Walter Robles Movies

Jean-Claude Van Damme and Dolph Lundgren play archenemies from beyond the grave in this action film. During the Vietnam War, Luc (Van Damme), hoping to be sent home, comes upon blood-crazy Scott (Lundgren), who is starting a one-man genocide program. When Luc tries to stop Scott's carnage, Scott fights back and they end up killing each other. But now the government gets involved, cryogenically freezing their corpses and using their bodies in a secret government project call "UniSols" --turning the dead men into android fighting machines. Luc and Scott are now metallic fighting members of a robot SWAT team. But Luc begin to have flashbacks to the final moments of his life in Vietnam, as does Scott, who recalls that one of his final thoughts was to kill Luc. Meanwhile, a snoopy reporter named Veronica (Ally Walker) stumbles upon the secret of the UniSols, and soon Luc is trying to save both himself and Veronica from the wrath of Scott, who is trying to kill them both. All of the action culminates in a wild chase between a prison bus and a UniSols van, racing around hairpin turns on desert precipices. ~ Paul Brenner, All Movie Guide

Director and former stunt coordinator Chuck Bail takes the help for this fast-paced action thriller about a Harvard-graduate physicist whose efforts to create a safe source of energy are thwarted by nuclear waste-dumping baddies. David Lowell (Stephen Collins) has discovered the secret to clean energy, and he's ready to share his gift with the world. In just a few days, Hayley's Comet will pass over the Grand Canyon, and David will capture the energy from the high-frequency sound waves emitted from the enormous space rock. Unfortunately, there are those who would rather continue to profit from conventional forms of energy, and they're not afraid to use force to get their way. ~ Jason Buchanan, All Movie Guide

John Travolta and Olivia Newton-John attempt to rekindle the box office sparks of Grease with this screwball fantasy comedy. The tale begins during a golf match in heaven among four angels --Charlie (Charles Durning), Earl (Scatman Crothers), Gonzales (Castulo Guerra), and Ruth (Beatrice Straight)-- who have been in charge of heaven for the last twenty-five years. But their game is interrupted by God (voice of Gene Hackman), who has now returned to the office and doesn't like what he sees down on earth. God wants to order up another flood and start all over again, but the angels persuade God to reconsider, reasoning that if a typical earth man can reform, it would prove that all mankind is capable of it. God agrees to the scheme and the typical man selected is Zack Melon (John Travolta) a failed inventor who, threatened by loan sharks, decides to hold up a bank. Zack points his gun at bank teller Debbie Wylder (Olivia Newton-John) and she gives him all of the money. But when Zack peers into the sack after the robbery, he sees that Debbie has substituted bank deposit slips for the cash and realizes that she has kept the money for herself. Zack tracks her down to reclaim his stolen money and the two fall in love. ~ Paul Brenner, All Movie Guide

Adapted from Paul Brodeur's novel, Richard Rush's story of a Machiavellian movie director and his accidental employee takes a darkly comic look at movie reality vs. "real" reality. Running from the law, Vietnam vet Cameron (Steve Railsback) stumbles on a movie shoot just in time to interfere with a staged accident, causing (perhaps) the stunt man's death. Rather than turn Cameron in, director Eli Cross (Oscar nominee Peter O'Toole) makes him an offer he can't refuse: replace the dead stunt man in return for safe harbor. Despite objections about Cameron's inexperience, Eli keeps him on, figuring that a vet will add an extra charge of realism to the World War I opus that he's filming. As leading lady Nina (Barbara Hershey) returns Cameron's affections, and Eli becomes ever more inscrutably mercurial, Cameron begins to wonder how far Eli will go to get the screen effects he wants, and if he would think twice about killing the stunt man. Placing a Vietnam vet in the midst of movie-making chaos, Rush adds a pointedly contemporary spin to Cameron's confusion; the war experience that makes Cameron a good stunt man wreaks havoc on his life. Rush in turn disorients the audience by seamlessly interweaving scenes from Eli's movie with scenes of its being made. Made two years before Rush found a studio to release it, The Stunt Man opened to raves for its wily narrative and O'Toole's messianic director. Its sly commentary on the blurred boundaries between movies and life became all the more striking at the dawn of the Reagan '80s. ~ Lucia Bozzola, All Movie Guide