Jake LaMotta Movies

A brave band of American crusaders join the counter-revolutionaries in Cuba to help overthrow Castro and his communist government in this dramatic adventure. Former boxing champ Jake "the Raging Bull" LaMotta played the role of Julio. ~ Sandra Brennan, All Movie Guide

This release documents some of the most famous rivalries in the history of boxing including Muhammad Ali vs. Joe Frazier, and the legendary series of fights between middleweights Sugar Ray Robinson and Jake LaMotta. ~ Perry Seibert, All Movie Guide

Former boxer Jake LaMotta stars Hangmen along with Rick Washburn and Doug Thomas. The scene is New York's East Side, which according to this film is a hotbed of intrigue. An elite corps of ex-CIA agents form a covert terrorist team known as The Hangmen. When the hero (Washburn) finds out about this, he is targeted for elimination, but the villains forget that he's been trained by the CIA as well. Hangmen later received a home-video release due to the presence of Sandra Bullock as the heroine. ~ Hal Erickson, All Movie Guide

This series of documentaries showcases the talents of the top champions in the boxing world. In Legends of the Ring: Sugar Ray Robinson - Pound for Pound, the champ is profiled, from his early days to his welterweight victories and his five-time winning of the middleweight championship. Show business called to Robinson, and he had a brief sojourn as a tap dancer, but returned to the ring to win five more titles. Boxing greats add their commentary, including Muhammad Ali, Rocky Marciano, Joe Louis, Joe Frazier, Gene Tunney, and Jack Dempsey. ~ Alice Day, All Movie Guide

Martin Scorsese's brutal character study incisively portrays the true rise and fall and redemption of middleweight boxer Jake La Motta, a violent man in and out of the ring who thrives on his ability (and desire) to take a beating. Opening with the spectacle of the over-the-hill La Motta (Robert De Niro) practicing his 1960s night-club act, the film flashes back to 1940s New York, when Jake's career is on the rise. Despite pressure from the local mobsters, Jake trusts his brother Joey (Joe Pesci) to help him make it to a title bout against Sugar Ray Robinson the honest way; the Mob, however, will not cave in. Jake gets the title bout, and blonde teenage second wife Vickie (Cathy Moriarty), but success does nothing to exorcise his demons, even as he channels his rage into boxing. Alienating Vickie and Joey, and disastrously gaining weight, Jake has destroyed his personal and professional lives by the 1950s. After he hits bottom, however, Jake emerges with a gleam of self-awareness, as he sits rehearsing Marlon Brando's On the Waterfront speech in his dressing room mirror: "I coulda been a contender, I coulda been somebody." Working with a script adapted by Mardik Martin and Paul Schrader from La Motta's memoirs, Scorsese and De Niro sought to make an uncompromising portrait of an unlikable man and his ruthless profession. Eschewing uplifting Rocky-like boxing movie conventions, their Jake is relentlessly cruel and self-destructive; the only peace he can make is with himself. Michael Chapman's stark black-and-white photography creates a documentary/tabloid realism; the production famously shut down so that De Niro could gain 50-plus pounds. Raging Bull opened in late 1980 to raves for its artistry and revulsion for its protagonist; despite eight Oscar nominations, it underperformed at the box office, as audiences increasingly turned away from "difficult" films in the late '70s and early '80s. The Academy concurred, passing over Scorsese's work for Best Director and Picture in favor of Robert Redford and Ordinary People, although De Niro won a much-deserved Oscar, as did the film's editor, Thelma Schoonmaker. Oscar or no Oscar, Raging Bull has often been cited as the best American film of the 1980s. ~ Lucia Bozzola, All Movie Guide

As The Hustler's "Fast" Eddie Felson, Paul Newman created a classic antihero, charismatic but fundamentally flawed, and nobody's role model. A pool player from Oakland, CA, as good as anyone who ever picked up a cue, Eddie has an Achilles' heel: arrogance. It's not enough for him to win: he must force his opponent to acknowledge his superiority. The movie follows Eddie from his match against billiards champ Minnesota Fats (Jackie Gleason) as he falls in love with Sarah (Piper Laurie), an alcoholic would-be writer and sometime prostitute, and falls under the spell of Bert Gordon (George C. Scott), a successful gambler who offers to take Eddie under his wing and teach him how to play in the big time. However, when Sarah joins Eddie and Bert on a trip to Louisville for a high-stakes match with a dandy named Findlay (Murray Hamilton), the consequences prove tragic. Along with a classic performance by Newman, The Hustler also features turns by Scott, Laurie, and Gleason, in a rare dramatic role. Cameos from pool champ Willie Mosconi and boxer Jake LaMotta add to the atmosphere of Harry Horner's grubby production design and Eugen Schüfftan's camerawork. Director Robert Rossen, who had been working in films since 1937, was to direct only one more film, Lilith (1964), before his death in 1966. In 1986, Newman returned to the role of "Fast" Eddie in Martin Scorsese's The Color of Money, for which he finally earned an Academy Award as Best Actor. ~ Mark Deming, All Movie Guide