John Bett Movies

In Roman Polanski's adaptation of Thomas Hardy's Tess of the D'Urbervilles, Nastassja Kinski plays Tess, a poor British peasant girl sent to live with her distant and wealthy relatives, the D'Urbervilles. Though Tess' father had hoped that the girl would be permitted a portion of the D'Urberville riches, he is in for a major disappointment: Tess' new housemates are not D'Urbervilles at all, but a social-climbing family that has bought the name. Tess won three Oscars, including a "Best Cinematography" statuette for the late Geoffrey Unsworth and his successor Ghislain Cloquet. The film also served to catapult Nastassja Kinski to stardom. ~ Hal Erickson, Rovi

The sophomore film of Scottish director Bill Forsyth was his first international hit, a typically quirky comedy set amongst colorful Scottish teenagers. Gregory (John Gordon Sinclair) is a normal, gangly, hormonally-challenged student who, like his pals, has begun to discover the charms of the opposite sex, particularly those of Dorothy (Dee Hepburn), the new girl in school and a talented soccer player. Dorothy joins the team, and Gregory instantly becomes smitten with her. Gregory's affections are a given in spite of the fact that Dorothy is a better player than most of the boys on the hapless team, and her presence inspires a great deal of angst and embarrassment. Gregory is prepared to go to humiliating lengths in order to win Dorothy's attention, but it doesn't quite work out as he anticipates. The winner of a BAFTA Award for Best Screenplay, Gregory's Girl was followed 18 years later by a sequel, Gregory's Two Girls (1999). ~ Karl Williams, Rovi

Sacred Hearts in one of the more trenchant of the "nun- bashing" films of the 1980s. Anna Massey plays the unbalanced Mother Superior in charge of a British convent during the war years. Through the rigid enforcement of her Spartanlike rules, Sister Massey puts her fellow nuns through the torments of the damned (are we mixing metaphors?). Her greatest crime is to refuse to acknowledge the doubts and fears of the novices in times of extreme crisis--such as the war itself. Sacred Hearts might be even more fascinating if it were double-featured with The Nun's Story--or The Sound of Music. ~ Hal Erickson, Rovi

The feature film debut of Scottish director Danny Boyle was a dark, hip, Generation X comedy about a trio of Edinburgh roommates whose narcissistic greed fuels murder and betrayal. Boisterous journalist Alex (Ewan McGregor), flirtatious doctor Juliet (Kerry Fox), and meek accountant David (Christopher Eccleston) possess very different personalities, but the roommates are bonded in mutual, self-absorbed cynicism. Seeking a fourth boarder to share the rent for their stylish flat, they cruelly dismiss several candidates before settling on Hugo (Keith Allen), whose air of detachment meets the roommates' standard of coolness. Hugo's reserve masks criminal involvement, however, as the roommates discover when they find him dead in bed from a drug overdose, with a valise containing enormous amounts of cash. Their nascent greed overwhelms them, and the trio dismembers and buries Hugo, stealing his money. Only David, who understands finance, seems to realize that someone's eventually going to seek out such a large sum. As both drug dealers and police get closer to figuring out the friends' secret, shy, nerdy David becomes violently paranoid, while Juliet's allegiance switches back and forth between her roommates. Boyle teamed subsequently with producer Andrew Macdonald and screenwriter John Hodge on several high-profile films. ~ Karl Williams, Rovi

Stephen Frears directed this comedy drama about an ugly duckling who's followed by a handful of suitors after maturing into a sexy swan. Tamara Drewe (Gemma Arterton) was born and raised in Ewedown, a quiet community on the outskirts of London dominated by a writer's colony run by Nicholas Hardiment (Roger Allam), a best-selling novelist who specializes in crime fiction, and his wife Beth (Tamsin Greig). When Tamara left Ewedown, she was a plain and awkward teenager, but when she returns home for the first time in years, the locals are surprised to discover that time (and a nose job) have turned her into an attractive and alluring woman, and she's gained a share of money and fame thanks to a successful newspaper column. Tamara has returned to Ewedown after the death of her mother in order to refurbish the family home and put it on the market. Before long, Tamara finds herself pursued by three men from her past -- Andy Cobb (Luke Evans), her former boyfriend who has been hired to help fix up the house; Ben Sergeant (Dominic Cooper), the swaggering drummer with a local indie rock band flirting with larger success; and Nicholas (Roger Allam), who is chronically unfaithful to his wife and sees an opportunity with the neighborhood girl who was infatuated with him in her teens. Tamara Drewe was adapted from the graphic novel of the same name by Posy Simmonds, which was in turn inspired by Thomas Hardy's novel Far From the Madding Crowd. ~ Mark Deming, Rovi