Dewey Robinson Movies

Esther Williams moves from the swimming pool to the bull ring in this musical drama. Antonio Morales (Fortunio Bonanova) was once a champion bullfighter; now in retirement, Antonio and his wife (Mary Astor) have high hopes that their son Mario (Ricardo Montalban) will follow in his father's footsteps as a matador. However, Mario's great passion is music, and he longs to pursue a career as a composer. But there is a budding toreador in the family: Mario's sister Maria (Esther Williams), who has learned the basics of bullfighting from her sibling. Not wanting to be thought a coward, but with no desire to enter the ring, Mario allows Maria to disguise herself as him and take his place in the bullring, allowing her to compete in a traditionally male sport while Mario devotes his time to his music. Fiesta gave Ricardo Montalban his first English-speaking role, with Cyd Charisse appearing as Conchita, his love interest and dancing partner. Classical music buffs might notice that Mario's composition "Fantasia Mexican" is actually Aaron Copland's "El Salon Mexico." ~ Mark Deming, All Movie Guide

The Abbott & Costello western spoof The Wistful Widow of Wagon Gap is predicated on an actual Montana law of the 19th century, which dictated that if a man killed another in a gun duel, that man was responsible for the care and support of the victim's family. The film gets under way with an introductory title: "MONTANA: Where Men Are Men? With Two Exceptions." Those exceptions are travelling salesmen Duke (Bud Abbott) and Chester (Lou Costello), freshly arrived in the wide-open western town of Wagon Gap. No sooner has Chester reached Main Street than he is falsely arrested for the murder of Hawkins, the town layabout. He and Duke are spared the hangman's noose when the genially corrupt Judge Benbow (George Cleveland) reminds the jury that Chester is now responsible for Hawkins' debts and family. In short order, Chester is moved bag and baggage into the ramshackle home of the rowdy Widow Hawkins (Marjorie Main) and her brood of seven noisy children. Forced to do all the chores around the Widow's home, poor Chester must also put in overtime at Jake Frame's (Gordon Jones) saloon to pay off Hawkins' debts. While the crafty Duke tries to figure out various methods of extricating Chester from his dilemma, the Widow uses all of her wiles to get Chester to propose marriage to her. The plot goes off on a new tangent when it is discovered that none of the town desperadoes are willing to shoot down Chester, lest they inherit the Widow and her brats. Emboldened by his "untouchable" status, Chester swaggers around town striking fear in the hearts of the local menfolk, bosses Duke around for a change, and is even appointed sheriff! Alas, his invulnerability comes to an abrupt end when it turns out that the Hawkins spread is the most valuable property in town, thereby making Widow Hawkins the territory's most eligible bachelorette. The story comes to an uproarious conclusion when Chester and Jake Frame confront each other in a "high noon" gun duel. Incredibly, screenwriters D.D. Beauchamp and William Bowers originally intended The Wistful Widow of Wagon Gap as a vehicle for James Stewart! ~ Hal Erickson, All Movie Guide

I Wonder Who's Kissing Her Now is the heavily laundered musical biopic of sentimental songwriter Joe E. Howard. As played by Mark Stevens (whose singing voice was dubbed by Buddy Clark), Howard is a humble 19th century organ salesman who rises to Broadway fame as the composer of maudlin ballads like "What's the Use of Dreaming" and jaunty ditties like "Hello My Baby". Along the way, he enjoys several romantic interludes, but it is fresh-faced American chorine Katie (top-billed June Haver) who lands Howard as her hubby. In real life, Joe E. Howard, who lived well into his eighties, was married several times; he was also a notorious "lifter" who regularly claimed credit for songs he never wrote (including this film's title tune!) But producer George Jessel chooses not to let the facts get in the way of a good story, maintaining a policy established by his earlier The Dolly Sisters and sustained through such subsequent musical life stories as Oh, You Beautiful Doll The I Don't Care Girl. Singer/dancer/director Gene Nelson makes his screen debut as Tommy Yale. ~ Hal Erickson, All Movie Guide

Disparate twin brothers find themselves involved in romantic mayhem when their respective girl friends get them confused in this musical comedy. One of the brothers is an aggressive, ambitious and gregarious television producer; the other is an introverted insurance salesman with few long-term goals. The trouble begins when the pushy brother tries to con his quieter twin into providing financial support to a new program. Things really begin to happen after the women get involved. Fortunately it is all straightened out in the end when a third brother suddenly appears and saves the day. Songs include "I Couldn't Love You Anymore," "When I Fall in Love," "Negra Leona" (Sung by Isabelita), "Same Old Routine," "The Mad Hatter," and "Baa Baa to You" (Jack Brooks). ~ Sandra Brennan, All Movie Guide

The Shadow (Richmond) investigates the murder of an art dealer with his only clue being a stolen jade statuette. ~ All Movie Guide

Peter Cookson, Monogram's answer to Jimmy Stewart, stars in Fear, also known as Black Tower Cookson plays a medical student who becomes involved in a murder. Anne Gwynne is the girl who doesn't completely trust Cookson, but helps him out anyway. Also appearing as one of those oh-too-helpful types is Warren William, who died in 1948, suggested that perhaps Black Tower was lensed a few years before its official 1950 release date. Some sources list Black Tower as a PRC production; this is possible, though PRC was defunct by 1950. ~ Hal Erickson, All Movie Guide

The title tells all in the Monogram "expose" Black Market Babies. Alcoholic physician Dr. Jordan (Ralph Morgan) joins forces with gangster Eddie Condon (Kane Richmond) and shyster lawyer Anthony Marco (George Meeker) in a crooked adoption racket. Coercing unwed mothers to give up their babies for adoption, the unholy trio operates a supposedly philanthropic baby farm which caters to childless couples who have been frustrated by the legal adoption system. The villains rake in oodles and oodles of cash before the authorities close in. But once the jig is up, the crooks fall out, resulting in murder. ~ Hal Erickson, All Movie Guide

Mr. Hex was the first Bowery Boys epic in which the goofy Sach (Huntz Hall) is given superhuman powers. Hypnotized by a carnival magician (Ian Keith), Sach becomes a powerful boxer. Head Bowery boy Slip (Leo Gorcey) parlays this talent into a lucrative ring career for Sach, culminating in the championship bout. A gangster (Ben Welden) learns Sach's secret and hires his own hypnotist to put the "whammy" on the would-be champ. The fantastic elements of the story come crashing to earth when Sach's pal Gabe (Gabriel Dell) is shot by the gangster, but all ends sappily ever after. Mr. Hex was the fourth in Monogram's "Bowery Boys" series. ~ Hal Erickson, All Movie Guide

Greg McClure stars as legendary boxer John L. Sullivan in this screen biography of the famous fighter. Known as "The Boston Strong Boy," Sullivan was a bare-knuckle brawler who rose from humble circumstances to become the world's heavyweight champion from 1882 to 1892. While Sullivan was a skilled hand in the ring, fame and wealth took a toll on his ego, and as drinking and high-living replaced disciplined training, Sullivan's fighting edge disappeared. In 1892, Sullivan lost his title to James J. Corbett (Rory Calhoun), and after that came a slow descent into alcoholism and poverty, with Sullivan losing most of his friends and the love of his life along with his self-respect. However, Sullivan eventually cleaned himself up and rose to his feet for one final stab at the title. The Great John L. also features Linda Darnell, Barbara Britton, Otto Kruger, and Wallace Ford. The life of James J. Corbett had been made into a movie three years prior to this, as Gentleman Jim, with Errol Flynn as Corbett and Ward Bond as Sullivan. ~ Mark Deming, All Movie Guide

Hollywood and Vine is set in a drugstore located at the intersection of the title. James Ellison plays a successful screenwriter who likes to do his research first-hand. Assigned to write a film about Hollywood hopefuls, Ellison gets a job as a drugstore soda jerk. Wanda McKay plays Daisy, a small-town girl with dreams of stardom who hangs out at the soda counter in hopes of being discovered. Despite its tiny budget and brief running time, Hollywood and Vine is jam-packed with prominent movie character people, including Franklin Pangborn, Ralph Morgan, Leon Belasco, Robert Grieg, and sometimes "Bowery Boy" Billy Benedict. ~ Hal Erickson, All Movie Guide

The title The Lady Confesses is slightly misleading, since it's the hero of the film is accused of murder. On the eve of his marriage to Vicki McGuire (Mary Beth Hughes), Larry Craig (Hugh Beaumont) discovers that his first wife Norma (Barbara Slater), long missing and presumed dead, is very much alive. Shortly thereafter, Norma is killed, and Larry is the number one suspect. To save her sweetie, Vicki becomes an amateur detective, hoping to expose the genuine murderer. ~ Hal Erickson, All Movie Guide

Dillinger, the was the ninth effort from the enterprising King Brothers, and their most financially successful film to date. Lawrence Tierney became an overnight cult favorite with his gritty portrayal of maverick bank robber John Dillinger, though top billing is bestowed upon Edmund Lowe as gang chieftain Specs. The film traces Dillinger's criminal career from his first petty theft to his spectacular 1934 demise outside Chicago's Biograph Theater (incidentally, this film was banned in Chicago for several years). Anne Jeffreys plays Dillinger's fictional moll Helen, while Elisha Cook Jr., Marc Lawrence, and Eduardo Ciannelli go through their usual crime-flick paces. The film's set piece is an elaborate armored-car holdup, lifted in its entirety from footage originally shot for Fritz Lang's You Only Live Once (1937). Screenwriter Philip Yordan, fresh from his Broadway triumph Anna Lucasta, earned an Academy Award nomination for Dillinger. ~ Hal Erickson, All Movie Guide

There Goes Kelly is a followup of sorts to Monogram's 1943 comedy Here Comes Kelly, with Jackie Moran taking over for Eddie Quillan as the title character. In this one, the pugnacious Jimmy Kelly (Moran) is a page boy at a big-time radio station. When the station's star vocalist is murdered, suspicion immediately falls upon aspiring singer Anne (Wanda McKay). In love with the suspect, Jimmy and his fellow page Sammy (Sidney Miller) set about to nab the genuine culprit, much to the dismay of irascible detective Marty (Ralph Sanford). Just as Here Comes Kelly was a remake of He Couldn't Take It (1933), There Goes Kelly was likewise a remake, this time of the 1940 Frankie Darro-Mantan Moreland vehicle Up in the Air. ~ Hal Erickson, All Movie Guide