Ginger Rogers Movies
In step with Fred Astaire, Ginger Rogers was one half of the most legendary dancing team in film history; she was also a successful dramatic actress, even winning a Best Actress Oscar. Born Virginia McMath on July 16, 1911, in Independence, MO, as a toddler, she relocated to Hollywood with her newly divorced mother, herself a screenwriter. At the age of six, Rogers was offered a movie contract, but her mother turned it down. The family later moved to Fort Worth, where she first began appearing in area plays and musical revues. Upon winning a Charleston contest in 1926, Rogers' mother declared her ready for a professional career, and she began working the vaudeville circuit, fronting an act dubbed "Ginger and the Redheads." After marrying husband Jack Pepper in 1928, the act became "Ginger and Pepper." She soon traveled to New York as a singer with Paul Ash & His Orchestra, and upon filming the Rudy Vallee short Campus Sweethearts, she won a role in the 1929 Broadway production Top Speed.On Broadway, Rogers earned strong critical notice as well as the attention of Paramount, who cast her in 1930's Young Man of Manhattan, becoming typecast as a quick-witted flapper. Back on Broadway, she and Ethel Merman starred in Girl Crazy. Upon signing a contract with Paramount, she worked at their Astoria studio by day and returned to the stage in the evenings; under these hectic conditions she appeared in a number of films, including The Sap From Syracuse, Queen High, and Honor Among Lovers. Rogers subsequently asked to be freed of her contract, but soon signed with RKO. When her Broadway run ended, she went back to Hollywood, starring in 1931's The Tip-Off and The Suicide Fleet. When 1932's Carnival Boat failed to attract any interest, RKO dropped her and she freelanced around town, co-starring with Joe E. Brown in the comedy The Tenderfoot, followed by a thriller, The Thirteenth Guest, for Monogram. Finally, the classic 1933 musical 42nd Street poised her on the brink of stardom, and she next appeared in Warner Bros.' Gold Diggers of 1933.
Rogers then returned to RKO, where she starred in Professional Sweetheart; the picture performed well enough to land her a long-term contract, and features like A Shriek in the Night and Sitting Pretty followed. RKO then cast her in the musical Flying Down to Rio, starring Delores Del Rio; however, the film was stolen by movie newcomer Astaire, fresh from Broadway. He and Rogers did not reunite until 1934's The Gay Divorcee, a major hit. Rogers resisted typecasting as strictly a musical star, and she followed with the drama Romance in Manhattan. Still, the returns from 1935's Roberta, another musical venture with Astaire, made it perfectly clear what kinds of films audiences expected Rogers to make, and although she continued tackling dramatic roles when the opportunity existed, she rose to major stardom alongside Astaire in classics like Top Hat, 1936's Follow the Fleet, Swing Time, and Shall We Dance? Even without Astaire, Rogers found success in musical vehicles, and in 1937 she and Katharine Hepburn teamed brilliantly in Stage Door.
After 1938's Carefree, Rogers and Astaire combined for one final film, the following year's The Story of Vernon and Irene Castle, before splitting. She still harbored the desire to pursue a dramatic career, but first starred in an excellent comedy, Bachelor Mother. In 1940, Rogers starred as the titular Kitty Foyle, winning an Academy Award for her performance. She next appeared in the 1941 Garson Kanin comedy Tom, Dick and Harry. After starring opposite Henry Fonda in an episode of Tales of Manhattan, she signed a three-picture deal with Paramount expressly to star in the 1944 musical hit Lady in the Dark. There she also appeared in Billy Wilder's The Major and the Minor and Leo McCarey's Once Upon a Honeymoon. Rogers then made a series of films of little distinction, including 1945's Weekend at the Waldorf (for which she earned close to 300,000 dollars, making her one of the highest-paid women in America), the following year's Magnificent Doll, and the 1947 screwball comedy It Had to Be You.
Rogers then signed with the short-lived production company Enterprise, but did not find a project which suited her. Instead, for MGM she and Astaire reunited for 1949's The Barkleys of Broadway, their first color collaboration. The film proved highly successful, and rekindled her sagging career. She then starred in a pair of Warner Bros. pictures, the 1950 romance Perfect Strangers and the social drama Storm Warning. After 1951's The Groom Wore Spurs, Rogers starred in a trio of 1952 Fox comedies -- We're Not Married, Monkey Business, and Dreamboat -- which effectively halted whatever momentum her reunion with Astaire had generated, a situation remedied by neither the 1953 comedy Forever Female nor by the next year's murder mystery Black Widow. In Britain, she filmed Beautiful Stranger, followed by 1955's lively Tight Spot. With 1957's farcical Oh, Men! Oh, Women!, Rogers' Hollywood career was essentially finished, and she subsequently appeared in stock productions of Bell, Book and Candle, The Unsinkable Molly Brown, and Annie Get Your Gun.
In 1959, Rogers traveled to Britain to star in a television musical, Carissima. A few years later, she starred in a triumphant TV special, and also garnered good notices, taking over for Carol Channing in Hello, Dolly! She also starred in Mame in London's West End, earning over 250,000 pounds for her work -- the highest sum ever paid a performer by the London theatrical community. In 1965, Rogers entered an agreement with the Jamaican government to produce films in the Caribbean; however, shooting there was a disaster, and the only completed film to emerge from the debacle was released as Quick, Let's Get Married. That same year, she also starred as Harlow, her final screen performance. By the 1970s, Rogers was regularly touring with a nightclub act, and in 1980 headlined Radio City Music Hall. A tour of Anything Goes was among her last major performances. In 1991, she published an autobiography, Ginger: My Story. Rogers died April 25, 1995. ~ Jason Ankeny, All Movie Guide
Alice Duer Miller's novel Gowns by Roberta was adapted into the 1933 Broadway musical Roberta, with music by Jerome Kern and Otto Harbach. The 1935 filmization of Roberta was slightly adapted to accommodate the dancing talents of Fred Astaire and Ginger Rogers, though their roles are secondary to the characters portrayed by Irene Dunne and Randolph Scott. Dunne plays a deposed White Russian princess who has become a famed Parisian couturier. Dunne is the partner of "Roberta" (Helen Westley), who passes away, leaving her half of the business to American football player Randolph Scott--who of course knows next to nothing about the gown business, and couldn't care less anyway. Astaire co-stars as bandleader Huck Haines, the character played by Bob Hope in the original Broadway production of Roberta. Rogers rounds out the cast as a phony Polish countess who happens to be Astaire's former girlfriend. Many of the songs written for Roberta were retained for the film version, including "Lovely to Look At," "Smoke Gets in Your Eyes" and "I Won't Dance;" other tunes are heard as background music. Keep an eye out for a blond Lucille Ball as a fashion model. Withdrawn from circulation for many years due to the 1952 MGM remake (titled Lovely to Look At), Roberta began making the public-domain rounds in the early 1980s. ~ Hal Erickson, All Movie Guide
- Starring:
- Irene Dunne, Fred Astaire, (more)
- 1935
This barely-disguised but effective riff on The Thin Man (1934) stars that film's lead, William Powell, opposite Ginger Rogers instead of Myrna Loy. Clay Dalzell (Powell) is a suave attorney fonder of solving crimes than trying cases. His elegant girlfriend, Donna (Rogers) hopes that Clay will settle down and marry her. A friend, Tim Winthrop (Leslie Fenton), approaches Clay with a mystery that the amateur sleuth can't resist. Tim's girlfriend Alice disappeared a year ago. During the performance of a Broadway play, Tim spots Alice onstage, but she disappears again. Clay takes the case and sets up a meeting with a gossip columnist who seems to have the answers, but the reporter is murdered and Clay is suspected of the crime. As Clay puts together the pieces, he comes up with several suspects, including the play's producer, a couple seeking to prove a friend's innocence in a capital crime, and the gangster Jim Kinland (Paul Kelly). ~ Karl Williams, All Movie Guide
- Starring:
- William Powell, Ginger Rogers, (more)
One of the best of the Fred Astaire-Ginger Rogers musicals, Top Hat centers on a typical mistaken-identity plot, with wealthy Dale Tremont (Rogers), on holiday in London and Venice, assuming that American entertainer Jerry Travers (Astaire) is the husband of her friend Madge (Helen Broderick) -- who's actually the wife of Jerry's business manager Horace Hardwick (Edward Everett Horton). Complicating matters is Dale's jealous suitor Beddini (Erik Rhodes), whose motto is "For the woman the kiss -- for the man the sword." Beddini is disposed of by some last-minute chicanery on the part of Jerry's faithful valet Bates (Eric Blore), paving the way for the happy ending everyone knew was coming from the opening scene. The Irving Berlin score includes "Cheek to Cheek," "Isn't it a Lovely Day?," and the jaunty title song. The charisma of the stars, the chemistry of the supporting players, the white-telephone art direction of Van Nest Polglaise, the superlative choreography by Astaire and Hermes Pan, and the effervescent direction of Mark Sandrich all combine to make Top Hat a winner. Originally released at 101 minutes, the film was for many years available only in its 93-minute reissue form; it has since been restored archivally to 99 minutes. ~ Hal Erickson, All Movie Guide
- Starring:
- Fred Astaire, Ginger Rogers, (more)
- 1934
Four courageous college graduates become heroes when they successfully complete a 15-hour coast-to-coast plane flight. Alas, things don't go so well for the foursome when they return to earth to seek out employment. Chris Thring (Charles Farrell) has a particularly rough time of it, but his sweetheart Catherine Furness (Janet Gaynor) remains faithful through thick and thin. Trouble brews in the form of Chris and Catherine's mutual friends Mack McGowan (James Dunn) and Madge Rountree (Ginger Rogers): Catherine thinks Chris is in love with Madge, while Mack falls in love with Chris? and on and on it goes. Shirley Temple shows up in the early scenes as a plane passenger, while that grand old trouper Gustav von Seyfertitz sheds his usual villainous image as the film's avuncular last-minute problem-solver. Change of Heart is based on a novel by Kathleen Norris. ~ Hal Erickson, All Movie Guide
- Starring:
- Janet Gaynor, Charles Farrell, (more)
- 1934
A satire on radio crooners, Twenty Million Sweethearts stars Dick Powell as a singing waiter--fake handlebar mustache and all. Publicity man Pat O'Brien discovers Powell and gets him a radio gig, leading to nationwide adulation for the nonplused tenor. All of this jeopardizes Powell's happy marriage to Ginger Rogers, but he proves faithful to her despite the twenty million sweethearts (i.e. female radio fans) referred to in the title. Twenty Million Sweethearts is fitfully amusing, with some of the best moments concentrated at the beginning wherein the Radio Rogues imitate several popular personalities of the airwaves. This film was remade in 1949 as My Dream Is Yours, with Doris Day (!) in the Dick Powell role but with the same "signature" tune, "I'll String Along with You." ~ Hal Erickson, All Movie Guide
- Starring:
- Pat O'Brien, Dick Powell, (more)
- 1934
Ginger Rogers and Francis Lederer share equal billing -- and near-equal screen time -- in this amiable RKO programmer. Lederer plays Karel Novak, an incredibly naïve Czech immigrant who is taken under the wing of streetwise New York chorus girl Sylvia Dennis (Rogers). With the help of lovable cop-on-the-beat Murphy (J. Farrel McDonald), Sylvia hides Karel from the immigration authorities and ultimately falls in love with him. In addition to Karel's illegal-alien status, the plot is complicated by a crooked lawyer (Arthur Hohl) and a group of well-meaning welfare workers who endeavor to place Sylvia's kid brother Frank (Jimmy Butler) in a foster home. Usually cast in insincere roles, Francis Lederer is at his most sympathetic and likable in Romance in Manhattan. ~ Hal Erickson, All Movie Guide
- Starring:
- Francis Lederer, Ginger Rogers, (more)
- 1934
Written by the prolific Ben Hecht, Upper World is a clash-of-class melodrama set in New York City. Railroad tycoon Alexander Stream (Warren William) is neglected by his social-climbing wife Mary Astor. Quite unintentionally, through a chance encounter, he strikes up a reasonably chaste friendship with good-hearted showgirl Lilly Linder (Ginger Rogers). Lilly's ex-boyfriend Lou Colima (J. Carroll Naish) sees an opportunity to blackmail Stream; Lilly tries to block him from doing so, and is murdered for her troubles. Stream shoots Colima in self-defense and manages to cover up his involvement so that the crime scene looks like a murder-suicide, protecting his good name and marriage in the process. But a vitriolic cop (Sidney Toler), whom Stream had earlier gotten demoted over a traffic stop -- and who was on patrol in the vicinity of the crime -- involves himself in the case and gathers enough evidence to point the detectives and the press toward the wary tycoon. Though he must stand trial for Colima's death, Stream is supported in his ordeal by his suddenly attentive and affectionate wife.
~ Hal Erickson, All Movie Guide
~ Hal Erickson, All Movie Guide
- Starring:
- Warren William, Mary Astor, (more)
Based on Dwight Taylor and Cole Porter's play of the same name, The Gay Divorcee centers on Mimi (Ginger Rogers), a woman seeking a divorce from her husband. Mimi travels to an English seaside resort, pursued by the love-stricken Guy (Fred Astaire), whom she mistakes for the hired correspondent in her divorce case. Among the many musical numbers featured are "Night and Day," the only song from the original Broadway musical included in the film, and "The Continental," which won the first ever Academy Award for Best Song. Directed by Mark Sandrich, the film features supporting performances by Alice Brady and Edward Everett Horton. ~ Matthew Tobey, All Movie Guide
- Starring:
- Fred Astaire, Ginger Rogers, (more)
- 1934
1932 through 1934 saw the production of "Hollywood on Parade" shorts by Paramount Studios, featuring nearly every big star singing, dancing, or playacting. ~ All Movie Guide
- 1933
Broadway Bad stars Joan Blondell as a wisecracking but goodhearted chorus girl whose husband (Ricardo Cortez) is an abusive lout. Blondell's plight makes the headlines, which results in an upswing in her career. Rather than wallow in self-pity, she trades on the publicity to become a star, while hubby mutters dark promises of revenge. This film was based on the real-life relationship between Broadway star Hal Skelly and a promiscuous young actress who assumed several professional names. Though its cast and subject matter might suggest that Broadway Bad is a Warner Bros. epic, the picture was actually produced and released by Fox Studios. ~ Hal Erickson, All Movie Guide
- Starring:
- Joan Blondell, Ricardo Cortez, (more)
- 1933
The second talkie version of the Avery Hopwood's theatrical war-horse The Golddiggers of Broadway, Gold Diggers of 1933 was the second of three back-to-back 1933 Warner Bros. musicals benefiting from the genius of Busby Berkeley. The basic plot is retained from the Hopwood play: Showgirls Joan Blondell, Ruby Keeler and Aline McMahon attempt to find financial backing for the new show planned by producer Ned Sparks. Songwriter Dick Powell, an incognito man of wealth, offers to put up the money, a fact that brings down the wrath of his older brother Warren William, who despises show folk. Attempting to buy off the three girls, William is placed in a compromising position by the crafty Blondell and is compelled to bankroll the musical himself. The oddest aspect of Gold Diggers of 1933 is the fact that the mood of the songs is wildly at variance with the plot. The film begins with dozens of chorus girls (led by Ginger Rogers) happily chirping "We're In the Money", a rehearsal number interrupted when the finance men burst in to claim the sets and props from the impoverished troupe. At the end, when everyone is genuinely in the money, the troupe stages a downbeat "Brother Can You Spare A Dime"-style production number, "Remember My Forgotten Man"--and it is on this doleful indictment of the Depression that the film fades out! Other Berkeley-staged musical highlights include "Pettin' in the Park" (yes, that salacious little baby really is Billy Barty) and the neon-dominated "Shadow Waltz", all written by the prolific Harry Warren and Al Dubin. As spectacular as Gold Diggers of 1933 was, it would be topped by the last of Berkeley's 1933 trilogy, Footlight Parade. ~ Hal Erickson, All Movie Guide
- Starring:
- Warren William, Joan Blondell, (more)
- 1933
A spoiled rich girl marries a gas station owner in this dated romance starring Joel McCrea, Ginger Rogers, and Marion Nixon. It is love at first sight when debutante Glory Franklyn (Nixon) spots handsome grease monkey Blacky Gorman (McCrea), who promptly dumps faithful girlfriend Marje Harris (Rogers) to marry the heiress. Wedded bliss, however, quickly gives way to everyday worries and Glory even fails at cooking a dinner. Because she still loves Blacky, Marje nobly gives her rival a crash course in good housekeeping, but the spoiled Glory discovers that she is expecting and high tails it back to Mama (Virginia Hammond), who never approved of the marriage and is only too happy to see it fail. Fearing that his wife will obtain an abortion, Blacky hurries to New York, but is too late. Divorced and heartbroken, the young gas station owner finds solace in the arms of the loyal Marje. ~ Hans J. Wollstein, All Movie Guide
- Starring:
- Joel McCrea, Ginger Rogers, (more)
- 1933
The scandalous doings behind the high-toned exterior of a private school for rich young women provides the framework for this interesting but turgid drama. Much of the story centers on an unhappy socialite and her smart-alecky, world-wise roomy who has no morals at all when it comes to getting what she wants. This of course, puts her at odds with the school's overly class-conscious administration, who live in mortal fear of scandal. As a result, the staff is encouraged to remain cool and aloof, something that causes the lonely socialite, who longs for her parents love, to become deeply depressed. Unfortunately, her father doesn't seem to care and her mother is too busy climbing the social ladder to notice. The socialite becomes increasingly despondent and thinks of suicide. Still she is not immune to the girlish pranks and gaiety of her peers. Her life also improves when she falls in love with the handsome med student who works at the school as a waiter. Unfortunately, things get bad again when he accidentally impregnates her. Fortunately, it all works out for her in the end. ~ Sandra Brennan, All Movie Guide
- Starring:
- Frances Dee, Billie Burke, (more)
- 1933
A man's addiction to betting on the horses severely disrupts his love life in this comedy. He, a plumber, and his fiancee, a manicurist, are getting ready for their nuptials when she learns that he is planning a honeymoon at the racetrack. She immediately calls off the wedding. The man is a gambling addict. He finds it doubly hard to quit since he started on a winning streak following his break-up with the girl. His father advises him to stop before it's too late, but his son doesn't listen until he loses everything. The humbled young man awakens and returns to his true-love. ~ Sandra Brennan, All Movie Guide
- Starring:
- Lew Ayres, Ginger Rogers, (more)
The quintessential "backstage" musical, 42nd Street traces the history of a Broadway musical comedy, from casting call to opening night. Warner Baxter plays famed director Julian Marsh, who despite failing health is determined to stage one last great production, "Pretty Lady." Others involved include "Pretty Lady" star Dorothy Brock (Bebe Daniels); Dorothy's "sugar daddy" (Guy Kibbee), who finances the show; her true love Pat (George Brent); leading man Billy Lawlor (Dick Powell); and starry-eyed chorus girl Peggy Sawyer (Ruby Keeler). It practically goes without saying that Dorothy twists her ankle the night before the premiere, forcing Julian Marsh is to put chorine Peggy into the lead: "You're going out there a youngster, but you've got to come back a star!" Delightfully corny, with hilarious wisecracking support from the likes of Ginger Rogers, Una Merkel, and George E. Stone, 42nd Street is perhaps the most famous of Warners' early-1930s Busby Berkeley musicals. Based on the novel by Bradford Ropes (which was a lot steamier than the movie censors would allow), 42nd Street is highlighted by such grandiose musical setpieces as "Shuffle Off to Buffalo," "Young and Healthy," and of course the title song. Nearly fifty years after its premiere, it was successfully revived as a Broadway musical with Tammy Grimes and Jerry Orbach. ~ Hal Erickson, All Movie Guide
- Starring:
- Warner Baxter, Bebe Daniels, (more)
- 1933
Set in New York's Greenwich Village (specifically, on Bleecker Street), William Seiter's Rafter Romance is a cute romantic comedy, the plot of which contains echoes (or, more accurately, foreshadowings) of Shop Around The Corner. Ginger Rogers plays Mary Carroll, a young woman from upstate who came to New York to find a job and a career, but whose money has almost run out; Norman Foster is Jack Bacon, an aspiring artist living in the same building, in the attic loft, who is months behind on his rent, as well; their landlord, Max Eckbaum (George Sidney), a good-natured soul who wouldn't harm a flea, as he might put it, nevertheless has expenses to meet, and could have rented Mary's apartment to a paying tenant several times over. He comes up with the solution -- move Mary into Jack's loft; after all, Jack works all night as a watchman and sleeps all day, and Mary now has a job selling refrigerators (a relatively new household gadget in 1934) by telephone, that keeps her out all day. To make it all work for the two unwilling tenants, Eckbaum arranges so that neither one ever sees or knows who the other is, but each still manages to get the most dreadful impression of what the other is like, and a series of misunderstandings, and the inevitable crowding that goes on in these situations, leads to a series of increasingly annoying pranks aimed at the other. But their situation really gets complicated when Mary and Jack manage to cross paths and meet out of the apartment, each not knowing who the other is, vis-a-vis the loft, and start to fall in love. And matters get even more complicated (and the comedy ratcheted up several steps higher) by the presence of Robert Benchley as Mary's boss, a lecherous if bumbling executive; Laura Hope Crews as Jack's would-be "patron," a lonely, libidinous older woman with a ton of money; and Guinn Williams as Fritzie, a cab-driver who takes on the role (initially with her encouragement) of Mary's protector. ~ Bruce Eder, All Movie Guide
- Starring:
- Ginger Rogers, Norman Foster, (more)
The top-billed stars in the extravagant RKO musical Flying Down to Rio are Dolores Del Rio and Gene Raymond. Forget all that: this is the movie that first teamed Fred Astaire and Ginger Rogers. We're supposed to care about the romantic triangle between aviator/bandleader Raymond, Brazilian heiress Del Rio and her wealthy fiance Raul Roulien, but the moment Fred and Ginger dance to a minute's worth of "The Carioca", the film is theirs forever. Other musical highlights include Rogers' opening piece "Music Makes Me" and tenor Roulien's lush rendition of "Orchids in the Moonlight". Then there's the title number. The plot has it that Del Rio' uncle has been prohibited from having a floor show at his lavish hotel because of a Rio city ordinance. Astaire and Raymond save the day by staging the climactic "Flying Down to Rio" number thousands of feet in the air, with hundreds of chorus girls shimmying and swaying while strapped to the wings of a fleet of airplanes. It is one of the most outrageously brilliant numbers in movie musical history, and one that never fails to incite a big round of applause from the audience--even audiences of the 1990s. Together with King Kong, Flying Down to Rio saved the fledgling RKO Radio studios from bankruptcy in 1933. The film was a smash everywhere it played, encouraging the studio to concoct future teamings of those two stalwart supporting players Fred Astaire and Ginger Rogers. ~ Hal Erickson, All Movie Guide
- Starring:
- Dolores Del Rio, Gene Raymond, (more)
- 1933
No relation to the later Clifton Webb vehicle of the same name, Sitting Pretty is a dated but likable film about the songwriting racket. Jack Oakie and Jack Haley play a pair of would-be tunesmiths who team up with aspiring dancer Ginger Rogers. Through the kindness of a tippling director (Lew Cody), the trio is given a bid for stardom in a movie musical directed by an excitable Russian (Gregory Ratoff). The characters played by Oakie and Haley were loosely based on Paramount's real-life songwriting team Mack Gordon and Harry Revel, who show up in bit parts. Sitting Pretty is the film that introduced the sprightly tune "Did You Ever See a Dream Walking?" ~ Hal Erickson, All Movie Guide
- Starring:
- Jack Oakie, Jack Haley, (more)
The second of two low-budget murder melodramas starring Ginger Rogers and Lyle Talbot, A Shriek in the Night is not quite as good as the first (The Thirteenth Guest), but it far outclasses most other poverty-row thrillers of its period. The titular nocturnal shriek is heard just before a wealthy philanthropist falls from his penthouse balcony to his death. Virtually everybody in the apartment building comes under suspicion when it is determined that this "accidental" death was no accident. Rival reporters Pat Morgan (Rogers) and Ted Rand (Talbot) spend most of the picture snooping around where they don't belong, the better to outscoop one another. Meanwhile, the already baffled police become more flummoxed when three additional murders occur -- each preceded by a cryptic letter sent to the victim, stating "You Will Get It!" The method of execution turns out to be asphyxiation, but how is this being done? And better yet, why is this being done, and by whom? The solution was unfortunately tipped off in the film's lobby posters, which showed the unconscious heroine being carried off by the actor who turns out to be the killer. Even so, A Shriek in the Night remains an entertaining whodunit, with a pre-Fred Astaire Ginger Rogers doing a great job exhibiting stark, screaming terror. ~ Hal Erickson, All Movie Guide
- Starring:
- Ginger Rogers, Lyle Talbot, (more)
- 1933
An earthy, fun-loving radio pitchwoman finds it difficult to live up to her squeaky-clean public persona as the "Purity Girl of the Air." This comedy chronicles the frantic efforts of her bosses to keep her on the straight and narrow when she goes out on the town. It's not easy because she is a shameless flirt. To put the kibosh on her constant coquettishness the publicity guys come up with the idea of having her choose a "professional sweetheart" from the many male admirers who frequently write her. They choose a naive Kentucky hayseed and much to everyone's surprise the Purity Girl falls in love with him. Unfortunately, after their radio wedding, the gal plans to ditch her radio gig and live the quiet life of a country housewife leaving the publicity men in a real quandary. ~ Sandra Brennan, All Movie Guide
- Starring:
- Ginger Rogers, Norman Foster, (more)
- 1932
George S. Kaufman's sturdy stage comedy The Butter and Egg Man was the inspiration for no fewer than four Warner Bros. talkie versions. The first of these was The Tenderfoot, starring Joe E. Brown as a wealthy but naive cowboy alone in the Big Apple. The producers of a down-and-out musical revue hope to convince Brown to put his money in their show, sending out cute chorine Ginger Rogers as the "convincer." After having his heart broken a few times and tangling with gangsters, Joe comes through and the show goes on. Warners followed The Tenderfoot with a 1937 musicalization of Butter and Egg Man, Dance Charlie Dance; this in turn was remade as An Angel From Texas in 1942. The final variation on this theme (so far!) was Three Sailors and a Girl (53). ~ Hal Erickson, All Movie Guide
- Starring:
- Joe E. Brown, Ginger Rogers, (more)
- 1932
A pre-Hopalong Cassidy William Boyd is the robust star of this logging camp melodrama which also featured a very young Ginger Rogers -- who performs Bernard Grossman and Harold Lewis' "How Could I Love You" -- and Hollywood veteran Hobart Bosworth. The latter plays Jim Gannon, a lumberjack boss whose son Buck (Boyd) is neglecting his duties in favor of romancing riverboat entertainer Honey (Rogers). Father and son come to blows but their animosity ends after Buck rescues Jim from a runaway logging train. Feeling left out, Honey plans to leave with the carnival boat but decides to stick around after violence erupts at the hands of villainous lumberjack Hack Logan (Fred Kohler). Carnival Boat was filmed on location at Big Pine, CA. ~ Hans J. Wollstein, All Movie Guide
- Starring:
- Ginger Rogers, Fred Kohler, (more)
Thirteen years after a dinner party where the wealthy host dropped, the thirteen guests are invited to reassemble at the dinner table. First to arrive is Ginger Rogers--who is promptly killed. It turns out that the dead woman was an impostor, hired to impersonate a real guest (Ginger Rogers again). Playboy detective Lyle Talbot is called in to investigate. It seems that the man who died 13 years ago was just about to announce the heir to his fortune, thus all the guests fall under suspicion. The culprit's true identity is hidden by a hood; the culprit's method of murder is a complex electrocution device. In an excitingly staged finale, Ginger is kidnapped by the hooded killer, but is rescued by Lyle Talbot. Made on a shoestring by Monogram Pictures, Thirteenth Guest is a marvelous "old house" mystery, with Ginger Rogers giving her all as the damsel in distress. ~ Hal Erickson, All Movie Guide
- Starring:
- Ginger Rogers, Lyle Talbot, (more)
- 1932
Based on a novel by Rian James, Hat Check Girl stars Sally Eilers as the title character, a pert little number named Gerry Marsh. Despite her lowly station in life, Gerry manages to fall in love with millionaire playboy Buster Collins (Ben Lyon). The fly in the ointment is blackmailing newspaper columnist Tod Reese (Monroe Owsley), who is killed by one of his many victims. Since Buster had been targeted for persecution by Reese, he finds himself the leading suspect, obliging Gerry to play detective to solve the mystery. Ginger Rogers, still a year or so removed from full stardom, steals the show as Gerry's wise-lipped best friend. ~ Hal Erickson, All Movie Guide
- Starring:
- Sally Eilers, Ben Lyon, (more)
- 1932
The butt of many a practical joke at the office where he works as a clerk, Joe Holt (Joe E. Brown) is nonetheless determined to prove himself a brilliant inventor. His latest creation is an unsinkable swim suit, which works quite well in theory. In practice, however, it is another matter; Joe can't test out the suit because he can't swim. As the result of a series of dizzying circumstances, Joe is mistaken for a swimming champ (Guinn "Big Boy" Williams) also named Joe Holt, and as such he makes the acquaintance of wealthy debutante Alice Brandon (Ginger Rogers). Through the auspices of Alice's father, "our" Joe is entered in the annual swimming marathon from Catalina Island to the California coastline. After taking a few "dry" swimming lessons from a youngster named Sam (Allan "Farina" Hoskins), the nervous Joe dives into the Catalina surf and starts the 22-mile swim. His unsinkable suit is a success, but there's many a slapstick obstacle placed in Joe's path before he can resurface at the finish line, thanks largely to the machinations of rival swimmer Edward Dover (Preston S. Foster). ~ Hal Erickson, All Movie Guide
- Starring:
- Joe E. Brown, Ginger Rogers, (more)
