Patricia Roc Movies

W. Lee Wilder, the lesser-known brother of Billy Wilder, directed this unexceptional story based on the actual history of French serial killer Henri Landru. The killer (played by George Sanders) has been changed here from an ordinary, inconsequential man to a suave antique dealer with a passion for Odette (Corinne Calvet), a nightclub singer whose only interest in him is monetary. The plot places Odette's need for money at the basis of Landru's maniacal killing spree but as the duped, female victims are dispatched one after another, the horror of it all never quite coalesces into gripping suspense. ~ Eleanor Mannikka, All Movie Guide

In this drama, a writer and his wife rent a small country cottage where he plans on doing some work. Unfortunately, he soon discovers that the eccentric landlord, an artist, wants to kill his wife. The painter is already suspected of killing his own wife. The murderous landlord is just about to kill the writer's wife when he is stopped. ~ Sandra Brennan, All Movie Guide

His last film involving his own writing, Lewis Milestone directs the romantic drama The Widow, based on the novel La Vedova by Susan York. This Italian/French co-production is filmed in black-and-white with English dialogue. Young woman Adriana (Anna-Maria Ferrero) falls in love with race car driver Vittorio (Massimo Serato). Unfortunately, he is already in love with the widowed Diana (Patricia Roc). Also starring Leonardo Botta and Akim Tamiroff. ~ Andrea LeVasseur, All Movie Guide

Paul Dupuis is featured in Son Copain as a Royal Canadian Mountie who, as the saying goes, always gets his man. This time, however, Dupuis is after a woman: accused murderess Helen (played by British film-favorite Patricia Roc). Sheltering Helen is Pierre (Rene Dary), who happens to be an old friend of the Mountie. The film is essentially a continent-wide chase, with pauses for romance and pontification. Son Copain was a co-production of feisty young Quebec Films and old, established Eclectique Films of Paris. ~ Hal Erickson, All Movie Guide

Though hampered by a small budget that shrank with each shooting day, director Burgess Meredith fashioned a serviceable film version of Georges Simenon's A Battle of Nerves. Retitled The Man on the Eiffel Tower, the film pits Simenon's analytical Inspector Maigret (Charles Laughton) against a wily murderer. We know virtually from the outset that the guilty party is Radek (Franchot Tone), a psychotic with delusions of grandeur who has been seduced into killing the wealthy aunt of slatternly Edna Wallace (Jean Wallace). Maigret suspects Radek , but without solid proof he must suffer the taunting and baiting of the beyond-the-law killer. Eventually Maigret wins the psychological battle, forcing Radek to seek refuge on the titular tower. And if you're waiting for that final fatal fall, this isn't that kind of movie. Burgess Meredith also appears in the film as the sort of obvious suspect that is automatically disregarded by any true detective-story buff, despite the most damning evidence. Originally released in eye-pleasing Anscocolor, Man on the Eiffel Tower is generally available nowadays in washed-out public-domain prints. ~ Hal Erickson, All Movie Guide

Alternately titled Captain Black Jack, this Franco-American coproduction stars George Sanders as a sophisticated scoundrel living by his wits on the Riviera. Sanders lets those around him believe that he's a secret agent; actually he's a notorious drug smuggler known as Captain Black Jack. Herbert Marshall plays a doctor who appears to swallow Sanders' story. In truth, Marshall is a detective, sworn to track down and capture Sanders. Filmed in Spain, Black Jack was released in the US three years after its completion--and then only after 15 minutes had been shorn from its running time. ~ Hal Erickson, All Movie Guide

Director David McDonald adapted the screenplay of The Brothers from a novel by L. A. G. Strong. Set at the turn-of-the-century, the story concerns the feud between two farming families on a remote Western Scottish island. Patricia Roc plays Mary, a serving girl who goes to work for the Macrae clan. This not only causes renewed hostility between the Macrae and the rival McFarish family, but also foments dissension between Macrae brothers Fergus (Maxwell Reed) and John (Duncan Macrae). In a break from tradition, the film substitutes the novel's unhappy ending with an even unhappier one. ~ Hal Erickson, All Movie Guide

Low-hanging clouds and low-cut blouses dominate the brooding British melodrama Jassy. Margaret Lockwood is at her teeth-baring best as a tempestuous gypsy girl who is hired as a servant in an aristocratic 19th century household. Dennis Price is her handsome master, with whom she falls in love. They marry, and it comes to pass that the master comes to a violent end. The girl is accused of murder, but appearances are deceiving. An early arrival to American TV, Jassy received a new lease on life in the 1960s by virtue of its lush Technicolor photography. The film was based on a popular bodice-ripping novel by Norah Lofts. ~ Hal Erickson, All Movie Guide

So Well Remembered was the first of a proposed series of Anglo-American co-productions underwritten by Hollywood's RKO Radio Pictures and England's J. Arthur Rank. In one of his better postwar roles, John Mills stars as George Boswell, the editor of the newspaper in the small English mining town of Bowdley. Tirelessly fighting for fairer treatment and better working conditions for the miners, Boswell is sidetracked by his covetous, ambitious wife Olivia (Martha Scott), who hopes to maneuver her husband into Parliament. Eventually, Boswell gets his priorities in order, neglecting his campaign to help local doctor Whiteside (Trevor Howard) combat a diphtheria epidemic. When he loses his own child to the disease, a tragedy caused in part by his wife's selfishness, Boswell withdraws completely from his campaign -- and from life. Years pass before Boswell can find some purpose in his existence again, this time by preventing the still-unregenerate Olivia from destroying the happiness of her son (Richard Carlson), from a second marriage, and the son's sweetheart Julie (Patricia Roc), Dr. Whiteside's daughter. John Mills' 5-year-old daughter Juliet and infant daughter Hayley appear in bit parts. Though director Edward Dmytryk received plaudits from most critics for his work on So Well Remembered, there were those who insisted upon reading Dmytryk's perceived "pro-Red" sentiments in the screenplay -- which was actually adapted by John Paxton from a novel by James Hilton (who also narrates the picture). ~ Hal Erickson, All Movie Guide

Dana Andrews -- in one of the best performances of his career -- plays Logan Stuart, a bold, ambitious general store and freight company owner based in the mining settlement of Jacksonville, OR, in 1856. He and his best friend, local banker and express company owner George Camrose (Brian Donlevy), share an attraction for young, beautiful Lucy Overmire (Susan Hayward). However, that's all the two men share -- Stuart sees life in the Oregon territory as a challenge, to be worked out and overcome with thought and time, with the opportunity to build something lasting and significant in the process. Camrose only sees the opportunity to get rich fast and live easy, and he's addicted to gambling at the local saloon. What no one knows is that he's been doing his gambling with the gold dust that the miners have left on deposit in his vault -- and he's been losing. He wants to get out of the territory, to someplace like San Francisco, and plans to take Lucy away. Stuart, by contrast, is as much a frontiersman as a businessman, and so much a part of the community and so trusted and liked that he might even be a potential political leader, if he ever had the time and the willingness to settle down and stay put. He finds consolation over his loss of Lucy in an engagement to Caroline Marsh (Patricia Roc), a daughter of an Englishman who came to Oregon only to see her father killed by Indians, who lives with the homesteading family of Ben Dance (Andy Devine) and his wife (Dorothy Peterson) and their children. Out of friendship, and also a little guilt over the fact that he would love to be engaged to Lucy, Stuart gives Camrose the money to get even, but Camrose can't resist one last card game, and not only loses what Stuart gave him, but the gold dust of one miner -- who shows up unexpectedly in town that night, planning on getting his dust the next day. When the man turns up drowned, Camrose is accused of murder; Stuart stands by his friend, but he's found guilty and the miners, led by hot-headed young Johnny Steele (Lloyd Bridges), plan on hanging him, and shooting anyone who tries to get in the way. But before his fate can be settled, an Indian war starts over the killing of a young Native American woman, and the lives of every white settler in and around Jacksonville are suddenly endangered. There's all of that, plus four songs (including "Old Buttermilk Sky") from Hoagy Carmichael (who does a great acting job), all convincingly woven into the drama along with one of the music legend's best acting performances. ~ Bruce Eder, All Movie Guide

Johnny Frenchman uses humor to drive home the point that, despite all previous rivalries and hostilties, the French and English should pull together during WW2. Aldwych farceur Tom Walls plays Nat Pomeroy, harbourmaster of a Cornwall fishing village, who is continually outsmarted by clever French fish poacher Lannec Florrie (Francoise Rosay). Pomeroy is further aggravated by the fact that Florrie's son Yan (played by French-Canadian radio favorite Paul Dupuis) is busily romancing Pomeroy's daughter Sue (Patricia Roc). But when the Nazis rear their ugly heads, the Cornish fisherman and the French miscreants band together to thwart the German menace. Many of the cast members of Johnny Frenchman are actual Cornish villagers and members of the Free French resistance movement. ~ Hal Erickson, All Movie Guide

No relation to the 1970 box-office blockbuster of the same name, the 1944 British film Love Story was originally released in the US as The Lady Surrenders. Margaret Lockwood stars as one of those brilliant but troubled concert pianists, so beloved of British wartime filmgoers. Knowing that she suffers from a potentially fatal heart condition, Margaret has one last fling with RAF pilot Stewart Granger, who is slowly going blind. As in such earlier romantic dramas of the One Way Passage variety, Margaret and Stewart keep their afflictions secret from each other. When the truth comes out, Granger agrees to a dangerous and experimental operation to restore his sight. This sets the stage for a war of wills between Lockwood, who wants Granger to undergo the surgery, and Gragner's fiancee Patricia Roc, who, for reasons of her own, does not. Love Story was cowritten and directed by Leslie Arliss, son of eminent British stage star Sir George Arliss. ~ Hal Erickson, All Movie Guide