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Nancy June Robinson Movies

1945  
 
Famed WW1 aviator Eddie Rickenbacker once more entered the public's consciousness during WW2 when, while serving as an Air Force officer, he and several other pilots crashed into the Pacific. While the world anxiously awaited news of his fate, Rickenbacker and a handful of survivors floated for 19 days in a tiny rubber raft. Captain Eddie recreates this incident, using it as a framework for a series of flashbacks in which Rickenbacker (Fred MacMurray) reminisces on the high points of his life. He is seen experimenting with aviation in his backyard, working in an auto factory to finance his earliest flights, and wooing and winning the lovely Adelaide (Lynn Bari). When America enters WW1, Rickenbacker immediately signs up, eventually shooting down more enemy planes than any other American aviator. Back in "the present", Rickenbacker and his comrades (including Lloyd Nolan and Richard Conte as Lt. Whittaker and Private Bartek) struggle to stay alive while awaiting rescue. Darryl Hickman plays Rickenbacker as a boy, while Charles Bickford portrays his father William. The huge supporting cast includes amusing unbilled contributions by Grady Sutton ("The schottische is my fav-or-ite dance!") and George Chandler. ~ Hal Erickson, Rovi

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Starring:
Fred MacMurrayLynn Bari, (more)
 
1945  
 
Add The Man Who Walked Alone to Queue Add The Man Who Walked Alone to top of Queue  
In this comedy drama a war hero returns home following a medical discharge and ends up entangled with a young woman speeding away from her wedding day in her fiance's car. Seeing the soldier, she gives him a ride and explains her predicament. Things get sticky when the cops capture them and accuse the soldier of desertion. Fortunately, the truth comes out by the story's end. ~ Sandra Brennan, Rovi

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Starring:
Dave "Tex" O'BrienKay Aldridge, (more)
 
1944  
 
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The Sullivans attempts to find the positives in one of the most tragic chapters of World War II. Edward Ryan, John Campbell, James B. Cardwell, John Alvin and George Offerman Jr. play the Sullivan brothers, sons of an Iowa railroad worker (Thomas Mitchell) and his wife (Selena Royle). The film traces the boys from childhood, maintaining a relatively lighthearted tone until the Sullivans sign up en masse for the navy at the outbreak of the war. Refusing to be separated, the boys are all assigned to the cruiser Juneau--and all are killed when the vessel goes down at Guadalcanal. This appalling incident (which made something of a celebrity of the brothers' grieving father when he went on a nationwide patriotic lecture tour) resulted in the Navy's decision to never again allowed all the enlisted members of one family to serve on the same ship. Even from the vantage point of fifty years, the scene in which the family receives the wire from the war department is impossible to watch with a dry eye. ~ Hal Erickson, Rovi

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Starring:
Anne BaxterThomas Mitchell, (more)
 
1944  
 
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Director Robert Stevenson collaborated with novelist Aldous Huxley and theatrical-producer John Houseman on the screenplay for this 1944 adaptation of Charlotte Bronte's gothic romance Jane Eyre. After several harrowing years in an orphanage, where she was placed by a supercilious relative for exhibiting the forbidden trait of "willfulness," Jane Eyre (Joan Fontaine) secures work as a governess. Her little charge, French-accented Adele (Margaret O'Brien), is pleasant enough. But Jane's employer, the brooding, tormented Edward Rochester (Orson Welles), terrifies the prim young governess. Under Jane's gentle influence, Rochester drops his forbidding veneer, going so far as to propose marriage to Jane. But they are forbidden connubial happiness when it is revealed that Rochester is still married to a gibbering lunatic whom he is forced to keep locked in his attic. Rochester reluctantly sends Jane away, but she returns, only to find that the insane wife has burned down the mansion and rendered Rochester sightless. In the tradition of Victorian romances, this purges Rochester of any previous sins, making him a worthy mate for the loving Jane. The presence of Orson Welles in the cast (he receives top billing), coupled with the dark, Germanic style of the direction and photography, has led some impressionable cineasts to conclude that Welles, and not Stevenson, was the director. To be sure, Welles contributed ideas throughout the filming; also, the script was heavily influenced by the Mercury Theater on the Air radio version of Jane Eyre, on which Welles, John Houseman and musical director Bernard Herrmann all collaborated. But Jane Eyre was made at 20th Century-Fox, a studio disinclined to promote the auteur theory; like most Fox productions, this is a work by committee rather than the product of one man. This in no way detracts from the overall excellence of the film; of all adaptations of Jane Eyre (it had previously been filmed in 1913, 1915 and 1921, and has been remade several times since), this 1943 version is one of the best. Keep an eye out for an uncredited Elizabeth Taylor as the consumptive orphanage friend of young Jane Eyre (played as child by Peggy Ann Gardner). ~ Hal Erickson, Rovi

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Starring:
Orson WellesJoan Fontaine, (more)