Willard Robertson Movies

Easily the best of Eddie Cantor's gargantuan musical comedies for producer Sam Goldwyn, Roman Scandals begins in the middle-America community of West Rome, where our hero Eddie (Cantor) is employed as a delivery boy. A self-styled authority of Ancient Roman history, Cantor bemoans the fact that the local shanty community is about to be wiped out by scheming politicians, certain that such an outrage could never have happened during Rome's Golden Days. After a blow on the head, Cantor wakes up in Imperial Rome, where he is sold on the slave auction block to good-natured tribune Josephus (David Manners). Cantor soon discovers that the evil emperor Valerius (Edward Arnold) is every bit a crook and grafter as the politicians in West Rome, and he intends to do something about it. He gets a job as food taster for Valerius -- a none-too-secure position, inasmuch as the emperor's wife Agrippa (Veree Teasdale) is constantly trying to poison her husband -- and does his best to smooth the path of romance for Josephus and recently captured princess Sylvia (Gloria Stuart). Cantor's well-intentioned interference earns him a session in the torture chamber, but he escapes and commandeers a chariot, setting the stage for a spectacular slapstick climax. On the verge of recapture, Cantor wakes to find himself in West Rome U.S.A. again, where he quickly foils the modern-day despots and brings about a happy ending for all his friends.

Co-written by George S. Kaufman, Robert E. Sherwood, George Oppenheimer and Arthur Sheekman (the soon-to-be husband of leading lady Gloria Stuart), Roman Scandals manages to get off a few clever satirical licks, but essentially it's a "lappy" lowbrow vehicle for Eddie Cantor, and in this it succeeds immensely. The Busby Berkeley-staged musical numbers, written by Harry Warren, Al Dubin and L. Wolfe Gilbert, must be seen to be believed: In "No More Love", Ruth Etting, playing the Emperor's cast-off mistress Olga, sings a plaintive torch song as dozens of enslaved Goldwyn Girls (including Lucille Ball and Barbara Pepper), wearing nothing but long, blonde wigs, are chained to a rotating pedestal; and in "Keep Young and Beautiful", these same maidens gleefully cavort around a Roman bathhouse in the near-altogether while Cantor, in blackface, hops about, rolls his eyes and claps his hands -- just before a jet of steam "shrinks" him, at which point he metamorphoses into midget Billy Barty! The quintessence of Depression-era escapism, Roman Scandals is must-see entertainment. ~ Hal Erickson, All Movie Guide

We first lay eyes on Jimmy Cagney in Lady Killer while he's working as a movie theater usher. This job lasts just long enough for Jimmy to be swindled in a "badger game" orchestrated by hard-boiled Mae Clarke and a gang of crooks headed by Douglass Dumbrille. Knowing a good thing when he sees it, Cagney joins the mob, and soon is calling the shots. But though he's got larceny in his soul, Cagney draws the line at murder, and when gang member Raymond Hatton is bumped off, Cagney and Clarke board the Super Chief and head to California. With the cops laying for Cagney in LA, he's suspicious of everyone. A shifty-looking mug (William B. Davidson) takes after Cagney on the street; catching up to the winded Cagney, the mug explains that he's a movie director, and that Cagney is a perfect "type" for an upcoming prison picture. After several months as a bit player, Cagney befriends good-natured movie-star Margaret Lindsay, who encourages Cagney to seek out bigger parts. The enterprising Cagney engineers a phony fan-mail campaign encouraging the studio to give him starring roles. Though now a slick, pomaded romantic lead in pictures, Cagney is still Cagney; when a snooty critic pans Lindsay's most recent performance, Cagney forces the reviewer to literally eat his words! It must needs be that Cagney's old gang shows up in Hollywood, planning to use Cagney's influence to gain entree into movie stars' mansions, then steal their valuables. Cagney says ixnay to this, so the mob schemes to take him for a ride. Tipped off by Clarke, Cagney is able to rout the crooks, save the day, and claim Lindsay for his bride. Lady Killer is vintage Cagney, throwing virtually every one of his star-making attributes (including one cute reference to his legendary "grapefruit scene" in 1931's Public Enemy) into one entertaining 76-minute stew. ~ Hal Erickson, All Movie Guide

A man on the wrong side of the law has a chance to turn over a new leaf in this crime drama. Edward Carson (Spencer Tracy) is a gangster who made a fortune in bootlegging; however, his lawyer turned on him and set him up on a tax evasion charge that earned him a long stay in prison. While Carson is in stir, prohibition is repealed, and with illegal booze no longer a money-maker, Carson's underlings take up kidnapping as a way to earn a living. When the gang abducts Thomas and Lila Penfield (Howard Lally and Mary Mason) -- the son and daughter of Judge Penfield (Ralph Morgan), who presided at the trial that put Carson behind bars -- Carson is given a chance to redeem himself. He's released on the condition that he help the police track down his former partners in crime before the Judge's children can be harmed. Jane Lee (Claire Trevor), a crusading journalist covering the kidnapping, gets to know Carson, and before long, they develop a close bond both professionally and personally. Keep an eye peeled for Kathleen Burke, who won a substantial cult following for her performance the same year as Lota the Panther Woman in the horror classic The Island of Lost Souls. ~ Mark Deming, All Movie Guide

Behind the Mask is a typically virile Jack Holt vehicle, with the hero at one point shooting himself in the arm to establish an alibi! Holt plays a federal agent named Hart who has himself planted in jail as a convict to get the goods on a drug syndicate. Befriending small-time gangster Henderson (Boris Karloff), Hart follows the trail of clues to unmask the head of the syndicate, who turns out to be the supposedly respectable Dr. Steiner (Edward Van Sloan). In the rip-roaring climax, Steiner prepares to perform an "operation" on Hart, gleefully informing his victim that his chances for recovery are next to nil. Because of the presence of Boris Karloff and Edward Van Sloan in the cast, Behind the Mask was included in Screen Gems' "Shock Theater" TV package, even though there's nothing really horrific in the film. ~ Hal Erickson, All Movie Guide

A semi-sequel to Tom Mix's 1932 Destry Rides Again, Rider of Death Valley finds Mix protecting the gold-mine claim of little Edith Fellows. Fellows' father has met his end at the hands of villain Fred Kohler. Kohler confronts Mix in the wastes of Death Valley, hoping to leave Mix to perish beneath the merciless sun. In a climax reminiscent of Erich Von Stroheim's Greed, both men struggle over a half-empty canteen of water, as leading lady Lois Wilson looks on helplessly. Rider of Death Valley was the second of silent western hero Tom Mix's talking features for Universal, though it was released fourth. ~ Hal Erickson, All Movie Guide

Warner Bros.' hard-hitting chain-gang movie was a faithful adaptation of the similarly titled autobiography of Robert Elliot Burns. Paul Muni plays World War I veteran James Allen, whose plans of becoming a master architect evaporate in the cold light of economic realities. Flat broke, Allen is forced to pawn his war medals, which have become a glut on the market. When Allen is innocently involved in a restaurant holdup, the police don't buy his story that the robber (Preston S. Foster) had forced him to clean out the cash register, and Allen is sentenced to ten years on a chain gang. The brutal scenes that follow make the later chain-gang movie Cool Hand Luke (1967) look like a picnic in the country. Unable to stand any more, Allen escapes and heads to Chicago. Using an alias, he builds a new life for himself and within five years is the respected president of a bridge-building firm. His landlady (Glenda Farrell), learning about his past, forces Allen to marry her. When he falls in love with another girl (Helen Vinson) and asks for a divorce, his wife turns him over to the authorities. The real-life Robert Elliot Burns was still a fugitive when he wrote his exposé of the chain-gang system; the publication of Burns' book led to the abolishment of that system and an erasure of Burns' sentence. ~ Hal Erickson, All Movie Guide

Inspired in part by the sensational Snyder-Gray murder case (which was also the source of The Postman Always Rings Twice), The Famous Ferguson Case casts an unflattering light on the journalist "feeding frenzy" attending such crimes. A wealthy banker named Ferguson is found murdered, and his bound-and-gagged wife (Vivienne Osborne) is rescued by the police. It appears at first that the murderer was an unknown burglar, but the cops think otherwise, hypothesizing that Mrs. Ferguson actually conspired with her lover Judd Brooks (Leon Waycoff, aka Leon Ames) to murder her husband. The small town where the murder occurred suddenly becomes the center of a media circus, with reporters from all over the country grasping and clawing for a "hot scoop." At first, hard-boiled girl reporter Maizie Dickson (Joan Blondell) is no better than the rest of the journalist jackals, but she soon becomes disillusioned at the manner in which the truth has been crushed to earth by her insensitive brethren. She also has her heart broken when her husband, likewise a reporter, uses his assignment as an excuse to sleep around. The relentless media blitz eventually drives Mrs. Ferguson (whose guilt or innocence is never completely established) to kill herself and also ruins the lives of everyone around her. Once considered a relic of its period, The Famous Ferguson Case grows more timely with each passing year. ~ Hal Erickson, All Movie Guide

The 1932 Tom Mix western talkie Texas Bad Man has much in common with the sombre silent efforts by Mix's former rival William S. Hart. Lawman Mix deliberately cultivates a reputation as an outlaw in order to infiltrate a gang of thieves. What sets this one apart from most budget westerns of its period are the believable situations and three-dimensional characterizations. In particular, Willard Robertson as the head villain delivers a performance that under different circumstances might very well have earned him an Oscar nomination. Also worthy of praise is the cinematography, courtesy of longtime Tom Mix associate Daniel Clark. ~ Hal Erickson, All Movie Guide

The factual story of H.A.W. Tabor and "Baby Doe" was the inspiration of Silver Dollar. Edward G. Robinson plays the Tabor counterpart, a prospector who strikes it rich with a silver mine. Robinson establishes the city of Denver, strongarms his way into political power, buys every creature comfort he can get his hands on, and deserts his faithful wife (Aline McMahon) for a flashy younger woman (Bebe Daniels, playing the character based on Tabor's mistress "Baby Doe"). Robinson is ruined by the decline of the silver market, spending his last days in near-madness planning and dreaming for a return to his glory days. In real life, it was Baby Doe who went insane, living (and dying) in a tiny shack near the once-prosperous silver mine. Stodgily directed, Silver Dollar isn't nearly as surrealistic as the true story it's based on. ~ Hal Erickson, All Movie Guide

William Wyler directed this melodramatic story about a boy who, after growing up in the shadow of his father, learns the old man wasn't all he claimed to be. Tom Brown (played, as coincidence would have it, by an actor named Tom Brown) is a boy who has been struggling to help his mother keep body and soul together ever since the death of his father during World War I. The elder Brown died in combat when Tom was a baby, but her heroism earned him a posthumous Congressional Medal of Honor, and in tribute to his father a local American Legion post presents Tom with a full scholarship to attend the prestigious Culver Military Academy; while Tom has his doubts about his future as a soldier, he certainly understands the value of an education and accepts. However, its not until after he's enrolled at Culver that Tom learns the truth about his father -- "Doc" Brown (H.B. Warner) fled in the midst of battle, exchanging his identification with a dead soldier, and has been living the life of a coward ever since. Will Tom be able to restore the good name of the Brown family? Andy Devine, Sidney Toler, Slim Summerville and a young Tyrone Power highlight the supporting cast. ~ Mark Deming, All Movie Guide

In this melodrama with strong racist overtones, Clara Bow attempts to revive her failing career by playing a free-spirited girl whose father is an American Indian and whose mother is Anglo Saxon. For some reason the girl doesn't know of her mixed heritage and constantly fights with her dad. The rebellious girl decides to show her dad who's boss by marrying a man he hates. Unfortunately it's a big mistake and soon after she gives birth to a sickly baby the marriage busts up. He leaves her impoverished and in desperation she turns to prostitution. Eventually, she returns to her homeland and learns the truth. Now at peace she meets a boy with similar heritage and they find marital bliss together. ~ Sandra Brennan, All Movie Guide

Based on a story by Robert Andrews, If I Had a Million is a multipart comedy-drama employing Paramount's top directorial and acting talents. Refusing to leave his fortune to his grasping relatives, dying millionaire Richard Bennett selects several people at random from the phone book and bestows upon each of them a check for one million dollars. The first recipient is henpecked husband Charlie Ruggles, who cheerily enters his former place of employment, a china shop, and smashes every bit of crockery in the place. Prostitute Wynne Gibson uses her money to escape from her sordid lifestyle and finally sleep in a bed all by herself. Forger George Raft finds that he can't convince anyone that his check is genuine, and ends up handing the check to a flophouse manager--who promptly burns it. Husband and wife W.C. Fields and Alison Skipworth, dismayed that their new car has been destroyed by a "road hog," utilize part of their million dollars to purchase a fleet of cars and then smash up every road hog in sight! Convicted murderer Gene Raymond hopes that his million will help finance a new trial, but the execution is carried out on schedule. Newly rich clerk Charles Laughton calmly makes his way through a series of offices, reaches his boss' desk, and delivers a loud Bronx cheer. Gary Cooper, Roscoe Karns and Jack Oakie play three brawling marines who think the check's a joke and sign it over to an illiterate lunch-counter owner. The last million-dollar recipient is May Robson, an elderly woman confined to a dismal nursing home. She spends her money to turn the home into a joyful resort for old people, forcing the formerly repressive nursing-home staffers to earn their paychecks by sitting all day in rocking chairs. The millionaire who started the plot rolling is given a new lease on life by May Robson's example, and he recovers from his "fatal" illness. ~ Hal Erickson, All Movie Guide

Fay Wray screams when she first lays eyes on Lionel Atwill in Doctor X, but don't let that fool you. Atwill plays Fay's father this time around, and he may very well not be the diabolical "Moon Murderer" whom the police are seeking. Dr. Xavier (Atwill) maintains a research lab in a remote Long Island estate. The police suspect that one of Xavier's assistants--all "second-chancers" whose previous misdemeanors range from botched experiments to cannibalism!--is the mysterious murderer who strikes only when the moon is full. Newspaper reporter Lee Tracy sneaks into the estate to get a swell scoop, whereupon he falls in love with Fay. In trying to help the authorities, Xavier stages an elaborate trap for the Moon Murderer, with his daughter as the willing bait. The killer (we won't tell you who it is, but you'll figure it out anyway) reveals himself by coating his body with "synthetic flesh", which gives him supernatural powers. Based on a play by Howard C. Comstock and Allen C. Miner, Doctor X was originally filmed in two-color Technicolor; available for years only in black and white, the film was restored to its full tinted state in the 1970s. ~ Hal Erickson, All Movie Guide