Cesar Romero Movies
Born in New York City to parents of Cuban extraction, American actor Cesar Romero studied for his craft at Collegiate and Riverdale Country schools. After a brief career as a ballroom dancer, the tall, sleekly handsome Romero made his Broadway debut in the 1927 production Lady Do. He received several Hollywood offers after his appearance in the Preston Sturges play Strictly Dishonorable, but didn't step before the cameras until 1933 for his first film The Shadow Laughs (later biographies would claim that Romero's movie bow was in The Thin Man [1934], in which he was typecast as a callow gigolo). Long associated with 20th Century-Fox, Romero occasionally cashed in on his heritage to play Latin Lover types, but was more at home with characters of indeterminate nationalities, usually playing breezily comic second leads (whenever Romero received third billing, chances were he wasn't going to get the girl). Cheerfully plunging into the Hollywood social scene, Romero became one of the community's most eligible bachelors; while linked romantically with many top female stars, he chose never to marry, insisting to his dying day that he had no regrets over his confirmed bachelorhood. While he played a variety of film roles, Romero is best remembered as "The Cisco Kid" in a brief series of Fox programmers filmed between 1939 and 1940, though in truth his was a surprisingly humorless, sullen Cisco, with little of the rogueish charm that Duncan Renaldo brought to the role on television. The actor's favorite movie role, and indeed one of his best performances, was as Cortez in the 1947 20th Century-Fox spectacular The Captain From Castile. When his Fox contract ended in 1950, Romero was wealthy enough to retire, but the acting bug had never left his system; he continued to star throughout the 1950s in cheap B pictures, always giving his best no matter how seedy his surroundings. In 1953 Romero starred in a 39-week TV espionage series "Passport to Danger," which he cheerfully admitted to taking on because of a fat profits-percentage deal. TV fans of the 1960s most closely associate Romero with the role of the white-faced "Joker" on the "Batman" series. While Romero was willing to shed his inhibitions in this villainous characterization, he refused to shave his trademark moustache, compelling the makeup folks to slap the clown white over the 'stache as well (you can still see the outline in the closeups). As elegant and affluent-looking as ever, Romero signed on for the recurring role of Peter Stavros in the late-1980s nighttime soap opera "Falcon Crest." In the early 1990s, he showed up as host of a series of classic 1940s romantic films on cable's American Movie Classics. Romero died of a blood clot on New Year's Day, 1994, at the age of 86. ~ Hal Erickson, All Movie Guide- 1936
Hoping to prove to her insurance-investigator uncle that she's a good detective in her own right, Jane Martin (Claire Trevor) pretends to be a jewel thief so that she can infiltrate a criminal gang. She quickly ingratiates herself with suave but deadly crook Frank Peyton (Cesar Romero), and before long Jane herself is in charge of the gang! Once Peyton begins to suspect that Jane has ulterior motives, he does his best to trip her up, even committing a murder in her presence, but she manages to keep up her facade long enough to enable detective Walsh (Lloyd Nolan) to round up the criminals. Despite the cold-blooded nature of his character, Frank Peyton emerges as the most appealing character in the picture; also, while Peyton enjoys a brief onscreen romance with the heroine, nothing of a similar nature develops between Jane and nominal hero Walsh. In short, 15 Maiden Lane is not your average "B"-grade crime meller. ~ Hal Erickson, All Movie Guide
- Starring:
- Claire Trevor, Cesar Romero, (more)
- 1942
Cesar Romero plays an outwardly tough bookie with the proverbial golden heart. Romero falls in love with Carole Landis, an art shop proprietor who introduces her raffish romeo into the world of fine art. Utilizing his gambling skills, he amasses an impressive collection of valuable paintings, only to discover that there are just as many crooks and phonies in the art world as there are at the race track. At first attempting to cash in on the clever forgeries of a duplicitous painter (J. Carroll Naish), Romero is redeemed by the love of Carole Landis and ends up scamming the scammers. Gentleman at Heart includes a brashly amusing performance by Milton Berle as Cesar Romero's chief flunky. ~ Hal Erickson, All Movie Guide
- Starring:
- Cesar Romero, Carole Landis, (more)
- 1964
This drama tells the true story of one of Broadway's most successful madams in the 1920s. It is loosely based on the autobiography of Polly Adler. The story begins when young Polly is seduced and raped at her job by the sweatshop foreman. When her uncle, with whom she lived, learns of the act, he blames her and tosses her out. She then moves into an apartment owned by a racketeer. It is he who encourages her into her "helping" profession when he gives her money for bringing her pals to a gangster party. Soon she is beginning to build up her own clientele. As her business prospers, she begins to choose nicer locations. Her tiny cathouse becomes a haven for sleazy politicos, mobsters, and businessmen. The madame herself has a passionate romance with a young songwriter and she helps his career. He does not know of her vocation and she eventually breaks up with him to keep his reputation intact. ~ Sandra Brennan, All Movie Guide
- Starring:
- Shelley Winters, Robert Taylor, (more)
- 1969
- PG
Richard Widmark stars as a professional gambler who finds himself financially embarrassed. To bail himself out, Widmark marries into a wealthy Mexican household. What he doesn't know is that the family is cursed: its female members are compelled to love their men literally to death. Chaim Topol and Cesar Romero costar in the inconsequential but enjoyable comedy. ~ Hal Erickson, All Movie Guide
- 1938
Former doctor Jim Howard (Herbert Marshall) helps desperate Margot Weston (Barbara Stanwyck), pregnant and unmarried; when her son is born, Jim helps her place the baby with Phil Marshall (Ian Hunter) and his wife, on the condition that neither the Marshalls nor the child ever know Margot is his mother. Five years later, Margot is now a well-paid buyer for the store owned by Harriet Martin (Binnie Barnes); she meets Jim again, and a romance begins to blossom, but she's off to Paris on Harriet's behalf. There, Margot is wooed by the charming but carefree Count Giovanni Corini (Cesar Romero) and she happens to meet her son Roddy (Johnnie Russell), traveling with his aunt, as Mrs. Marshall has died. On the trip back to America, Margot and Roddy become very close, while Corini, on the same ship, continues to pursue Margot. At home, she becomes convinced that Jessica (Lynn Bari), Phil's new fiancee, doesn't love him, and will be a bad mother to Roddy, so she decides to break up the engagement, but Jim, beginning a career as a scientist, reminds her of her earlier promise not to interfere in the boy's life. ~ Bill Warren, All Movie Guide
- Starring:
- Barbara Stanwyck, Cesar Romero, (more)
- 1937
Less than a week after the press preview of his second starring feature Man in Blue, Robert Wilcox was seen on-screen in his first starrer, Armored Car. Wilcox plays detective Larry Willis, who goes undercover as an armored-car guard. Larry deliberate messes up his job so that he'll be fired, thereby convincing a gang of hijackers that he's desperate enough to join them. Our hero works his way into the confidence of "intellectual" head crook Walinsky (Irving Pichel), much to the displeasure of the boss' distrustful henchman Petack (Cesar Romero). Things get hairy when the hoods threaten the life of heroine Ella (Judith Barrett), forcing Larry to blow his cover. ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Wilcox, Judith Barrett, (more)
Razzle-dazzle showman Michael Todd hocked everything he had to make this spectacular presentation of Jules Verne's 1872 novel Around the World in 80 Days, the second film to be lensed in the wide-screen Todd-AO production. Nearly as fascinating as the finished product are the many in-production anecdotes concerning Todd's efforts to pull the wool over the eyes of local authorities in order to cadge the film's round-the-world location shots--not to mention the wheeling and dealing to convince over forty top celebrities to appear in cameo roles. David Niven heads the huge cast as ultra-precise, supremely punctual Phileas Fogg, who places a 20,000-pound wager with several fellow members of London Reform Club, insisting that he can go around the world in eighty days (this, remember, is 1872). Together with his resourceful valet Passepartout (Cantinflas), Fogg sets out on his world-girdling journey from Paris via balloon. Meanwhile, suspicion grows that Fogg has stolen his 20,000 pounds from Bank of England. Diligent Inspector Fix (Robert Newton) is sent out by the bank's president (Robert Morley) to bring Fogg to justice. Hopscotching around the globe, Fogg pauses in Spain, where Passepartout engages in a comic bullfight (a specialty of Cantinflas). In India, Fogg and Passepartout rescue young widow Princess Aouda (Shirley MacLaine, in her third film) from being forced into committing suicide so that she may join her late husband. The threesome visit Hong Kong, Japan, San Francisco, and the Wild West. Only hours short of winning his wager, Fogg is arrested by the diligent Inspector Fixx. Though exonerated of the bank robbery charges, he has lost everything--except the love of the winsome Aouda. But salvation is at hand when Passepartout discovers that, by crossing the International Date Line, there's still time to reach the Reform Club. Will they make it? See for yourself. Among the film's 46 guest stars, the most memorable include Marlene Dietrich, Charles Boyer, Jose Greco, Frank Sinatra, Peter Lorre, Red Skelton, Buster Keaton, John Mills, and Beatrice Lillie. All were paid in barter--Ronald Colman did his brief bit for a new car. Newscaster Edward R. Murrow provides opening narration, and there's a tantalizing clip from Georges Méliès' A Trip to the Moon (1902). Offering a little something for everyone, Around the World in 80 Days is nothing less than an extravaganza, and it won 5 Oscars, including Best Picture and Best Cinematography. ~ Hal Erickson, All Movie Guide
- Starring:
- David Niven, Cantinflas, (more)
- 1974
The vanishing chalice is a rare Greek treasure that disappears from a museum. That's not all; the chalice vanishes while in full view of a group of nonplussed witnesses. This sounds like a case for troubleshooting detective Banacek (George Peppard) -- and indeed, it is, in this episode from the Banacek series. John Saxon, Sue Ann Langdon, Cesar Romero, and Eric Braeden are the special guest suspects in this episode, which originally aired January 15, 1974. ~ Hal Erickson, All Movie Guide
Tongue-in-cheek humor prevails in Batman, a witty homage to the Dynamic Duo's exaggerated exploits. The Caped Crusaders (Adam West and Burt Ward) are called in as a last resort when the criminal masterminds of the millennium team up to conquer Gotham City by turning the U.N. Security Council into dehydrated dust; among the villains are the Joker (Cesar Romero), Catwoman (Lee Meriwether), the Riddler (Frank Gorshin), and the Penguin (Burgess Meredith). The entire cast is excellent, particularly West and Ward, who distinguish themselves among a standout list with hilariously straight-faced performances. The film includes some truly memorable scenes, highlighted by a particularly tenacious shark with a vertical leap that would put Spud Webb to shame and a bomb on the waterfront with no place to explode (nuns, infants and lovebirds beware!). ~ Jeremy Beday, All Movie Guide
- 1970
In this sequel to the previous week's episode "To Go or Not to Go, That Is the Question," the Stephenses are still playing reluctant hosts to Hepzibah (Jane Connell), high priestess of all witches and warlocks. It is important to curry favor with Hepzibah, who holds the future of Darrin and Samantha's marriage in her hands. To forestall the high priestess' final decision, Sam arranges a match between Hepzibah and Darrin's dashing new client, Mr. Hitchcock (Cesar Romero). Written by Michael Morris, "Salem Here We Come" first aired on October 1, 1970, as the 200th episode of Bewitched. ~ Hal Erickson, All Movie Guide
- Starring:
- Elizabeth Montgomery, Dick Sargent, (more)
- 1959
"The Big Hello" and "The Wild Bunch" originated as 25-minute episodes of the TV anthology Four Star Playhouse. Linking the two short films is the starring presence of Natalie Wood, who did quite a lot of TV work between 1950 and 1955. Supporting Wood in these dramatic playlets are such dependables as Cesar Romero and Raymond Burr. Interestingly enough, Wood and Burr briefly dated in the 1950s, after having met on the set of the theatrical feature A Cry in the Night. The two episodes are consummately produced, as was customary whenever actor-turned-executive Dick Powell was at the production helm. ~ Hal Erickson, All Movie Guide
- 1965
A group of flamboyant Italian acrobats pay a visit to the Ponderosa. Despite his long friendship with Guido Borelli (Cesar Romero), leader of the acrobats, Ben Cartwright is disturbed over Borelli's exhibitions of jealousy whenever his sweetheart Pitina (Ilze Taurins) shows interest in another man-such as Ben's son Joe. When Borelli's younger rival Carlo (Fabrizio Mioni) is stabbed, Guido tries to frame Joe for the act. Lily Valenty rounds out the guest cast as Donna Luisa. Written by Jo Pagano, "The Deadliest Game" was originally shown on February 21, 1965. ~ Hal Erickson, All Movie Guide
- Starring:
- Lorne Greene, Pernell Roberts, (more)
- 1965
In the second episode of a three-part story, Jason (Chuck Connors) agrees to embark upon a dangerous undercover mission on behalf of President Grant (William Bryant). Meeting a gang of Mexican bandits, Jason pretends to join them in brazen plan to steal gold from a US Army fort. Should McCord fail in routing the bandits, they will kill him; should he succeed, he still runs the risk of being branded a traitor as well as a coward by the US Government! Unlike the rest of Branded's first-season episodes, "The Mission" was filmed in color (though whether or not it was originally broadcast in color is still a matter of dispute). ~ Hal Erickson, All Movie Guide
- 1934
British Agent starred the Hungarian/British actor Leslie Howard in the title role, was directed by full-fledged Hungarian Michael Curtiz, and costarred American leading lady Kay Francis as a Russian spy. Based on the memoirs of R. H. Bruce Lockhart, who had been the unofficial British emissary to the Russian Revolutionary government in 1917, British Agent spends more time on its romantic subplot than in recreating the birth of Bolshevism. Leslie Howard's purpose in this film is to dissuade the Bolsheviks from signing a separate treaty with the World War I German regime. It is obvious to modern-day viewers that Howard is merely looking after Britain's interests and has no concern for the Russians; this was par for the course in a 1930s film, but does not play well with less jingoistic audiences of the 1990s. The most interesting aspect of British Agent is the performance of saturnine Irving Pichel as a young Josef Stalin. ~ Hal Erickson, All Movie Guide
- Starring:
- Leslie Howard, Kay Francis, (more)
- 1964
In this western, after being branded as a coward by the army, an ex-soldier succumbs to his former finacee's pressure and breaks a treaty with the Apaches. ~ Sandra Brennan, All Movie Guide
In this big-budget historical adventure, Tyrone Power stars as Pedro De Vargas, a young and impetuous nobleman in 16th Century Spain. Pedro helps to free a slave who belongs to Diego De Silva (John Sutton), but this proves to be a mistake, as Diego is one of the leaders of the Inquisition. Diego soon brands Pedro a heretic, puts his family behind bars, and subjects his 12-year-old sister to torture so horrible it kills her. An outraged Pedro plots his escape, with the help of his friend Juan Garcia (Lee J. Cobb) and hot-blooded peasant girl, Catana Perez (Jean Peters). Pedro and his friends help his parents make their way out of Spain, and he soon joins forces with Hernando Cortez (Cesar Romero), who has an ambitious plan to sail to the new world in search of gold. However, a vengeful Diego uses his powers to foil Cortez, and when Diego is murdered, Pedro becomes the key suspect in the crime. Captain From Castile was shot on location in Morelos, Mexico, where the active volcano Paricutin slowed production, causing delays that expanded the film's budget to a then-extravagant $4.5 million. ~ Mark Deming, All Movie Guide
- Starring:
- Tyrone Power, Jean Peters, (more)
- 1935
Released generally as Cardinal Richelieu, this George Arliss vehicle was based on the popular 19th-century blank-verse play by Lord Edward Bulwer-Lytton. Downplaying the more villainous aspects of the character, Arliss portrays Richelieu as a dry-witted foxy-grandpa type, manipulating the well-meaning but often ineffectual French monarch Louis XIII (Edward Arnold) and cleverly outmaneuvering his scurrilous enemies, especially Louis' power-hungry brother Gaston (Francis Lister). Richelieu even finds time to smooth the romantic path of the young lovers, his young ward Lenore (Maureen O'Sullivan) and handsome Andre de Pons (Cesar Romero) -- though he does this mainly to suit his own political and ecumenical purposes. Highlights include the famous scene in which the wily Richelieu defeats his foes by threatening them with eternal damnation! Richelieu was George Arliss's last American film; henceforth, he would appear only in British productions. ~ Hal Erickson, All Movie Guide
- Starring:
- George Arliss, Halliwell Hobbes, (more)
- 1995
- R
- Add Carmen Miranda: Bananas Is My Business to QueueAdd Carmen Miranda: Bananas Is My Business to top of Queue
The complex life of the woman who came to personify Latin America in the minds of millions of North American moviegoers during the '30s, '40s, and '50s is the focus of this documentary. But while the spunky Miranda with her distinctive fruity hats was very popular in the North, she was not so beloved in South America where many were offended by the cartoon-like, stereotypical image she embodied. The documentary explores these different perceptions as well as chronicling her ascent to fame and aspects from her troubled personal life, via film clips, and interviews with many of the entertainer's friends. Also included are interviews with Brazilian commentators and the occasional dramatization. ~ Sandra Brennan, All Movie Guide
- 1947
This musical romance is set in the beautiful South American country and chronicles the love affair between a betrothed couple who secretly have fallen in love with other people. The young man loves a nightclub chanteuse, while the woman wants a handsome coffee-buyer. Now they must somehow let their constantly bickering parents know. Songs include: "Qui Pi Pia," "I'll Know It's Love," "Another Night Like This," "Mi Vida, Costa Rica," and "Rhumba Bomba." ~ Sandra Brennan, All Movie Guide
- Starring:
- Dick Haymes, Vera-Ellen, (more)
- 1939
Movie buffs are nearly unanimous in agreement: Charlie Chan at Treasure Island is the best of the Sidney Toler "Charlie Chan" entries. The film wastes no time getting started, with Chan (Toler) and his son Jimmy (Sen Yung) on hand when Charlie's writer friend Paul Essex (Louis Jean Heydt) dies on the Honolulu Clipper while en route to San Francisco. The police rule Essex' death a suicide, but Chan believes differently. He follows the trail of clues to the mysterious Zodiac, a crooked spiritualist. The oriental detective is aided in his investigation by Rhadini (Cesar Romero), a charming stage magician who hopes to expose Zodiac as a phony and blackmailer. After several plot twists and a couple of additional murders, all the likely suspects are gathered together during one of Rhadini's performances at Treasure Island, the San Francisco branch of the 1939 World's Fair. In a truly eerie climax, mystic Eve (Pauline Moore) who really does have psychic powers, prepares to name the killer. The revelation of the culprit is a genuine surprise, staged with topnotch showmanship by director Norman Foster, whose wife Sally Blane (Loretta Young's sister) appears in a small role as Essex's widow. Many of the magicians' props utilized in Charlie Chan at Treasure Island would do service again in 1942 in the Laurel & Hardy vehicle A-Haunting We Will Go. ~ Hal Erickson, All Movie Guide
- Starring:
- Sidney Toler, Cesar Romero, (more)
- 1934
Previously filmed in 1919 and 1927, Max Marcin's stage success Cheating Cheaters made its talking-picture bow courtesy of Universal in 1934. Fay Wray stars as seductive Nan Brockton, seemingly in the employ of a gang of slick jewel thieves. The crooks disguise themselves as high-society types, as do the members of a rival gang. Nan falls in love with her crooked "opposite number" Tom Palmer (Cesar Romero), then reveals that she's not what she seems to be, enabling Tom to wipe the slate clean and start anew on the side of Law and Order. Originally released on a double bill with the Fox documentary The First World War, Cheating Cheaters represented the first big-studio directorial effort of Richard Thorpe, previously a mainstay of low-budget Chesterfield Productions. ~ Hal Erickson, All Movie Guide
- Starring:
- Fay Wray, Cesar Romero, (more)
- 1935
Ronald Colman plays Robert Clive, a true-life 18th century Britisher who works up the ranks to become leader of Britain's military forces in India. Though produced on a superficially lavish scale, the film inexpensively sidesteps several of Clive's more famous battles with Indian insurrectionists, relegating them to offscreen events described by subtitles. The notorious Sepoy Mutiny "Black Hole of Calcutta" incident, hardly a costly event to recreate, is faithfully presented. In real life, Clive was ruined by a trial in the House of Commons, after which he suffered a nervous breakdown and committed suicide. The film tactfully closes on the trial and Clive's reunion with his faithful wife (Loretta Young). Typically jingoistic in its "White Man's Burden" approach to East Indian affairs, Clive of India is best viewed in context of the time it was filmed (1935), when the sun still hadn't set on the British Empire. ~ Hal Erickson, All Movie Guide
- Starring:
- Ronald Colman, Loretta Young, (more)
- 1943
Everything clicks in this tuneful, colorful and profitable Betty Grable musical. The star plays Katie Farley, a gyrating saloon entertainer in turn-of-the-century New York. Convinced that Katie is destined for Bigger Things, Coney Island impresario Eddie Johnson (George Montgomery) tries to turn the raucous song-and-dance girl into a refined entertainer, at one point handcuffing her wrists and ankles so she'll be forced to rely on her voice rather than her undulations. Sure enough, Katie becomes a high-class Broadway star under the aegis of showman Willie Hammerstein (Matt Briggs) -- and equally sure enough, she and Eddie grow apart. After a desultory romance with Eddie's rival, slick saloon owner Joe Rocco (Cesar Romero), Katie eventually returns to the arms of the man she truly loves, as comedy relief Frankie (Phil Silvers) looks on in myopic glee. Among the musical highlights of Coney Island is Betty's delightful rendition of the old chestnut "Cuddle Up a Little Closer". The film was remade, again with Grable, as Wabash Avenue (1950). ~ Hal Erickson, All Movie Guide
- Starring:
- Betty Grable, George Montgomery, (more)
