Kimmy Robertson Movies

Belle and the other characters from Disney's Beauty and the Beast return in this three-part story. Belle and the Beast learn a lesson about how to forgive and forget in "The Perfect Word"; a romantic evening takes a wrong turn -- down a step hill -- in "Fifi's Folly"; and the Beast gives a pet bird its freedom in "Broken Wing." ~ Mark Deming, Rovi

The groundbreaking and influential Twin Peaks series originally ran on the ABC network for the short time between April 1990 and June 1991. Created by film director David Lynch (Blue Velvet) and writer Mark Frost (Hill Street Blues), it gained an enormous following of viewers while challenging genre conventions and changing the standard of television programming. The story begins with Special Agent Dale Cooper (Kyle MacLachlan) of the FBI arriving in the small town of Twin Peaks, WA, to investigate the murder of a popular high school girl named Laura Palmer. When the first season ended without answering the pressing question of "Who killed Laura Palmer?", the loyal audience had to wait all summer until next season to find out. However, the series proved to be more than just an engaging soap opera or juicy murder mystery. The dark supernatural subject matter was offset by moments of absurd humor, and the haunting musical score from Angelo Badalamenti was well suited to the cinematically rendered images. The creators succeeded in blending a very human drama into a humorous and entertaining crime show against a small-town background of eccentric characters and places. Offering plenty of symbolism, the series became highly discussed for exposing the darkness underneath apple-pie America, among other issues. For a series that gains layers of meaning with repeated viewing, it was also accused of alienating casual viewers. Some of the audience just lost interest during the second season, after the central mystery was solved. Nevertheless, the eerie mood and unusual themes of Twin Peaks continue to influence numerous television series from Northern Exposure to The X-Files. A rebroadcast on the Bravo cable channel in the late '90s added the Log Lady opening introductions to each episode of the series. ~ Andrea LeVasseur, All Movie Guide

While visiting the beauty parlor, Peg (Katey Sagal) strikes up a conversation with Ginger (Elizabeth Keifer), a well-heeled woman who is obvious being kept in a manner to which Peg is unaccustomed. As Ginger describes the man in her life, Peg blanches: the description fits her own husband Al (Ed O'Neill) to a T. Elsewhere, a cosmetic catastrophe causes Marcy (Amanda Bearse) to emerge from the parlor with a Peg Bundy hairstyle! ~ Hal Erickson, Rovi

Everyone is a stereotypical extreme in this sometimes mean-spirited black comedy about the vicious staff at an orphanage, the garrulous punk kids who live there, and the pretentious overblown rich couple who adopt one of the orphans -- this is not a happy world. In the Bleeding Heart Orphanage, Sister Serene (Anne De Salvo) applies all the mental and emotional restrictions she can to her wild charges, while Kurtz (Murphy Dunne) applies the electric cattle prod. When one of the children (all around 10 years old, more or less) is adopted by Mr. and Mrs. Fitzpatrick (Martin Mull and Karen Black), his cohorts come to rescue him from the terrors of an upper-class Santa Barbara existence -- and subsequent mayhem ensues. With a low-brow, low-budget approach, the premises are obviously meant to key in to the slapstick characterizations, but for some viewers, even the comic moments may not assuage the meaner undertones of the film. ~ Eleanor Mannikka, Rovi

David Lynch's prequel to his cult television series "Twin Peaks" concerns the last seven days in the life of Laura Palmer (Sheryl Lee), whose plastic-wrapped corpse, found floating in a river, was the fulcrum for the television series. During the day in the town of Twin Peaks, Laura is a top honors student at the local high school. By night, she is a sex-crazed cokehead, prostituting herself at a sleazy sex club to get money to feed her drug habit. Her race to oblivion is fueled by her father, Leland (Ray Wise), who, as his alter ego Bob (Frank Silva), has been sexually abusing Laura since she was a child. But Laura has an attack of conscience when she realizes that she is leading her best friend Donna (Moira Kelly) down the same rocky road. Leland, however, discovers Laura's nocturnal debauchery when, during a business trip out-of-town, his mistress for a sexual tryst sets him up with his own daughter. In a fit of jealous rage, Leland follows Laura as she travels to a sex party in an abandoned railroad car. Consumed by insatiable longing, Leland transforms himself into Bob, with tragic results for Laura and her friends. ~ Paul Brenner, Rovi

Michael Ritchie's The Couch Trip follows a long line of Hollywood films (One Flew Over the Cuckoo's Nest, The Disorderly Orderly) in which the psychos are seen as saner than the psychiatrists. Charles Grodin plays Dr. George Maitlin, a pompous radio self-help guru, who is having his own personal mental breakdown. Maitlin's lawyer puts in a call to a Cicero, IL, mental facility and the telephone is answered by schizophrenic mental patient John Burns (Dan Aykroyd). Thinking Burns is a crony of Maitlin, Burns is offered the job of replacing Maitlin during his recovery. Of course, Burns accepts the job. Immediately jetted to Los Angeles, Burns meets panhandler Donald Becker (Walter Matthau) at the airport. While wearing the garb of a priest, Becker sounds off against the madness of societal conventions; Burns takes to him immediately and they become fast friends. When Burns assumes command of the airwaves in Maitlin's place, his words of wisdom are so obvious and commonsensical that he is an overnight sensation. Meanwhile, in London, where Maitlin is convalescing, he gets wind of Burns' success. With renewed vigor and outrage, Maitlin leaves his recovery room and hops on a plane back to Los Angeles in an effort to recover his radio show. ~ Paul Brenner, Rovi

Indications were that this action sequel was in trouble before production began, when the male lead from the first film, Keanu Reeves, declined a role in the follow-up. Sandra Bullock returns as Annie Porter, an accident-prone ditz who is thrilled when her boyfriend Alex (Jason Patric) presents her with two tickets for a cruise ship vacation to the Bahamas. The trip is a peace offering presented because Annie has just learned that Alex is a police officer who's been lying to her about his choice of profession. Little does the happy couple know that the disgruntled John Geiger (Willem Dafoe), designer of the ship's computer system, has plotted a violent takeover of the vessel and a diamond hijacking that puts everyone on board in mortal danger. Being the dashing police officer he is, Alex leaps into action and tries to stop Geiger, but not before the ship crashes at top velocity into a Caribbean port town. Sandra Bullock agreed to star in this flop of a sequel in order to get financial backing for a pet project, Hope Floats (1998), a low-budget drama that turned a healthy profit. ~ Karl Williams, Rovi

E.B. White's classic children's story is brought to the screen in this fantasy, which combines computer-animated characters with a cast of live actors. Mrs. Little (Geena Davis), Mr. Little (Hugh Laurie), and their son George (Jonathan Lipnicki) live in a brownstone near New York's Central Park. The Littles have decided to adopt a younger brother for George, and while they're meeting the children at an orphanage, they are greeted by a mouse named Stuart (voice of Michael J. Fox), who can talk, walk upright, wear clothes, and do nearly anything a human child can do. The Littles are so taken with Stuart that they decide to adopt him, and soon the rest of the family is just as charmed by Stuart -- with the possible exception of Snowbell (voice of Nathan Lane), their house cat. The cast of humans includes Jennifer Tilly, Bruno Kirby, and Dabney Coleman; animal voices are contributed by Chazz Palminteri and Steve Zahn, Jim Doughan, and David Alan Grier. ~ Mark Deming, Rovi

An average housewife (Susan Blakely) is transformed into a werewolf after being seduced by a stranger (John Saxon). Only her daughter and friend can save her from remaining an animal forever. ~ John Bush, Rovi

Beauty and the Beast is widely considered the best animated Disney feature of the studio's 1980s/1990s renewal of the form. Based on the classic French fairy tale, it tells the story of Belle (voiced by Paige O'Hara), an intelligent young woman scorned by her townspeople for being a bookworm, weary of fighting off the advances of the arrogant Gaston (Richard White), and dreaming of escape. When her father gets lost in the woods and captured by the forbidding Beast (Robby Benson), a once-handsome prince turned into a monster by a witch, Belle goes off to rescue him. Taken with her, the Beast agrees to release Belle's father if she agrees to stay with him forever. Initially repulsed, Belle soon finds much to appreciate in the Beast's hidden, tender nature. The Beast's servants -- a clock (David Ogden Stiers), a teapot (Angela Lansbury), and a candlestick (Jerry Orbach) -- see Belle as their salvation: if the Beast and a woman fall in love before his 21st birthday, he will be free from the curse. The songs are first-class, the tale is told with sincerity but not sentimentality, and the characters of Belle and the Beast, complex individuals who defy stereotyping and change over the course of the story, are more three-dimensional than in most live-action movies. The eye-popping animation is beautifully rendered, and Beauty and the Beast certainly deserves its place amongst Disney's animated classics. In 2002, a special 89-minute edition of the film was released in IMAX theaters with the addition of a newly animated song, ""Human Again."" ~ Don Kaye, Rovi