Lavelle Roby Movies

1987  
R  
Add Nuts to QueueAdd Nuts to top of Queue
High-priced hooker Barbra Streisand has been arrested for the murder of one of her clients. The attorney engaged by Streisand's parents hope to cop an insanity plea so that she can avoid a trial and manslaughter conviction. But she refuses this, citing a proviso in New York law that may result in her spending the rest of her life in an institution. Against all odds, struggling lawyer Richard Dreyfuss tries to prove that Streisand is not crazy and capable of standing trial. Dreyfuss certainly has his work cut out for him: from what we've seen in the film thus far, the violently impulsive Streisand is not only "nuts," but certifiably so. Though she has plenty of opportunity in Nuts to give out with her usual bravura Streisandisms, Streisand (who also produced the film and wrote the songs) is surprisingly restrained through most of the proceedings. And then there's that extended-monologue climax. Nuts was adapted by Tom Topor, Darryl Ponicsan and Alvin Sargent from Topor's stage play. ~ Hal Erickson, All Movie Guide

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Starring:
Barbra StreisandRichard Dreyfuss, (more)
1986  
R  
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A softcore, low-budget film with no pretentions to a viable plot or character development, Reform School Girls just proceeds along the foul-mouthed, suggestive lines of its genre without anything new to add. Charlie (Wendy O. Williams, who committed suicide in April of 1998, at the age of 48) runs a reform school along with fat Edna (Pat Ast) and the tough warden Sutter (Sybil Danning) whose quotes from the Bible have little effect on her co-workers. As new inmates are intimidated into sexual acts and everybody generally wanders around in as little as possible, it does not take a genius to figure out that sex is the main protagonist in this blue film. ~ Eleanor Mannikka, All Movie Guide

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Starring:
Linda CarolWendy O. Williams, (more)
1985  
 
Involved in a minor accident at the Dallas-Fort Worth airport, Jessica (Angela Lansbury) ends up with a fractured leg. Over her protests, she is whisked off to a nearby hospital for treatment. You guessed it: A murder occurs--the victim is the head of the hospital--and Jessica must spend most of her forced confinement doing her trademarked amateur sleuthing. 1940s film favorites Martha Raye and Eddie Bracken show up in featured roles. ~ Hal Erickson, All Movie Guide

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1981  
 
Sun-worshiping Californians are disappearing by the droves at a popular beach hangout, and a pair of extremely gruff detectives (John Saxon and Burt Young) grumble their way through the case until the real culprit is discovered... it seems a giant burrowing sand-monster with a taste for well-tanned human flesh has set up house beneath the surface and has been partaking of beach bums and bunnies, sucking them down to a nasty (but mostly unseen) death. The creature is kept completely concealed until the final minutes, but its triumphant arrival reveals the real reason the filmmakers kept it hidden so long: the dreaded beast looks like a giant artichoke! The potential for campy fun in this premise is defeated by a completely straight, plodding detective story, but at least Saxon and Young turned in enjoyably cranky performances before picking up their checks. ~ Cavett Binion, All Movie Guide

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Starring:
David HuffmanMarianna Hill, (more)
1981  
 
An airliner crashes into the icy waters of Santa Monica Bay, killing several passengers. Investigating, Quincy (Jack Klugman) comes to the conclusion that many of the victims died needlessly, due to an insufficient supply of inflatable lifeboats. Thus begins another crusade for the feisty medical examiner, as he lobbies for stronger safety measures during over-the-water airline flights--and as usual, he meets with stiff opposition from the insensitive powers-that-be. ~ Hal Erickson, All Movie Guide

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1980  
R  
With George C. Scott and Marlon Brando heading the cast, The Formula should have been far better than it is. Adapted by Steve Shagan from his own best-selling novel, the film is predicated on the concept that a formula for synthetic fuel had been developed by the Nazis during WW II. In the intervening 35 years since the war's end, the formula has disappeared and several people connected with it have died under mysterious circumstances. Also during this period, oil magnate Adam Steiffel (Marlon Brando) had commiserated with one of the decedents. Police officer Barney Caine (George C. Scott), a friend of the dead man, hopes to solve the mystery, and in so doing gets mixed up in a wide-ranging conspiracy to manipulate worldwide fuel prices. Reportedly, The Formula underwent a great deal of editing-room surgery before its release. If so, the editors certainly erred in retaining so many of the film's interminable "steadicam" sequences. ~ Hal Erickson, All Movie Guide

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Starring:
George C. ScottMarthe Keller, (more)
1979  
PG  
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George Hamilton confounded his detractors by turning in a first-rate comic performance in Love at First Bite. Hamilton plays Count Dracula, who is evicted from his Transylvanian domicile when the Communist government decides to nationalize his castle. With faithful toady Renfield (Arte Johnson) at his side, Dracula heads for the Big Apple, where he finds the vampire pickings radically different from those on his home turf: for example, ol' Drac suffers the mother of all hangovers when his sinks his fangs into the neck of a wino. Klutzy Cindy Sondheim (Susan Saint James) falls in love with Dracula, not fully aware of his colorful background. But Cindy's stuffy fiance Dr. Jeff Rosenberg (Richard Benjamin), a descendant of Dracula's perennial foe Professor Van Helsing, knows what Dracula's up to and does his best to thwart the vampire's plan. This proves very difficult, since such time-honored remedies as the stake through the heart are frowned upon by the New York City authorities. So successful was Love at First Bite that Hamilton was encouraged to have a satiric go at another literary icon in 1982's Zorro, the Gay Blade. ~ Hal Erickson, All Movie Guide

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Starring:
George HamiltonSusan Saint James, (more)
1973  
R  
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Stuart Rosenberg's taut police thriller, based on the Martin Beck novel by Maj Sjowall and Per Wahlöö, concerns a serial killer who is targeting bus riders. When a bus full of innocent commuters are killed on a San Francisco street, Jake Martin (Walter Matthau) is assigned to track down the killer. Jake has a personal stake in the killings because his partner was one of the victims. Teamed up with new partner Leo Larsen (Bruce Dern), Jake investigates the back alleys of San Francisco to find the serial killer. The trail leads to a tour of the underbelly of the city's gay subculture. ~ Paul Brenner, All Movie Guide

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Starring:
Walter MatthauBruce Dern, (more)
1972  
 
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This violent blaxploitation film stars Jim Brown as the owner of a Los Angeles nightclub. When his brother, a Vietnam veteran, is murdered by gangsters, Brown gathers some of his brother's fellow veterans and an assortment of ex-convicts to get brutal revenge. Martin Landau, Luciana Paluzzi, and Jeannie Bell head the cast, along with genre regulars Bruce Glover, Bernie Casey, and Gary Conway. Director Robert Hartford-Davis is best known for horror films like Incense of the Damned and Corruption, while Brown went on to more successful genre fare in Slaughter and Slaughter's Big Rip-Off. ~ Robert Firsching, All Movie Guide

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1971  
R  
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Produced, directed, written, scored by, and starring Melvin Van Peebles, this landmark "blaxploitation" film was as controversial as it was popular for its then X-rated story of one African-American man's triumph over the Man. After beating a couple of white cops he witnessed brutalizing a local black revolutionary, sex show performer Sweetback (Van Peebles) has to go on the run. As he flees through decrepit South Central Los Angeles, Sweetback demonstrates his formidable potency through sex as well as violence, evading the police manhunt by any means necessary. As Sweetback runs off into the sunset, however, Van Peebles warns that the story, like the 1960s racial strife, isn't over. ~ Lucia Bozzola, All Movie Guide

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Starring:
Melvin Van PeeblesSimon Chuckster, (more)
1971  
R  
This biker action film from a small "B" studio opened to mixed reviews. Once a woman is the "old lady" of a motorcycle gang leader, she is always his "old lady," even when she goes to live in a hippie peace commune and practices the disciplines of peace and love. That's what her old gang thinks anyway, and they intend to do something about it, even if it means pounding the whole crew of lace-clad peacenik pantywaists into the dirt. They begin with a little simple terrorizing and move on to heavier stuff. ~ Clarke Fountain, All Movie Guide

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1970  
NC17  
After nearly a decade as one of America's most successful independent filmmakers, legendary sexploitation auteur Russ Meyer first reached out for the brass ring of major studio success with this frantic cult favorite, once described by Meyer and screenwriter Roger Ebert as "the first exploitation-horror-camp-musical." Kelly McNamara (Dolly Read), Casey Anderson (Cynthia Myers), and Petronella Danforth (Marcia McBroom) are the three members of an all-girl rock band called "the Kelly Affair" who pull up stakes for Hollywood in search of stardom; they're accompanied by their manager, Harris Allsworth (David Gurian), who also happens to be Kelly's boyfriend. Kelly has an aunt in Hollywood, fashion mogul Susan Lake (Phyllis Davis), who takes Kelly under her wing and informs her she's entitled to a share of a recent family inheritance, much to the chagrin of Susan's lawyer, the shifty Porter Hall (Duncan McLeod). Susan arranges for Kelly and her bandmates to attend a wild party thrown by Ronnie "Z-Man" Barzell (John La Zar), a flamboyant and very successful record producer; Z-Man renames the band "the Carrie Nations," signs them to a record deal, and they're one of the biggest acts in America practically overnight. However, Harris is pushed out of the picture as the band's manager by Z-Man, and as Kelly's boyfriend by actor and gigolo Lance Rocke (Michael Blodgett), sending Harris into a deep depression even after he becomes the new boy-toy of adult film star Ashley St. Ives (Edy Williams). Meanwhile, Petronella finds love with law student Emerson Thorne (Harrison Page) until her head is turned by heavyweight boxing champion Randy Black (Jim Iglehart), and Casey explores her sexual boundaries with Roxanne (Erica Gavin), a beautiful lesbian designer. This nonstop train of decadence, drugs, and betrayal finally comes off the rails during a drug-fueled orgy at Z-Man's mansion, which erupts into violence when the rock mogul's darkest secret is revealed. Featuring one-hit wonders the Strawberry Alarm Clock, supporting performances by Meyer regulars Charles Napier and Haji, and a bit part from future blaxploitation icon Pam Grier, Beyond the Valley of the Dolls proved to be Meyer's biggest box-office success, though after his next film (The Seven Minutes) bombed at the box office, he returned to independent production in 1973. ~ Mark Deming, All Movie Guide

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Starring:
Dolly ReadCynthia Myers, (more)
1970  
 
Bent on revenge, a mysterious assailant has managed to completely isolate Ironside (Raymond Burr) in his apartment-office. The telephone wires have been cut, and anything that the Chief can use as a weapon has been removed. Nor can Ironside count upon a timely rescue from his assistants, all of whom all occupied elsewhere. How can our wheelchair-bound hero save himself when he doesn't even know who is responsible for his predicamnt--nor where his tormentor is hiding? ~ Hal Erickson, All Movie Guide

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1968  
 
Paul (Paul Lockwood) is a strip club owner, with a sexually repressed wife, who has been fulfilling his needs at the local brothel. Main madam Claire (Lavelle Roby) hatches a plan to keep him busy with whiskey and sex while a pair of thugs (Duncan McLeod and Robert Rudelson) hide out in the men's room after closing time to try their luck at cracking the safe. Paul gets a little out of hand at the whorehouse, so he's knocked out and dragged back home to his disgusted wife, Kelly (Anne Chapman). Meanwhile, the club's main attraction quits and bartender Ray (Gordon Wescourt) calls up, prompting the frustrated, confused Kelly to try her hand at the striptease herself while her drunken husband sleeps it off. She's a hit, with Ray at least, who seduces her and takes her back to his swimming pool, leaving the safecrackers free to ply their trade. When Paul sobers up and finds that his wife is missing, he heads for the club, not realizing the danger that awaits him. ~ Fred Beldin, All Movie Guide

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