Billy Bevan Movies
Effervescent little Billy Bevan commenced his stage career in his native Australia, after briefly attending the University of Sydney. A veteran of the famous Pollard Opera Company, Bevan came to the U.S. in 1917, where he found work as a supporting comic at L-KO studios. He was promoted to stardom in 1920 when he joined up with Mack Sennett's "fun factory." Adopting a bushy moustache and an air of quizzical determination, Bevan became one of Sennett's top stars, appearing opposite such stalwart laughmakers as Andy Clyde, Vernon Dent and Madelyn Hurlock in such belly-laugh bonanzas as Ice Cold Cocos (1925), Circus Today (1926) and Wandering Willies (1926). While many of Bevan's comedies are hampered by too-mechanical gags and awkward camera tricks, he was funny and endearing enough to earn laughs without the benefit of Sennett gimmickry. He was particularly effective in a series of "tired businessman" two-reelers, in which the laughs came from the situations and the characterizations rather than slapstick pure and simple. Bevan continued to work sporadically for Sennett into the talkie era, but was busier as a supporting actor in feature films like Cavalcade (1933), The Lost Patrol (1934) and Dracula's Daughter (1936). He was frequently cast in bit parts as London "bobbies," messenger boys and bartenders; one of his more rewarding talkie roles was the uncle of plumbing trainee Jennifer Jones (!) in Ernst Lubitsch's Cluny Brown (1946). Among Billy Bevan's final screen assignments was the part of Will Scarlet in 1950's Rogues of Sherwood Forest. ~ Hal Erickson, Rovi
The fourth of Oscar-winning short-subject director Youngson's comedy compilations (the earlier ones were Golden Age of Comedy, When Comedy was King, and Days of Thrills and Laughter) is, amazingly, almost as full and fresh as those earlier efforts, containing highlights from such silent comedy classics as Chaplin's Floorwalker, Easy Street, Pawnshop and, best of all, Rink; Buster Keaton's Balloonatic and Daydreams; Harry Langdon's Smile Please, and the prototypical Laurel and Hardy team-up, Lucky Dog. Youngson's choice of material is unquestionably fine, and equally satisfying is the quality of the film clips, courtesy of archivist Paul Guffanti. ~ Bruce Eder, Rovi
- 1950
Though usually associated with westerns, Columbia producer Harry Joe Brown proved to be up to the challenge of producing a satisfactory swashbuckler with Fortunes of Captain Blood. Based loosely on the same Rafael Sabatini novel which served as the inspiration for the 1935 Errol Flynn vehicle Captain Blood, the film stars Louis Hayward as Irish doctor Peter Blood, who is exiled from England after treating the wounds of an enemy to the crown. Blood and several other outcasts turn to piracy, terrorizing merchant vessels of all nationalities. Dogging Captain Blood's trail is the heavy of the piece, the Marquis de Riconete (George Macready). Also appearing are Patricia Medina (Columbia's stock costume-drama heroine) as the marquis' niece, and Alfonso Bedoya (immortalized as the Mexican bandit Gold Hat in Treasure of the Sierra Madre) as a sadistic prison overseer. The battle scenes in Fortunes of Captain Blood would be cannibalized time and again over the next few years by quickie-flick producer Sam Katzman. ~ Hal Erickson, Rovi
- Starring:
- Louis Hayward, Patricia Medina, (more)
Decked out with leftover sets and stock footage from 1946's Bandit of Sherwood Forest, Columbia's Rogues of Sherwood Forest stars John Derek as the son of legendary do-gooder Robin Hood. When King John (George Macready) revives his old cycle of taxation and repression, Robin Jr. summons forth his father's Merry Men and inaugurates a rebel movement. Aiding the younger Robin in his fight for rights is Lady Marianne (Diana Lynn), who exhibits a lot more leg and decolletage than was customary in 13th-century England. Prominent among the Merry Men is Little John, played by Alan Hale Sr., who'd previously essayed the same role in the 1922 and 1938 filmizations of Robin Hood. Attractively lensed in Technicolor, Rogues of Sherwood Forest seems far more expensive and ambitious than it really was. ~ Hal Erickson, Rovi
- Starring:
- John Derek, Diana Lynn, (more)
- 1949
Though one might have expected friction between MGM's resident "nice lady" Greer Garson and Warner Bros. notorious "bad boy" Errol Flynn, the two got along splendidly during the filming of That Forsyte Woman. Based loosely on The Man of Property, book one of John Galsworthy's Forsyte Saga, the film casts Garson as Irene Forsyte, the independently-minded wife of tradition-bound Victorian "man of property" Soames Forsyte (Flynn). Rebelling against her husband's repressed nature and preoccupation with material possessions, Irene falls in love with unconventional architect Philip Bossiney (Robert Young). When he proves to be too free-spirited even for her, Irene moves on to the Forsyte clan's black sheep, Young Jolyon (Walter Pidgeon). Soames makes a belated attempt to win his wife back, but once again proves incapable of warmth, compassion or understanding. The casting-against-type of Garson and Flynn was fascinating, even when the film itself dragged (Flynn in fact was slated to play either Bossiney or Young Jolyon, but insisted upon taking the less characteristic role of Soames). That Forstye Woman was lavishly photographed in color on MGM's standing "British" sets. ~ Hal Erickson, Rovi
- Starring:
- Errol Flynn, Greer Garson, (more)
- 1949
Though divorced from attorney Robert Cummings, Rosalind Russell continues hoping that she can arrange a reconciliation. This proves difficult due to Cummings' fascination with curvaceous Marie McDonald. Contriving to arouse Cumming's jealousy, Russell pretends to be married to feckless Gig Young. There's complications and misunderstandings aplenty before happy-ending time. Tell It to the Judge is so lightweight that it threatens to float out of sight at times; the stars manage to hold this pleasant meringue together. ~ Hal Erickson, Rovi
- Starring:
- Rosalind Russell, Robert Cummings, (more)
- 1949
Long before he became a highly respected Wall Street financial adviser, Richard Ney was a minor-league film star. In Secret of St. Ives, Ney plays Anatole de Keroual, the unofficial head of a group of French prisoners during the Napoleonic Wars. Organizing an escape from his British captors, Anatole leads his fellow prisoners to Scotland, thence to London. Doggedly pursued by nasty British major Chevenish (Henry Daniell), Anatole is recaptured and sentenced to hang. How he wriggles out of this dilemma is the dramatic thrust of the film's last reel. Vanessa Brown co-stars as Floria, Anatole's British sweetheart. The Secret of St. Ives was adapted from a novel by Robert Louis Stevenson. ~ Hal Erickson, Rovi
- Starring:
- Richard Ney, Vanessa Brown, (more)
- 1949
The oft-filmed Frances Hodgson Burnett novel The Secret Garden was given the usual plush MGM treatment in 1949. Tempestuous orphan girl Mary Lennox (Margaret O'Brien) is sent to live with her reclusive, long-widowed uncle Archibald Craven (Herbert Marshall). The embittered Craven has an invalid son named Colin (Dean Stockwell), with whom the troublesome Mary constantly clashes. Her only real friend is neighbor-boy Dickon (Brian Roper). Things soon change after Mary discovers the key to the Craven household's garden, which has been locked up and neglected since the death of Craven's wife. Through the influence of the Secret Garden, Mary learns to think of others rather than herself, Craven drops his curmudgeonly veneer, and Colin's health slowly but steadily improves. In the tradition of The Wizard of Oz, the sequences taking place in the Secret Garden are lensed in Technicolor. ~ Hal Erickson, Rovi
- Starring:
- Margaret O'Brien, Herbert Marshall, (more)
- 1948
Sexual harassment can work both ways as can be seen in this romantic comedy when ad man endeavors to maneuver out of a relationship with his girlfriend. This is difficult as she controls a major account for his company and refuses to renew it unless he continues to go out with her. The frustrated fellow then begins having neurotic fits until, at last, he is taken off her account. For his new assignment, he must promote a psychiatrist's latest book. They meet and he is captivated by the lovely doctor. The nervous fellow then becomes her patient, and before long they both fall in love. Unfortunately, the other woman has not given up. His troubles are far from over when he later discovers that the shrink doesn't really love him--she is only using him for a case study. ~ Sandra Brennan, Rovi
- Starring:
- Hedy Lamarr, Robert Cummings, (more)
- 1948
This commendably short adaptation of Robert Louis Stevenson's The Black Arrow stars Louis Hayward in the title role. Returning from duty in the 15th-century War of the Roses, young Richard Shelton (Hayward) learns that his estate has been claimed by his usurping uncle Sir Daniel Brackley (George Macready), who for good measure has also murdered Richard's father. Forced to elude Brackley's minions, Shelton and his followers eventually manage to thwart the villain with all manner of weaponry, from crossbow to fist. Janet Blair co-stars as Joanna Sedley, whom Richard must rescue from a forced marriage to the brackish Brackley. Black Arrow was remade for television in 1985, with Benedict Taylor and Stephan Chase sharing the hero chores (in the Stevenson original, Richard Shelton and the Black Arrow were two different characters), and top-billed Oliver Reed as Brackley. ~ Hal Erickson, Rovi
- Starring:
- Louis Hayward, Janet Blair, (more)
- 1947
Based on the novel by Agatha Christie and play by Frank Vosper, Love From a Stranger isn't quite as good as the 1937 version of the same property. This time, Sylvia Sidney and John Hodiak play the roles originally filled by Ann Harding and Basil Rathbone. Falling under the romantic spell of charismatic Manuel Cortez (Hodiak), impressionable sweepstakes winner Cecily Harrington (Sidney) marries him after a whirlwind courtship. It doesn't take long for Cecily to figure out that Cortez is a dangerous psychotic, bent on murdering his wife and claiming her fortune. Unable to convince anyone else of Cortez intentions (even though his behavior would, in real life, get him locked away in a minute), Cecily determines to outsmart her husband and catch him in his own trap. Ironically, Frank Vosper never saw either film version of Love From a Stranger, having died under mysterious circumstances in 1937 (too bad Agatha Christie never wrote that story!) ~ Hal Erickson, Rovi
- Starring:
- John Hodiak, John Howard, (more)
- 1947
A woman trying to solve the mystery of a friend's murder finds that she may be the next victim in this suspense story set in turn-of-the-century London. Belle Adair (Peggy Cummins) is a struggling showgirl willing to use her charms to snare an eligible bachelor. When her roommate is murdered, Belle's suspicions turn to Michael Drego (Victor Mature), the wealthy but mysterious gentlemen whom the late woman had been dating. Belle pulls some strings and gets an invitation to dine at the estate that Michael shares with his mother, Lady Sterling (Ethel Barrymore); she learns that Michael has a new fiancée, Audrey (Patricia Medina). When Audrey later dies under suspicious circumstances, Inspector Clinner (Vincent Price) from Scotland Yard is assigned to investigate, and he finds himself protecting Belle when the murderer begins following her trail. Keep an eye peeled for horror movie great George Zucco, who plays Craxton. ~ Mark Deming, Rovi
- Starring:
- Norman Ainsley, Peggy Cummins, (more)
- 1947
A precursor of sorts to the 1999 Julia Roberts vehicle The Runaway Bride, It Had to Be You stars Ginger Rogers as Victoria Stafford, a wealthy girl who has been engaged three times, and has three times chickened out at the altar just before saying "I do." Determined to wed her fourth fiancé, Oliver H.P. Harrington (Ron Randell), Victoria is on the verge of saying those two little words, when suddenly she sees the vision of her "dream lover," George (Cornel Wilde), whom she has envisioned since childhood. Ultimately our heroine meets an in-the-flesh lookalike for her imaginary sweetheart: a no-nonsense fireman named Johnny Blaine, who indeed was a childhood friend of Victoria's. So, do wedding bells finally ring? Not on your life. Though Victoria is ga-ga over Johnny, the feeling is far from mutual -- and besides, there are several reels to go before the end title. ~ Hal Erickson, Rovi
- Starring:
- Ginger Rogers, Cornel Wilde, (more)
- 1947
Capitalizing on Larry Parks' "overnight" success in The Jolson Story, Columbia Pictures rushed their hottest new star from one picture to another, whether he was suited to the role or not. In The Swordsman, Parks makes a valiant stab at swashbucklery, playing an 18th-century Scottish aristocrat named Alexander MacArden. The plot revolves around the "forbidden" romance between Alexander and Barbara Glowan (Ellen Drew) of the hated Glowan clan. Managing to effect a truce between the MacArdens and the Glowans, Alexander has his hands full when a couple of hot-headed clansmen starts up the feud all over again. Full-scale warfare explodes between the rival families, but so long as Alexander has his wits about him and a sword in his sheath, the audience can be assured that he'll straighten things out by the ninth reel. Famed dancer-choreographer Marc Platt is uncomfortably cast as a pugnacious member of the Glowan clan, moving one critic to postulate that Columbia must have had a grudge against Platt. The Swordsman was directed by Joseph H. Lewis, who'd previously helmed the production numbers in The Jolson Story. ~ Hal Erickson, Rovi
- Starring:
- Larry Parks, Ellen Drew, (more)
- 1946
The time is just prior to World War II. Lovely Cluny Brown (Jennifer Jones) is the niece of a London plumber; when her uncle is indisposed, Cluny rolls up her sleeves and takes a plumbing job at a society home, where she meets a handsome Czech author (Charles Boyer) - a refugee who has fled the Nazis and now resides with a snobbish and stuck-up family. Hoping to advance herself socially, Cluny accepts a position as a maid in a fancy country home, where she once more meets the Czech author, who is a house guest; they promptly fall for each other, and Cluny follows his lead by turning her nose up at stiff-necked English propriety. Cluny Brown is directed by the matchless Ernst Lubitsch. ~ Hal Erickson, Rovi
- Starring:
- Jennifer Jones, Norman Ainsley, (more)
The penultimate entry in Universal's Sherlock Holmes series, Terror by Night takes place almost exclusively on a speeding train, en route from London to Edinburgh. Holmes (Basil Rathbone) is on board to protect a valuable diamond from the clutches of master criminal Colonel Sebastian Moran. The trouble is, Moran is a master of disguise, and could be just about any one of the other passengers. Murder and mayhem plague the train excursion before Holmes can successfully complete his mention. Poor old Dr. Watson (Nigel Bruce) is a bit denser than usual here, though his ingenuousness is cleverly woven into the script. Alan Mowbray, who played Inspector Lestrade in the 1932 Clive Brook adaptation of Sherlock Holmes, is seen in a pivotal supporting role. One of three Holmes entries currently in the public domain, Terror by Night is also available in a computer-colorized version (but stick with the original black-and-white). ~ Hal Erickson, Rovi
- Starring:
- Basil Rathbone, Nigel Bruce, (more)
- 1945
Roundly blasted upon its release because of the extreme liberties it takes with the truth, Devotion is better as cinema than as history. Not that it's great cinema, mind you, mainly because the filmmakers opted to replace historical fact with either tired dramatic clichés or wild improbabilities. As an example of the latter, the film posits that Paul Henreid's character, who is a standard-issue film romantic hero (troubled, but understandably so), is the inspiration for two of the most passionate, fiery characters in the canon of English literature. Arthur Kennedy as brother Bramwell is much more passionate and fiery, a fact which tends to further muddle things up. The generic setting is also disappointing; these ladies wrote as they wrote because of where they lived and how they lived, but little of this makes it to the screen. Fortunately, Devotion has Olivia de Havilland and Ida Lupino on hand. De Havilland is quite good, grabbing hold of whatever she can find in the script and milking it for all it's worth. Lupino does even better, often making this standard-issue (at best) writing seem engaging and moving. As indicated, Kennedy also makes things work for him, and Nancy Coleman does what she can with the little she is handed. Erich Wolfgang Korngold's score provides plenty of the atmosphere that Curtis Bernhardt's direction often lacks. Ultimately, Devotion's assets, particularly Lupino and de Havilland, manage to squeeze it into the winner's column -- but it's a pretty close call. The film was produced in 1943, hence the presence of Montagu Love, who died that year. ~ Craig Butler, Rovi
- Starring:
- Ida Lupino, Paul Henreid, (more)
The Picture of Dorian Gray was writer/director Albert E. Lewin's fascinating follow-up to his expressive-esoterica masterpiece The Moon and Sixpence. Hurd Hatfield essays the title character, a London aristocrat who would sell his soul to remain handsome and young--and, in a manner of speaking, he does just that. Under the influence of his decadent (albeit witty) friend Lord Henry Wotton (George Sanders), Dorian Gray becomes the embodiment of virtually every sin known to man. The greatest of his sins is vanity: Gray commissions artist Basil Hallward (Lowell Gilmore) to paint his portrait. Admiring his own painted countenance, Gray silently makes a demonic pact. The years pass: everyone grows older but Gray, who seemingly gets younger and more good-looking every day. Hallward eventually stumbles upon the secret of Dorian's eternal youth: he finds his painting hidden in the attic, the portrait's face grown grotesquely aged and disfigured. Gray kills Hallward so that his secret will remain safe. Later on, Gray falls in love with Hallward's niece Gladys (Donna Reed). Certain that Gray is responsible for Hallward's death, Gladys' ex-boyfriend David Stone (Peter Lawford) sets out to prove it. He is joined in this mission by the brother of dance hall performer Sybil Vane (Angela Lansbury), who killed herself after Gray betrayed her. Essentially a black and white film, Picture of Dorian Gray bursts into Technicolor whenever the picture is shown in close-up. ~ Hal Erickson, Rovi
- Starring:
- George Sanders, Hurd Hatfield, (more)
Based on Conan Doyle's The Adventure of the Empty House, this "Sherlock Holmes" entry finds Holmes (Basil Rathbone) and Dr. Watson (Nigel Bruce) trying to solve the case of the "Finger Murders". Several beautiful women have been found slain, all with their right forefingers severed from their hands. The police are prepared to write off the killings as the work of a madman, but Holmes deduces that there's a sane motive behind it all. Sure enough, the trail of evidence leads to Holmes' perennial nemesis Professor Moriarity (Henry Daniell), who is in league with lissome female criminal Lydia (Hillary Brooke). Though it isn't sporting to reveal Moriarity's nefarious scheme here, it can be noted that The Woman in Green comes to a nailbiting conclusion as a hypnotized Holmes wanders precariously along the ledge of a penthouse! ~ Hal Erickson, Rovi
- Starring:
- Basil Rathbone, Nigel Bruce, (more)
- 1944
The fifth in the Invisible Man series stars Jon Hall as Robert Griffin, a convict who takes the invisibility serum and then goes on a crime spree. ~ Jason Ankeny, Rovi
- Starring:
- Jon Hall, Alan Curtis, (more)
Although National Velvet was the first starring role for 11-year-old Elizabeth Taylor, the early part of the film belongs to Mickey Rooney in the showier role of Mike Taylor, a headstrong English ex-jockey. Soured on life by a serious accident, Mike plans to steal from the country family that has taken him in, but his resolve is weakened by the kindness of young Velvet (Taylor). The two find a common bond in their love of horses. Velvet wins an "unbreakable" horse in a raffle, and enters the animal in the Grand National Sweepstakes. Though Mike is unable to ride the horse, he aids Velvet in her plan to disguise herself as a jockey; she wins the race...but the story isn't over quite yet. Co-starring as Velvet's mother is Anne Revere, who won a Best Supporting Actress Oscar for her performance. National Velvet is based on the novel by Enid Bagnold. ~ Hal Erickson, Rovi
- Starring:
- Elizabeth Taylor, Mickey Rooney, (more)
Based on Norman Corwin's satirical radio play My Client Curley, Once Upon a Time is an engaging bit of whimsy, completely dominated by the personality of star Cary Grant. It all begins when fly-by-night Broadway producer Jerry Flynn (Grant) learns of a trained caterpillar (!) that dances to the tune of "Yes, Sir, That's My Baby." In short order, Jerry has promoted Curly the Caterpillar to international stardom-and in the process he alienates both Pinky Thompson (Ted Donaldson), the impressionable 9-year-old who owns Curley, and Pinky's attractive older sister Jeanne (Janet Blair). Eventually, Flynn comes to his senses and regains his essential decency-though it's too late to continue capitalizing on Curley, who has turned into a non-dancing butterfly! Full of delightful contemporary references and "cameo appearances" by such celebrities as producer Walt Disney and radio commentator Gabriel Heatter (both played by uncredited impressionists), Once Upon a Time proved an agreeable diversion for wartime audiences. ~ Hal Erickson, Rovi
- Starring:
- Cary Grant, Janet Blair, (more)
This above-average entry in Universal's Sherlock Holmes series is loosely based on the Conan Doyle story The Six Napoleons. On this occasion, Holmes (Basil Rathbone) and Watson (Nigel Bruce) are assigned to guard the priceless Borgia Pearl, a "cursed" gem that has inspired scores of murders over the years. Their principal antagonist is master criminal Giles Conover (Miles Mander), who, though he is constantly thwarted in his efforts to pilfer the pearl, manages to discredit Holmes in the eyes of the public. Conover's chief assistant is the beautiful Naomi Drake (Evelyn Ankers), who adopts several clever disguises in the course of the action. Complicating matters is a series of seemingly unrelated murders, in which the victims are found with their backs broken, lying amidst piles of shattered China. Holmes deduces the connection between the murders and the Borgia Pearl, and in so doing nearly becomes the latest victim of The Creeper (Rondo Hatton), a horribly disfigured homicidal maniac. In addition to providing Basil Rathbone and Evelyn Keyes endless opportunities for bravura disguise scenes, The Pearl of Death launched the short starring career of the tragic Rondo Hatton, a real-life victim of the disfiguring disease known as acromegaly. ~ Hal Erickson, Rovi
- Starring:
- Basil Rathbone, Nigel Bruce, (more)
- 1944
Universal's yearly quota of cheap, 60-minute musicals occasionally yielded such likeable diversions as South of Dixie. David Bruce stars as Danny, a popular composer of southern ballads. Striking while the iron is hot, Danny's partner Brains (Jerome Cowan) promotes a filmed biography of the southern-fried songsmith. Trouble is, Danny is a fraud-he was born in the North, with nary a relative below the Mason-Dixon line to his name. Anxiously, Brains "invents" a southern lineage for Danny, going so far as to hire a voice tutor named Dixie (Anne Gwynne) and to cook up a romance between the hero and the daughter (Ella Mae Morse) of Southern colonel Morgan (Samuel S. Hinds). Inevitably, South of Dixie features several black performers in stereotypical roles, including Louise Beavers and Mantan Moreland. ~ Hal Erickson, Rovi
- Starring:
- Anne Gwynne, David Bruce, (more)
- 1944
The Lodger was the third film version of Mrs. Marie Belloc-Lowndes' classic "Jack the Ripper" novel, and in many eyes it was the best (even allowing for the excellence of the 1925 Alfred Hitchcock adaptation). Laird Cregar stars as the title character, a mysterious, secretive young man who rents a flat in the heart of London's Whitechapel district. The Lodger's arrival coincides with a series of brutal murders, in which the victims are all female stage performers. None of this fazes Kitty (Merle Oberon), the daughter of a "good family" who insists upon pursuing a singing and dancing career. Scotland Yard inspector John Warwick (George Sanders), in love with Kitty, worries about her safety and works day and night to solve the murders. All the while, Kitty draws inexorably closer to The Lodger, who seems to have some sort of vendetta on his mind?..Some slight anachronisms aside (for example, the villain falls off a bridge that hadn't yet been built at the time of the story), The Lodger is pulse-pounding entertainment, with a disturbingly brilliant performance by the late, great Laird Cregar. ~ Hal Erickson, Rovi
- Starring:
- Merle Oberon, George Sanders, (more)
Director Robert Stevenson collaborated with novelist Aldous Huxley and theatrical-producer John Houseman on the screenplay for this 1944 adaptation of Charlotte Bronte's gothic romance Jane Eyre. After several harrowing years in an orphanage, where she was placed by a supercilious relative for exhibiting the forbidden trait of "willfulness," Jane Eyre (Joan Fontaine) secures work as a governess. Her little charge, French-accented Adele (Margaret O'Brien), is pleasant enough. But Jane's employer, the brooding, tormented Edward Rochester (Orson Welles), terrifies the prim young governess. Under Jane's gentle influence, Rochester drops his forbidding veneer, going so far as to propose marriage to Jane. But they are forbidden connubial happiness when it is revealed that Rochester is still married to a gibbering lunatic whom he is forced to keep locked in his attic. Rochester reluctantly sends Jane away, but she returns, only to find that the insane wife has burned down the mansion and rendered Rochester sightless. In the tradition of Victorian romances, this purges Rochester of any previous sins, making him a worthy mate for the loving Jane. The presence of Orson Welles in the cast (he receives top billing), coupled with the dark, Germanic style of the direction and photography, has led some impressionable cineasts to conclude that Welles, and not Stevenson, was the director. To be sure, Welles contributed ideas throughout the filming; also, the script was heavily influenced by the Mercury Theater on the Air radio version of Jane Eyre, on which Welles, John Houseman and musical director Bernard Herrmann all collaborated. But Jane Eyre was made at 20th Century-Fox, a studio disinclined to promote the auteur theory; like most Fox productions, this is a work by committee rather than the product of one man. This in no way detracts from the overall excellence of the film; of all adaptations of Jane Eyre (it had previously been filmed in 1913, 1915 and 1921, and has been remade several times since), this 1943 version is one of the best. Keep an eye out for an uncredited Elizabeth Taylor as the consumptive orphanage friend of young Jane Eyre (played as child by Peggy Ann Gardner). ~ Hal Erickson, Rovi
- Starring:
- Orson Welles, Joan Fontaine, (more)
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