Howard E. Rollins, Jr. Movies

In this fact-based drama, a real estate agent is horrified to learn that a home buyer is the one who killed her policeman husband. ~ Sandra Brennan, Rovi

Dear America: Letters Home From Vietnam was first telecast April 3, 1988, over the HBO cable service. Based on the book of the same name, the program is devoted to poignant recitations of letters to and from American participants of the Vietnam war. The letters are heard over images culled from news footage, home movies and still photography, with contemporary music added to put things in the proper historical context. The 2-hour film, featuring readings from various well-known actors (see cast list), was a co-production involving Bill Couturie, a previous Emmy winner for Vietnam Requiem, and the Vietnam Veterans Ensemble Theatre Company. ~ Hal Erickson, Rovi

Bill Duke directed this fact-based tale of a poor Southern black woman who rose from poverty to become an FBI agent. Retitled Johnnie Gibson F.B.I. for home video. ~ Jason Ankeny, Rovi

Inspired by the Herman Melville novel Billy Budd, writer Charles Fuller created the Pulitzer Prize-winning A Soldier's Play, which he then adapted into this film drama in 1984, for socially conscious, liberal director Norman Jewison. In the racially-divided 1940s, Fort Neal, Louisiana, is a military base where black soldiers are sent not to fight in WWII but to play baseball against other armed forces teams. The murder of a black sergeant, Waters (Adolph Caesar) brings an investigator, Captain Davenport (Howard E. Rollins, Jr.) to the base. Davenport, the first black officer that most of the men have ever met, suspects that a pair of white men were responsible for Waters' death, but his probe reveals that nearly everyone, regardless of skin color, had ample reason to kill the loathsome but pitiable Waters. The cast of A Soldier's Story features early supporting performances from several African-American actors who would go on to greater prominence, including Denzel Washington, David Alan Grier, and Robert Townsend. The film was nominated for three Oscars: Best Picture, Best Supporting Actor (Caesar) and Best Adapted Screenplay. ~ Karl Williams, Rovi

A TV pilot film, Doctor's Story explores the rights--or rather, the lack of them--of geriatric patients. Howard E. Rollins Jr. plays a young doctor who resents the throwaway attitude conveyed towards the elderly. Among Rollins' patients are a near-senile old man (Art Carney), a woman (Vivece Lindfors) with a mysterious abdominal ailment, and a suicidal widow (Uta Hagen). Stymied by hospital bureaucracy and indifference, Rollins fights to give his older charges the same care and attention afforded younger patients--and in so doing, his own marriage on the critical list. Whether or not this premise could have sustained a weekly series is problematic (the pilot didn't sell), but as a self-contained drama, Doctor's Story was certainly worth two hours of anyone's attention, young or old. ~ Hal Erickson, Rovi

First adapted to film in 1952, Carson McCullers' play A Member of the Wedding was restaged for television in a live performance aired December 20, 1982. Dana Hill assumes the role created by Julie Harris back in 1950: Frankie Addams, an awkward 12-year-old girl who feels like a fifth wheel during preparations for her older brother's wedding. Frankie is alternately coddled and scolded by housekeeper Berenice (originally played by Ethel Waters, here essayed by Pearl Bailey), a middle-aged black woman who knows something about being truly alone and friendless. Benjamin Bernouy plays little John Henry, whose ultimate fate provides a jolt of real rather than imagined tragedy to the proceedings. Director Delbert Mann, an old hand at live television, staged A Member of the Wedding at the Tennessee Performing Arts Center in Nashville. ~ Hal Erickson, Rovi

Based on a story by Jimmy Breslin, The Neighborhood takes place in an all-white, blue collar neighborhood in an unspecified big city. A "blockbuster" real estate agent begins selling houses to black families (among the new neighbors is recent Oscar nominee Howard Rollins Jr.), resulting in mixed emotions (most of them leaning towards hostility) from the white residents. There are isolated incidents of terrorism, including a burning cross, before wiser heads prevail and the neighbors learn to live together in harmony. The nicer white residents include Christine Belford and Ron Masak, playing the sort of altruistic types that seem to exist exclusively in TV movies. The contrived upbeat ending of The Neighborhood is a sure giveaway that the film was intended as the pilot for a weekly series. ~ Hal Erickson, Rovi

Thornwell was based on a documentary directed by Harry Moses, which formed the nucleus of a 60 Minutes piece. Moses also directed this TV-movie dramatization of the incident, a truly shameful chapter in the history of the American military. James Thornwell (Glynn E. Turman), an African American soldier suspected in 1961 of being a spy, is subjected to an intense, painful, and humiliating interrogation. The Army's grilling tactics are within the accepted boundaries--until it is decided to use Thornwell as a guinea pig for the "mind-expanding" drug LSD. Once released, Thornwell suffers from mental and physical agony which he cannot fully comprehend, because he has no idea that he's been pumped full of the hallucinogenic drug. It is only 16 years later, thanks to the Freedom of Information act, that Thornwell learns what has been done to him. He is awarded a sizeable cash settlement by Congress, but Thornwell makes clear that this is inadequate compensation for two lost decades in a man's life. ~ Hal Erickson, Rovi

The phenomenal success of the 1977 ABC miniseries Roots all but demanded a sequel to writer Alex Haley's epic story of his African and African-American forebears. Debuting February 18, 1979, Roots: The Next Generations picked up where its predecessor left off, with Haley's slave ancestors winning their freedom in the aftermath of the Civil War. Even so, life for black Americans was wrought with hardship and oppression thanks to the rise of the Ku Klux Klan, the staunch refusal of the white power structure to pass anti-lynching laws, and the formation of the dreaded Jim Crow laws which legalized racial segregation in the South (and much of the North). Covering the period from 1882 to the mid-1970s, the miniseries first focuses on blacksmith Tom Harvey (Georg Stanford Brown), great-grandson of Kunta Kinte (the protagonist of the original Roots), and his family. Meanwhile, reacting to the marriage of his son to a black woman, anal-retentive Southern colonel Warner (Henry Fonda) begins setting the legal wheels in motion to deny blacks like Tom the right to vote and to hold "white" jobs. A few decades later, Tom's son-in-law encourages his fellow blacks to stand firm against the KKK's reign of terror. His labors on behalf of his race are rewarded when his daughter Bertha (Irene Cara) becomes the first descendant of Kunta Kinte to receive a college education. It is Bertha Palmer who weds the equally ambitious Simon Haley (Dorian Harewood), who goes on to serve in WWI and to organize farmers and sharecroppers during the Depression. Simon's son Alex (played at various ages by Kristoff St. John, Damon Evans, and finally James Earl Jones) is just as determined to succeed in a white man's world as his father, and to that end becomes a professional writer after his own service stint in the Coast Guard during WWII. At the height of his professional success (largely due to his having ghost-written the autobiography of Muslim activist Malcolm X), Alex Haley pays a visit to his boyhood hometown -- where, almost by accident, he receives the first clue to his heritage, a clue that will lead him on an odyssey of self-discovery, arriving full circle at Kunta Kinte's birthplace in Africa. Although the miniseries' "money scene" was Haley's nervous interview with American Nazi Party leader George Lincoln Rockwell (Marlon Brando in a superb cameo turn), the climactic episode, in which Haley tearfully embraces the living African descendants of Kunta Kinte, is one of the most unforgettable moments in the history of network television. Running 12 episodes and 14 hours, Roots: The Next Generations concluded on February 25, 1979, playing to huge ratings all along the way and ultimately garnering several Emmy nominations (and one win). ~ Hal Erickson, Rovi