Percy Rodrigues Movies

In this entry in the long-running mystery series, Perry Mason takes the case of a publisher implicated in the strange murder of a horror novelist. ~ Sandra Brennan, Rovi

In this detective drama set in Hollywood, a private investigator uses logic to solve the murder of a famous mystery writer. ~ Sandra Brennan, Rovi

PCP, a deadly drug commonly known as Angel Dust, made its first destructive appearances on the street in the late 1970s. In Angel Dusted, Jean Stapleton plays a cloistered housewife/mother who knows little and cares less about drug problems. Her son is a hard-working college student who decides to experiment just once with marijuana. The boy freaks out after smoking pot laced with PCP--and it doesn't look like he'll ever totally recover. Adding texture to the film is the presence of the film's screenwriter Darlene Craviotto as the boy's psychiatrist--and the presence of Jean Stapleton's real-life son John Putch in the role of her on-screen son. Angel Dusted was based on a book by Ursula Etons. ~ Hal Erickson, Rovi

The phenomenal success of the 1977 ABC miniseries Roots all but demanded a sequel to writer Alex Haley's epic story of his African and African-American forebears. Debuting February 18, 1979, Roots: The Next Generations picked up where its predecessor left off, with Haley's slave ancestors winning their freedom in the aftermath of the Civil War. Even so, life for black Americans was wrought with hardship and oppression thanks to the rise of the Ku Klux Klan, the staunch refusal of the white power structure to pass anti-lynching laws, and the formation of the dreaded Jim Crow laws which legalized racial segregation in the South (and much of the North). Covering the period from 1882 to the mid-1970s, the miniseries first focuses on blacksmith Tom Harvey (Georg Stanford Brown), great-grandson of Kunta Kinte (the protagonist of the original Roots), and his family. Meanwhile, reacting to the marriage of his son to a black woman, anal-retentive Southern colonel Warner (Henry Fonda) begins setting the legal wheels in motion to deny blacks like Tom the right to vote and to hold "white" jobs. A few decades later, Tom's son-in-law encourages his fellow blacks to stand firm against the KKK's reign of terror. His labors on behalf of his race are rewarded when his daughter Bertha (Irene Cara) becomes the first descendant of Kunta Kinte to receive a college education. It is Bertha Palmer who weds the equally ambitious Simon Haley (Dorian Harewood), who goes on to serve in WWI and to organize farmers and sharecroppers during the Depression. Simon's son Alex (played at various ages by Kristoff St. John, Damon Evans, and finally James Earl Jones) is just as determined to succeed in a white man's world as his father, and to that end becomes a professional writer after his own service stint in the Coast Guard during WWII. At the height of his professional success (largely due to his having ghost-written the autobiography of Muslim activist Malcolm X), Alex Haley pays a visit to his boyhood hometown -- where, almost by accident, he receives the first clue to his heritage, a clue that will lead him on an odyssey of self-discovery, arriving full circle at Kunta Kinte's birthplace in Africa. Although the miniseries' "money scene" was Haley's nervous interview with American Nazi Party leader George Lincoln Rockwell (Marlon Brando in a superb cameo turn), the climactic episode, in which Haley tearfully embraces the living African descendants of Kunta Kinte, is one of the most unforgettable moments in the history of network television. Running 12 episodes and 14 hours, Roots: The Next Generations concluded on February 25, 1979, playing to huge ratings all along the way and ultimately garnering several Emmy nominations (and one win). ~ Hal Erickson, Rovi

While working as a museum volunteer in the Indian artifacts section, Louise agrees to go on a weekend archeological expedition with her handsome supervisor, Dr. Jessup (Percy Rodriguez). When it turns out that Jessup does not intend to invite anyone else along, Louise must hide this fact from her jealous hubby, George (Sherman Hemsley). Things get dicier when Jessup reveals his true purpose for asking Louise to accompany him. ~ Hal Erickson, Rovi

Assembled in Hungarian by novice producer Robert Halmi and equally "green" director Bill Feigenbaum, Hugo the Hippo is an easygoing feature-length cartoon. Hugo, a baby hippopotamus living in ancient times, is persecuted by a world populated by hippo-haters. Foremost among these reprobates is Aban Khan, who in the English-language version of this film is voiced by Paul Lynde. Hugo perseveres with the little help of some new friends, both animal and human. Only fitfully successful in theatres, Hugo the Hippo later gained a huge following thanks to its ready availability in the early days of videocassettes. ~ Hal Erickson, Rovi

Once again, the unemployed James (John Amos) is strapped for cash. Though he needs money in a hurry, the headstrong James is outraged at the prospect of borrowing it from Florida's wealthy cousin Edgar (Percy Rodriguez). As James nurses his ego at the corner bar, Florida (Esther Rolle) learns a few unpleasant truths about her cousin -- mainly, that Edgar is himself broke and out of work. ~ Hal Erickson, Rovi

Rhinoceros is another American Film Theatre movie recording a notable stage production. The incomparable duo of Zero Mostel and Gene Wilder, whose earlier work in The Producers is now a comedy classic, join forces here to make the surreal comedy of Eugene Ionesco's play come to life. Ionesco was a leading exponent of "theater of the absurd," and realism was the last thing on his mind. For that reason, many people find this comedy rough going. Stanley (Gene Wilder) seems to be the only one who notices that everyone in the world is turning into Rhinoceroses--Everyone. First, they are overcome by a certain indifference to human values, and then POOF! they are on all fours, knocking over buildings and eating vegetation. He confides his concerns to his friend John (Zero Mostel), but even he swiftly begins to develop certain "thickish" tendencies. ~ Clarke Fountain, Rovi

On three occasions between 1973 and 1975, Star Trek producer Gene Roddenberry attempted to launch a new science-fiction series. All three pilot films were predicated on the premise of a modern-day scientist awakening after nearly two centuries in suspended animation. The first of these feature-length pilots was Genesis 2, which debuted March 23, 1973. Alex Cord stars as Dylan Hunt, who opens his eyes to discover that he now resides in a post-apocalyptic world. He is reluctantly recruited into a resistance movement, aimed at toppling the present despotic regime. The film's "money scene" involved leading lady Lyra-a (Mariette Hartley), who at a crucial plot juncture lifts her blouse to reveal that she has two navels. When Genesis 2 failed to click as a series, Roddenberry and company tried again with Planet Earth (1974); when that didn't sell, the property was reworked as Strange New World (1975). ~ Hal Erickson, Rovi

Someone in San Francisco has been attacking Vietnam veterans with military-issue hand grenades. Two ex-soldiers have already fallen victim to the mystery assailant, and one of them has been killed. Ironside's aide Mark (Don Mitchell), a friend of the dead man, wants some answers--and thus he sets himself up as bait to lure the killer out in the open. This is one of several early-1970s TV programs centering around the tragic residue of the still-raging Vietnam conflict. ~ Hal Erickson, Rovi

The Forgotten Man is an updated variation on the "Enoch Arden" theme. Dennis Weaver stars as Lieutenant Joe Hardy, who when captured by the Vietcong is reported killed. Upon his release, Hardy returns to his hometown, only to discover that life has gone on without him. His wife (Anne Francis) has remarried; his daughter (Pamelyn Ferdin) is living with another family under another name; and his friends and former business associates treat him as though they wish he was dead. Unusually powerful for a TV movie of its era, The Forgotten Man debuted September 14, 1971. ~ Hal Erickson, Rovi

A microfilmed list of undercover narcotics agents has been stolen and divided into two halves, with each half in the possession of a different drug kingpin. Though bitter enemies, Ramon (Fernando Lamas) and Arturo Sandoval (Percy Rodriguez) are poised to forget their differences so that the microfilm can be reassembled. To prevent this truce and recover the film, the IMF cooks up an elaborate ruse involving a stamp collection, a cache of rare coins, and a specially trained terrier named Chico. Originally telecast on January 25, 1970, "Chico" was written by Ken Pettus. ~ Hal Erickson, Rovi

Based on the novel by Carson McCullers, The Heart is a Lonely Hunter stars Alan Arkin as John Singer, who is deaf. Singer moves from a small town in order to be close to his institutionalized friend Antonapoulos (Chuck McCann), who is deaf and mentally impaired. Singer rents a room with a family whose father, Mr. Kelly (Biff McGuire), is unable to earn a living due to a serious injury. His teen-aged daughter Mick (Sondra Locke, in her film debut) is at first resentful of Singer's presence, but he ingratiates himself by introducing her to classical music (which he can "feel," if not hear). Singer likewise tries to brighten the lives of such unfortunates as alcoholic Blount (Stacy Keach Jr., also making his first film appearance), dying black doctor Copeland (Percy Rodriguez), and Copeland's poverty-stricken daughter (Cicely Tyson). ~ Hal Erickson, Rovi