Ivor Roberts Movies

Set in sexually repressive 1950's London, We Think the World of You features actor Alan Bates as Frank, a gay middle-aged businessman whose lover Johnny (Gary Oldman) is married and in jail for burglary. While Johnny (Oldman) is behind bars, his beloved German shepard Evie becomes the center of a heated custody battle between himself, his wife (Frances Barber), his mother (Liz Smith), his stepfather (Max Wall), and finally, Frank (Bates). Frank eventually becomes more enamoured with the scene-stealing German shepard than he is with her absent master. We Think the World of You was directed by Colin Gregg and based on a semi-autobiographical novel by Joseph R. Ackerley, one of the first modern authors to come out as openly gay. ~ Tracie Cooper, All Movie Guide

This comedy was inspired by the true story of Cynthia Payne, a former waitress who gained fame as England's best-known (and best-liked) madame. Christine Painter (Julie Walters) is a working-class single mother who sub-leases a few inexpensive flats as a way of bringing in extra money. Christine has no particular interest in selling her body, but when she finds herself in a tight spot financially -- and notices that the prostitutes who rent her apartments are the only ones who consistently pay on time -- she decides to open a brothel. With the help of Shirley (Shirley Stelfox), an experienced prostie, and Morton (Alec McCowen), a former RAF commander with a fondness for women's undergarments, Christine opens a little place where elderly businessmen can indulge their fondness for kinky lingerie and being spanked by younger women. Soon Christine's business is booming and everyone is happy -- until the police pay her a visit. Personal Services was directed by Terry Jones, best known as a member of the Monty Python troupe; the real-life Cynthia Payne served as a technical advisor. ~ Mark Deming, All Movie Guide

A pair of British lads, one gay and one socialist, chafe at the restrictions of boarding school life in this period piece, which was adapted from Julian Mitchell's novel and play of the same name and loosely based on the Burgess-Maclean spy scandal of the 1950s. In the 1930s, upper-class scions Tommy Judd (Colin Firth) and Guy Bennett (Rupert Everett) are both nearing the end of their careers at an unnamed public school that bears a striking resemblance to Eton. Tommy, a Marxist intellectual, refuses to participate actively in the school's rigid social hierarchy. But Guy, when not mooning after pretty boys, angles for a position next term as one of the "gods," or master prefects, of his house. When a faculty member stumbles onto the homosexual fumblings of a pair of students, one boy commits suicide and a scandal erupts. The administration and senior students do their best to ensure nothing of this sort ever sullies their reputation again. Considering that homosexual experimentation is rampant and that Guy has slept with most of the prefects in his house, the strict new rules leave a bad taste in his mouth. They also put a damper on his Wildean lifestyle, especially after he falls hopelessly in love with James Harcourt (Cary Elwes), a dreamy boy from one of the other houses. Things come to a head when autocratic prefect Fowler (Tristan Oliver) intercepts a letter from Guy to James and sentences Guy to a savage beating. By film's end, Guy's complicity in the power games of the British class system has been challenged, and his friend Tommy's communist dogma has made a lasting impression; a framing device portrays Guy as an elderly former spy living in exile in Soviet Moscow. Another Country was shot at Cambridge, Oxford, and Althorp Hall (Princess Diana's childhood home) after the producers were denied permission to shoot at Eton. Everett and Firth both appeared in the original London theater production alongside Kenneth Branagh and Daniel Day-Lewis; on-stage, it was actually Firth who played Guy. For a more factual account of the Burgess-Maclean affair, see the TV movie An Englishman Abroad. ~ Brian J. Dillard, All Movie Guide

Walter Matthau plays a CIA agent who's been confined by office politics to a desk job. The disgruntled Matthau quits the service and heads to Europe, where he links up with former lover (an fellow ex-agent) Glenda Jackson. All goes smoothly until Matthau acts on the advice of yet another retired agent, Russian Herbert Lom, who suggests that Matthau write a tell-all autobiography. Spitefully, Matthau sends out copies of his first chapter to the heads of the CIA agencies throughout the world--and from that point on, he and Jackson don't have a moment's peace. This delights Matthau: now that all of his former colleagues are chasing after him, he has a reason to get up in the morning. As written by Brian Garfield, Hopscotch was a conventionally serious espionage novel. As adapted for the big screen by Garfield and Bryan Forbes, Hopscotch is a lively exercise in cloak-and-dagger comedy, even when the pursuit of Matthau turns deadly towards the end. ~ Hal Erickson, All Movie Guide

Based on a novel by David Garnett, Sailor's Return is a British Victorian-era domestic drama, with plenty of domesticity and precious little drama. Tom Bell stars as a sailor who returns to his home village with his new bride (Shope Soleinde). The bride is black; the village is aghast. Struggling against the prejudice of the townsfolk and his own doubts about the wisdom of his union, Bell opens a pub. No distributor wanted to have anything to do with Sailor's Return, a dilemma due less to the film's subject matter than to its production ineptitudes. The film finally got its first showing on British television, two years after its completion. ~ Hal Erickson, All Movie Guide