Rex Robbins

In this comedy, a woman discovers that it's impossible to get ahead in business without a man to guide her -- so she invents one. Laurel (Whoopi Goldberg) is an expert financial analyst with a top Wall Street brokerage; however, she keeps getting passed over for raises and promotions, and she's convinced that no one at her firm takes her seriously because she's a black woman. Frustrated, Laurel and her loyal assistant Sally (Dianne Wiest) open a new firm, but Laurel discovers that her fears were based firmly in reality: male clients don't want to take financial advice from women, especially women of color. So Laurel invents a white man, Robert S. Cutty, to be the firm's top adviser. Speaking on Cutty's behalf, Laurel passes along the fictional man's advice, which her new clients find to be quite sound, and when they stop by to see him, he always manages to be out of the office (and why wouldn't a man so successful be busy?). The ruse seems to work, and soon Laurel's business is going great guns, but an increasingly large number of her clients want to see Cutty face to face, which won't be easy to pull off. However, with the help of a drag queen, Laurel tries to remake herself into Cutty for a night in order to keep her firm afloat. The Associate was based on a novel by author Jenaro Prieto. ~ Mark Deming, All Movie Guide

Detectives Logan (Chris Noth) and Cerella (Paul Sorvino) swing into action when a Chinese-American honors student is killed. At first, it seems as though an Asian street gang was responsible for the killing. Then, more evidence comes to surface, leading to an intense scholarship competition and a dangerously ambitious family. ~ Hal Erickson, All Movie Guide

Bette Midler stars as Stella Claire, a working class, fun-loving barmaid in northern New York State. A brief affair with handsome Stephen Dallas (Stephen Collins) produces a daughter, Jenny (Trini Alvarado), who Stella insists upon raising alone, despite Dallas' marriage offer. As the years pass, Stella and Jenny are a happy pair. Stella gives up bartending to sell cosmetics, supported by her friend Ed (John Goodman), a bartender developing a crush on her and a problem with alcohol. Dallas has stayed involved with his beloved daughter from afar and is now a urologist in New York City, engaged to a book editor (Marsha Mason). As Jenny reaches adulthood, Stella becomes aware that life with her father would provide her daughter with opportunities that she'd never have otherwise, so she devises a painful, self-sacrificing scheme to drive Jenny from the nest. Although functional as a tearjerker, many of the themes in Stella simply don't make as much sense in a modern age of healthy, fractured families, muting the drama of the tale's earlier versions, specifically Stella Dallas (1937). ~ Karl Williams, All Movie Guide

Released at the height of his popularity on Family Ties and in the wake of Back to the Future and Teen Wolf, Michael J. Fox stars in this "country boy in the big city" comedy, directed by Herbert Ross. After making the move from Kansas to New York City, Brantley Foster (Fox) secures a job in the mailroom at his uncle's large corporation. Doffing any plans of working his way up the corporate ladder the old fashioned way, Brantley begins impersonating an executive to impress a high-ranking female co-worker, played by Helen Slater. Once his oversexed aunt enters the mix, Brantley finds himself juggling two identities, two jobs, and two women. ~ Matthew Tobey, All Movie Guide

Vituperative TV news anchor Kevin Keats (Chad Everett) descends upon Cabot Cove with a full camera crew and retinue in tow, there to produce an investigative report on a long-ranging crime ring. Though Jessica (Angela Lansbury) dislikes Kevin, she agrees to an on-camera interview as a favor to an old friend, Keats' employee Paula Roman (Kathleen Lloyd). Murder rears its ugly head when Keats is apparently blown to bits by a bomb planted on a boat that he had chartered from local sheriff Amos Tupper (Tom Bosley)--but that's only the tip of the iceberg so far as this mystery is concerned! ~ Hal Erickson, All Movie Guide

Sam Cooper (Steve Gutenberg) is an attaché in the U.S. State Department when, on the day before his wedding, a dying scientist hands him a formula that induces invisibility, and Sam finds himself fleeing with the maid of honor to escape both Russian and U.S. agents. Hotly pursued by everyone, Sam has to use the formula on himself, inviting a series of minor disasters. Critics have been unanimous in agreeing that this secret formula worked on the plot, the continuity, the pacing, and the acting -- making just about everything invisible and doing it in 3-D. The very decision to make a movie about an invisible man in 3-D should have warned of trouble ahead. ~ Eleanor Mannikka, All Movie Guide

In this quiet though not quite bland semi-autobiographical look at his formative years, director Charlie Loventhal has his main character Charlie (Tim Choate) enrolled in the film school of a small college. But while Charlie has aspirations of making comedies, his classmates and pretentious film professor are all into more avant-garde work. He also aspires to losing his virginity, but the woman of his dreams is not interested. He continues to strike out in spite of coaching from his lothario roommate, until a psychology professor sets him up with an older woman -- all as a part of a research project -- and Charlie, the guinea pig, finally becomes a man of experience. Meanwhile, he has made friends with Wendy (Wendy Fulton), another loner, and the two team up to try for the top prize at the school's annual film festival. ~ Eleanor Mannikka, All Movie Guide

Filmed in Vermont, The Man That Corrupted Hadleyburg is based on one of Mark Twain's more mysoginistic works. Mysterious stranger Robert Preston shows up in Hadleyburg, a town that prides itself upon the honesty and integrity of its leaders. Preston offers $40,000 in gold to the anonymous Hadleyburg citizen who, years earlier, had given Preston a handout and some valuable advice. The stranger sends letters to each of Hadleyburg's nineteen finest families, containing cryptic clues pointing to the identity of the beneficiary of the gold. Before the story is over, it becomes painfully clear that 18 of the town's "nineteeners" are willing to lie and deceive in order to claim the prize. Adapted by Mark Harris (who was compelled to sweat out 40 pages of the original story in order to make it "play" on TV), The Man That Corrupted Hadleyburg was first presented in tandem with a dramatization of William Faulkner's Barn Burning on PBS' American Short Story series; the program first aired on March 17, 1980. ~ Hal Erickson, All Movie Guide

D.H. Lawrence's autobiographical drama about his parents, The Widowing of Mrs. Holroyd, is performed in this 1974 production released by the Broadway Theatre Archive. The play involves a difficult marriage between a rough coal miner and his elegant wife in England right before WWI. Starring Geraldine Fitzgerald, Joyce Ebert, and Rex Robbins. ~ Andrea LeVasseur, All Movie Guide

Richard Roundtree cuts a startlingly new and powerful heroic figure as John Shaft, "the cat who won't cop out, when there's danger all about" in Gordon Parks' seminal action film, Shaft. John Shaft is a black private eye with a small office near Times Square. On his way there one day, he gets pumped for information by Lt. Victor Androzzi (Charles Cioffi), a friend of his on the police force, about something big going down in Harlem involving black crime kingpin Bumpy Jonas (Moses Gunn). Shaft can't help him and leaves, only to just miss being waylaid by two of Bumpy's strong-arm men at his office, one of whom ends up dead on the pavement eight floors or so below. Squeezed by the cops, who are holding a potential manslaughter arrest over his head, Shaft contacts Bumpy, who reveals that his teenage daughter, whom he's always kept away from his business, has been kidnapped. There's been no ransom demand and no clue as to who did it, and he wants Shaft to find the culprits, insisting that he start with a group of Harlem-based black militants led by Shaft's onetime friend Ben Buford (Christopher St. John). No sooner does he find Buford, holed up in a decaying part of Harlem, however, than his friend's comrades are mowed down by submachine gun fire, and Shaft and Buford barely escape. With Shaft angry and out for blood, everyone is forced to come clean -- Bumpy knows that it's the Mafia that kidnapped his daughter, as they want in on the Harlem drug trade that he controls; they're holding her somewhere else outside of Harlem, where his men are no good to him, which is why he wanted Shaft to hook up with Buford. Androzzi tells Shaft that a dozen Mob trigger men from out of town have been spotted in Greenwich Village. He doesn't know why they're there, but he does know that if fighting breaks out between Bumpy's men and the Mafia, it's going to look like a race war, and the whole city could erupt. Shaft doesn't like the way he's been manipulated, but he sees Androzzi's point -- he links the trigger men to the kidnapping and finds the girl, but loses her again, getting shot in the process. Even though he's wounded, Shaft heads for a final confrontation with the kidnappers, supported by Ben's friends in an armed assault on the building where they're holed up. ~ Bruce Eder, All Movie Guide