Julian Rivero Movies

Veteran film and Broadway star Miriam Hopkins appears as Gloria Davenport, a former movie queen who has taken her vows and reemerged as Sister Adelaide. Hoping to raise money for Convent San Tanco, Sr. Adelaide stages a benefit screening of one of her old silent movies. Unfortunately, the "politically incorrect" content of the film sparks a major crisis, which only Sr. Bertrille can solve. First broadcast on November 26, 1969, "Bertrille and the Silent Flicks" was scripted by Michael Morris, from a story by Leo Rifkin. ~ Hal Erickson, All Movie Guide

Director Serge Bourguignon coadapted the screenplay for The Reward from a novel by Michael Barrett. Efrem Zimbalist Jr., usually cast on the right side of the law, is here a fugitive from American justice hiding from a murder rap in Mexico. Zimbalist and his girlfriend Yvette Mimieux try to avoid those who'd like to collect the $50,000 dead-or-alive price on his head. Police chief Gilbert Roland captures Zimbalist alive, promising to divvy up the reward with his men. But the police officers greedily turn on each other, leaving the audience to sort out for themselves just who's the real "bad guy" hereabouts. ~ Hal Erickson, All Movie Guide

Cary Grant scored still another box-office smash with his 1958 vehicle Houseboat. Grant plays a widowed father who packs himself and his spoiled kiddies off to a ramshackle houseboat. Enter Sophia Loren, who is attempting to break loose from her tyrannical father's (Eduardo Cianelli) iron grip. She hires on as Grant's housekeeper and his children's governess. Though Grant struggles valiantly to maintain a "hands off" policy, he and Loren are billing and cooing by fadeout time--but not before plenty of reversals, recriminations and sitcom-style mishaps. As a bonus, the kids end up behaving like little angels (not surprising, since Loren has threatened from time to time to turn them into genuine angels if they don't toe the line). According to most sources, the on-screen romance between Cary Grant and Sophia Loren in Houseboat spilled over into their private lives as well, though Sophia put an end to this dalliance when she married Italian movie mogul Carlo Ponti. ~ Hal Erickson, All Movie Guide

George Stevens' sprawling adaptation of Edna Ferber's best-selling novel successfully walks a fine line between potboiler and serious drama for its 210-minute running time, making it one of the few epics of its era that continues to hold up as engrossing entertainment across the decades. Giant opens circa 1922 in Maryland, where Texas rancher Jordan "Bick" Benedict (Rock Hudson) has arrived to buy a stallion called War Winds from its owner, Dr. Horace Lynnton (Paul Fix). But much as Bick loves and knows horses, he finds himself even more transfixed by the doctor's daughter, Leslie Lynnton (Elizabeth Taylor), and after some awkward moments, she has to admit that she's equally drawn to the shy, laconic Texan. They get married and Leslie spends her honeymoon traveling with Jordan to his ranch, Reata, which covers nearly a million acres of Texas. Once there, however, she finds that she has to push her way into her rightful role as mistress of the house, past Bick's sister, Luz (Mercedes McCambridge), who can't accept her brother's marriage or the changes it means in the home they share. Also working around Reata is the laconic ranch hand Jett Rink (James Dean) -- from a family as rooted in Texas as the Benedicts but not nearly as lucky (or "foxy"), Jett is dirt-poor and barely educated at all, and he fairly oozes resentment at Bick for his arrogance, although Luz likes him and for that reason alone Bick is obliged to keep him on. One thing Jett does have in common with his employer is that he is in awe of Leslie's beauty; another is his nearly total contempt for the Mexican-Americans who work for them -- Jett and Bick may have contempt for each other, but either one is just as likely to dismiss the Mexican-Americans around them as a bunch of shiftless "wetbacks." Luz feels so threatened with a loss of power and control that she decides to assert herself with War Winds, yet another "prize" that Bick brought back from Maryland that resists her authority -- then decides to ride the stallion despite being warned that no one but Leslie is wholly safe on him, and spurs him brutally in an effort to break him, which ends up destroying them both in the battle of wills she starts.

After Luz's death, Jett learns that she left him a tiny piece of land for his own, on Reata, which he refuses to sell back to Bick, preferring to keep it for his own and maybe prospect for oil on it. Meanwhile, Leslie and Bick have their own problems -- Leslie can't abide the wretched conditions in which the Mexican families who work on Reata are allowed to live, taking a special interest in Mr. and Mrs. Obregon and their baby, Angel; but Bick doesn't want his wife, or any member of his family, concerning themselves with "those people." Leslie's humanity and her independence push their marriage to the limit, but Bick comes to accept this in his wife, and in four years of marriage they have three handsome children, a boy and two girls, and a loving if occasionally awkward home life. Meanwhile, Jett strikes oil on his land -- which he's named Little Reata -- and in a couple of years he's on his way to becoming the richest man in Texas, getting drilling contracts on all of the land in the area (except Reata) and making more money than the Benedicts ever saw from raising cattle. Bick is almost oblivious to the way Jett grows in power and influence across the years and the state, mostly because he's got his own family to worry about, including a son, Jordan III (Dennis Hopper), who doesn't want to take over the ranch from him, but wants instead to be a doctor; an older daughter, Judy (Fran Bennett), who wants to study animal husbandry and marry a local rancher (Earl Holliman) and start a tiny spread of her own; and a younger daughter, Luz (Carroll Baker), who's just a bit man-crazy and star-struck by the movies.

The American entry into the Second World War and the resulting need for oil forces Bick to go into business with Jett and allow him to drill on Reata, and suddenly the Benedicts are wealthy enough to be part of Jett Rink's circle, which includes the governor of the state and at least one United States senator at his beck and call -- and Luz develops a serious crush on Jett, who likes his women young and is especially attracted to her, as Bick's and Leslie's daughter. Young Jordan marries Juana, a Mexican-American nursing student (Elsa Cardenas), and his father accepts it begrudgingly, with help from Leslie. The war kills Angel Obregon (Sal Mineo), a death that even affects Bick, but the Benedict family gets through it wealthier than ever and grows some more with the birth of Jordan IV to Jordie and Juana. When the family attends a gala opening of Jett Rink Airport, which concludes with a dinner honoring Jett's success, however, young Jordan's wife is humiliated by Jett's racist edicts, and he is beaten up by Jett's men after punching the oil baron. Seeing this, Bick challenges his old rival to the fight that's been brewing for a quarter of a century and wins by default, Jett being too drunk to defend himself or to hit; he's also too drunk to make the grand speech that was to climax the celebration, and he ends up alone in the ballroom. The Benedicts have it out with each other, young Jordan accusing his father of being as much a racist as Jett, and Leslie caught in the middle between her husband and her son. It looks like the Benedicts may lose each other, until an encounter with a racist diner owner forces Bick to stand up and get knocked down (more than once) defending his daughter-in-law and his grandson.

Seen today, Giant seems the least dated of any of James Dean's three starring films, in part because it addresses issues that remain relevant more than 50 years later, and also because it has the best all-around acting and the best script of any of the three. Taken in broader terms, it's even better, with two of the best performances that Elizabeth Taylor and Rock Hudson ever gave, and perhaps the second best of Hudson's whole career (after Seconds) -- the only unfortunate element at modern theatrical screenings is the tendency of younger viewers, who only know him in terms of the revelations late in his life of his being gay, to laugh and snicker at elements of Hudson's characterization; but his work is so good that the titters usually fade after the first 30 minutes or so. ~ Bruce Eder, All Movie Guide

Ray Milland made his directorial debut with the Republic western A Man Alone. Milland also starred in the film, playing fugitive gunslinger Wes Steele. While escaping a lynch mob, Steele stumbles onto an Arizona ranch that has been quarantined due to Yellow Fever. During his enforced stay, he falls in love with sheriff's daughter Nadine Corrigan (Mary Murphy), who is as much a "lost soul" as Steele. The only hope the lovers have for a happy future is Steele's exoneration, but this won't happen so long as crooked town banker Stanley (Raymond Burr) holds all the cards. A Man Alone did well enough to encourage future directorial efforts by Ray Milland, which included the well-paced espionager Lisbon and the above average sci-fi exercise Panic in the Year Zero! ~ Hal Erickson, All Movie Guide

The oft-filmed Zane Grey yarn The Vanishing American is given respectful treatment in this Republic "A" production. Eliminating Grey's premise that the American Indian's downfall was all part of Nature's scheme of things, the film begins in the late 19th century, with Scott Brady starring as Navajo protagonist Blandy. Embittered not only by deceitful whites but also by renegade Apaches, Blandy hopes to prevent further decimation of his people by stemming the activities of crooked Indian agent Blucher (Gene Lockhart) and duplicitious trader Morgan (Forrest Tucker). Blandy's allies include white landowner Marian Warner (Audrey Totter), whose open rangeland is dearly coveted by the nefarious Blucher and Morgan. Among the genuine Native Americans making cameo appearances are Jay "Tonto" Silverheels and Charles Stevens. ~ Hal Erickson, All Movie Guide

In this Western with curiously Shakespearean undertones, Matt Devereaux (Spencer Tracy) is a ranch owner who has tried to raise his sons to carry on the fierce, hard-working spirit that helped make him a success. However, as a consequence, he never learned to show them affection and treats his boys little better than the hired help. Joe (Robert Wagner), is Matt's son by Native American wife Señora (Katy Jurado). Because of Joe's mixed ethnicity, he is treated prejudicially by his three half-brothers, Ben (Richard Widmark), Mike (Hugh O'Brian), and Danny (Earl Holliman) -- all Caucasian sons of Matt's first wife. Joe loves his father and would do nearly anything for him, but his siblings resent Matt's emotional distance. When Matt discovers a nearby copper mine is polluting a stream where he waters his cattle, he becomes furious and leads a raid on the mine that causes the law to visit the ranch; the police have a warrant to arrest whoever was responsible for the attack. To spare his father the agony and humiliation of a stay behind bars, Joe claims responsibility and spends several years in prison. When he's released, he discovers that Ben and his other brothers rebelled against their father with such extremity that the old man suffered a fatal stroke. While Señora tries to persuade Joe not to seek revenge, Ben is more than willing to fight his brother for taking his father's side. Screenwriter Philip Yordan won an Academy Award for his work on Broken Lance, while Katy Jurado received a Best Supporting Actress nomination for her performance as Señora. ~ Mark Deming, All Movie Guide

Shadows of Tombstone is a fair-to-middling Rex Allen western. This time out, Rex and his sidekick Slim (Slim Pickens) try to prove that sheriff Webb (Emory Parnell) is a crook. Webb is in league with shady saloon-owner Mike (Roy Barcroft) and renegade bandit Delgado (Ric Roman), who hold the territory in thrall. Alas, Rex can't shoot the broad side of a barn at the beginning of the film -- but he learns, he learns! Jeanne Cooper, future soap-opera diva and the mother of TV-star Corbin Bernsen, does a neat job as the film's unconventional heroine. Stuck with a so-so script, director William Witney saves the day by keeping things constantly on the move. ~ Hal Erickson, All Movie Guide

Reporters Lois Lane (Phyllis Coates) and Jimmy Olsen (Jack Larson) show up in Peru, hoping to find an Incan treasure and thereby scoop their colleague Clark Kent (George Reeves). Unfortunately, the two intrepid newshounds stumble onto a cave being used by a particulary vicious gang of criminals. The upshot of all this is another "death trap" for poor Lois and Jimmy, obliging Clark to whip off his spectacles and morph into Superman for the last-minute rescue. ~ Hal Erickson, All Movie Guide

In this old-fashioned screwball comedy, Christy Sloane (Eleanor Parker) is a secretary with a large legal firm who is sent to California to inform Peter Lockwood (Fred MacMurray), an overly sentimental radio host, that he's just inherited $2 million. Christy is looking to raise her standard of living, and she gets an idea -- what if she woos Peter and gets him to marry her before telling him that he's a millionaire? Christy decides that it's worth a try, even though she soon learns that Peter is due to marry his fiancée June Chandler (Kay Buckley) in a matter of days. However, the wedding goes haywire when Dr. Roland Cook (Richard Carlson), Peter's best man, takes a flyer shortly before the ceremony. It seems that he's secretly in love with June, and he can't bear to see her marry anyone else, even his best friend. Peter takes off to find Roland, with Christy eagerly tagging along, but after the two are soaked by massive waves while driving along the coastline, they wind up at a wild party thrown by a large, overly-cheerful Mexican gentleman (Chris-Pin Martin) who has somehow decided that they're honeymooners and begins plying them with large amounts of tequila. After a few drinks, Christy begins to realize that she actually likes Peter for himself, not just his money, but where does this leave his almost-wedding to June? A Millionaire for Christy was directed by George Marshall, who would go on to helm a number of Jerry Lewis vehicles (including several with his sometimes-partner Dean Martin). ~ Mark Deming, All Movie Guide

Killer Shark was another of actor Roddy McDowall's self-produced film efforts for Monogram release. McDowall stars as Ted, the son of fisherman White (Roland Winters). Convinced that his college-bred son is too namby-pamby for the demands of his profession, White nonetheless allows Ted to accompany him on a dangerous shark-netting expedition. Proving an ineffectual seaman, the boy accidentally causes one of the crew to suffer a serious injury. Hoping to prove himself, Ted signs on with another fishing boat--only to fail again (McDowall didn't seem to be too concerned about projecting himself as a hero on-screen). Finally, Ted comes through by capturing a gang of shark thieves. Fans of director Oscar "Budd" Boetticher tend to write off Killer Shark as a training exercise. ~ Hal Erickson, All Movie Guide

Faith Domergue, the latest of Howard Hughes' protegees, made her film debut in 1950's Where Danger Lives. Domergue plays Margo Lannington the wife of Frederick Lannington (Claude Rains), an elderly millionaire possessed of a sadistic streak. Robert Mitchum co-stars as Jeff Cameron, a poor soul who falls in love with Margo without knowing that she's married. During a violent confrontation with the jealous Frederick, Cameron knocks the older man out and stumbles out of the room. Upon his return, he discovers that Frederick is dead. Margo had smothered her husband during Cameron's absence, but she insists that Cameron is the killer. The desperate lovers flee to Mexico, where Cameron at long last discovers that his travelling companion is more than a little unhinged. Masterfully directed by John Farrow, Where Danger Lives might have been one of the classic "film noirs," were it not for the acting deficiencies of Faith Domergue, who flounders in a role that Jane Greer could have played blindfolded. ~ Hal Erickson, All Movie Guide