Chuck Roberson Movies

John Frankenheimer's bizarre, satirical gangster film is not for all tastes but has acquired a minor cult following. Elderly mobster Edmond O'Brien hires a hitman (Richard Harris) to eliminate his rival (Bradford Dillman) in a dystopic setting of not-quite reality. There are albino alligators, skillful chase scenes, and Chuck Connors as a one-handed psycho who can fit various deadly weapons on his stumpy arm. None of it makes much sense, and mainstream viewers may end up scratching their heads in bewilderment, but fans of more esoteric films should find it a lot of fun. It would likely have ended up as a big hit on the drive-in circuit if it hadn't been directed by Frankenheimer, from whom most people expect better. ~ Robert Firsching, Rovi

Long before she became a TV cosmetic-commercial spokeswoman, Barbara Britton essayed the title role in Bandit Queen. Britton plays Lola, daughter of a American father and Spanish-aristocrat mother. When her parents are murdered, Lola forms an outlaw band, dedicated to reclaiming those portions of California illegally seized from her fellow Spaniards. She is aided in this endeavor by dashing bandit Joaquin Murietta (Philip Reed). The film really comes to life whenever Lola settles an argument by wielding her bull-whip! Bandit Queen was Lippert Studios' final release for 1950. ~ Hal Erickson, Rovi

John Wayne plays a lawman who has to deal with the problems of fatherhood in a big way in Cahill: United States Marshall. Wayne is J.D. Cahill, whose singular desire to track down law breakers strains his relationship with his two teenage sons --17-year-old Danny (Gary Grimes) and 12-year-old Billy Joe (Clay O'Brien). The film begins as Cahill is hot on the trail of a gang of outlaws. After the big showdown, he returns to town to discover that the local bank has been robbed. The sheriff and the deputy have been killed, and four bank robbers are imprisoned in the jail. He is stunned when he finds out that one of the robbers in jail is Cahill's son Danny. It seems that during Cahill's absence from home, his two sons have been enticed into a criminal life by nefarious outlaw Abe Fraser (George Kennedy). ~ Paul Brenner, Rovi

John Ford's last western film, Cheyenne Autumn was allegedly produced to compensate for the hundreds of Native Americans who had bitten the dust in Ford's earlier films (that was the director's story, anyway). Set in 1887, the film recounts the defiant migration of 300 Cheyennes from their reservation in Oklahoma territory to their original home in Wyoming. They have done this at the behest of chiefs Little Wolf (Ricardo Montalban) and Dull Knife (Gilbert Roland), peaceful souls who have been driven to desperate measures because the US government has ignored their pleas for food and shelter. Since the Cheyennes' trek is in defiance of their treaty, Captain Thomas Archer (Richard Widmark), who agrees with the Indians in principle, reluctantly leads his troops in pursuit of the tribe. While there was never any intention to shed blood, the white press finds it politically expedient to distort the Cheyennes' action into a declaration of war. Thanks to the cruelties of such chauvinistic whites as Captain Oscar Wessels (Karl Malden), the Cheyennes are forced to defend themselves--and whenever Indians take arms against whites in the 1880s, it's usually misrepresented as a massacre. Only the intervention of US secretary of the interior Carl Schurz (Edward G. Robinson) prevents the hostilities from erupting into wholesale bloodshed. Based on a novel by Mari Sandoz, Cheyenne Autumn is a cinematic elegy--not only for the beleaguered Cheyennes, but for John Ford's fifty years in pictures. It is weakest when arbitrarily throwing in a wearisome romance between Richard Widmark and pacifistic schoolmarm Carroll Baker, who out of sympathy for the Indians has joined them in their 1500-mile westward journey. When the Warner Bros. people decided that the film ran too long, they chopped out the wholly unnecessary but very funny episode involving a poker-obsessed Wyatt Earp (James Stewart). Contrary to popular belief, this episode was included in the earliest non-roadshow prints of Cheyenne Autumn; the scene was excised only when the film went into its second and third runs in 1966 (it has since been restored). ~ Hal Erickson, Rovi

At first glance, Cow Town seems to be a documentary, as an unseen narrator describes the changes made in the Old West by the advent of barbed wire. Before long, however, the audience is assured that this will be a typical Gene Autry western. Autry plays a ranch owner who incurs the wrath of his neighbors by placing barbed wire around his turf. The local cowboys are certain that the new "invention" will mean the end of their jobs, since there will no longer be a need for ranch hands to keep the cattle from roaming free. Feeding into these fears is a group of "concerned citizens," who turn out to be a band of cattle rustlers. Autry manages to round up the baddies, smooth the ruffled feathers of the cowboys, and sing several old favorites. The supporting cast includes Gail Davis, who'd later star in the Autry-produced TV series Annie Oakley, and ace stunt men Jock Mahoney and Ted Mapes. ~ Hal Erickson, Rovi

Of the many TV miniseries produced by Walt Disney for his various weekly anthologies of the '50s and '60s, only Tales of Texas John Slaughter came close to matching the "Davy Crockett" programs in popularity and longevity. Based on fact, the 17-episode saga of Texas Ranger-turned-rancher John Slaughter began with this 1958 episode, as Slaughter (played by future bestselling novelist Tom Tryon) rides into the Texas community of Friotown in 1870. Almost immediately, Slaughter is forced to kill two men in self-defense, whereupon he learns that the men had attacked him because they thought he was Texas Ranger Ben Jenkins (Harry Carey Jr.). Offered an opportunity to join the Rangers himself, Slaughter turns Jenkins down, preffering instead to set up a cattle ranch. Unfortunately, the murderous activities of outlaw boss Frank Davis (Robert Middleton) force Slaughter to forsake his peaceloving ways and slap on his shootin' irons. Originally telecast as part of the Walt Disney Presents anthology, this episode and the subsequent "Ambush at Laredo" were in 1960 edited together and released theatrically overseas as the "feature film" Texas John Slaughter. ~ Hal Erickson, Rovi

Having struck pay dirt with his 1958 western Rio Bravo, Howard Hawks more or less remade the picture twice in the 1960s. The first of these rehashes was El Dorado, with Rio Bravo star John Wayne back for more. Wayne plays a gunfighter who rides into El Dorado to link up with his old pal, sheriff Robert Mitchum ("It's the big one with the big two!" declared the film's advertisements). Wayne has turned down a job with evil land baron Ed Asner, who'd hoped to drive a family off the land that he needed for its water. That family, headed by R.G. Armstrong, is convinced that Wayne is working with Asner; when Armstrong's son Johnny Crawford dies, Wayne is held responsible, earning him a bullet in the spine from Crawford's sister Michele Carey. A year passes: Wayne returns to El Dorado, in the company of his new saddle pal James Caan. They find that Asner is still up to his old tricks, and that Mitchum has descended into alcoholism. Several plot twists and power shifts ensue, leading to the slam-bang climax, with the partially paralyzed Wayne, the newly crippled Mitchum (on crutches), and the concussion-suffering Caan battling together to stave off Asner's minions. The final long-shot, of Wayne and Mitchum limping off together arm-in-arm, is one of the most enduring images in the entire Hawks canon. If they loved it twice they'll love it thrice: in 1969, John Wayne and Howard Hawks teamed up for a third Rio Bravo derivation, Rio Lobo--which, like the first two films, was scripted by Leigh Brackett. Incidentally, that's famed artist Olaf Weighorst (whose paintings appear in the title sequence) in a cameo as the gunsmith. ~ Hal Erickson, Rovi

Cult hero Samuel Fuller wrote and directed this visually inventive western, which didn't fare well with American audiences but earned a potent reputation with European cineastes. Jessica Drummond (Barbara Stanwyck) is a despotic landowner who, with a posse of hired guns, has made herself the law of Cochise County, Arizona, with the weak-willed sheriff Ned Logan (Dean Jagger) knuckling under to her demands. One day, Griff Bonnell (Barry Sullivan), a one-time gunfighter turned United States Marshall, arrives with his brothers Wes (Gene Barry) and Chico (Robert Dix) to restore democratic law and order to Cochise County. Griff soon tangles with Drummond's brother Brockie (John Ericson), though Jessica is attracted to the new lawman, and Griff finds love with female gunsmith Louvenia Spangler (Eve Brent). Griff and Louvenia marry, but on their wedding day, Brockie murders Wes, and Griff, who takes pride in the fact that he has never fired his gun since becoming a marshal, must now break his vow of non-violence. ~ Mark Deming, Rovi

Technically a "B" western, Gun Belt is a notch or two above the norm. George Montgomery stars as former outlaw Billy Ringo, whose bank-robbing brother Matt (John Dehner) implicates him in a recent holdup. When Matt is killed in a shootout, Matt's son Chip (Tab Hunter) holds Billy responsible. When not trying to clear his name and patch up his family problems, Billy finds time to romance requisite leading lady Helen Westcott. The most tangible asset of Gun Belt is the superb Technicolor photography, courtesy of William Howard Greene. The film was one of several budget-conscious 1950s productions turned out by producer Edward Small for United Artists release. ~ Hal Erickson, Rovi

Paladin (Richard Boone) is hired to bring outlaw Bud McPhater (Ed Faulkner) to trial. Unfortunately, rumors persist that Bud's brother has died of diptheria. Before proceeding any further, Paladin, his prisoner and several other people are compelled to await confirmation of those rumors in the town of Soledad Crossing--whose citizens are violently opposed to being exposed to a possible diptheria epidemic. This is the final episode of Have Gun, Will Travel's fourth season. ~ Hal Erickson, Rovi

Chance Buckman (John Wayne) heads a team of international trouble shooters who travel around the world to put out oil fires. The dangerous profession has taken a toll on the marriage between Chance and Madelyn (Vera Miles), who leaves when she can no longer endure the stress of saying goodbye and fearing she will never see him again. With his faithful assistant Greg (Jim Hutton), the team is ready at a moments notice to race anywhere to extinguish the flames of oil fires raging out of control. Greg eventually falls for Chance's daughter, Tish (Katherine Ross), who shares her mother's concern over the dangers the men endure. Hellfighters received technical advising from famed oil-well fighter Red Adair and his assistants who provided excellent and credible information for the film and the pyrotechnic team headed by legendary special-effects expert Fred Knoth. ~ Dan Pavlides, Rovi

This dark, gloomy Western chronicles the shame and self-destruction of Bob Ford, the real-life James Gang member that murdered Jesse James for the reward money. In this fictionalized account, James (Reed Hadley) tends to Ford (John Ireland) after he is wounded during a heist. When Ford's longtime love, Cynthy (Barbara Britton), gains a new admirer, he decides that settling down and buying a farm is the only way to win her for himself. He learns that the governor issued a 10,000-dollar reward and amnesty for Jesse's murder, and, after some deliberation, shoots his savior in the back when the outlaw turns to straighten a painting. Neither the government nor Cynthy takes kindly to his treachery: Ford is jailed, collects only 500 dollars, and is dumped. He is reduced to re-enacting the infamous murder in a stage show, hearing a traveling minstrel sing about his dirty deed, and running from the would-be gunfighters that hope to kill the man who shot Jesse James. The film follows Ford's vain attempts to achieve redemption and win back Cynthia's heart. I Shot Jesse James suffered through several casting related problems. Producer Robert L. Lippert refused to hire Lawrence Tierney, director Fuller's first choice to portray Ford. Barbara Woodell replaced Ann Doran as Jesse James' wife only days before production. Lastly, casting director, Yolanda Molinari's, name was misspelled "Yolondo" in the film's opening credits, making many believe that she was a man. ~ Aubry Anne D'Arminio, Rovi

The Durango Kid rides again in Lightning Guns. As ever, the masked Durango (alias Steve Brandon) is played by Charles Starrett, who this time around is on the trail of a gang of cold-blooded killers. Rancher Dan Saunders (Edgar Dearing) is held responsible for the killings because of his opposition to a politically expedient dam project. Durango believes that Saunders is innocent, and he intends to prove it. Appearing in a secondary role is Jock O'Mahoney (later known as Jock Mahoney), who also doubles for Charles Starrett during many of the action scenes. Starrett's leading lady is Gloria Henry, whom couch potatoes of the 1950s will remember as Alice Mitchell on TV's Dennis The Menace. ~ Hal Erickson, Rovi