Michel Robin Movies

One woman decides to change the world by changing the lives of the people she knows in this charming and romantic comic fantasy from director Jean-Pierre Jeunet. Amelie (Audrey Tautou) is a young woman who had a decidedly unusual childhood; misdiagnosed with an unusual heart condition, Amelie didn't attend school with other children, but spent most of her time in her room, where she developed a keen imagination and an active fantasy life. Her mother Amandine (Lorella Cravotta) died in a freak accident when Amelie was eight, and her father Raphael (Rufus) had limited contact with her, since his presence seemed to throw her heart into high gear. Despite all this, Amelie has grown into a healthy and beautiful young woman who works in a cafe and has a whimsical, romantic nature. When Princess Diana dies in a car wreck in the summer of 1997, Amelie is reminded that life can be fleeting and she decides it's time for her to intervene in the lives of those around her, hoping to bring a bit of happiness to her neighbors and the regulars at the cafe. Amelie starts by bringing together two lonely people -- Georgette (Isabelle Nanty), a tobacconist with a severe case of hypochondria, and Joseph (Dominique Pinon), an especially ill-tempered customer. When Amelie finds a box of old toys in her apartment, she returns them to their former owner, Mr. Bretodeau (Maurice Benichou), sending him on a reverie of childhood. Amelie befriends Dufayel (Serge Merlin), an elderly artist living nearby whose bones are so brittle, thanks to a rare disease, that everything in his flat must be padded for his protection. And Amelie decides someone has to step into the life of Nino (Mathieu Kassovitz), a lonely adult video store clerk and part-time carnival spook-show ghost who collects pictures left behind at photo booths around Paris. Le Fabuleux Destin D'Amelie Poulain received unusually enthusiastic advance reviews prior to its French premiere in the spring of 2001, and was well received at a special free screening at that year's Cannes Film Festival. ~ Mark Deming, All Movie Guide

The small port town in Brittany in this movie has its charms, but they are largely invisible to the children growing up there. In the first place, they are deeply disturbed at the sudden death of an elderly woman who is one of their favorite teachers under what appear to them to be suspicious circumstances. They launch an investigation and start a little newspaper to report their findings in, as a result of which the workings of their little town are made extremely clear. When "suspects" refuse to cooperate with them, they persecute him (or her) with pranks until they do. Naturally, their teacher's replacement has her work cut out for her, but she eventually accomplishes this by taking an interest in her predecessor and the student's investigations. ~ Clarke Fountain, All Movie Guide

Former circus performer Jaco Van Dormael made his feature-film directing bow with the Belgian/French/German coproduction Toto Le Héros. The title character is an fictional supersecret agent, idolized by a young boy named Thomas. The lad aspires to become Toto when he grows up; but thanks to a kaleidoscope of flashbacks and flashforwards, we know that he'll end up ordinary and unfulfilled. The film hopscotches between the Three Ages of Thomas: wide-eyed youngster, mediocrity-mired adult, bitter old man. The elder Thomas has never gotten over his childhood traumas and hatreds. He was always jealous of his wealthy boyhood friend Alfred, fantasizing that he and his chum were switched at birth. At the end, the aged Thomas escapes from a senior citizens' home -- an act which leads to Fate dealing its final ironic blow. ~ Hal Erickson, All Movie Guide

Ribald, violent, surreal and satirical, Marquis offers a unique take on the events leading up to the French revolution as seen from the perspective of the notorious Marquis de Sade. Presented in metaphorical terms, each of the actors' faces are covered by an animal mask that more or less represents their character. Their voices were dubbed in later. The tale opens while the dog-faced Marquis de Sade serves jail time. When not working on his writing, he engages in long conversations with Colin his penis, a meter long member endowed with a human face. When Colin is not whining about his need for stimulation and his particular interest in the rat-like bisexual jailer Ambert and espousing his impulsive philosophies, he is criticizing the Marquis' work, some of which is illustrated via claymation. The Marquis is in trouble for allegedly raping and impregnating the cow-faced Justine, who was really victimized by the king, something the camel-headed priest Don Pompero, and the cocky Gaetan De Preaubois, try to keep secret. Meanwhile, the revolutionaries prepare to stage a coup and depose the king. ~ Sandra Brennan, All Movie Guide

This gentle, mildly satiric French comedy follows the romantic adventures of a group of men who have gone with their children to spend the summer in their vacation homes on the Atlantic coast. Some of the men are divorced, some still married, but all are open to meeting new women while their wives and girlfriends are back in Paris. Much of the humor derives from the reversal of the usual situation - - the men are off with the children while the women are back home tied to work and career. The film is loosely structured and episodic as it simultaneously follows the stories of a number of characters. Particularly engaging in the large cast are Michel Robin as an eccentric publisher with a avidly jealous wife and Helene Vincent as a frumpy divorcee constantly on the prowl for a new mate. ~ Clarke Fountain, All Movie Guide

Produced on behalf of the HBO cable service, The Blood of Others is a rare venture into English-language filmmaking by Claude Chabrol. Set during World War II, the film stars Jodie Foster and Michael Ontkean as a pair of French resistance fighters. If you can swallow that, then you'll accept New Zealand native Sam Neill as a German businessman. Chabrol's wife Stephane Audran costars as Gigi, while other prominent members of the cast include Alexandra Stewart, Jean-Pierre Aumont and Micheline Presle. Oh, yes, the plot: based on a novel by Simone de Beauvoir, The Blood of Others concerns Jodie Foster's confused loyalties: should she continue in her underground activities, or succumb to the charms of the seemingly civilized Neill? This French-Canadian coproduction was originally telecast August 23, 1984. ~ Hal Erickson, All Movie Guide

This story about a wounded American gangster seeking refuge in the country villa of a blind, sophisticated, and aging actor has an uneven script that alternates sharp dialogue with slow segments. The plot thickens when the actor's nephew arrives with his new love interest, and she is quite taken with the gangster. Jealous of his brutish rival, the young nephew plans to get back at the American in any way he can. ~ Eleanor Mannikka, All Movie Guide

In another typical Jean-Paul Belmondo vehicle, the French action hero plays a policeman prone to advancing the cause of justice by any means necessary. On his agenda is a powerful drug cartel working out of Paris and Marseilles, with a drug lord (Henry Silva) who is essentially inaccessible -- but not immortal. Stunts (performed by Belmondo) and chase scenes on land and water enliven the story, but the scenes with Belmondo's love interest are rather marginal themselves. ~ Eleanor Mannikka, All Movie Guide

One the best, most serious detectives in France (Gérard Depardieu) is teamed up with a luckless stumble-bum (Pierre Richard) and sent off to Central America to search for the klutzy daughter of a powerful magnate in this fast-paced and funny French farce. ~ Sandra Brennan, All Movie Guide

Pipe (Michel Robin) has worked on the same farm for forty of his 66 years of living. Now he is in his "salad" years, and in retirement is free to explore the world in ways he never did before. He buys a small motorcycle with the help of an Italian migrant laborer and begins touring the countryside. Formerly somewhat docile, he gets into scrapes and fights, and eventually loses his cycle. Nonetheless, he has a chance to see the Alps from the sky. He has always wanted to see these legendary mountains, and is disappointed to realize that they are just big piles of rock. ~ Clarke Fountain, All Movie Guide