Bartlett Robinson Movies

Troy Donahue stars in this drive-in quality "B"-Western from the Warner Brothers backlot, directed by veteran director Raoul Walsh. Donahue is U.S. Cavalry Lieutenant Matt Hazard, who arrives at Fort Delivery on the Mexican border of Arizona for a new assignment. Kitty Mainwaring (Suzanne Pleshette), the wife of the commanding officer, greets Hazard upon his arrival. The next day, when he takes some of his men outside of the fort to gather wood, Hazard and his men find themselves attacked by Indians. Hazard survives and later saves Kitty from another Indian attack. A terrible storm forces the two to spend a night in a cave as they make their way back to the fort. Meanwhile, the new commander, General Quait (James Gregory), arrives at the fort and takes command -- his first order of business to launch an all-out war on the Indians. He tries to capture the belligerent Indian Chief War Eagle but fails. When Hazard arrives back at the fort, Quait orders Hazard into Mexico to convince War Eagle to surrender. Hazard has War Eagle agree to return with him on the promise that the Indians can have a safe haven at an Arizona reservation. But, on their way back to the fort, they are met by Major Miller (Lane Bradford), who, instead, orders the Indians to be sent to Florida. Hazard and Quaint end up traveling to Washington to try to convince the United States government to reverse their decision against the Indians. ~ Paul Brenner, All Movie Guide

A distraught man named Carl (Gary Merrill) climbs onto a skyscraper ledge, apparently planning to jump off. Several police officials and psychiatrists show up hoping to talk Carl out of suicide, but he refuses to talk to them, and in fact won't even reveal the reason that he has decided to end it all. Only when Officer Barrett (Mark Richman) arrives on the scene does Carl explain that his wife has recently killed herself after cheating on him with a man named Steve -- but why is Barrett able to succeed where so many others have failed? ~ Hal Erickson, All Movie Guide

Henpecked husband Leonard Thompson (Martin Balsam) shows up at funeral parlor, where he orders an expensive casket and makes arrangements for an even more expensive funeral. When asked who the "dear departed" is, Leonard replies that the future occupant of the casket has not died just yet. However, the funeral will go on as scheduled the following day...and Leonard will definitely be in attendance. ~ Hal Erickson, All Movie Guide

An old backstage legend is the source for this, the final episode of Alfred Hitchcock Presents' third season. Herbert Marshall stars as over-the-hill actor Colin Bragner, who hopes to stage a comeback in a play written by Adam Longworth (Tom Helmore). For his part, Longworth wants nothing to do with Bragner, considering him to be a mediocre actor. Nevertheless, Bragner invites Longworth and his wife (Julie Adams) to dinner, where he ultimately moves them to tears by telling them of a profoundly tragic incident in his past. Naturally, there's a twist to the story...but no murder this time out. ~ Hal Erickson, All Movie Guide

Upon wedding the lovely Sybilla (Barbara Bel Geddes), lifelong bachelor Horace Meade (Alexander Scourby) has second thoughts and asks for a divorce. When she refuses to give him one, he begins making entries in his diary, apparently plotting Sybilla's murder. In truth, he is only fantasizing, but his fantasies take a sinister turn when Sybilla tells him that she has turned the diary over to her lawyer with instructions that it be read in the event of her death -- a tragedy that Horace will now have to toil night and day to prevent! ~ Hal Erickson, All Movie Guide

This is a somewhat serviceable, light comedy by prolific director Norman Taurog (a favored helmer of Elvis Presley and Jerry Lewis films). Squeaky-clean Pat Boone is a singing lieutenant who has to briefly ship out to the Aleutians and regrettably leave Sally (Barbara Eden), his new love behind. Taking off with the ship is a stowaway turkey, nurtured by Garfield (Buddy Hackett), a zany sailor with a soft heart for the avian critter. The problem is, the turkey has a special attachment to the captain (Dennis O'Keefe). By the time the ship docks in Long Beach again, the turkey and an amorous pelican have produced a strange-looking egg, and Sally has just smuggled herself onboard, anxious to see her lieutenant. Now comes the inspection of the ship by Commander Bintle (Gale Gordon). ~ Eleanor Mannikka, All Movie Guide

Darrin cannot understand why so much bad luck has befallen his friend Adam Newlarkin (William Redfield). Doing a bit of research on her own, Samantha discovers that the accident-prone Adam is plagued by an ancient curse. With the "help" of dotty old Aunt Clara, Sam tries to lift the curse by following a strict -- and very odd -- antidotal procedure. Written by Bernard Slade, "We're in for a Bad Spell" originally aired on September 30, 1965. ~ Hal Erickson, All Movie Guide

When Bonanza debuted in 1959, its first episode was "A Rose for Lotta", guest-starring Yvonne DeCarlo as real-life musical peformer Lotta Crabtree. Written by Stanley Roberts, the series' March 1, 1970 episode "Return Engagement" found Sally Kellerman in the role of the fabulous Lotta. As indicated by the title, Ms. Crabtree has once again honored Virginia City with a visit, and both Joe and Hoss Cartwright are swept off their feet by the glamorous actress (Joe even begins entertaining notions of pursuing a stage career himself!) Things take a sinister turn when Lotta's leading man is killed and Hoss is accused of the crime. Joyce Bulifant, who later played Marie Slaughter on The Mary Tyler Moore Show, appears as Bonnie. ~ Hal Erickson, All Movie Guide

When Gilligan (Bob Denver) comes across a crate full of plastic, the Castaways eagerly fashion the material into such creature comforts and utilities as golf balls, nails and tooth fillings. What Gilligan and the rest don't know is that the crate was prepared by the US government--and that it contains a new, top secret plastic explosive! In keeping with the series' third-season policy of casting professional athletes in cameo roles, this episode features LA Lakers star Rudy LaRusso as "Michaels." ~ Hal Erickson, All Movie Guide

Away in New York on legal business for his old law firm, Oliver (Eddie Albert) receives a startling phone call from wife Lisa (Eva Gabor) back in Hooterville. It seems that, during Oliver's absence, someone has left a baby on the Douglases' doorstep. The situation rapidly becomes complicated and hopelessly convoluted, all because the flustered Lisa has omitted one vital detail: the "little visitor" is actually a baby dog! ~ Hal Erickson, All Movie Guide

Grim, almost unbearably intense, I Want To Live is the story of the life and execution of Barbara Graham (Susan Hayward) a perjurer, prostitute, liar and drug addict. The product of a broken home, Graham works as a shill, luring gullible men into crooked card games. She attempts to go straight, marries the wrong man, and has a baby. When her life falls apart, she returns to her former profession and is involved in a murder. Despite her claims of innocence, she is convicted and executed. Robert Wise directs the uniformly fine cast with grim efficiency, telling Graham's story in a series of adroitly crafted scenes that won him a well-deserved Academy Award nomination. However, the film belongs to Susan Hayward who gives a intense, shattering performance without one false note. Her performance is so grimly focused that she is, at times, almost unbearable to watch. The final scenes, which lead up to Graham's execution, are exhausting in their emotional intensity as the audience is spared nothing of Graham's agony, despair and desperation when she finally loses the long battle to save her life. Whether one sees Graham as a murderer or a hapless victim of society, the power and relentless, sordid reality of her story leaves an indelible memory in the mind of the viewer. ~ Linda Rasmussen, All Movie Guide

In this romantic drama based on a novel by Betty Smith, Carl Brown (Richard Chamberlain) is a student in law school who wants to marry his sweetheart, Annie McGairy (Yvette Mimieux). However, Carl and Annie's parents knew each other when they grew up in Ireland before emigrating to America, and Carl's father Patrick (Arthur Kennedy) vehemently objects to their engagement. The young couple decide to tie the knot anyway, and Patrick retaliates by cutting off financial support to his son. The young couple deal with the usual tribulations of newlyweds while they struggle to keep their heads above water -- Carl takes a job as a night watchman, while Annie makes a few dollars babysitting for Beverly Karter (Joan Tetzel), a married woman who is cheating on her husband with Stan Pulaski (Oscar Homolka), a married man. Living in a tiny apartment on the shabby side of town, Carl and Annie get to know other people too poor or too different to fit in elsewhere in an upscale college town. When Annie becomes pregnant, she leaves Carl, not wanting to burden him so that he can continue with his education. This sends Carl into an emotional tailspin, and Patrick tries to patch up the marriage he once opposed for the sake of his son's happiness. Joy in the Morning marked the first and only feature film role for TV and stage actor Donald Davis, who played Anthony, a gay florist who befriends the young couple. ~ Mark Deming, All Movie Guide

James Garner is so good as Raymond Chandler's philosophical gumshoe Philip Marlowe that you forget he's totally wrong for the part. Based on Chandler's The Little Sister, Marlowe involves the detective's efforts to locate the missing brother of Orfamay Quest (Sharon Farrell). He follows the clues to two men who deny any knowledge of the brother's existence. Since both men soon find themselves on the wrong end of an ice pick, Marlowe deduces that there's more to this caper than a mere missing-person case. The plot thickens as more "dramatis personae" are added to the intrigues, including TV star Gayle Hunnicutt, Hunnicutt's gangster boyfriend H.M. Wynant and stripper Rita Moreno. A pre-stardom Bruce Lee shows up as a karate-happy thug who lays waste to Marlowe's office shortly before suffering a spectacular demise. It is preferable to view Marlowe in videocassette or theatrical form; the commercial TV print cuts so much out that viewers are left with virtually nothing but protection leader and a few close-ups of James Garner. ~ Hal Erickson, All Movie Guide