Stuart Robertson Movies

The 80-star cast of Forever and a Day would certainly not have been feasible had not most of the actors and production people turned over their salaries to British war relief -- a point driven home during the lengthy opening credits by an unseen narrator. The true star of the film is a stately old manor house in London, built in 1804 by a British admiral (C. Aubrey Smith) and blitzed in 1940 by one Adolf Hitler. Through the portals of this house pass a vast array of Britons, from high-born to low. The earliest scenes involve gay blade Lt. William Trimble (Ray Milland), wronged country-girl Susan (Anna Neagle), and wicked landowner Ambrose Pomfret (Claude Rains). We move on to a comic interlude involving dotty Mr. Simpson (Reginald Owen), eternally drunken butler Bellamy (Charles Laughton), and cockney plumbers Mr. Dabb (Cedric Hardwicke) and Wilkins (Buster Keaton). Maidservant Jenny (Ida Lupino) takes over the plot during the Boer War era, while the World War I sequence finds the house converted into a way-station for soldiers (including Robert Cummings) and anxious families (including Roland Young and Gladys Cooper). Finally we arrive in 1940, with American Gates Pomfret (Kent Smith) and lady-of-the-house Lesley Trimble (Ruth Warrick) surveying the bombed-out manor, and exulting over the fact that the portrait of the home's founder, Adm. Eustace Trimble (Smith), has remained intact -- symbolic proof of England's durability in its darkest hours. The huge cast includes Dame May Whitty, Edward Everett Horton, Wendy Barrie, Merle Oberon, Nigel Bruce, Richard Haydn, Donald Crisp, and a host of others -- some appearing in sizeable roles, others (like Arthur Treacher and Patric Knowles) willingly accepting one-scene bits, simply to participate in the undertaking. Seven directors and 21 writers were also swept up in the project. Forever and a Day was supposed to have been withdrawn from circulation after the war and its prints destroyed so that no one could profit from what was supposed to have been an act of industry charity. Happily for future generations, prints have survived and are now safely preserved. ~ Hal Erickson, Rovi

Roddy McDowall stars Hugh Aylesworth, as a well-bred English youth who is evacuated to America during the London blitz. Hugh moves into the home of Mr. and Mrs. Andrews (Don Douglas and Katherine Alexander), both of whom are charmed by their little guest's impeccable manners. Less charmed is the couple's own son Don (Freddie Mercer), who not only feels neglected, but considers Hugh a royal pain in the posterior. But Hugh proves himself a "regular guy" when he helps Hugh foil a particularly scabrous schoolyard bully (Stanley Clements). For reasons unknown, On the Sunny Side never seems to show up on TV, not even in the wee small hours. ~ Hal Erickson, Rovi

A Yank in the RAF is brash pilot Tim Baker (Tyrone Power), freshly arrived in London. Hoping to impress his nightclub-singer girlfriend Carol Brown (Betty Grable), Tim joins the Royal Air Force, immediately alienating everyone with his cockiness and "What the Hell?" attitude concerning the war. All this changes when Baker is obliged to fly under combat conditions, whereupon he shows what he's really made of. One of the most popular of the pre-Pearl Harbor "preparedness" films, A Yank in the RAF comes to an exciting conclusion, with actual newsreel footage of the evacuation of Dunkirk expertly matched with studio mockups. As a bonus, Betty Grable sings such catchy numbers as Another Little Dream Won't Do Us Any Harm. ~ Hal Erickson, Rovi

No, No, Nanette was the second film version of the popular Otto Harbach-Vincent Youmans Broadway musical. Though slightly updated, the basic plot remains the same, with heroine Nanette (Anna Neagle) entering into a financial arrangement whereby she must answer "No" to every question during a 24-hour period. It's all for the sake of her rogueish uncle (Roland Young), who's heavily in debt thanks to a gaggle of gold-digging chorines. Nanette's task is complicated by her romantic entanglements involving an artist (Richard Carlson) and a flashy theatrical producer (Victor Mature). The songs include "I Want to Be Happy", "Tea for Two" and the title number. Unlike the previous Neagle-RKO Radio-Herbert Wilcox collaboration Irene, No, No, Nanette fizzled at the box office. For many years, the film was withdrawn from circulation because of Warner Bros.' 1950 remake, the Doris Day vehicle Tea for Two. ~ Hal Erickson, Rovi

Anna Neagle repeats her role from the successful Victoria the Great (1937) as the domineering Queen Victoria in this slice-of-life melodrama on royalty and the upper classes. The 60 years of the title refers to Victoria's reign on the throne of England. ~ Mark Hockley, Rovi

In this British comedy, a millionaire deals with his wild son by cutting him off the family dole. To regain his father's trust, respect, and fortune, the errant son masquerades as a composer. Unfortunately, his father's rival presents an obstacle. ~ Sandra Brennan, Rovi

This period drama is based on the relationship between 18th-century British stage stars Peg Woffington and David Garrick. The story begins as Woffington leaves Dublin to be with her lover who is an aspiring actor. Unfortunately, by the time she arrives, he has found another, causing her to try her hand at acting which in turn gives her the chance to meet Garrick, a popular actor who becomes her mentor. Under his expert tutelage, she becomes a famous actress at the Drury Lane Theatre where they eventually fall in love. Unfortunately, Woffington has a weak heart and during a performance of Shakespeare's As You Like It collapses and dies soon afterward. Actually, Peg Woffington lived three years beyond the attack, but that isn't nearly as dramatic. ~ Sandra Brennan, Rovi