Gerald Rogers Movies

Back at Hal Roach Studios for the first time since 1938's Block-Heads, Stan Laurel and Oliver Hardy star in the uneven but generally rewarding A Chump at Oxford. The boys are cast as street-sweepers who hope to better their lot in life by attending night school. Fate intervenes when Stan and Ollie are instrumental in the capture of a bank robber, whereupon they are rewarded by the bank's grateful president (Forbes Murray) with an all-expenses-paid education at England's Oxford University. Arriving on the venerable old campus dressed in Eton jackets, our heroes are pounced upon by a group of prankish students and subjected to all manner of practical jokes. After spending most of the night trying to escape from a maze, Stan and Ollie are installed in their "new quarters"-which turns out to be the bedroom of the Dean (Wilfred Lucas). This sort of collegiate nonsense comes to an end when it is discovered that simple-minded Stan is actually Lord Paddington, the brainiest student and finest athlete that ever attended Oxford. According to Meredith the valet (Forrester Harvey), His Lordship wandered away from the university upon being rendered an amnesiac by a blow on the head. An accidental tap on the noggin restores Stan to his aristocratic Lord Paddington status, whereupon he beats up a crowd of bullying students and deposits them one by one in a nearby ditch. Though Ollie is aghast to learn that Stan-er, His Lordship-has no recollection of their previous friendship, he decides to stay on at Oxford as Paddington's manservant. After having been humiliated once too often by his vain and condescending employer, Ollie angrily packs his bags and prepares to head for home, when yet another bop on His Lordship's skull causes him to revert to lovable, bumbling old Stan again. Originally intended as a four-reeler (running approximately 45 minutes), A Chump at Oxford was completed in the spring of 1939, whereupon Laurel and Hardy were loaned out to producer Boris Morros to star in The Flying Deuces. When shooting was finished on the latter film, the team was summoned back to Roach to film a 2-reel "prologue" for Oxford, bringing the film's running time up to 63 minutes. The new footage consisted of a reworking of the boys' 1928 comedy From Soup to Nuts, with temporary servants Stan and Ollie unintentionally wrecking a dinner party held by Mr. and Mrs. Vandevere (played by veteran L&H supporting players James Finlayson and Anita Garvin). The patchwork stucture of A Chump at Oxford works against its overall effectiveness, but the scenes in which Stan Laurel undergoes a complete change of character as the genius-level Lord Paddington more than make up for the film's earlier shortcomings. One of the students (the tall, mustachioed one) is played by Peter Cushing, in his second Hollywood film appearance. ~ Hal Erickson, Rovi

This drama, an adaptation of a novel by A.J. Cronin, chronicles the exploits of an alcoholic doctor whose career is in shambles as he embarks upon a cruise to the Canary Islands. The deeply despondent physician spends much of the journey hiding in his stateroom staring at the walls and woefully reminiscing about his younger, more successful days. He is unaware of the young female missionary who has a crush upon him. Instead he is interested in the affections of a married woman. When the boat docks upon the island it is discovered that yellow fever is running rampant. The doctor manages to dry out long enough to save the victims and his self-respect is restored. Later the married woman gets a divorce and she and the doctor have a real relationship. ~ Sandra Brennan, Rovi

Based on a classic tale from Rudyard Kipling, this melodrama chronicles the desperate attempt of a painter to finish his greatest painting before he goes blind. His affliction is due to a war wound and his final project is to paint a portrait of London's most notorious prostitute. Trouble begins when the hooker falls deeply in love with the artist. Unfortunately, social mores forbid their union and this frustrates the wanton woman. Meanwhile, the artist feverishly continues to paint her. The result is exquisite. Unfortunately, by this time, the whore can no longer contain her frustrated rage, and unbeknownst to the painter whose sight is nearly gone, viciously slashes it. Later the artist takes his prized work and shows it to his best friend, a military officer, in a heartbreaking scene. Afterward the two colleagues head down to fight in the Sudan. There, the devastated painter begs the officer to allow him to participate in one final, glorious charge atop a shining white stallion. ~ Sandra Brennan, Rovi