, guided by a shipping company officer, Jay Williams (John Payne). Once in Havana, Nan becomes the center of attention when both Jay and a local man (Cesar Romero) fall for her. This film features a number of songs, including "Tropical Magic," "Romance and Rhumba," and "A Weekend in Havana." ~ Iotis Erlewine, All Movie Guide
- Starring:
- Alice Faye, John Payne, (more)
- 1940
Despite the title, the Cisco Kid (Cesar Romero) doesn't feel too lucky at the beginning of this film. It seems that someone else has been committing crimes while passing himself off as Cisco. The scheme was cooked up by a corrupt judge (Willard Robertson), who hopes to drive the settlers off the land and buy it up himself, all the while placing the blame for the reign of terror on the Kid's shoulders. But with the help of his paunchy pal Gordito (Chris-Pin Martin), our hero puts an end to the skullduggery. As a bonus, he finds time for romance in the arms of gorgeous widow Mrs. Lawrence (Evelyn Venable). Mary Beth Hughes has one of her better earlier roles as a brassy dance-hall doxie. ~ Hal Erickson, All Movie Guide
- Starring:
- Cesar Romero, Mary Beth Hughes, (more)
- 1940
This slick marital farce features Joel McCrea as T. H. Randall, a race horse owner whose devotion to his work causes a strain in his relationship with wife Valerie (Nancy Kelly). Unable to stand any more neglect, Valerie divorces Randall, even though the audience is well aware that she's still in love with him. Reduced to poverty by his huge alimony payments, Randall cooks up a scheme with lawyer Bill Carter (Roland Young) to marry off Valerie to staid Paul Hunter (Lyle Talbot). But during a weekend party at the home of dowager Ethel (Mary Boland), Randall resents the attentions lavished upon Valerie by rakish young Freddie (Cesar Romero). It doesn't take a Rhodes Scholar to figure out who winds up with whom in the last scene. ~ Hal Erickson, All Movie Guide
- Starring:
- Joel McCrea, Nancy Kelly, (more)
- 1940
The Cisco Kid attempts to prove that reports of his death are greatly exaggerated in this western programmer. Cisco (Cesar Romero) and his sidekick Gordito (Chris-Pin Martin) ride into town to discover that the word on the street is that the great Cisco Kid has died -- and what's worse, before his passing, he tried to swindle Susan Wetherby (Sheila Ryan) out of her land. Cisco soon learns that the dirty deeds are actually the work of Kate Brewster (Janet Beecher), a female outlaw adept at covering her tracks. The Gay Caballero marked Cesar Romero's third screen appearance as the Cisco Kid, with three more to follow. ~ Mark Deming, All Movie Guide
- Starring:
- Cesar Romero, Sheila Ryan, (more)
- 1940
While Cesar Romero could usually be relied upon to ladle out the charm in his film roles, Romero's handful of appearances as O. Henry's "Cisco Kid" were disturbingly cold and distant. In Viva Cisco Kid, the "Robin Hood of the Old West" and his sidekick Pancho (Chris-Pin Martin) save a stagecoach from being held up. Cisco falls in love with pretty passenger Jean Rogers, little knowing that the girl's father (Minor Watson) is one of the masterminds behind the robbery. Actually papa is under the evil influence of bigwig Stanley Fields, who intends to kill everyone associated with him and escape with the booty. Cisco prevents Fields from further indiscretions and wins the girl in the bargain. ~ Hal Erickson, All Movie Guide
- Starring:
- Cesar Romero, Jean Rogers, (more)
- 1939
20th Century-Fox evidently adored "triangle" comedies like Wife, Husband and Friend; apparently so did Loretta Young, who appeared in most of these films. Young plays the wife of businessman Warner Baxter, while "friend" Cesar Romero is an amorous singing teacher who convinces Young that she has a future in opera. To show up his wife, Baxter takes lessons from diva Binnie Barnes--and as it turns out, he's the one with the ideal operatic voice. The romantic quadrangle is resolved when Baxter makes a disastrous stage debut, whereupon Romero and Barnes exit and Baxter and Young realize the error of their ways. Wife, Husband and Friend was remade in 1949 as Everybody Does It, with Paul Douglas (of all people) as the would-be Caruso. ~ Hal Erickson, All Movie Guide
- Starring:
- Loretta Young, Warner Baxter, (more)
Shirley Temple's first Technicolor feature, The Little Princess was inspired by the oft-filmed novel by Frances Hodgson Burnett. Set in turn-of-the-century England, the film finds Temple being enrolled in a boarding school by her wealthy widowed father (Ian Hunter), who must head off to fight in the Boer War. At first, Temple is treated like royalty; her behavior couldn't be more down to earth, but this preferential treatment foments resentment. When her father is reported killed in the war, circumstances are severely altered. The spiteful headmistress (Mary Nash) relegates Temple to servant status and forces the girl to sleep in a drafty attic. She keeps her spirits up by hoping against hope that her father will return, and to that end she haunts the corridors of a nearby military hospital. Queen Victoria doesn't have to make a guest appearance in the tearfully joyous closing sequence, but it does serve as icing on the cake to this, one of Temple's most enjoyable feature films. Reliable Shirley Temple flick supporting actors Cesar Romero and Arthur Treacher are back in harness in The Little Princess, while adult leading lady Anita Louise figures prominently in a sugary dream sequence. ~ Hal Erickson, All Movie Guide
- Starring:
- Shirley Temple, Richard Greene, (more)
