Willard Robertson Movies

A New Year's baby, actor Willard Robertson grew up in Texas, where he became a successful lawyer. Reportedly he was offered an opportunity to become a federal judge, but he turned it down because of a sudden interest in acting. Since he looked the part of a prosperous attorney, however, Robertson frequently found himself playing a member of the very profession he'd left behind. The actor also showed up as sheriffs, mayors, city councilmen and stern father figures during his quarter-centry film career. While Preston Sturges buffs pinpoint Robertson's flamboyant defense attorney in Remember the Night? (1940) as his best performance, the actor is equally fondly recalled for his portrayal of Jackie Cooper's outwardly stern, inwardly loving father in Skippy (1931) and Sooky (1931). By the mid '40s, Willard Robertson's roles were usually of one scene's duration or less, but he still carried plenty of authority, notably as the sheriff in the grim The Ox-Bow Incident (1943); Robertson's icy remonstration to a lynch mob, "The Lord better have mercy on you...you won't get it from me," still chills the blood after fifty years. ~ Hal Erickson, All Movie Guide
1925  
 
Although Blanche Sweet was often busy making films with her then-husband Marshall Neilan, during 1925 and 1926, she also made several films for First National. This one is a melodrama of the sea in which she plays Molla Hansen, the daughter of the captain of an oil schooner (Bert Sprotte). Molla has made plans to marry Captain Rodney O'Malley (Robert Frazer) when she returns from a voyage with her father, but the ship burns at sea. She is saved by a lighthouse keeper who dies from his wounds, and in gratitude, she cares for the man's daughter, Pearl (Dorothy Sebastian). O'Malley, believing Molla to be dead, goes on a two-year voyage. Charley Watts (Alan Roscoe), a rum-runner, seduces Pearl, who tries to blame her pregnancy on an innocent man. Then she learns that Watts is married, and she turns on the gas in the lighthouse, hoping that the explosion will kill them both. It also nearly kills Molla, but O'Malley, returned from his trip, rescues her. This picture was adapted from the play by Willard Robertson. ~ Janiss Garza, All Movie Guide

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Starring:
Blanche SweetEdward Earle, (more)
1930  
 
In this western based on a novel by Zane Grey, Buck Duane (George O'Brien) is a cowboy who is forced to kill a man in an act of self-defense; the same man also took the life of Buck's father. However, the law isn't so sure Buck's motivations were pure, and Buck is forced to leave town one step ahead of the peace officers. Buck gets a chance to prove his good intentions when he helps protect a rancher who is being harassed by a gang of thugs, and also rescues his lady love, Ruth (Lucille Brown), from the same outlaws. However, Buck's brave actions do not come without retaliation -- and they also attract the attention of Lola (Myrna Loy), one of the hombre's molls. The Last Of The Duanes was filmed before in 1924 (with Tom Mix in the lead), and the story would hit the screen again in 1941, starring George Montgomery. ~ Mark Deming, All Movie Guide

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Starring:
George O'BrienMyrna Loy, (more)
1931  
 
Never one to hide his talent under a bushel basket, director Rouben Mamoulien proudly proclaimed that, while there were ten killings in his 1931 gangster drama City Streets, the audience never sees any of them. This was not the only innovation in this fascinating early talkie, in which straight-arrow movie hero Gary Cooper is cast as a racketeer known only as The Kid. He has chosen a life of crime out of love for Nan (Sylvia Sidney), the daughter of mob henchman Pop Cooley (Guy Kibbee). Eventually railroaded into prison by her crooked cohorts, Nan implores The Kid to give up the rackets, but he refuses. Things go downhill very rapidly after that, culminating with The Kid and Nan being taken "for a ride" by rival thugs. Cast in a role originally intended for Clara Bow, Sylvia Sidney does a magnificent job and was soon typecast as a downtrodden Depression victim, born with two strikes against her. Conversely, Gary Cooper never again played anything quite like "The Kid." ~ Hal Erickson, All Movie Guide

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Starring:
Gary CooperSylvia Sidney, (more)
1931  
 
Murder, blackmail and honor are the principal plot motivations of Silence. Clive Brook stars as Jim Warren, a gentleman thief who is sent to prison on a murder charge. Only after scores of plot twists and setbacks is the truth revealed: Warren is taking the rap for his old friend Phil Powers (Willard Robertson), who'd apparently killed blackmailing Harry Silvers (John Wray) rather than reveal the fact that Powers' foster daughter Norma (Peggy Shannon) is really Warren's illegitimate offspring. In a final surprise, it turns out that Powers was innocent as well! To reveal the true identity of the murderer would be to spoil the ending so cleverly set up by co-director Max Mercin, who penned the play upon which Silence was based. ~ Hal Erickson, All Movie Guide

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Starring:
Clive BrookMarjorie Rambeau, (more)
1931  
 
An eerie early-talkie mystery, Murder by the Clock spends most of its time in a cemetery. The matriarch (Blanche Frederici) of a wealthy family is haunted by the notion that she'll be buried alive. To avoid this contingency, she has a horn installed in the family mausoleum, to be activated in case she arises from her casket. The lady is murdered, and shortly after her internment the horn blows at regular intervals. Each time the horn is heard, the dead woman is seen wandering the cemetery, and each time one of her relatives winds up dead. These "supernatural" events are actually being orchestrated by a covetous family member (there's a large legacy involved of course), who uses the services of several homicidal confederates. Murder by the Clock was perhaps more frightening in 1931 than it is today, but a TV revival is long overdue. ~ Hal Erickson, All Movie Guide

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Starring:
William "Stage" BoydLilyan Tashman, (more)
1931  
 
In this actioner, a sleazy sea captain not only treats his crew terribly, he also steals a sailor's wife and child. He is so abusive to the woman that she dies. He then takes the child to raise as his own. In the end, the sailor from whom he stole secretly signs on board and exacts his revenge. ~ Sandra Brennan, All Movie Guide

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Starring:
Willard RobertsonSidney Bracey, (more)
1931  
 
In this drama, an eager-beaver cub reporter looking for the big scoop that will give him his big break is sent to interview a building contractor. While awaiting his interview, he eavesdrops upon as heated argument between the contractor and his ex-mistress who is about to tell the D.A. about his shady deals. This will destroy his budding political career. The dishonest contractor retaliates by killing the district attorney and having the girl kidnapped. More trouble ensues when the reporter implicates the wrong person in the shenanigans. His mistake is discovered, and he is fired. He then investigates the case on his own to find the real guilty party and free the kidnapped girl. ~ Sandra Brennan, All Movie Guide

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Starring:
Dorothy RevierRegis Toomey, (more)
1931  
 
Percy Crosby's popular newspaper comic strip Skippy comes to life in this 1931 film. Designed as a vehicle for Our Gang's Jackie Cooper -- then all of nine years old -- Skippy jettisons most of the trenchant cynicism of Crosby's creation (the strip was something of a 1930s Calvin and Hobbes) in favor of sentiment. Skippy, the son of the local health inspector (Willard Robertson) conspires with his best friend, Sooky (Robert Coogan), a poor kid, to raise enough money for a dog license. The mutt in question is eventually shot by the mean dogcatcher, and the effect on Skippy and Sooky (not to mention the audience) is devastating. The tragedy leads Skippy's dad to soften his disciplinarian stance and to draw closer to his son. Skippy was followed by an even more lachrymose sequel, Sooky, also released in 1931. Twenty-five years later, Jackie Cooper, by that time a prominent TV producer/director, tried to revive Skippy as a weekly series, with future My Three Sons co-star Stanley Livingston in the lead. ~ Hal Erickson, All Movie Guide

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Starring:
Jackie CooperRobert Coogan, (more)
1931  
 
This George O'Brien western is based on a novel by Max Brand, previously filmed as the 1920 Tom Mix vehicle The Untamed. Cast as devil-may-car Whistlin' Dan Barry, our hero rides into a passel of trouble in a wide-open town. Warned to leave the premises or else, Whistlin' Dan refuses to do so, sticking around long enough to whomp villain Jim Silent (Mitchell Lewis) and romance heroine Kate Cumberland (Louise Huntington). Fourth-billed George Brent would soon leave westerns in favor for the rarefied world of Warner Bros. soap operas. The 1937 20th Century-Fox programmer Fair Warning is not a remake. ~ Hal Erickson, All Movie Guide

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Starring:
Louise HuntingtonMitchell Harris, (more)
1931  
 
Originally titled Upper Underworld, The Ruling Voice stars Walter Huston as a powerful underworld chieftain who covers his crooked activities in a cloak of respectability. Cold-blooded in all business matters, Huston cares only for the welfare of his beloved daughter Loretta Young, whom he has been careful to shield from his criminal cohorts. When she learns the truth, Young angrily walks out of her father's life, a blow compounded when his "trusted" henchman Dudley Digges betrays him. In a last-ditch effort at redemption, Huston puts his own life on the line to rescue his daughter from her rival-gangster kidnappers. The final shot in The Ruling Voice is a gem, with the newspaper bearing the headline of Huston's downfall being used to wrap a dead fish. ~ Hal Erickson, All Movie Guide

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Starring:
Walter HustonLoretta Young, (more)
1931  
 
Sooky was the sequel to Paramount's smash-hit sentimental comedy Skippy; both films were based on characters created by comic strip artist Percy Crosby. Jackie Cooper is back as Skippy, with Robert Coogan (younger brother of Jackie Coogan) in the title role. Once again, Skippy is the mischievous kid from a comfortable family environment, while Sooky is the soot-faced urchin from the wrong side of the tracks. Sooky deftly blends comedy and tragedy, ranging from the comic complications ensuing when Skippy tries to help his city-employee father win an election (Willard Robertson), to the heartrending scenes involving the death of Sooky's mother (Helen Jerome Eddy). There is a reasonably happy ending, wherein Sooky is adopted by Skippy's dad. After Sooky, Jackie Cooper moved from Paramount to MGM, where he remained until he grew too old to be cute. ~ Hal Erickson, All Movie Guide

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Starring:
Jackie SearlWillard Robertson, (more)
1932  
 
Behind the Mask is a typically virile Jack Holt vehicle, with the hero at one point shooting himself in the arm to establish an alibi! Holt plays a federal agent named Hart who has himself planted in jail as a convict to get the goods on a drug syndicate. Befriending small-time gangster Henderson (Boris Karloff), Hart follows the trail of clues to unmask the head of the syndicate, who turns out to be the supposedly respectable Dr. Steiner (Edward Van Sloan). In the rip-roaring climax, Steiner prepares to perform an "operation" on Hart, gleefully informing his victim that his chances for recovery are next to nil. Because of the presence of Boris Karloff and Edward Van Sloan in the cast, Behind the Mask was included in Screen Gems' "Shock Theater" TV package, even though there's nothing really horrific in the film. ~ Hal Erickson, All Movie Guide

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Starring:
Jack HoltConstance Cummings, (more)
1932  
 
Bret Harte's story Salomy Jane's Kiss provided the basis for a play (by Paul Armstrong and a number of films, including 1932's Wild Girl. Set in the High Sierras at the end of the Civil War, the "wild girl" of the title is Salome Jane Clay (Joan Bennett). Rather tomboyish and determined, she isn't the vixen that the title suggests; as a matter of fact, she is upset and angry over a man who has tried to take liberties with her. A stranger Charles Farrell shows up, looking for the same man who has incurred Jane's enmity. Farrell has a score to settle, for this man ruined the life and reputation of Farrell's sister. He shoots him, then flees the town with Jane's help. They are pursued by numerous individuals; as they overcome various obstacles, they find themselves falling in love. ~ Craig Butler, All Movie Guide

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1932  
 
A semi-sequel to Tom Mix's 1932 Destry Rides Again, Rider of Death Valley finds Mix protecting the gold-mine claim of little Edith Fellows. Fellows' father has met his end at the hands of villain Fred Kohler. Kohler confronts Mix in the wastes of Death Valley, hoping to leave Mix to perish beneath the merciless sun. In a climax reminiscent of Erich Von Stroheim's Greed, both men struggle over a half-empty canteen of water, as leading lady Lois Wilson looks on helplessly. Rider of Death Valley was the second of silent western hero Tom Mix's talking features for Universal, though it was released fourth. ~ Hal Erickson, All Movie Guide

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Starring:
Tom MixLois Wilson, (more)
1932  
 
In this strange, convoluted tale, a hotel clerk ends up pregnant and alone after she has a brief fling with a wealthy playboy. Shortly after her daughter's birth, she hooks up with a criminal. She does not realize that the good-hearted bellboy with whom she works secretly loves her. When the criminal inadvertently involves her in a murder, an eager-beaver reporter, who also grows to lover her, hatches a clever scheme to save her and win her hand. ~ Sandra Brennan, All Movie Guide

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Starring:
Ann DvorakLee Tracy, (more)
1932  
 
Add I Am a Fugitive From a Chain Gang to QueueAdd I Am a Fugitive From a Chain Gang to top of Queue
Warner Bros.' hard-hitting chain-gang movie was a faithful adaptation of the similarly titled autobiography of Robert Elliot Burns. Paul Muni plays World War I veteran James Allen, whose plans of becoming a master architect evaporate in the cold light of economic realities. Flat broke, Allen is forced to pawn his war medals, which have become a glut on the market. When Allen is innocently involved in a restaurant holdup, the police don't buy his story that the robber (Preston S. Foster) had forced him to clean out the cash register, and Allen is sentenced to ten years on a chain gang. The brutal scenes that follow make the later chain-gang movie Cool Hand Luke (1967) look like a picnic in the country. Unable to stand any more, Allen escapes and heads to Chicago. Using an alias, he builds a new life for himself and within five years is the respected president of a bridge-building firm. His landlady (Glenda Farrell), learning about his past, forces Allen to marry her. When he falls in love with another girl (Helen Vinson) and asks for a divorce, his wife turns him over to the authorities. The real-life Robert Elliot Burns was still a fugitive when he wrote his exposé of the chain-gang system; the publication of Burns' book led to the abolishment of that system and an erasure of Burns' sentence. ~ Hal Erickson, All Movie Guide

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Starring:
Paul MuniGlenda Farrell, (more)
1932  
 
Two small-town youths head for the Big Apple and somehow get mixed up with mobsters during a visit to the title park in this episodic comedy drama filmed on location. ~ Sandra Brennan, All Movie Guide

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1932  
 
Inspired in part by the sensational Snyder-Gray murder case (which was also the source of The Postman Always Rings Twice), The Famous Ferguson Case casts an unflattering light on the journalist "feeding frenzy" attending such crimes. A wealthy banker named Ferguson is found murdered, and his bound-and-gagged wife (Vivienne Osborne) is rescued by the police. It appears at first that the murderer was an unknown burglar, but the cops think otherwise, hypothesizing that Mrs. Ferguson actually conspired with her lover Judd Brooks (Leon Waycoff, aka Leon Ames) to murder her husband. The small town where the murder occurred suddenly becomes the center of a media circus, with reporters from all over the country grasping and clawing for a "hot scoop." At first, hard-boiled girl reporter Maizie Dickson (Joan Blondell) is no better than the rest of the journalist jackals, but she soon becomes disillusioned at the manner in which the truth has been crushed to earth by her insensitive brethren. She also has her heart broken when her husband, likewise a reporter, uses his assignment as an excuse to sleep around. The relentless media blitz eventually drives Mrs. Ferguson (whose guilt or innocence is never completely established) to kill herself and also ruins the lives of everyone around her. Once considered a relic of its period, The Famous Ferguson Case grows more timely with each passing year. ~ Hal Erickson, All Movie Guide

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Starring:
Joan BlondellTom Brown, (more)
1932  
 
As indicated by its "catchphrase" title, Okay America is one of several early-1930s films based on the exploits of gossip columnist Walter Winchell. The big surprise here is that the Winchell counterpart is played not by W.W. look-alike Lee Tracy, as was usually the case, but by baby-faced Lew Ayres. Caring little how many lives he's destroyed in his pursuit of sensationalism, columnist Larry Wayne (Lew Ayres) is arguably the most-hated man on Broadway -- and in some circles, the most influential. Wayne sticks his nose in everyone's business, including Caponelike gangster Alsotto (Edward Arnold) and the grief-stricken family of a kidnapped girl (Margaret Lindsay). Motivated by his lust for power and publicity, Wayne offers to rescue the kidnap victim, and in so doing absolves himself of his past misdeeds -- but not soon enough to avoid the terrible vengeance of the unforgiving Alssoto, whom he has double-crossed along the way. Its downbeat ending intact, Okay America was effectively remade as Risky Business in 1939. ~ Hal Erickson, All Movie Guide

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Starring:
Lew AyresMaureen O'Sullivan, (more)
1932  
 
The 1932 Tom Mix western talkie Texas Bad Man has much in common with the sombre silent efforts by Mix's former rival William S. Hart. Lawman Mix deliberately cultivates a reputation as an outlaw in order to infiltrate a gang of thieves. What sets this one apart from most budget westerns of its period are the believable situations and three-dimensional characterizations. In particular, Willard Robertson as the head villain delivers a performance that under different circumstances might very well have earned him an Oscar nomination. Also worthy of praise is the cinematography, courtesy of longtime Tom Mix associate Daniel Clark. ~ Hal Erickson, All Movie Guide

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Starring:
Tom MixFred Kohler, (more)
1932  
 
This second of three film versions of Edna Ferber's novel So Big stars Barbara Stanwyck as Ferber's resilient heroine Selena Dejong Peake. Widowed early in the proceedings, Chicago truck farmer Selena sacrifices everything for her son Dirk (Dickie Moore as a child, Hardie Albright as a grown-up), living for the day that the boy will become a successful architect. But the callow Dirk breaks his mom's heart by becoming a bond salesman. Selena vows that Rolf Pool (Dick Winslow as a boy, George Brent as an adult) will not prove a similar disappoint to his parents, taking it upon herself to encourage Rolf's dreams to become a sculptor. Bette Davis plays a supporting role as Dallas O'Mara, a young artist who hopes to convince Dirk to fulfill his mother's dreams. Previously filmed in 1925 with Colleen Moore, So Big was remade in 1953 with Jane Wyman. ~ Hal Erickson, All Movie Guide

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Starring:
Barbara StanwyckGeorge Brent, (more)
1932  
 
The factual story of H.A.W. Tabor and "Baby Doe" was the inspiration of Silver Dollar. Edward G. Robinson plays the Tabor counterpart, a prospector who strikes it rich with a silver mine. Robinson establishes the city of Denver, strongarms his way into political power, buys every creature comfort he can get his hands on, and deserts his faithful wife (Aline McMahon) for a flashy younger woman (Bebe Daniels, playing the character based on Tabor's mistress "Baby Doe"). Robinson is ruined by the decline of the silver market, spending his last days in near-madness planning and dreaming for a return to his glory days. In real life, it was Baby Doe who went insane, living (and dying) in a tiny shack near the once-prosperous silver mine. Stodgily directed, Silver Dollar isn't nearly as surrealistic as the true story it's based on. ~ Hal Erickson, All Movie Guide

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Starring:
Edward G. RobinsonBebe Daniels, (more)
1932  
 
In this western, an eastern football star inherits the cattle ranch that paid his way through college. Unfortunately, he discovers that much of the fortune has been squandered by an avaricious cattle baron attempting to build an empire of his own. He is stopped by the masked outlaw, El Coyote, who is actually Don Bob in disguise. He and the footballer join forces to defeat the greedy cattle baron. More trouble ensues after the football player falls in love with the villain's daughter. ~ Sandra Brennan, All Movie Guide

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Starring:
George O'BrienConchita Montenegro, (more)
1932  
 
William Wyler directed this melodramatic story about a boy who, after growing up in the shadow of his father, learns the old man wasn't all he claimed to be. Tom Brown (played, as coincidence would have it, by an actor named Tom Brown) is a boy who has been struggling to help his mother keep body and soul together ever since the death of his father during World War I. The elder Brown died in combat when Tom was a baby, but her heroism earned him a posthumous Congressional Medal of Honor, and in tribute to his father a local American Legion post presents Tom with a full scholarship to attend the prestigious Culver Military Academy; while Tom has his doubts about his future as a soldier, he certainly understands the value of an education and accepts. However, its not until after he's enrolled at Culver that Tom learns the truth about his father -- "Doc" Brown (H.B. Warner) fled in the midst of battle, exchanging his identification with a dead soldier, and has been living the life of a coward ever since. Will Tom be able to restore the good name of the Brown family? Andy Devine, Sidney Toler, Slim Summerville and a young Tyrone Power highlight the supporting cast. ~ Mark Deming, All Movie Guide

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Starring:
Tom BrownH.B. Warner, (more)
1932  
 
Victor McLaglen and Edmund Lowe carry their pugnacious Quirt-and-Flagg relationship into the murder mystery genre in Paramount's Guilty as Hell. Actually, there's very little mystery involved, since the audience is informed at the outset that dignified Dr. Tindall (Henry Stephenson) is responsible for the death of his faithless wife (Claire Dodd). Carefully arranging the evidence, Tindall manages to convince the authorities that Mrs. Tindall's lover Frank Marsh (Richard Arlen) is the criminal. Detective McKinley (McLaglen) is ready to declare the case closed, but reporter Russell Kirk (Lowe), who's sweet on Marsh's sister Vera (Adrienne Ames), suspects there's more to the story than meets the eye. Likewise falling for Vera, McKinley grudgingly joins his friendly enemy Kirk in proving Frank's innocence and Tindall's guilt. Released in England as Guilty as Charged, this lightweight thriller was remade, with its delightful surprise ending intact, as Night Club Scandal (1937), with John Barrymore hamming his way through the Henry Stephenson part. ~ Hal Erickson, All Movie Guide

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Starring:
Edmund LoweVictor McLaglen, (more)

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