Willard Robertson Movies

The once-in-a-lifetime teaming of Mae West and W.C. Fields in My Little Chickadee had the potential for comic greatness: what emerged, though generally entertaining, was, in the words of critic Andrew Sarris, "more funny strange than funny ha-ha." Mae West dominates the film's first reel as Flowerbelle Lee, a self-reliant woman who is abducted by a mysterious masked bandit during a stagecoach holdup. Because she refuses to tell anyone what happened during her nocturnal rendezvous with the bandit, Flowerbelle is invited to leave her prudish hometown and move to Greasewood City. En route by train, Flowerbelle makes the acquaintance of con-artist Cuthbert J. Twillie (W.C. Fields), who carries a suitcase full of what seems to be large-denomination monetary notes. After a lively clash with marauding Indians, Flowerbelle tricks Twillie into a phony marriage; she does this so that she can arrive in Greasewood City with a modicum of respectability, and incidentally to get her hands on Twillie's bankroll. Once she discovers that Twillie's "fortune" consists of nothing but phony oil-well coupons, Flowerbelle refuses to allow Twillie into the bridal chamber (he unwittingly crawls into the marriage bed with a goat, muttering "Darling, have you changed your perfume?") Through a fluke, the cowardly Twillie is appointed sheriff of Greasewood City by town boss Joseph Calleila. The plot is put on hold for two reels while La West does a "schoolroom" routine with a class full of markedly overage students, and while Fields performs a bartender bit wherein he explains how he once knocked down the notorious Chicago Mollie. Jealous over the attentions paid to his "wife" by Calleila and honest newspaper-editor Dick Foran, Twillie decides to gain entry into his wife's boudoir by posing as the still-at-large masked bandit. His ruse is soon discovered by Flowerbelle, but the townsfolk capture Twillie as he makes his escape. They are about to lynch the hapless Twillie when Flowerbelle discovers that Calleia is the genuine masked bandit. She urges Calleia to save Twillie's life by making a surprise appearance at the lynching and by returning the money he's stolen. When all plot lines are ironed out, Flowerbelle and Twillie bid goodbye to one another. Borrowing a device utilized by ZaSu Pitts and Hugh Herbert in 1939's The Lady's From Kentucky, W.C. Fields invites Mae West to "come up and see me sometime," whereupon West appropriates Fields' tagline and calls him "My Little Chickadee." The script for this uneven comedy western was credited to Mae West and W.C. Fields, though in fact West was responsible for most of it. Fields willingly conceded this, noting that West had captured his character better than any other writer he'd ever met. Despite this seeming gallantry, it was no secret that West and Fields disliked each other intensely, a fact that had an injurious effect on their scenes together. My Little Chickadee has assumed legendary status thanks to its stars, and it certainly does deliver the laughs when necessary: still, it is hardly the best-ever vehicle for either Fields or West, two uniquely individual performers who should never have been required to duke it out for the same spotlight. ~ Hal Erickson, All Movie Guide

Cecil B. De Mille directed this lavish all-star spectacular paying tribute to America's neighbors to the North. In 1885, as Louis Riel (Francis J. McDonald) tries to organize Indians and French settlers into a fighting force that will battle against the ruling British, Texas Ranger Dusty Rivers (Gary Cooper) arrives in Canada to arrest Jacques Corbeau (George Bancroft), one of Riel's associates who is wanted for murder in the U.S. Rivers promptly falls for nurse April Logan (Madeleine Carroll), which triggers jealously in the straightlaced Mountie sergeant Jim Brett (Preston S. Foster), who is also in love with April. Meanwhile, April's brother, Ronnie Logan (Robert Preston), also a member of the North West Mounted Police, is in love with Louvette (Paulette Goddard), Corbeau's sister and a fiery "half-breed" who lives among the Indians. When Dusty arrives in Canada, he joins forces with the mounties, who are looking for Corbeau on another murder charge, and soon joins the fight against Riel's rebel factions. De Mille imported 300 pine trees for his "forest" set, believing that a woods created on the controlled environment of a soundstage would look more "real" onscreen than location shooting in Canada. ~ Mark Deming, All Movie Guide

In the tradtion of producer Harry Sherman's earlier Zane Grey westerns for Paramount, Heritage of the Desert features an essentially non-western star in the lead. Donald Woods plays John Abbott an eastern man-about-town who heads west to claim an inheritance. Crooked attorney Henry Holderance (C. Henry Gordon) contrives to have Abbott shot down before he ever arrives at his destination, but Abbott survives his wounds thanks to the tender ministrations of Miriam Naab (Evelyn Venable), daughter of friendly rancher Andrew Naab (Robert Barrat). Realizing that he's going to have to toughen himself up to survive in the west, Abbott does so, eventually paying Holderance back for his treachery. Heritage of the Desert was previously filmed in 1924, with Bebe Daniels, Ernest Torrence, Noah Beery and Lloyd Hughes. ~ Hal Erickson, All Movie Guide

The real Frank and Jesse James were murderous thugs, light years away from the Robin Hood image imposed on them by revisionist dime novelists. But in 1939, 20th Century-Fox wasn't about to build an expensive Technicolor feature around the exploits of a couple of low-lives, thus Jesse James upholds the mythos, offering us the standard whitewashed version of the James boys. According to Nunally Johnson's irresistibly entertaining screenplay, Jesse (Tyrone Power) and Frank (Henry Fonda) become train and bank robbers to avenge the death of their mother (Jane Darwell), killed at the behest of greedy railroad interests. Once he feels his work is done, Jesse settles down to a life of marital domesticity--only to be shot in the back by cowardly Bob Ford (John Carradine). Frank James is left alive at film's end, paving the way for the 1941 sequel The Return of Frank James. Director Henry King stages the action sequences in glorious outsized fashion, notably the famous bank-robbery scene in which Jesse rides his horse through a plate glass window. The scenes involving both James brothers are stolen hands-down by Henry Fonda, not so much because he was a better actor than Tyrone Power but because his character had all the best lines. Jesse James was filmed largely on location in Missouri, resulting in crowd-control nightmares for the picture's beleaguered assistant directors. ~ Hal Erickson, All Movie Guide

Jackie Cooper and Freddie Bartholomew, both recent graduates of the MGM production factory, are reteamed in Universal's Two Bright Boys. While drilling for oil on his Texas ranch, young Rory O'Donnell (Cooper) must fend off the efforts of all-around villain Hallitt (Alan Dinehart) to claim Rory's property for himself. Meanwhile, expatriate Englishman Hilary Harrington (Melville Cooper) and his son David (Freddie Bartholomew) wander the countryside in search of a dishonest dollar. At first hired by Dinehart to help force Rory off his land, the two Britishers instead befriend the young rancher and try to help him bring in a gusher. Hardly Universal's most important 1939 release, Two Bright Boys was still entertaining enough to pay its way. ~ Hal Erickson, All Movie Guide

In this courtroom drama a countrified prosecutor deliberately fails in his attempt to convict a notorious gangster so he can protect his adopted daughter, the gangster's moll. As a result the lawyer loses his job. When his troubled girl gets accused of murder, he does all he can to defend her. ~ Sandra Brennan, All Movie Guide

Brash and vigorous director William Wellman always had a place in his filmography for movies glorifying the early years of aviation -- from the start of his career (Wings), until the end (Lafayette Escadrille). But, perhaps, never has his devotion to aviation been made more vivid than in his 1938 drama Men With Wings. Wellman, in this film, attempts to dramatize the history of aviation from the early days of the Wright Brothers until the 1930s, when airline transportation first became viable. The story centers upon two contrasting aviation types: the barnstormer, Pat Falconer (Fred MacMurray), and the methodical scientist of flight, Scott Barnes (Ray Milland). Through these two archetypes, Wellman follows Pat and Scott from childhood to adulthood. Pat marries childhood sweetheart Peggy Ransom (Louise Campbell) and they have a child. Scott, who had always loved Peggy, remains in the background, not wanting to break up his solid friendship with Pat. But Pat is clearly doomed by his recklessness and breakneck individuality. After fighting in the skies during World War I, he refuses to sit back and do the methodical work of flight research like Scott. Always searching for another war to fight, Falconer leaves Scott and Peggy behind, taking off for China to help the Chinese fight Japanese invaders. ~ Paul Brenner, All Movie Guide

In this crime drama, an undercover cop infiltrates a crime syndicate being run by an incarcerated mob boss who conducts his business via a short-wave radio concealed in his cell. The boss is caught and placed in solitary confinement. The cop, the boss's physical double, takes his place. Soon changes in the gang's activities are subtly made. The "boss" orders his mob to keep careful records of their activities. Ostensibly, this is to make the organization more businesslike, but of course, it is really to gather enough evidence to convict them all. Trouble ensues when the real boss escapes from jail. A shoot-out ensues. ~ Sandra Brennan, All Movie Guide

In this drama, a woman is betrothed to a district attorney. When a man is falsely convicted of murder and condemned to death, the woman postpones her wedding to prove him innocent. She enlists the help of a former gangster and eventually succeeds in saving the innocent man's life. ~ Sandra Brennan, All Movie Guide

In this entry in the Jones family series, the father decides to run for mayor. Unfortunately, his own son gets his campaign off to a bad start when he prints a newspaper article quoting his father's nasty comments about the opponent word for word. This naturally causes political chaos on the home front and helps the rival candidate immensely. Eventually the mess is straightened out and the Jones family wins in the end. ~ Sandra Brennan, All Movie Guide

Frances Farmer plays the daughter of an honest and ethical newspaper publisher (Charlie Ruggles). She wants to become a reporter herself, but when her Dad refuses to give her an easy break, Frances goes to work for a rival "tell all" tabloid. Her irresponsible reporting causes a highly respected citizen to commit suicide, and also loses her the respect of her father. But when Frances gets "over her head" in tracking down a killer, her father comes to the rescue. Taking a bullet meant for his daughter, Ruggles dies in her arms, but not before advising her in how to report this late-breaking event: "Write it simply and clearly and keep the paragraphs short." ~ Hal Erickson, All Movie Guide

Based on fact, this turn-of-the-century crime drama stars Robert Taylor and Barbara Stanwyck (husband and wife at the time). Taylor plays a seemingly disreputable young man who joins a gang of murderous bank robbers, headed by Victor McLaglen. Stanwyck is a beer-hall entertainer, who disapproves of Taylor's activities and tries to reform him. She needn't bother: Taylor is in reality an undercover detective, on a top secret mission for President William McKinley. So anxious is Taylor to bring McLaglen to justice that he allows himself to be convicted of murder. The agent is confident that the president will keep him from hanging--but McKinley is assassinated before he can intervene. Stanwyck rescues Taylor by pleading his case with McKinley's successor, Teddy Roosevelt (Sidney Blackmer). The plot of This is My Affair was impressive enough to inspire at least one imitation: Night Riders, a 1939 Republic western wherein the martyred president who shares the hero's secret is James A. Garfield. ~ Hal Erickson, All Movie Guide

Larceny on the Air is a Republic B-plus picture "drawn from today's headlines." In this instance, the news event pounced upon was the mid-1930s Federal crackdown on patent-medicine quacks. Robert Livingston stars as a doctor who takes to the radio airwaves to campaign against cure-all charlatans. Livingston's mission is compromised when he falls in love with Grace Bradley, daughter of the medicine-racket ringleader. Somehow Larceny on the Air found the time to accommodate a musical number, "Sittin' on the Moon" (from the 1936 Republic picture of the same name). ~ Hal Erickson, All Movie Guide