Pat Roach Movies

This film is a '90s version of the classic Robin Hood story, with Kevin Costner starring as the good-guy thief. Costner is joined in his efforts against the murdering Sheriff of Nottingham (Alan Rickman) by Morgan Freeman who plays a philosophizing Moor, and by Nick Brimble, who plays Little John (anything but little). After Robin barely survives a watery skirmish with Little John, the two become allies and Robin joins forces with Little John's band of robber thieves to overcome the evils of the dastardly Nottingham sheriff. ~ Rovi

The third installment in the widely beloved Spielberg/Lucas Indiana Jones saga begins with an introduction to a younger Indy (played by the late River Phoenix), who, through a fast-paced prologue, gives the audience insight into the roots of his taste for adventure, fear of snakes, and dogged determination to take historical artifacts out of the hands of bad guys and into the museums in which they belong. A grown-up Indy (Harrison Ford) reveals himself shortly afterward in a familiar classroom scene, teaching archeology to a disproportionate number of starry-eyed female college students in 1938. Once again, however, Mr. Jones is drawn away from his day job after an art collector (Julian Glover) approaches him with a proposition to find the much sought after Holy Grail. Circumstances reveal that there was another avid archeologist in search of the famed cup -- Indiana Jones' father, Dr. Henry Jones (Sean Connery) -- who had recently disappeared during his efforts. The junior and senior members of the Jones family find themselves in a series of tough situations in locales ranging from Venice to the most treacherous spots in the Middle East. Complicating the situation further is the presence of Elsa (Alison Doody), a beautiful and intelligent woman with one fatal flaw: she's an undercover Nazi agent. The search for the grail is a dangerous quest, and its discovery may prove fatal to those who seek it for personal gain. Indiana Jones and the Last Crusade earned a then record-breaking $50 million in its first week of release. ~ Tracie Cooper, Rovi

Though Willow was one of director Ron Howard's few box-office disappointments, it definitely deserves a second look. At once an epic celebration and a gentle spoof of the sword-and-sorcery genre, the film concerns the efforts by little person Willow Ufgood (Warwick Davis) to protect a sacred infant from the machinations of a wicked queen (Jean Marsh). One source book has assessed the picture as a combination of The Ten Commandments and Snow White. This is true enough, except that neither one of those properties offered such offbeat casting choices as Billy Barty and Jean Marsh. Executive producer George Lucas has (through the conduit of screenwriter Bob Dolman) added elements of his own Star Wars saga to the stew. The results are generally satisfactory, though the film is sometimes weighed down by too much plot, and the action sequences may not be suitable for very young children. Incidentally, this is the film where co-star Val Kilmer met his future wife Joanne Whalley. ~ Hal Erickson, Rovi

The second of the George Lucas/Steven Spielberg Indiana Jones epics is set a year or so before the events in Raiders of the Lost Ark (1984). After a brief brouhaha involving a precious vial and a wild ride down a raging Himalyan river, Indy (Harrison Ford) gets down to the problem at hand: retrieving a precious gem and several kidnapped young boys on behalf of a remote East Indian village. His companions this time around include a dimbulbed, easily frightened nightclub chanteuse (Kate Capshaw), and a feisty 12-year-old kid named Short Round (Quan Ke Huy). Throughout, the plot takes second place to the thrills, which include a harrowing rollercoaster ride in an abandoned mineshaft and Indy's rescue of the heroine from a ritual sacrifice. There are also a couple of cute references to Raiders of the Lost Ark, notably a funny variation of Indy's shooting of the Sherpa warrior. ~ Hal Erickson, Rovi

Indiana Jones (Harrison Ford) is no ordinary archeologist. When we first see him, he is somewhere in the Peruvian jungle in 1936, running a booby-trapped gauntlet (complete with an over-sized rolling boulder) to fetch a solid-gold idol. He loses this artifact to his chief rival, a French archeologist named Belloq (Paul Freeman), who then prepares to kill our hero. In the first of many serial-like escapes, Indy eludes Belloq by hopping into a convenient plane. So, then: is Indiana Jones afraid of anything? Yes, snakes. The next time we see Jones, he's a soft-spoken, bespectacled professor. He is then summoned from his ivy-covered environs by Marcus Brody (Denholm Elliott) to find the long-lost Ark of the Covenant. The Nazis, it seems, are already searching for the Ark, which the mystical-minded Hitler hopes to use to make his stormtroopers invincible. But to find the Ark, Indy must first secure a medallion kept under the protection of Indy's old friend Abner Ravenwood, whose daughter, Marion (Karen Allen), evidently has a "history" with Jones. Whatever their personal differences, Indy and Marion become partners in one action-packed adventure after another, ranging from wandering the snake pits of the Well of Souls to surviving the pyrotechnic unearthing of the sacred Ark. A joint project of Hollywood prodigies George Lucas and Steven Spielberg, with a script co-written by Lawrence Kasdan and Philip Kaufman, among others, Raiders of the Lost Ark is not so much a movie as a 115-minute thrill ride. Costing 22 million dollars (nearly three times the original estimate), Raiders of the Lost Ark reaped 200 million dollars during its first run. It was followed by Indiana Jones and the Temple of Doom (1985) and Indiana Jones and the Last Crusade (1989), as well as a short-lived TV-series "prequel." ~ Hal Erickson, Rovi

We prefer the original release title of Disney's A Spaceman in King Arthur's Court: Unidentified Flying Oddball. In this new twist on an old Mark Twain yarn, NASA scientist Dennis Dugan and his robot clone are whisked back in time to the days of King Arthur (Kenneth More). After performing several acts of "sorcery" with the state-of-the-art paraphernalia at his disposal, Dugan incurs the wrath of in-house magician Merlin (Ron Moody). Jim Dale costars as the most hyperkinetic Sir Mordred that you're ever likely too see. Previous versions of Twain's Connecticut Yankee in King Arthur's Court were filmed in 1921, 1931 and 1948; Spaceman in King Arthur's Court would be followed by an early-1990s TV adaptation of Connecticut Yankee starring The Cosby Show's Keshia Knight Pulliam, and by Disney's 1995 theatrical feature, A Kid in King Arthur's Court. ~ Hal Erickson, Rovi