Gilbert Roland Movies

A rare "prestige" item from low-budget Allied Pictures, Parisian Romance boasts a screenplay by F. Hugh Herbert, of The Moon is Blue fame. Lew Cody stars as a libidinous French baron whose love-'em-and-leave-'em philosophy is seriously challenged when he falls for the beautiful Claudette (Marion Shilling). Realizing that Claudette would be happier with someone else, the Baron has the wisdom to do the wrong thing at the right time. Our hero's sang froid is never more pronounced than when he stoically accepts two socks on the chin from his rival Victor (Gilbert Roland). Joyce Compton, a specialist in "dumb Southern belle" roles, is incongruously cast as Parisian coquette Marcelle. ~ Hal Erickson, All Movie Guide

When her tough boyfriend Red Branahan (William Gargan) is sent to jail, Aggie Appleby (Wynne Gibson) meets mild-mannered Adoniram Schlump (Charles Farrell), and decides to turn him into a real man. She teaches him how to talk tough, changes his name to Red Branahan, and gets him a construction job -- unaware that the real Red has been released from prison. ~ Bill Warren, All Movie Guide

Widowed mother Charlotte Lord (Katherine Alexander) would like to marry wealthy Guy Barton (Sidney Blackmer), but Bartons' avaricious ex-wife Sybil (Binnie Barnes) insists upon contesting their recent Mexican divorce. Charlotte's daughters Jane (Jane Frazee), Leni (Leni Lynn), and Marilyn (Marilyn Hare) conspire to put Sybil out of the way by pairing her off with Steve Nelson (Edward Norris), gilding the lily by convincing Nelson to pose as Argentine cattle baron Don Pablo Viscente (Gilbert Roland). The ruse almost works, but then the real Don Pablo shows up. Undaunted, the Lord girls concoct a variety of additional schemes to smooth the path of romance for their mother and the eligible Mr. Barton. And on and on it goes, slapstick set pieces alternating with musical numbers for the remainder of the film's 72 minutes. ~ Hal Erickson, All Movie Guide

Apache War Smoke was a remake of Apache Trail (42); both films were based on a story by Ernest Haycox. Haycox had previously written Stage to Lordsburg, a western yarn filmed by John Ford as Stagecoach (39). Apache War Smoke adheres to the Stagecoach formula by trapping several strangers in a dangerous situation, in this instance an incipient Apache uprising. Included in the group are the passengers of a stagecoach, and the gang of bandits who've just held up the coach; there's also a notorious Indian hater in the bunch. Apache War Smoke spins its yarn in a brisk 67 minutes, with only a few slow stretches here and there. ~ Hal Erickson, All Movie Guide

Razzle-dazzle showman Michael Todd hocked everything he had to make this spectacular presentation of Jules Verne's 1872 novel Around the World in 80 Days, the second film to be lensed in the wide-screen Todd-AO production. Nearly as fascinating as the finished product are the many in-production anecdotes concerning Todd's efforts to pull the wool over the eyes of local authorities in order to cadge the film's round-the-world location shots--not to mention the wheeling and dealing to convince over forty top celebrities to appear in cameo roles. David Niven heads the huge cast as ultra-precise, supremely punctual Phileas Fogg, who places a 20,000-pound wager with several fellow members of London Reform Club, insisting that he can go around the world in eighty days (this, remember, is 1872). Together with his resourceful valet Passepartout (Cantinflas), Fogg sets out on his world-girdling journey from Paris via balloon. Meanwhile, suspicion grows that Fogg has stolen his 20,000 pounds from Bank of England. Diligent Inspector Fix (Robert Newton) is sent out by the bank's president (Robert Morley) to bring Fogg to justice. Hopscotching around the globe, Fogg pauses in Spain, where Passepartout engages in a comic bullfight (a specialty of Cantinflas). In India, Fogg and Passepartout rescue young widow Princess Aouda (Shirley MacLaine, in her third film) from being forced into committing suicide so that she may join her late husband. The threesome visit Hong Kong, Japan, San Francisco, and the Wild West. Only hours short of winning his wager, Fogg is arrested by the diligent Inspector Fixx. Though exonerated of the bank robbery charges, he has lost everything--except the love of the winsome Aouda. But salvation is at hand when Passepartout discovers that, by crossing the International Date Line, there's still time to reach the Reform Club. Will they make it? See for yourself. Among the film's 46 guest stars, the most memorable include Marlene Dietrich, Charles Boyer, Jose Greco, Frank Sinatra, Peter Lorre, Red Skelton, Buster Keaton, John Mills, and Beatrice Lillie. All were paid in barter--Ronald Colman did his brief bit for a new car. Newscaster Edward R. Murrow provides opening narration, and there's a tantalizing clip from Georges Méliès' A Trip to the Moon (1902). Offering a little something for everyone, Around the World in 80 Days is nothing less than an extravaganza, and it won 5 Oscars, including Best Picture and Best Cinematography. ~ Hal Erickson, All Movie Guide

Barbarosa is a western starring the unlikely screen team of Willie Nelson and Gary Busey. Nelson is an outlaw, Busey his country-bumpkin buddy. They decide to ride together, since both are on the run from separate family feuds. Directed by Australian filmmaker Fred Schepisi, the screenplay for Barbarosa was written by William D. Wittliff who would later gain acclaim for his adaptation of Larry McMurtry's Lonesome Dove. ~ Hal Erickson, All Movie Guide

At the time of its release, Beneath the 12-Mile Reef was considered more notable for its technical achievements than its artistic virtues, a judgment that is still valid, up to a point. It wasn't the most earth-shattering drama ever made, though the performances seem better than they were probably given credit for being at the time. 20th Century Fox's second Cinemascope production starred Robert Wagner (at the height of his male ingénue phase) and Terry Moore in a modern Romeo and Juliet story. He plays Tony Petrakis, the cocky but good-hearted son of Greek sponge fisherman Mike Petrakis (Gilbert Roland), who fishes the area off the Florida coast. The fiercest rivals of Petrakis and his fellow Greek fishermen are the English-descended hook-boat fishermen -- led by Thomas Rhys (Richard Boone) -- who are prepared to kill anyone who intrudes on their established territory. Mike Petrakis has already had one run-in with Arnold, a protégé of Rhys' and the would-be husband of Rhys' daughter, who doesn't know when to back off. In the midst of their conflict, which has come close to gunshots being exchanged, Tony meets Gwyneth Rhys (Terry Moore), Thomas' daughter. She's fascinated by this handsome young Greek who doesn't seem afraid to fight back against men bigger, older, and tougher than he is. The two end up falling in love, much to the consternation of their two families and their friends. Mike later dies in a tragic diving accident, in the aftermath of which his boat is looted and burned at the instigation of Arnold. The elder Rhys turns out to be a better and fairer man than Arnold, who mercilessly beats Tony after catching him off guard. Tony and Gwyneth end up running off together in her hook-boat, with Arnold and her father in hot pursuit, ready to kill him. Only Thomas Rhys' basic decency and Tony's bravery -- coupled with Arnold's cowardice, lust, and anger -- manages to get the conflict settled, in a surprising (and convincing) resolution. ~ Bruce Eder, All Movie Guide

Gilbert Roland guest-stars as poor but proud horse rangher Jim Acton. Hoping to get back on his financial feet, Acton is devastated when his prize mare is legally awared to Sam Whipple (Ken Lynch). Not long afterward, Acton kills Sam in self defense, but an overeager deputy named Pete (Pat Conway) is determined to prove Sam a murderer, and to bring him to justice dead or alive-preferably dead. As always, the Cartwrights intervene. Written by Thomas Thompson, this episode served to reunite two veterans of the Republic Pictures B-western mill: Director William Witney, and supporting actor Roy Barcroft. "The Lonely Runner" was first broadcast on October 10, 1965. ~ Hal Erickson, All Movie Guide

In this melodrama with strong racist overtones, Clara Bow attempts to revive her failing career by playing a free-spirited girl whose father is an American Indian and whose mother is Anglo Saxon. For some reason the girl doesn't know of her mixed heritage and constantly fights with her dad. The rebellious girl decides to show her dad who's boss by marrying a man he hates. Unfortunately it's a big mistake and soon after she gives birth to a sickly baby the marriage busts up. He leaves her impoverished and in desperation she turns to prostitution. Eventually, she returns to her homeland and learns the truth. Now at peace she meets a boy with similar heritage and they find marital bliss together. ~ Sandra Brennan, All Movie Guide

It's every man for himself when Charles Laughton bites into the role of infamous 17th century pirate captain William Kidd. Hoping to further increase his ill-gotten gains, Captain Kidd inveigles King William III (Henry Daniel) into appointing him the "patriotic" protector of a valuable treasure ship. Ostensibly hired to fend off enemy vessels, Kidd intends to steal the ship's cargo for himself with the aid of his swarthy lieutenants William Moore (Gilbert Roland) and Orange Povy (John Carradine). The romantic subplot is carried by "honest" brigand Adam Merry (Randolph Scott) and kidnapped noblewoman Lady Ann Falconer (Barbara Britton). Charles Laughton reprised his part in the 1952 farce Abbott and Costello Meet Captain Kidd. ~ Hal Erickson, All Movie Guide

John Ford's last western film, Cheyenne Autumn was allegedly produced to compensate for the hundreds of Native Americans who had bitten the dust in Ford's earlier films (that was the director's story, anyway). Set in 1887, the film recounts the defiant migration of 300 Cheyennes from their reservation in Oklahoma territory to their original home in Wyoming. They have done this at the behest of chiefs Little Wolf (Ricardo Montalban) and Dull Knife (Gilbert Roland), peaceful souls who have been driven to desperate measures because the US government has ignored their pleas for food and shelter. Since the Cheyennes' trek is in defiance of their treaty, Captain Thomas Archer (Richard Widmark), who agrees with the Indians in principle, reluctantly leads his troops in pursuit of the tribe. While there was never any intention to shed blood, the white press finds it politically expedient to distort the Cheyennes' action into a declaration of war. Thanks to the cruelties of such chauvinistic whites as Captain Oscar Wessels (Karl Malden), the Cheyennes are forced to defend themselves--and whenever Indians take arms against whites in the 1880s, it's usually misrepresented as a massacre. Only the intervention of US secretary of the interior Carl Schurz (Edward G. Robinson) prevents the hostilities from erupting into wholesale bloodshed. Based on a novel by Mari Sandoz, Cheyenne Autumn is a cinematic elegy--not only for the beleaguered Cheyennes, but for John Ford's fifty years in pictures. It is weakest when arbitrarily throwing in a wearisome romance between Richard Widmark and pacifistic schoolmarm Carroll Baker, who out of sympathy for the Indians has joined them in their 1500-mile westward journey. When the Warner Bros. people decided that the film ran too long, they chopped out the wholly unnecessary but very funny episode involving a poker-obsessed Wyatt Earp (James Stewart). Contrary to popular belief, this episode was included in the earliest non-roadshow prints of Cheyenne Autumn; the scene was excised only when the film went into its second and third runs in 1966 (it has since been restored). ~ Hal Erickson, All Movie Guide

Cary Grant's utter credibility in the role of a brilliant, world-famous brain surgeon Dr. Eugene Norland Ferguson is the single element that keeps Crisis afloat. While vacationing in a politically unstable Latin American country, Ferguson and his wife, Helen (Paula Raymond), find themselves the unwilling house guests of dictator Raoul Farrago (José Ferrer). Suffering from a brain tumor, Farrago insists that Ferguson operate at once. The "crisis" of the title arises when revolutionary leader Gonzales (Gilbert Roland) demands that Farrago be killed on the operating table -- and kidnaps Dr. Ferguson's wife to bind the bargain. Unaware of his wife's plight, Ferguson proceeds with the operation, setting into motion a series of events leading to a grimly ironic denouement. Director Richard Brooks adapted the screenplay of Crisis from a story by George Tabori. ~ Hal Erickson, All Movie Guide

A 15 chapter Columbia serial, The Desert Hawk employed camels instead of horses and bedouins rather than cowboys, but remained a "Western" at heart. Gilbert Roland played Kasim, the honorable Caliph of Abad who is kidnapped by his evil identical twin, Hasson (also Roland). Kasim manages to get away from his captors and returns to the capital, where his brother now rules in his name. To regain the throne, the frustrated former Caliph assumes the identity of The Desert Hawk, finding an ally along the way in Hasson's bride-to-be, Princess Azala (Mona Maris) . Well-known serial villain Frank Lackteen, who hailed from Lebanon in the Middle East, played Faud, one of Hasson's henchmen. A rare visitor to the serial genre, Gilbert Roland had assumed the dual role of Kasim and Hasson when the serial's original leading man, Western star James Ellison, suffered an accident while filming episode one, "The Twin Brothers." ~ Hans J. Wollstein, All Movie Guide