Gordon Rollings Movies

Having written the music and screenplay for this film, Paul McCartney also plays himself in the leading role. When the sole copy of McCartney's latest album is misplaced, he must discover its whereabouts in less than 24 hours or else risk losing his recording company to the lowlife Mr. Rath (John Bennett). McCartney performs three new songs, along with a number of classic Beatles' tunes. ~ Iotis Erlewine, Rovi

In a major departure from the tone of the preceding two Superman adventure films, this mix of vile deeds and fantasy heroics drops the "S" out of cosmic and goes for comic instead. Right at the starting gate, Gus Gorman (Richard Pryor) and a subsequent slapstick sequence upstage (Christopher Reeves again), who later develops an identity crisis. Gorman, newly trained as a computer whiz, starts working for a conglomerate run by the corporate nemesis Ross Webster (Robert Vaughn), intent on world domination. Gorman is sent to Superman's small town of Smallville to wipe out Columbia's coffee crop by fiddling with the computer side of a weather satellite. Clark Kent is in town for his class reunion, leading Superman to clash with Gorman, which in turn, leads Gorman to develop a hybrid red Kryptonite. Unwittingly, since Gorman's wits are always in doubt, the Red Kryptonite causes Superman to split into a Dr. Jekyll and Mr. Hyde schizophrenia -- but in two separate bodies. As the evil Superman swaggers around town, megalomaniac Ross Webster has other tricks in mind -- and in one of the more memorable action scenes (interspersed with a video game sequence), Superman is chased through the Grand Canyon by a fast-flying, very determined missile. Lana Lang (Annette O'Toole) is on hand for romantic interest (Margot Kidder only appears briefly -- she was growing tired of Lois Lane). ~ Eleanor Mannikka, Rovi

An innocent country farmer experiences a number of improbable misadventures that culminate in a battle against the titular beast in this broadly comic fantasy. The first solo outing of director Terry Gilliam, who served as animator and co-director on Monty Python and the Holy Grail, returns to the medieval setting that had previously served him so well, and brings along fellow Pythonite Michael Palin for the ride as reluctant hero Dennis Cooper. Cooper's journey to defeat the fearsome Jabberwock is filled with a similar combination of traditional fairy-tale narrative and irreverent humor, which at times aims to be even raunchier than classic Python fare. But while the film is too awkward and repetitive to succeed, it does boast impressively grungy medieval sets and costumes, and flashes of the visual brilliance that would characterize Gilliam's more mature works. ~ Judd Blaise, Rovi

Blackballed by his peers, crackpot conservationist Zacardi (Vladek Sheybal) intends to get even with his highly trained birds, which swoop down and kill on his orders. Steed (Patrick MacNee), Purdey (Joanna Lumley) and Gambit (Gareth Hunt) endeavor to stop Zacardi in his plan to take over the world with his feathered friends. The climax of this episode (the top-rated installment of The New Avengers' first season) finds Purdey in perilous predicament that would even make Alfred Hitchcock nervous. ~ Hal Erickson, Rovi

This lackluster 1970 version of Charles Dickens' classic novel, David Copperfield (made as a film twice before) turns Dickens' picaresque tale into an extended flashback, with David Copperfield (Robin Phillips) as a young man, brooding on a deserted beach, recalling his youth. The characters are all trotted out in choppy flashbacks as David remembers his life as a young orphan, brought to London and passed around from relatives, to guardians, to boarding school. ~ Paul Brenner, Rovi

The specter of atomic warfare raises its head once again in this bizarre 1969 black comedy, directed by Richard Lester and hatched from the mind of twisted British comic Spike Milligan. England lays in ruins after World War III, and a number of dazed survivors try to carry on as if nothing is wrong, even when one woman (Rita Tushingham) announces that she is seventeen months pregnant, and others begin to mutate into parrots, wardrobes, and bed-sitting rooms. The often slapstick comedy provides a surreal foreground for the bleak, devastated settings, portions of which were filmed in actual, environmentally blasted industrial areas in Wales. The comedy duo of Dudley Moore and Peter Cook appear as hapless government officials, while Marty Feldman makes his screen debut in a film that could best be described as England's answer to Dr. Strangelove. ~ Don Kaye, Rovi

In this English comedy, the trouble begins when a bumbling young man embarrasses his grandfather, the British Prime Minister, by selling newspapers on a street corner. Soon the fellow finds himself given a reporter's job and sent to cover a story in a tiny coastal village. There he soon finds himself entangled in a massive scandal. ~ Sandra Brennan, Rovi

In London for a medical checkup, Emir Abdulla Akaba (Henry Soskin) is murdered by a person or persons unknown. This proves embarrassing for Steed and Cathy, who'd been assigned to protect the Emir. Still in disguise as a hotel chef and social secretary, the Avengers try to determine who knocked off the victim -- and try to keep from being knocked off themselves. With a punch line straight out of the vintage George Arliss vehicle Old English, "Death a la Carte" first aired in England on December 21, 1963. Written by John Lucarotti, the episode made its American cable TV debut on March 20, 1991. ~ Hal Erickson, Rovi

In this engaging costume melodrama of skulduggery on the low seas set back in the 18th-century, the swamps of a small seaside town and the nocturnal activities of the towns' men provide the atmosphere and action. The Royal Crown suspects a bit of smuggling is going on in this locale, and they send Captain Collier (Patrick Allen) and his crew to check it out. As the Captain gets into his investigation, mysterious swamp phantoms cloud up the real issue which seems plain enough to see. Captain Collier suspects that the odd village vicar (Peter Cushing) might be hiding something, and what better way to do that than by fortuitous ghosts to scare away the curious -- or by posing as someone he is not? ~ Eleanor Mannikka, Rovi