Daisy Robinson
The Bitter Tea of General Yen is the oddest, least characteristic talkie effort of director Frank Capra. Barbara Stanwyck stars as the intended of an American missionary (Gavin Gordon) who is sent to spread the good word in China. During a military revolution, Stanwyck and her fiance inadvertently wander into forbidden territory while trying to help a group of orphans escape. The couple is forcibly detained by elegant warlord General Yen (played by Swedish actor Nils Ashter), who relies upon the financial advice of drunken American expatriate Walter Connolly. Yen is overcome with desire at the sight of Stanwyck; at first repulsed by his attentions, Stanwyck finds herself strangely drawn in by his charisma. When everyone but Connolly deserts Yen when he needs them most, Stanwyck offers to stay behind with the General. Fearing that he will never be able to truly attain the woman he so loves, the honorable General Yen commits suicide by drinking poisoned tea rather than put her in harm's way. The one scene that everyone remembers takes place during one of Stanwyck's fevered dreams, in which she imagines Yen as a Fu Manchu-type rapist, who then melts into a gentle, courtly suitor. Directed with the exotic aplomb of a Josef von Sternberg by the usually down-to-earth Frank Capra, The Bitter Tea of General Yen was unfortunately a box office failure, due in great part to its miscegenation theme (this was still 1933). Even so, the film was chosen as the first attraction at the new Radio City Music Hall. ~ Hal Erickson, All Movie Guide
- Starring:
- Barbara Stanwyck, Nils Asther, (more)
Mack Sennett graduates Marie Prevost (star) and Clarence Badger (director) were reunited in the 5-reel feature Don't Get Personal. Marie plays a chorus gal whose father hopes to remove her from the sinful temptations of Broadway. The girl is shipped off to the country estate of elderly George Nichols, where she will hopefully learn the social graces. Instead, Marie tidies up the personal and financial problems of Nichols and his family, and also manages to land her host's taciturn son T. Roy Barnes as her husband. Costarring in Don't Get Personal is vaudeville monologist Roy Atwell, who later provided the voice of Doc in Disney's Snow White and the Seven Dwarfs. ~ Hal Erickson, All Movie Guide
- Starring:
- Marie Prevost, Daisy Robinson, (more)
When nineteenth century theatergoers thought of Rip Van Winkle, they pictured him as actor Joseph Jefferson. Rip was Jefferson's signature role, and later on his son, Thomas Jefferson took up where he left off and starred in the film version. It remains true to the story -- Rip's love for a drunken good time infuriates his wife Gretchen (Milla Davenport). He runs afoul of some mountain gnomes who give him a libation that puts him to sleep for 20 years. When he awakes he discovers that his wife married the man who wanted his property, and no one in the village recognizes him. But he is finally able to convince his daughter, Meenie (Daisy Robinson) of his identity. Perhaps the biggest problem with this picture was its location -- the hills of Southern California were a poor imitation of the Catskills, and the Hudson River was nowhere to be found. ~ Janiss Garza, All Movie Guide
This lively silent romantic comedy was the second film made by Douglas Fairbanks Sr. for the new United Artists company. Much of the film is a satiric broadside aimed at the then-innovational field of psychiatry. Wealthy young bachelor Fairbanks allows a pompous head-shrinker to influence his romantic pursuit of Greenwich Village artist Katherine Williams. There's action, athletics and laughs aplenty, topped by a terrific climactic flood sequence. The film's highlight is Fairbanks' therapy-induced dream, a triumph of special effects which is still capable of amazing audiences "jaded" by Spielberg and Lucas. When the Clouds Roll By comes to a hilariously ironic conclusion when the "psychiatrist" is revealed to be an escaped mental patient. ~ Hal Erickson, All Movie Guide
Julian Eltinge was the most famous female impersonator of his day -- in fact, Buster Keaton built a joke around his name alone in Seven Chances. So it's no surprise that although he has a male role in this action-packed comedy, the character winds up wearing women's clothing for a good portion of the picture. Temple Trask (Eltinge) publishes a newspaper that has an advice to the lovelorn column written by a "Mrs. Carfax" who happens to be Trask himself. At a college reunion, he brags about being able to impersonate a woman to his old pal, Billy Wise (Fred Church). Wise makes a bet that he won't dare appear in women's clothing in public, and Trask takes him on. But while thus attired, he spies swindler Adrian Graw (Noah Beery) plying his wiles on Trask's sweetheart, Helen Scott (Daisy Robinson). Trask spends the rest of the film as Mrs. Carfax in the flesh, tracking down Graw, his partner Rena Varsey (Rosita Marstini), and retrieving the bonds the pair have stolen from Helen's grandmother, Mary Keyes (Jennie Lee). This was Eltinge's second picture for Paramount. ~ Janiss Garza, All Movie Guide
That warhorse stage play The County Chairman was given its first cinematic treatment by that most prolific of directors, Allan Dwan. Macklyn Arbuckle repeats his stage characterization as Jim Hackler, a rural politico who manages to outsmart those who consider themselves cleverer than he. His chief rival is William Lloyd, the crooked incumbent to the office of country chairman. Hackler also smooths the course of a romance between his adopted son Harold Lockwood and Lloyd's daughter Daisy Robinson. County Chairman was remade as a talkie vehicle for Will Rogers in 1935. ~ Hal Erickson, All Movie Guide





