Edward G. Robinson Movies
Born Emmanuel Goldenberg, Edward G. Robinson was a stocky, forceful, zesty star of Hollywood films who was best known for his gangsters roles in the '30s. A "little giant" of the screen with a pug-dog face, drawling nasal voice, and a snarling expression, he was considered the quintessential tough-guy actor. Having emigrated with his family to the U.S. when he was ten, Robinson planned to be a rabbi or a lawyer, but decided on an acting career while a student at City College, where he was elected to the Elizabethan Society. He attended the American Academy of Dramatic Arts on a scholarship, and, in 1913, began appearing in summer stock after changing his name to "Edward G." (for Goldenberg). Robinson debuted on Broadway in 1915, and, over the next 15 years, became a noted stage character actor, even co-writing one of his plays, The Kibitzer (1929). He appeared in one silent film, The Bright Shawl (1923), but not until the sound era did he begin working regularly in films, making his talkie debut in The Hole in the Wall (1929) with Claudette Colbert. It was a later sound film, 1930's Little Caesar, that brought him to the attention of American audiences; portraying gangster boss Rico Bandello, he established a prototype for a number of gangster roles he played in the ensuing years. After being typecast as a gangster he gradually expanded the scope of his roles, and, in the '40s, gave memorable "good guy" performances as in a number of psychological dramas; he played federal agents, scientists, Biblical characters, business men, bank clerks, among other characters. The actor experienced a number of personal problems during the '50s. He was falsely linked to communist organizations and called before the House Un-American Activities Committee (eventually being cleared of all suspicion). Having owned one of the world's largest private art collections, he was forced to sell it in 1956 as part of a divorce settlement with his wife of 29 years, actress Gladys Lloyd. Robinson continued his career, however, which now included television work, and he remained a busy actor until shortly before his death from cancer in 1973. His final film was Soylent Green (1973), a science fiction shocker with Charlton Heston. Two months after his death, Robinson was awarded an honorary Oscar "for his outstanding contribution to motion pictures," having been notified of the honor before he died. He was also the author of a posthumously published autobiography, All My Yesterdays (1973). ~ All Movie Guide- 1963
Released in the US as A Boy Ten Feet Tall, Sammy Going South is a rugged youngster's-eye-view adventure set in South Africa. 10-year-old orphan Sammy (Fergus McClelland), who resides in Port Said, tries to locate his only relative, who lives 5000 miles away across the desert in Durban. After the death of his first guide, an erstwhile peddler, Sammy is rescued by a wealthy tourist (Constance Cummings). Not anxious to return to Port Said, Sammy escapes his benefactress and links up with a crafty old hunter/diamond smuggler (Edward G. Robinson), whose life is saved by the boy. When the police search for Sammy, they arrest the old man, who has been a fugitive for years. When Sammy is finally united with his Aunt (Zena Walker), he learns that the old smuggler has willed him his fortune. Released in the US at 88 minutes, Sammy Going South was restored to its full 118 minutes for television. ~ Hal Erickson, All Movie Guide
- Starring:
- Edward G. Robinson, Fergus McClelland, (more)
A communist spy plots the abduction of an important American atomic scientist in this espionage drama. To do his evil deed, he coerces a notorious gangster to do the kidnapping. Meanwhile a G-man is hot on the spy's trail and is determined to protect the endangered scientist. Unfortunately, the spy is on to the detective and plans to bump him off first. The spy does not count on the fact that he has chosen a patriotic gangster to do his deeds and when the crook learns the spy's true alignment he takes action. Between him and the G-man, the world ends up safe for democracy once again. ~ Sandra Brennan, All Movie Guide
- Starring:
- Edward G. Robinson, George Raft, (more)
- 1940
As part of his new contract with Warner Bros., Edward G. Robinson agreed to appear in the gangster comedy Brother Orchid on the condition that the studio permit him to play the leading role in the lavish biopic A Dispatch from Reuters. Robinson is cast as Baron Paul Julius Reiter, who in 1833 inaugurates a "pigeon post" messenger service which is soon rendered obsolete by the invention of the telegraph. Eventually adapting to the new communications process, Reuters is able to extends his links to the major capitals of Europe, achieving success by scooping his competition with a transcription of a speech by Louis Napoleon. By 1858, Reuters has expanded his operation to the English-speaking countries, seriously over-extending himself financially. Ultimately, Reuters is rescued from bankruptcy in 1865 when he broadcasts on a worldwide basis the news of President Lincoln's assassination-even before the American ambassador in England has been informed of the tragedy. Throughout the highs and lows of his career, Reuters is encouraged by his loyal and loving wife Ida (Edna Best), who continually reminds him that he is a communicator and not a grandstander. Though not as entertaining and satisfying as Robinson's previous biographical film Dr. Ehrlich's Magic Bullet, A Dispatch from Reuters' benefits immeasurably from the almost terrifying expertise of the Warners production staff and its stellar supporting cast (Eddie Albert, Gene Lockhart, Nigel Bruce, Otto Kruger et. al.) ~ Hal Erickson, All Movie Guide
- Starring:
- Edward G. Robinson, Edna Best, (more)
Although the main character, Tony Manetta (Frank Sinatra), in this light comedy tends to tip the scales towards being unbelievably unrealistic, the story is pulled off because everyone else is convincing. Tony is a widower in need of a financial bailout for himself and his son, so he asks for help from his brother Mario (Edward G. Robinson), a wealthy New Yorker. Tony owns a small hotel in Miami Beach but his impractical ways have made it a losing proposition. After Mario and his wife (Thelma Ritter) arrive in Miami, thinking of taking custody of Tony's son, they suddenly decide to try to match Tony up with the widowed Mrs. Rogers -- maybe that will teach him some responsibility. This was one of the last movies directed by Frank Capra. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Frank Sinatra, Edward G. Robinson, (more)
- 1930
The odd combination of Vilma Banky and Broadway import Edward G. Robinson starred in this early sound version of Sidney Howard's 1925 play They Knew What They Wanted. California grape grower Tony (Robinson) advertises for a young wife but passes off a photograph of his handsome foreman Buck (Robert Ames) as himself. San Francisco waitress Lena (Banky) answers the add, and although disillusioned when she learns the truth, accepts Tony's proposal of marriage because of a desire to settle down. When Buck attempts to take her away, Lena realizes that she has fallen in love with her unattractive but kind husband. Howard's play was filmed again in 1940 under its original title and starred Charles Laughton as Tony and Carole Lombard as Lena. A Lady to Love proved to be Hungarian silent star Banky's final American film. ~ Hans J. Wollstein, All Movie Guide
- Starring:
- Vilma Banky, Edward G. Robinson, (more)
Slight Case of Murder is a breakneck-paced comedy starring Edward G. Robinson as a tough but good-hearted bootlegger. When Prohibition is repealed, Robinson faces a financial crisis: His beer tastes so awful that no one wants to drink it legally. As an additional headache, Robinson is under scrutiny from the Law, which is waiting to slip the cuffs on him for the slightest infraction. He arrives at his rented Saratoga mansion with his wife (Ruth Donnelly), daughter (Jane Bryan) and adopted son (Bobby Jordan), only to discover that a killer has left four corpses in his bedroom. Robinson and his stooges are forced to hide the bodies before his future son-in-law (Willard Parker), who happens to be a cop, tumbles to the dilemma. Based on a stage play by Howard Lindsay and Damon Runyon, A Slight Case of Murder a just as entertaining in the 1990s as it was fifty years ago (please ignore a tepid 1953 musical remake titled Stop, You're Killing Me). Surprisingly, this film was not a favorite of star Edward G. Robinson, who felt that director Lloyd Bacon rushed through the material without taking full advantage of its comic potential. ~ Hal Erickson, All Movie Guide
- Starring:
- Edward G. Robinson, Jane Bryan, (more)
- 1952
At least half of the two-part Actors and Sin is well worth having. Part One, "Actor's Blood", is based on a Ben Hecht tale of theatrical intrigue. Edward G. Robinson plays a Barrymoresque Shakespearean actor whose obsessive control of the life and career of his actress-daughter Marsha Hunt results in disaster. Part Two, "Woman of Sin", is another Ben Hecht yarn, this one satirical in nature. Eddie Albert stars as a Hollywood agent who'd sell his Grandmother to represent the author of a sensationally sexy screenplay titled, yes, Woman of Sin. Much to Albert's surprise (but not ours), the author turns out to be a precocious 9-year-old girl, played by Hecht's own daughter Jenny. Of the two playlets, "Actor's Blood", though ripely melodramatic, scores best in the acting department. "Woman of Sin" is too arch and smug to be consistently funny, while Jenny Hecht is perhaps the greatest argument against nepotism in film history. Ostensibly directed by Ben Hecht (who also produced), Actors and Sin was largely helmed by cinematographer Lee Garmes. ~ Hal Erickson, All Movie Guide
- Starring:
- Edward G. Robinson, Marsha Hunt, (more)
- 1948
Based on the play by Arthur Miller, All My Sons is a drama of man's duty to man that retains a potent impact. Edward G. Robinson plays a manufacturer of parts for World War II airplanes who lives a full, satisfied life in a small town. But his idyll is shattered by the arrival of the fiancée of the manufacturer's oldest son, who is missing in action. The younger son begins to fall in love with the girl, but her own brother is against the relationship because, he claims, the manufacturer and his partner delivered defective parts to the war effort. The younger son (Burt Lancaster) investigates, even going as far as visit his father's former partner in jail, and discovers the awful truth -- that his father's corrupt actions were responsible for both the partner's incarceration and the deaths of 21 U.S. pilots. The tale ends with a bitter and tragic confrontation that drives home the message that we are all our brother's keepers, and we cannot push aside that responsibility for personal gain. Thoughtful and intense performances by Robinson and Lancaster bring humanity and life to this powerful theme. ~ Don Kaye, All Movie Guide
- Starring:
- Edward G. Robinson, Burt Lancaster, (more)
- 1916
In this action-packed drama, Rozika, a Hungarian peasant girl (Mary Nash), comes to America with her anarchist brother. She winds up singing in a trashy bar in New York's Lower East Side, but she is saved from her sleazy life by David Trevor, the rich owner of a steel plant. He funds her efforts -- ultimately successful -- to become an opera singer and then he marries her. With the outbreak of World War I, one of Hungary's enemies orders ammunition from Trevor's plant. Rozika begs him to refuse but he ignores her. Her brother receives orders to blow up the plant, and although Rozika does her best to stop him, he succeeds. It takes Trevor's financial ruin for him to finally see his wife's point, and he has to agree that the plant's destruction is all for the better. ~ Janiss Garza, All Movie Guide
- 1954
On the eve of his execution, killer Edward G. Robinson busts out of prison with the help of his girlfriend (Jean Parker) and a crook posing as a reporter (Warren Stevens). Robinson takes along five hostages, including the daughter of the murdered head guard (Sylvia Findley), a real reporter (Jack Kelly), and a priest (Milburn Stone). Escaping with Robinson is a murderous bank robber (Peter Graves), who is wounded while evading the law. The bleeding robber heads for the safety deposit box where he keeps his ill-gotten gains, allowing the Law to follow the trail of blood to Robinson's hideout. Robinson threatens to kill his hostages if he's not given safe passage, then murders the priest just to prove his point. Appalled at this action, the bank robber kills Robinson, allows the surviving hostages to escape, and gives himself up. ~ Hal Erickson, All Movie Guide
- Starring:
- Edward G. Robinson, Peter Graves, (more)
- 1939
Through a miscarriage of justice, John Ingram (Edward G. Robinson) is convicted of a crime he did not commit and sentenced to a long stretch on a chain gang in the deep South. In time, Ingram flees to Oklahoma, where he makes a living fighting oil fires under an assumed name. Several years later, he has a successful business, a loving wife (Ruth Hussey), and a child. But he still lives in fear that his secret will be revealed, and one day he's visited by William Ramey (Gene Lockhart). Ramey admits that he committed the crime for which Ingram was convicted; he proposes that they meet with the authorities together, and Ramey will sign a confession that will clear Ingram's name. But Ramey instead double-crosses Ingram, putting him back on the chain gang while Ramey lays claim to his business. Before long, Ingram learns that his wife and child are nearly broke thanks to Ramey's gutting of his once-thriving business, and he decides that he must once again escape if he is to protect the safety of his family. Blackmail marked one of Edward G. Robinson's first "good guy" roles after making his name in a series of gangster epics; a year later, he would be starring in prestigious biopics, such as Dr. Ehrlich's Magic Bullet and A Dispatch From Reuters. ~ Mark Deming, All Movie Guide
- Starring:
- Edward G. Robinson, Ruth Hussey, (more)
- 1923
This drama about Cuba's unsuccessful 1850 revolution was based on the novel by Joseph Hergesheimer. Andres Escobar (André Beranger) convinces his wealthy American friend, Charles Abbott (Richard Barthelmess) to join him in Cuba. When Abbott sees how poorly the Spaniards are treating the Cubans, he is more than happy to join in the battle for independence. He is helped by La Clavel, a Spanish dancer who is on the side of the revolutionaries (Dorothy Gish, in an uncharacteristic role). He manages to gather much valuable information before drawing the suspicion of Captain Cesar Y Santacilla (Anders Randolf), a Spanish officer. Santacilla lays a trap for Abbott and La Clavel and catches them. La Clavel dies in the struggle, but Abbott overpowers the captain. After rescuing several of his friends, Abbott gets involved in a duel with another Spanish officer, who ultimately takes pity on him and puts him on a ship bound for America. On board, Abbott is happy to find Escobar's sister, Narcisa (Mary Astor), with whom he has fallen in love. There are two newcomers to the screen in this First National release -- future silent star Jetta Goudal in a small role, and Edward G. Robinson in his only silent film appearance. ~ Janiss Garza, All Movie Guide
- Starring:
- Richard Barthelmess
Edward G. Robinson plays orchid-loving gangster Little John Sarto, who aspires to "real class." During a power struggle with usurping mobster Jack Buck (Humphrey Bogart), Sarto is taken for a one-way ride, but he escapes his would-be assassins and hides out in a monastery overseen by Brother Superior (Donald Crisp). Sarto insists that he'd like to become a monk himself, but in fact he's using the monastery as a hideout, the better to mount his counterattack against Buck. Eventually Sarto's resolve is weakened by the kindness of the monks, and he decides to turn over a new leaf. He sees to it that Buck is brought to justice, and also fixes up his true-blue "moll," Flo Addams (Ann Sothern), with good-hearted Texas rancher Clarence Fletcher (Ralph Bellamy). (News flash! Bellamy gets the girl for once!) Sarto, now known as "Brother Orchid," returns to the monastery for good, declaring that he's finally found the real class. Though Edward G. Robinson didn't want to play another gangster, he agreed to star in Brother Orchid in exchange for being allowed to essay the lead in Warner Bros.' historical drama A Dispatch From Reuter's (1940). ~ Hal Erickson, All Movie Guide
- Starring:
- Edward G. Robinson, Humphrey Bogart, (more)
Two-fisted New York police detective Edward G. Robinson is so volatile that he manages to get himself thrown off the force in disgrace. The local gangsters are delighted, in that Robinson had been breathing down their necks. When Robinson goes to crime boss Barton MacLaine insisting that he's through with law enforcement and wants to switch to the other side, MacLaine's chief henchmen Humphrey Bogart doesn't buy the story, but has to go along since he doesn't want to incur the wrath of MacLaine. Robinson offers to show his former enemies how to circumvent the law, making him an invaluable participant in gang activities. Actually, Robinson hasn't gone crooked at all; he's operating undercover, with the full knowledge of the city police inspector, in hopes of locating the "big boys" who've been financing the mob. His diligence costs him his life, but Robinson, with the help of bad-girl-gone-good Joan Blondell, busts the rackets wide open. Former crime reporter Martin Mooney was responsible for the story upon which Bullets or Ballots was based. ~ Hal Erickson, All Movie Guide
- Starring:
- Edward G. Robinson, Barton MacLane, (more)
John Ford's last western film, Cheyenne Autumn was allegedly produced to compensate for the hundreds of Native Americans who had bitten the dust in Ford's earlier films (that was the director's story, anyway). Set in 1887, the film recounts the defiant migration of 300 Cheyennes from their reservation in Oklahoma territory to their original home in Wyoming. They have done this at the behest of chiefs Little Wolf (Ricardo Montalban) and Dull Knife (Gilbert Roland), peaceful souls who have been driven to desperate measures because the US government has ignored their pleas for food and shelter. Since the Cheyennes' trek is in defiance of their treaty, Captain Thomas Archer (Richard Widmark), who agrees with the Indians in principle, reluctantly leads his troops in pursuit of the tribe. While there was never any intention to shed blood, the white press finds it politically expedient to distort the Cheyennes' action into a declaration of war. Thanks to the cruelties of such chauvinistic whites as Captain Oscar Wessels (Karl Malden), the Cheyennes are forced to defend themselves--and whenever Indians take arms against whites in the 1880s, it's usually misrepresented as a massacre. Only the intervention of US secretary of the interior Carl Schurz (Edward G. Robinson) prevents the hostilities from erupting into wholesale bloodshed. Based on a novel by Mari Sandoz, Cheyenne Autumn is a cinematic elegy--not only for the beleaguered Cheyennes, but for John Ford's fifty years in pictures. It is weakest when arbitrarily throwing in a wearisome romance between Richard Widmark and pacifistic schoolmarm Carroll Baker, who out of sympathy for the Indians has joined them in their 1500-mile westward journey. When the Warner Bros. people decided that the film ran too long, they chopped out the wholly unnecessary but very funny episode involving a poker-obsessed Wyatt Earp (James Stewart). Contrary to popular belief, this episode was included in the earliest non-roadshow prints of Cheyenne Autumn; the scene was excised only when the film went into its second and third runs in 1966 (it has since been restored). ~ Hal Erickson, All Movie Guide
- Starring:
- Richard Widmark, Carroll Baker, (more)
- 1939
Bold for its time (just prior to World War II), Confessions of a Nazi Spy is an expose of a genuine Nazi espionage ring operating in the United States. Dedicated National Socialist Paul Lukas arrives in America to conduct Bund rallies and enlist German-Americans in the service of Hitler. His rabble-rousing speeches inspire a blue collar worker (Francis Lederer) to join a Bund, and then participate in spy activities. FBI agent Edward G. Robinson is assigned to investigate. Extracting a confession from the not-too-bright Lederer, Robinson traces the espionage activities to Lukas. The Nazi official's notoriety and his undesirability as a security risk compels the German secret police to kidnap Lukas and spirit him back to the Fatherland, presumably to face liquidation. The spy ring is rounded up, but Robinson realizes that this is only the beginning. Confessions of a Nazi Spy may seem dated today, but in 1939 it packed a real wallop, especially since most filmmakers of that era chose to ignore the Nazis lest they lose the valuable European market. ~ Hal Erickson, All Movie Guide
- Starring:
- Edward G. Robinson, Francis Lederer, (more)
- 1934
A weak-willed gambler's compulsion destroys his life in this dramatic character study. In the beginning, he is seen working as a cashier at a small-time Ohio track and then moving into a boardinghouse. There he falls in love with his disapproving landlady's daughter, who ignores her mother's advice and marries him. On their wedding day, he vows to never gamble again, and they move to Chicago where he begins working in a fleabag hotel. Later he is offered the chance to helm a dog track in California. They move and it doesn't take long before he is back to his old tricks. The wife is secretly distraught, but she tries to look the other way until her husband's sleazy ex-girl friend shows up and starts making trouble. Things go from bad to worse when he and the tart win big at a casino and the angry wife uses the cash to leave him. She tells him she has gone home to Ohio and will not take him back until he cleans up his act. He really tries, but it is to no avail and after more struggles, wins, and terrible losses, the story ends on a dark note. ~ Sandra Brennan, All Movie Guide
- Starring:
- Edward G. Robinson, Genevieve Tobin, (more)
- 1943
Edward G. Robinson portrays a hard-driving, hard-nosed perfectionist who causes dissension aboard the WWII destroyer he helped build before re-enlisting in the Navy. Coming aboard as a senior crewman and trying to emulate the perfection of his hero John Paul Jones, he drives himself as hard as he drives the younger generation of sailors he commands, even going so far as recounting the last battle of the Bon Homme Richard to the increasingly disgruntled crew. But it is not his words that earn him their respect. During a major battle Robinson proves himself a true hero. The harsh training also pays off and the young sailors successfully defeat the enemy. Afterward they realize that Robinson was right to be tough on them and never question him again. Meanwhile, the captain who stood by Robinson through the thick of it even winds up involved with the old salt's daughter. ~ Tana Hobart, All Movie Guide
- Starring:
- Edward G. Robinson, Glenn Ford, (more)
Directed by Billy Wilder and adapted from a James M. Cain novel by Wilder and Raymond Chandler, Double Indemnity represents the high-water mark of 1940s film noir urban crime dramas in which a greedy, weak man is seduced and trapped by a cold, evil woman amidst the dark shadows and Expressionist lighting of modern cities. Phyllis Dietrichson (Barbara Stanwyck) seduces insurance agent Walter Neff (Fred MacMurray) into murdering her husband to collect his accident policy. The murder goes as planned, but after the couple's passion cools, each becomes suspicious of the other's motives. The plan is further complicated when Neff's boss Barton Keyes (Edward G. Robinson), a brilliant insurance investigator, takes over the investigation. Told in flashbacks from Neff's perspective, the film moves with ruthless determinism as each character meets what seems to be a preordained fate. Movie veterans Stanwyck, MacMurray, and Robinson give some of their best performances, and Wilder's cynical sensibility finds a perfect match in the story's unsentimental perspective, heightened by John Seitz's hard-edged cinematography. Double Indemnity ranks with the classics of mainstream Hollywood movie-making. ~ Linda Rasmussen, All Movie Guide
- Starring:
- Fred MacMurray, Barbara Stanwyck, (more)
- 1940
Edward G. Robinson portrays real-life German medical researcher Paul Erlich, the man who discovered and perfected "Formula 606," the cure for syphilis. The world at large would prefer to treat the disease as though it does not exist, so Erlich spends most of his life underfunded and frustrated. A no-nonsense dowager (Maria Ouspenskaya) has faith in Erlich, however, and thus provides the necessary funds to develop Formula 606. Once the serum is released to the public, Erlich's reputation is threatened when a handful of syphilitics die, ostensibly as a result of the "cure." Brought up on criminal charges, Erlich is exonerated by his old colleague Dr. Von Behring (Otto Kruger). Considered daring in its time for its exploration of a "taboo" subject, Dr. Erlich's Magic Bullet holds up as one of Warner Bros.' most solid biopics, with a convincing performance from a nearly unrecognizable Edward G. Robinson. ~ Hal Erickson, All Movie Guide
- Starring:
- Edward G. Robinson, Ruth Gordon, (more)
- 1930
In this romance, men board "The Love Boat" (no, not the TV boat) and set sail for China with the hope of buying a Chinese bride. The hero disembarks and immediately finds himself in the midst of an auction of women. There he spies a beautiful girl being sold by her father. The hero saves her. She is taken to San Francisco by a friendly elder. In San Francisco, she immediately snubbed by the local elite. Her old guardian sells her to the Chop Suey King. The hero finds her, rescues her and proposes. His socially prominent family is firmly against the match. The day is saved when the girl discovers that she is not really Chinese. She was only raised by a Chinese family after her missionary parents were murdered. ~ Sandra Brennan, All Movie Guide
- Starring:
- Lupe Velez, Lew Ayres, (more)
- 1931
Adapted from the stage play by former newspaperman Louis Weitzenkorn, Five Star Final is an uncompromising look at the consequences of journalistic irresponsibility. Hounded by his publishers to pep up circulation with a sensational story, newspaper editor Edward G. Robinson decides to revive public interest in a long-ago murder case. He discovers that a woman (Sally Starr) who'd shot her lover nearly three decades earlier is now living under a new name and is married to a pillar of society (H.B. Warner). The woman's daughter (Marian Marsh) is just about to marry the son (Anthony Bushell) of another wealthy couple. Robinson sends one of his slimier reporters (Boris Karloff), a onetime divinical student who'd been expelled for sexual misconduct, to visit the woman and secure a photograph. The underhanded reporter disguises himself as the clergyman who will officiate at the wedding, worms his way into the family's confidence, and appropriates the photo. When the story hits the papers, the woman desperately tries to call Robinson and ask him to cease and desist, but Robinson is unmoved. The disgraced woman commits suicide, as does her husband a few moments later. The groom's parents snobbishly try to call off the wedding, but the groom stands by his fiancee's side and is disinherited. The grief-maddened daughter breaks into Robinson's office with a gun, threatening to kill him for ruining her mother. She is calmed down by her fiance, who warns Robinson that he himself will come back for revenge if the newspaper ever mentions the dead woman's name again. Five Star Final was remade in 1936 as Two Against the World, this time set in a radio station instead of a newspaper office. ~ Hal Erickson, All Movie Guide
- Starring:
- Edward G. Robinson, Marian Marsh, (more)
- 1943
In the tradition of his earlier Carnival in Flanders and Tales of Manhattan, director Julien Duvivier's Flesh and Fantasy is a "pormanteau" film, consisting of several short stories. Linking the three tales unfolded herein are clubmen Doakes (Robert Benchley) and Davis (David Hoffman), who carry on a spirited debate about Destiny. In the first story, homely Henrietta (Betty Field) is made beautiful through the love of handsome Mardi Gras reveller Michael (Robert Cummings)-and the help of an enigmatic mask-maker (Edgar Barrier). The second story, based on Oscar Wilde's "Lord Arthur Saville's Crime", concerns a fortune teller named Septimus Podgers (Thomas Mitchell) who predicts that socialite Marshall Tyler (Edward G. Robinson) will commit a murder. In the final tale, psychic high wire artist Paul Gaspar (Charles Boyer) dreams that he will meet his doom during the performance of his act-and then falls in love with Joan Stanley (Barbara Stanwyck), who looks exactly like the girl who appeared in that dream. A fourth story, detailing the doomed romance between a fugitive from justice (Alan Curtis) and a blind girl (Gloria Jean), was cut from Flesh and Fantasy, then expanded and released separately as Destiny (1944). ~ Hal Erickson, All Movie Guide
- Starring:
- Edward G. Robinson, Charles Boyer, (more)
- 1964
Disgusted by the smarminess of his 1963 vehicle Under the Yum Yum Tree, Jack Lemmon vowed that his next effort would be a wholesome family picture. Good Neighbor Sam is suitable for all ages, to be sure, but that doesn't stop producer-writer-director David Swift from injecting plenty of double-entendre dialogue and harmlessly risque situations. Lemmon plays ad executive Sam Bissell, happily married to all-American blonde Minerva (Dorothy Provine). Anxious to land the Nurdlinger's milk account, Sam is carefully scrutinized by the prudish Simon Nurdlinger (Edward G. Robinson), a staunch advocate of old-fashioned family values.
Meanwhile, Minerva welcomes her old school friend, sexy Janet Langerlof (Romy Schneider) into her home. Janet is in line to inherit a fortune, but only if she's married. Unfortunately, Janet is currently separated from her insanely jealous spouse Howard Ebbets (Michael Connors), so big-hearted Minerva volunteers Sam to pose as Janet's husband. The ensuing comic complications come to a head when Nurdlinger elects Sam and Janet as the nation's ideal "married" couple, and posts their pictures on billboards all over town! Some of the smaller pleasures in this film are provided by Louis Nye as a high-tech private eye, Barbara Nichols as a squeaky-voiced call girl, Robert Q. Lewis as Sam's lascivious neighbor, and an uncredited Gil Lamb as a genial wino. An amusing running gag involved the Hertz "man in the driver's seat" commercials of the 1960s has sometimes been cut from TV prints of Good Neighbor Sam. ~ Hal Erickson, All Movie Guide
Meanwhile, Minerva welcomes her old school friend, sexy Janet Langerlof (Romy Schneider) into her home. Janet is in line to inherit a fortune, but only if she's married. Unfortunately, Janet is currently separated from her insanely jealous spouse Howard Ebbets (Michael Connors), so big-hearted Minerva volunteers Sam to pose as Janet's husband. The ensuing comic complications come to a head when Nurdlinger elects Sam and Janet as the nation's ideal "married" couple, and posts their pictures on billboards all over town! Some of the smaller pleasures in this film are provided by Louis Nye as a high-tech private eye, Barbara Nichols as a squeaky-voiced call girl, Robert Q. Lewis as Sam's lascivious neighbor, and an uncredited Gil Lamb as a genial wino. An amusing running gag involved the Hertz "man in the driver's seat" commercials of the 1960s has sometimes been cut from TV prints of Good Neighbor Sam. ~ Hal Erickson, All Movie Guide
- Starring:
- Jack Lemmon, Romy Schneider, (more)
A group of international jewel thieves band together to pull off a huge heist in this suspenseful caper film that was shot in Europe, New York, and Brazil. The adventure begins in Rio where a burned out school teacher (Edward G. Robinson) decides to chuck his unfulfilling career and try to steal some of the diamonds he sees being delivered to the gem company across the street from his classroom. Realizing that the theft must be carefully planned and delicately executed, he heads for New York to gain the assistance of an old friend, a crime boss (Adolfo Celi) who then gathers an outlaw group comprised of an electronics expert, a safecracker, a gigolo, and an ex-mercenary. They make their plans and head back to Rio when the city is engulfed in Carnival celebrations. Unfortunately, they quickly learn that the diamond company has installed a nearly impenetrable new security system called Grand Slam 70. While altering their plans, the company secretary (Janet Leigh) gets suspicious and makes a few plans of her own. ~ Sandra Brennan, All Movie Guide
- Starring:
- Edward G. Robinson, Janet Leigh, (more)
