John H. Roberts Movies

Assembled by the reliable team of Frank Launder and Sidney Gilliat, London Belongs to Me stars Richard Attenborough as a young, full-of-beans boy looking for fun. Bursting into a staid, wearisome London neighborhood, Attenborough exhorts the others to get some kicks out of life. Unfortunately, his search for thrills gets him involved in a murder. Just when you think that the film is a dour "slice of life" drama, a new comic element is introduced as the locals start up a petition to release Attenborough from jail. The presence of Alastair Sim in the cast should have tipped us off that London Belongs to Me wasn't meant to be taken entirely seriously. The film was released in the US as Dulcimer Street. ~ Hal Erickson, All Movie Guide

The first of three well-received "omnibus" films hosted by Somerset Maugham, Quartet features four of Maugham's most celebrated stories, each introduced by the author himself. In "The Facts of Life," a seemingly innocent British youth (Jack Watling) is targeted for a shakedown by a beautiful adventuress (Mai Zetterling), while Basil Radford and Naunton Wayne perform their usual brilliant byplay. In "The Alien Corn," a young aristocrat (Dirk Bogarde) hopes to become a professional concert pianist. "The Kite" tells the story of a preoccupied inventor (George Cole) who places his hobbies ahead of his wife (Susan Shaw) as an indirect means of defying his dominating mother (Hermione Badderly). The film concludes with "The Colonel's Lady," wherein the title character (Nora Swinburne) embarrasses her stuffy husband (Cecil Parker) by publishing a torrid volume of romantic poetry. Each of the short tales in Quartet possesses its own mood, pace and rhythm, and each is a gem in its own right. The popularity of Quartet resulted in two more Maugham compendiums, Trio and Encore, not to mention the multistoried American film O. Henry's Full House. ~ Hal Erickson, All Movie Guide

Firmly in the fantasy groove previously plowed by such films as The Canterville Ghost and The Time of Their Lives is the 1947 British comedy The Ghosts of Berkeley Square. Robert Morley and Felix Aylmer play a pair of fatuous Colonel Blimp military types, whose efforts to shorten the war results only in getting the both of them killed. Summoned to a Heavenly court, Morley and Aylmer incur the wrath of Queen Anne. She orders them to haunt a mansion until they can prove themselves worthy of entering the Pearly Gates. For a film that practically no one has ever heard of, Ghosts of Berkeley Square is an embarrassment of riches in the casting department: among the British favorites appearing in the film are Martita Hunt, A.E. Mathews, James Hayter, Ernst Thesiger, and Wilfred Hyde-White. The film was based on the novel No Nightingales by Caryl Brahms and S.J. Simon. ~ Hal Erickson, All Movie Guide

Beneath the gay billows of the big-top seethes a veritable stewpot of illicit romance, false friends, rivalry and murder in this crime drama that contains the feature film debut of distinguished character actor Herbert Lom who plays a recently hired hypnotist who falls in love with a female trapeze artist, whose jealous partner is the brother of the circus owner. Desperately wanting the woman for himself, the new fellow mesmerizes the girl and suggests that she drop her partner during the next performance. She does, but the wicked hypnotist gets his comeuppance at the end. ~ Sandra Brennan, All Movie Guide

Released worldwide by 20th Century Fox, Carol Reed's The Young Mr. Pitt is a static but sincere filmed biography of 19th century British prime minister William Pitt Jr., here played by Robert Donat. Appointed to his office at the tender age of 24, Mr. Pitt spends most of his time in Parliament alerting his countrymen of the dangers posed by France's Emperor Napoleon (Herbert Lom, in his first English-speaking role). The Frank Launder-Sidney Gilliat screenplay works overtime drawing parallels between the Pitt-Napoleon conflict and the present crisis involving Great Britain and Nazi Germany. Various historical personages are impersonated by the likes of Phyllis Calvert, John Mills, and Robert Morley, with Morley stealing the show hands down. Like its thematic "twin" Penn of Pennsylvania, Young Mr. Pitt is lavishly produced, but suffers from pedantic speechifying and substandard special effects. ~ Hal Erickson, All Movie Guide

Dangerous Moonlight was the original British title for the wartime drama Suicide Squadron. Anton Walbrook plays a famed Polish composer who refuses to leave his homeland when the Nazis march in. His friends literally have to hoodwink him into leaving so that he will avoid extermination. Still anxious to avenge his countrymen, Walbrook joins a Polish air squadron headquartered in England. The film's romantic angle is personified by Sally Gray, an American newswoman whom Walbrook marries after a whirlwind courtship. The film itself is no better or worse than most others of its kind, but has remained etched in the collective memory of wartime filmgoers thanks to its omnipresent utilization of The Warsaw Concerto on the soundtrack. Financed by RKO Radio pictures, Dangerous Moonlight was distributed by Republic Pictures during the war years, though rights reverted to RKO in 1947. ~ Hal Erickson, All Movie Guide

Based on Monica Ewer's novel Ring O'Roses, the British musiccomedy He Found a Star is dominated by the thousand-watt personality of music hall favorite Vic Oliver. He's cast as Lucky Lyndon, a seedy but enthusiastic talent agent specializing in small-time variety acts. Lyndon spends the entire picture searching for the next "big star", never realizing that his secretary Ruth Cavour (played by Sarah Churchill, Winston's daughter) is madly in love with him. By the time he's figured out what's what, Lyndon has nearly come to grief trying to promote ungrateful nightclub songstress Suzanne (Evelyn Dall). An average subject at best, He Found a Star is distinguished by the creative cinematography of Oscar-winning lensman Ernest Palmer. ~ Hal Erickson, All Movie Guide

The Danish freighter Helvig approaches English waters in early 1940 and, in keeping with the needs of British security, it is boarded by customs and naval officials in search of contraband cargo. Her skipper, Captain Anderson (Conrad Veidt), is compelled to ascede to British demands, but dreads the delay, pointing out that the medical supplies in his cargo are vital. Anderssen is a dedicated seaman, all business, even where Mrs. Sorenson (Valerie Hobson), a headstrong passenger, is concerned. Then, on their first night in port, Mrs. Sorenson and a Mr. Pidgeon (Esmond Knight) disappear from the ship with Anderson's landing papers, the captain is in hot pursuit. Forced to join the woman in what seems a mad chase across London by night, he plunges into an Alice-in-Wonderland world of the blacked out city, following a set of clues through the maze of darkened streets and uncover a Nazi spy ring operating out of a basement in Soho. Each also discovers that there's a lot to admire and even possibly to love in the other -- the challenge is for Hobson, who is something other than the divorcee and mother she pretends to be, to stay alive long enough for Captain Anderson to effect a rescue and prevent the German spies from turning the British counter-intelligence effort against the Allies. ~ Bruce Eder, All Movie Guide

Filmed in lavish Technicolor and given Tiffany production values by producer Alexander Korda, the British comedy Divorce of Lady X is at base a trivial little farce, buoyed by the sprightly performances of star Merle Oberon and Laurence Olivier. Ms. Oberon plays a costume-party guest who is forced to stay in a hotel overnight due to inclement weather. There are no rooms available, so the management prevails upon handsome but stuffy lawyer Olivier to give up half of his suite to the lovely Oberon. After a chaste evening together, Olivier becomes obsessed with Oberon, deducing that her elusiveness is due to the "fact" that she is married. Actually, she is nothing of the kind, but when an old school chum (Ralph Richardson) comes to Olivier's office to arrange for a divorce, Olivier jumps to the conclusion that Oberon is his old friend's soon-to-be "ex". Based on Gilbert Wakefield's play Counsel's Opinion, Divorce of Lady X has become a familiar presence on cable TV because of its public domain status; less familiar is an earlier movie version of the Wakefield play, filmed in 1932 by director Allan Dwan. ~ Hal Erickson, All Movie Guide

In this drama, "The Rat" is the moniker for a notorious jewel thief whose life suddenly changes when a friend facing life imprisonment asks him to take care of his daughter. She does a good job of helping in the thief's home, but then a woman falls for him and throws her own boy friend out. The jilted lover decides to get revenge, goes to the Rat's home, and attempts to kidnap the young girl, who fights back so hard she kills him. The kindly thief then takes the rap for the murder, but at the last moment in court, the other woman appears and provides him with a real alibi causing the girl to go to prison. Fortunately, in lieu of the circumstances, she is given a light sentence. ~ Sandra Brennan, All Movie Guide

Another of the delightful Aldwych Theater farces, Pot Luck once again teams those flawless farceurs Tom Walls (who also directed) and Ralph Lynn. Walls is cast as retired Scotland Yard detective Patrick Fitzpatrick, who harbors a deep resentment for his pompous successor Reggie Bathbrick (Ralph Lynn). When a rash of art thefts breaks out in London, Fitzpatrick takes on the investigation himself, for the sole purpose of humiliating Bathbrick. As usual, Ben Travers' dialogue is chock full of familiar catch phrases, cleaned-up expletives and hilariously atrocious puns. Cast as Lynn's pretty daughter is Diana Churchill, in one of her first important screen roles. ~ Hal Erickson, All Movie Guide

His Hollywood career a thing of the past, director Herbert Brenon returned to his native England in 1934, where he continued making films until his retirement in 1940. Brenon's first project upon his arrival in London was the feature-length documentary Royal Cavalcade. Covering a 25-year period, the film is an encapsulation of the comings and goings of the British empire since the 1910 coronation of King George V. The highlights, drawn from the newsreel files of several English and European archives, include Captain Scott's arrival at the South Pole (and the tragic aftermath), the First World War, the Roaring 20s, and the Depression. Of special interest to show-biz buffs is the footage of the first Royal Command Performance at the Palace in 1911, featuring such matchless performers as Anna Pavlova and George Robey. ~ Hal Erickson, All Movie Guide