Dale Robertson Movies

A Day Of Fury stars Jock Mahoney as town marshal Alan Burnett, whose life is saved by a stranger he meets on the trail. His rescuer turns out to be Jagade (Dale Robertson), a gunslinger just returned after years away, who finds when he gets into town that he can't abide the peace that has been settled between "his" people (i.e. the saloon-keepers, gamblers, etc.) and the righteous, "respectable" folk. Jagade stirs up trouble by persuading the saloon owners to open on Sunday, which they'd voluntarily stopped doing years ago. Suddenly, the peace that had settled over the town is broken, and gambling and other vices that had been in check rise anew, drawing in many of the respectable townsmen and women in the process -- some of the men can't resist the lure of a good high-stakes poker game or a pretty woman, and even the spinster schoolteacher finds herself drawn to Jagade's dark charisma. An escalating cycle of vice and violence unfolds in barely 24 hours; Burnett won't back Jagade down, partly because the man has broken no laws and also partly due to his gratitude to the gunman for saving his life. None of the townspeople can comprehend his inaction, however, and this soon jeopardizes not only his job as marshal and his safety, but also the well-being of his fiancée, Sharmon Fulton (Mara Corday), who was a saloon girl before she was brought out of that life and given a home with a respectable family. Soon Jagade loses control of what he's started, and the town begins to destroy itself in a cycle of guilt, anger, betrayal, murder, suicide, and lynch law.
~ Bruce Eder, All Movie Guide

Anna may be from Brooklyn, but this medium-budget domestic drama was filmed and financed in Italy. The title character, played by Gina Lollobrigida, returns from Flatbush to her small village in Italy in search of a husband. Among her suitors are Dale Robertson and Vittorio DeSica, indicating that the producers were hoping to "click" in box-offices on both sides of the Atlantic. Anna finally chooses the Right Man, with plenty of time for "sampling" along the way. The English-language scenes in Anna of Brooklyn were directed by Reginald Denham, while the Italian sequences were helmed by Carlo Lasticati. The film was distributed in the US by Columbia (who bought the picture from RKO) under the title Fast and Sexy. ~ Hal Erickson, All Movie Guide

The original Broadway musical Call Me Mister was a plotless revue. By the time the property made it to the screen, however, a storyline was grafted on and much of the revue's funnier (and dirtier) material was weeded out. Betty Grable stars as an American USO entertainer Kay Hudson, touring the bases in postwar Japan. Somewhere along the way she crosses the path of former husband Shep Dooley (Dan Dailey). Despite the presence of ardent suitor Capt. Johnny Comstock (Dale Robertson), Dooley begins a campaign to win his wife back. They are reconciled during a climactic stage show, which affords ample opportunity for both Grable and Dailey to demonstrate their terpsichorean skills (Busby Berkeley handled the choreography). Cast as a GI who hates the army, Danny Thomas (a holdover from the Broadway production) does a truncated version of his own nightclub act. Specialty numbers are provided by the Dunhill dance team, and by an unbilled Bobby Short. ~ Hal Erickson, All Movie Guide

In the mid-1960s, Richard Todd starred in two British films based on Edgar Wallace's Sanders of the River. Coast of Skeletons was the sequel to Todd's earlier Death Drums Along the River. Playing insurance investigator Harry Sanders, Todd comes upon an insidious scheme to steal the valuables from the sunken ships insured by Sanders' firm. The mastermind behind the plan is one A. J. Magnus, played by the usually heroic Dale Robertson. Since we know from the get-go that Sanders will be triumphant, suspense is minimal in Coast of Skeletons. ~ Hal Erickson, All Movie Guide

Some good performances overcome the scripted cliches in Dakota Incident. In the tradition of Stagecoach, the film offers a disparate group of travellers whose lives are imperiled when their coach heads deep into Indian territory. Linda Darnell plays Amy Clarke, the requisite you-know-what with a heart of gold. Dale Robertson costars as hard-bitten outlaw John Banner, who is willing to let a fellow passenger, bank clerk Carter Hamilton (John Lund), take the fall for a recent robbery. Ward Bond is Senator Blakely, whose "live and let live" policy regarding the Indians is a smokescreen for his corrupt activities. Regis Toomey is the obligatory drunk, here named Minstrel. And Whit Bissell is Mark Chester, the seemingly mild-mannered greenhorn who reveals hidden reserves of strength when the going gets rough. A clue as to who will survive the inevitable Indian attack is offered by the order of billing in the opening credits of Dakota Incident. ~ Hal Erickson, All Movie Guide

Randolph Scott plays one of the members of Quantrill's Raiders, staging attacks on Kansas on behalf of the fallen Confederacy in the years following the Civil War. During one raid, Scott kills the man he holds responsible for the death of his brother. The dead man was innocent, and Scott becomes a fugitive from justice. Months later, he resurfaces as the marshal of a Kansas town, in which he routs a vicious gang with the help of another social outcast, Jesse James (Dale Robertson). Written by western "regular" Frank Gruber, Fighting Man of the Plains was one of a group of Randolph Scott oaters produced independently by Nat Holt and released through 20th Century-Fox. ~ Hal Erickson, All Movie Guide

Golden Girl is the life story (sort of) of legendary 19th-century American entertainer Lotta Crabtree. The daughter of a luckless gambler (James Barton), young Lotta (Mitzi Gaynor) supports herself and her dad by singing and dancing in mining camps during the California Gold Rush of 1849. She carries on her activities into Indian territory, where she saves her scalp by winning over her Native American audiences. During the Civil War, Lotta falls in love with a dashing Confederate spy (Dale Robertson), with whom she is briefly reunited in San Francisco before his inevitable demise. The finale is one of those "smiling through the tears" contrivances that always worked so well in musical films. Golden Girl was produced for 20th Century-Fox by entertainer George Jessel. ~ Hal Erickson, All Movie Guide

In this western, a sheriff attempts to exact his revenge against the desperadoes who cost him his job. The former lawman successfully gets rid of the bad hombres and clears his name. ~ Sandra Brennan, All Movie Guide

Twenty-one-year-old Anne Francis carries off the title-character duties in 20th Century-Fox's Lydia Bailey with class and finesse. Set in Haiti during the Napoleonic era, the film concerns aristocratic landholder Lydia Bailey and her more-than-professional relationship with American attorney Albion Hamlin (Dale Robertson). The idealistic Hamlin becomes involved in the Haitian uprising against the French, aligning himself with rebel leader--and former slave--King Dick (William Marshall). At first, Lydia sides with the French, but she eventually realizes that Hamlin's way is the right way. Based on a novel by Kenneth Roberts, Lydia Bailey was slated for TV presentation on NBC's Saturday Night at the Movies in 1963, but was pulled from the schedule because of a subplot involving miscegenation. ~ Hal Erickson, All Movie Guide

During the Korean War, Frank Fletcher, late husband of mystery writer Jessica Fletcher (Angela Lansbury), was forced to bail out of the "Dixie Damsel", a crippled C97 cargo plane. Now, 36 years later, the wreckage of the "Dixie Damsel" has been found--with the remains of a murdered man inside! An Air Force inquiry is established to determine if Frank Fletcher had committed murder, prompting Jessica to team up with her old friend, retired pilot Lee Goddard (Dale Robertson), to clear her husband's name and find out what really happened. ~ Hal Erickson, All Movie Guide

An old soldier, lying on his deathbed, whispers a clue to the location of a fortune in a Swiss bank, and it sets off an international mad dash to recover the $15 million. ~ All Movie Guide

Dale Robertson stars as Sam Crockett, a widowed rancher trying to make a go of his small spread with his father (Walter Brennan) and his two small sons. Financially strapped, Crockett is forced to go to work for nasty neighboring rancher Rod (Richard Boone). When Rod's sister-in-law Ann (Joanne Dru) falls in love with him, Crockett retreats, believing that no woman could ever measure up to his late wife. As the story progresses, however, it is Ann's love, coupled with the faith of his two supportive sons, which help Crockett persevere despite all roadblocks. Based on a novel by Fred (Old Yeller) Gipson, Return of the Texan is a western only in its setting; the film works better as a mood piece and character study. ~ Hal Erickson, All Movie Guide

This western offers one of Hollywood's more historically accurate accounts of the Battle of Little Big Horn. The story centers on a major in the cavalry who believes the Indians have the same rights as other Americans. Despite his efforts to stop Custer from embarking on his ill-fated mission, the general carries on. Later the major is court-marshaled for being a traitor and ends up sentenced to die. Fortunately, Sitting Bull sends a petition to the President and pleads for the good major's pardon. ~ Sandra Brennan, All Movie Guide