Gustavo Rojo Movies

For anyone wondering why the Mexican government has permitted Mexico City to become the most populous city in the world when it can barely support even one half its population decently, this film and films like it provide the welcome news that the government has been doing what little it can to discourage the emigration of poor rural people to the high-altitude, swampy city that suffers from catastrophic air pollution and the ever-present possibility of even more catastrophic volcanic eruptions and earthquakes. In the story, even a respectably middle-class man and his family can only barely get by in the brutal city. Dr. Antonio Arenas, a widowed doctor, has moved with his family to the crowded city after gaining a position at a large and prestigious hospital. Once there, he discovers that he is supposed to keep his position by turning a blind eye to all sorts of illegal and unscrupulous schemes or -- worse -- becoming actively involved in them. One infuriating and difficult situation after another arises, until he suffers a terrible tragedy. ~ Clarke Fountain, Rovi

A Confederate deserter battles a Mexican bandit when the deserter's child dies for lack of milk. Warner (George Hilton) receives word his girlfriend is dying and about to give birth to the couple's child. The woman is the daughter of Don Pedro Sandoval (Ernest Borgnine), who hates all gringos and Warner in particular. Warner sets out for Juarez, but is captured by a Confederate unit and jailed. He escapes with two other men when they flee from their grave-digging detail. Warner arrives in Juarez where he finds his lover has died of cholera after having given birth to a baby boy. Sandoval gives the squalling, sickly infant to Warner, but the locals refuse to help Warner find milk for the baby. One callous rancher drops a bottle of milk rather than help the hated gringo. The baby dies, and Warner and his men join a group of outlaw monks led by the Padre (Leo Anchoriz). Warner seeks revenge on those who would not help his cause. Staying one step ahead of the cholera epidemic and the Confederates. Warner returns to the rancher who dropped the bottle and drowns him in a bucket of milk while the townsfolk watch in horror. The gang continues to rob and pillage, taking refuge in a bar and pawing at the saloon girls. Warner then sets his sights on Sandoval. He tracks the bandit to a bull ring where the two fight with knives for the inevitable showdown. The film is plagued by poor English dubbing. ~ Dan Pavlides, Rovi

Vince Carden (Telly Savalas) is the violent Apache-hating landowner obsessed with driving the Indians from the region in this action-packed western. Cavalry troops are sent in to try and bring peace to the troubled area. Vince soon discovers the government plans to donate land for an Indian reservation, causing him to redouble his murderous efforts against the tribe. He and his thugs rob a stagecoach and make it look like an Indian attack. Vince's brother Paul (George Maharis) returns and the brothers resume a long-standing battle over a deceased former flame. As the Indians lay to waste the Forge River settlement, the two brothers face each other in a showdown where only one will ride away. ~ Dan Pavlides, Rovi

Sometimes known by the title Warlock -- and not to be confused with the Julian Sands horror flick -- this Spanish/Italian co-production is actually a war film concerning the Battle of Normandy and a group of surviving soldiers who attempt to make it back to their homeland. Cheapie horror director Jose Luis Merino helms. ~ Michael Hastings, Rovi

Jason Fister (Dustin Hoffman) is the Internal Revenue Service agent sent to Rome to investigate the hidden money of the late gangster Mike Madigan (Cesar Romero). Jason meets Vick Shaw ( Elsa Martinelli) and he mistakenly takes her to be the dead mobster's mistress when in fact she is his daughter. Soon underworld thugs converge on the couple in an attempt to steal the stolen loot. This film was completed in 1967 and was subsequently shelved. It was released in the wake of Hoffman's popularity from his roles in The Graduate and Midnight Cowboy. This inept and contrived comedy is Hoffman's first feature film. ~ Dan Pavlides, Rovi

In this western a desperado suffers an identity crisis in a frontier town. While he struggles to find the truth, he manages to save the town from a crazed, manipulative gambler. ~ Sandra Brennan, Rovi

Seven courageous white women endeavor to survive alone in the Western wilderness after their traveling party is massacred by Indians in this western. During the attack, the women find a cave and plot their continued survival. The leader decides to keep going towards Fort Lafayette. It will be difficult as they must cross the Arizona desert without horses, guns, or food. Meanwhile a posse sets out to find the missing women. They and their leader find the ladies, but unfortunately, the renegade Indians attack. The posse leader conceals the women in a burial ground while he and his men fight back. All of the men but the leader are slain. He joins the women and they resume their arduous journey. The Indian marauder is planning a final attack when the tribal leader intervenes. He has watched the courageous women and admires their fortitude. The chief decides to protect them on their journey to safety. ~ Sandra Brennan, Rovi

In this knock-off of Invasion of the Body Snatchers chronicles the attempted take over of earth by the dreaded aliens from Orion. To stage their interplanetary coup, the invaders commandeer the bodies of important politicians and military impresarios. ~ Sandra Brennan, Rovi

Whatever the "miracle" is in this story, set back in the 19th century, it tends to be buried underneath the multiple romances of the heroine Teresa (Carroll Baker), a woman who leaves the convent to find one specific man. Teresa falls in love with Michael (Roger Moore) a dashing Englishman in the British army that is fighting Napoleon in Spain. She opts for leaving the cloister to find her love. Meanwhile, during her absence, a statue of the Virgin Mary comes to life and takes her place in the convent, hence the "miracle" of the title. Along her journey, Teresa meets and eventually marries a handsome gypsy (Vittorio Gassman) who comes to an unhappy end. Widowed and grieving, young Teresa next becomes enamored of a bullfighter (Gustavo Rojo) whose luck in the ring ends tragically one day. At this point, it would seem the cloister was a better offer, but Teresa continues in her journey to find Michael. ~ Eleanor Mannikka, Rovi